Physical science began in the witch's kitchen. It now embraces the organic and inorganic worlds, and with the physiology of articulation and the theory of the senses, has even pushed its researches, at times impertinently, into the province of mental phenomena.
In short, we come to the understanding of much within us solely by directing our glance without, and vice versa. Every object belongs to both sciences. You, ladies, are very interesting and difficult problems for the psychologist, but you are also extremely pretty phenomena of nature. Church and State are objects of the historian's research, but not less phenomena of nature, and in part, indeed, very curious phenomena. If the historical sciences have inaugurated wide extensions of view by presenting to us the thoughts of new and strange peoples, the physical sciences in a certain sense do this in a still greater degree. In making man disappear in the All, in annihilating him, so to speak, they force him to take an unprejudiced position without himself, and to form his judgments by a different standard from that of the petty human.
But if you should ask me now why man has two eyes, I should answer:
That he may look at nature justly and accurately; that he may come to understand that he himself, with all his views, correct and incorrect, with all his haute politique, is simply an evanescent shred of nature; that, to speak with Mephistopheles, he is a part of the part, and that it is absolutely unjustified,
"For man, the microcosmic fool, to see Himself a whole so frequently."
FOOTNOTES:
ON SYMMETRY.
An ancient philosopher once remarked that people who cudgelled their brains about the nature of the moon reminded him of men who discussed the laws and institutions of a distant city of which they had heard no more than the name. The true philosopher, he said, should turn his glance within, should study himself and his notions of right and wrong; only thence could he derive real profit.
This ancient formula for happiness might be restated in the familiar words of the Psalm:
"Dwell in the land, and verily thou shalt be fed."
To-day, if he could rise from the dead and walk about among us, this philosopher would marvel much at the different turn which matters have taken.
The motions of the moon and the other heavenly bodies are accurately known. Our knowledge of the motions of our own body is by far not so complete. The mountains and natural divisions of the moon have been accurately outlined on maps, but physiologists are just beginning to find their way in the geography of the brain. The chemical constitution of many fixed stars has already been investigated. The chemical processes of the animal body are questions of much greater difficulty and complexity. We have our Mécanique céleste. But a Mécanique sociale or a Mécanique morale of equal trustworthiness remains to be written.
Our philosopher would indeed admit that we have made great progress. But we have not followed his advice. The patient has recovered, but he took for his recovery exactly the opposite of what the doctor prescribed.
Humanity is now returned, much wiser, from its journey in celestial space, against which it was so solemnly warned. Men, after having become acquainted with the great and simple facts of the world without, are now beginning to examine critically the world within. It sounds absurd, but it is true, that only after we have thought about the moon are we able to take up ourselves. It was necessary that we should acquire simple and clear ideas in a less complicated domain, before we entered the more intricate one of psychology, and with these ideas astronomy principally furnished us.
To attempt any description of that stupendous movement, which, originally springing out of the physical sciences, went beyond the domain of physics and is now occupied with the problems of psychology, would be presumptuous in this place. I shall only attempt here, to illustrate to you by a few simple examples the methods by which the province of psychology can be reached from the facts of the physical world--especially the adjacent province of sense-perception. And I wish it to be remembered that my brief attempt is not to be taken as a measure of the present state of such scientific questions.
* * * * *
It is a well-known fact that some objects please us, while others do not. Generally speaking, anything that is constructed according to fixed and logically followed rules, is a product of tolerable beauty. We see thus nature herself, who always acts according to fixed rules, constantly producing such pretty things. Every day the physicist is confronted in his workshop with the most beautiful vibration-figures, tone-figures, phenomena of polarisation, and forms of diffraction.
A rule always presupposes a repetition. Repetitions, therefore, will probably be found to play some important part in the production of agreeable effects. Of course, the nature of agreeable effects is not exhausted by this. Furthermore, the repetition of a physical event becomes the source of agreeable effects only when it is connected with a repetition of sensations.
An excellent example that repetition of sensations is a source of agreeable effects is furnished by the copy-book of every schoolboy, which is usually a treasure-house of such things, and only in need of an Abbé Domenech to become celebrated. Any figure, no matter how crude or poor, if several times repeated, with the repetitions placed in line, will produce a tolerable frieze.
Also the pleasant effect of symmetry is due to the repetition of sensations. Let us abandon ourselves a moment to this thought, yet not imagine when we have developed it, that we have fully exhausted the nature of the agreeable, much less of the beautiful.
First, let us get a clear conception of what symmetry is. And in preference to a definition let us take a living picture. You know that the reflexion of an object in a mirror has a great likeness to the object itself. All its proportions and outlines are the same. Yet there is a difference between the object and its reflexion in the mirror, which you will readily observe.
Hold your right hand before a mirror, and you will see in the mirror a left hand. Your right glove will produce its mate in the glass. For you could never use the reflexion of your right glove, if it were present to you as a real thing, for covering your right hand, but only for covering your left. Similarly, your right ear will give as its reflexion a left ear; and you will at once perceive that the left half of your body could very easily be substituted for the reflexion of your right half. Now just as in the place of a missing right ear a left ear cannot be put, unless the lobule of the ear be turned upwards, or the opening into the concha backwards, so, despite all similarity of form, the reflexion of an object can never take the place of the object itself.
The reason of this difference between the object and its reflexion is simple. The reflexion appears as far behind the mirror as the object is in front of it. The parts of the object, accordingly, which are nearest the mirror will also be nearest the mirror in the reflexion. Consequently, the succession of the parts in the reflexion will be reversed, as may best be seen in the reflexion of the face of a watch or of a manuscript.
It will also be readily seen, that if a point of the object be joined with its reflexion in the image, the line of junction will cut the mirror at right angles and be bisected by it. This holds true of all corresponding points of object and image.
If, now, we can divide an object by a plane into two halves so that each half, as seen in the reflecting plane of division, is a reproduction of the other half, such an object is termed symmetrical, and the plane of division is called the plane of symmetry.
If the plane of symmetry is vertical, we can say that the body is vertically symmetrical. An example of vertical symmetry is a Gothic cathedral.
If the plane of symmetry is horizontal, we can say that the object is horizontally symmetrical. A landscape on the shores of a lake with its reflexion in the water, is a system of horizontal symmetry.
Exactly here is a noticeable difference. The vertical symmetry of a Gothic cathedral strikes us at once, whereas we can travel up and down the whole length of the Rhine or the Hudson without becoming aware of the symmetry between objects and their reflexions in the water. Vertical symmetry pleases us, whilst horizontal symmetry is indifferent, and is noticed only by the experienced eye.
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