Part 43

"Bixby's Art Emporium" was a temple of such modest exterior that visitors were conscious of no special disappointment upon finding that there was, if possible, less of "art" than of "emporium" within. A couple of show-cases filled with agate and tiger-eye articles, questionable looking "gems," and the like; a table in the centre of the shop piled high with Colorado views of every description; here and there on the walls a poor water-color or a worse oil-painting; a desultory Navajo rug on a chair: these humble objects constituted the nearest approach to "art" that the establishment could boast. The distinctive feature of the little shop was the show-case at the rear, filled with books of pressed wildflowers; these, at least, were the chief source of income in the business, and therefore Marietta spent every odd half-hour in the manufacture of them. A visitor, when he entered, was apt to suppose that the shop was empty; for the black, curly head bent over the work at the window behind the back counter was not immediately discernible. It was a fascinating head, as the most unimpressionable visitor could not fail to observe when the tall figure rose from behind the counter,--fascinating by reason of the beautiful hair, escaping in soft tendrils from the confining knot; fascinating still more by reason of the perfect grace of poise. The face was somewhat sallow and very thin; care and privation had left their marks upon it. The mouth was finely modelled, shrewd and humorous; but it was the eyes, dark, and darkly fringed as those of a wood-nymph, that dominated the face; one had a feeling that here was where the soul looked out. To hear Marietta speak, however, was something of a disenchantment; her tone was so very matter-of-fact, her words so startlingly to the point. If the soul looked out at the eyes, the lips at least had little to say of it.

The visitor, if a stranger, had an excellent opportunity of making his observations on these points, for Marietta usually remained standing, in a skeptical attitude, behind the distant counter until he had shown signs of "business" intentions. She was very ready to stand up and rest her back, but she had no idea of coming forward to indulge an aimless curiosity as to the origin and price of her art treasures. An old customer, on the other hand, was treated with an easy good-fellowship so marked that only those who liked "that sort of thing" ever became old customers.

"Well, how's everything?" was the usual form of greeting, as the tall willowy figure passed round behind the counters and came opposite the new-comer.

"Did your folks like the frame?" would come next, if the customer chanced to have had a frame sent home recently. Marietta was agent for a Denver art firm, which framed pictures at a "reasonable figure"; or rather, Jim was the agent, and Jim being Marietta's husband, and too sick a man of late to conduct his business, did not have to be reckoned with.

In spite of the fact that she was generally known as "Mrs. Jim," many people forgot that Marietta had a husband, for he was never visible now-a-days. But Marietta never forgot, never for one single instant, the wasted figure in the easy chair at the window above the shop, the pale sunken face with the shining eyes, turned always toward the stairway the instant her foot touched the lower step. The look of radiant welcome that greeted her as often as her head appeared above the opening on a level with the uneven deal floor, that look was always worth coming up for.

She did not bring her work and sit upstairs with Jim, because there was but one small window in the dingy, slant-roofed loft, that served as bed-chamber, kitchen, and parlor, and she knew he liked to sit at the window and watch the panorama of the street below. The broad, sunny Springtown thoroughfare, with its low, irregular wooden structures, likely, at any moment, to give place to ambitious business "blocks"; with its general air of incompleteness and transitoriness brought into strong relief against the near background of the Rocky Mountains, was alive with human interest. Yet, singularly enough, it was not the cowboy, mounted on his half-broken bronco that interested Jim; not the ranch wagon, piled high with farm produce, women, and children; not even the Lame Gulch "stage,"--a four-seated wagon, so crowded with rough-looking men that their legs dangled outside like fringe on a cowboy's "shaps,"--none of these sights made much impression on the sick man at his upper window. The work-a-day side of life was far too familiar to Jim to impress him as being picturesque or dramatic. What he did care for, what roused and satisfied his imagination, was what was known in his vocabulary as "style." It was to the "gilded youth" of Springtown that he looked for his entertainment. He liked the yellow fore-and-aft buckboards, he enjoyed the shining buggies, especially when their wheels were painted red; dog-carts and victorias ranked high in his esteem. He knew, to be sure, very little about horses; their most salient "points" escaped him: he gave indiscriminate approval to every well-groomed animal attached to a "stylish" vehicle, and the more the merrier! It is safe to declare that he was a distinctly happier man from that day forward on which Mr. Richard Dayton first dazzled the eyes of Springtown with his four-in-hand.

This happened early in February and the day chanced to be a warm one, so that Jim's window was open. He was sitting there, gazing abstractedly at the Peak which rose, a great snowy dome, above Tang Ling's shop across the way. Jim seldom spoke of the mountains, nor was he aware of paying any special attention to them. "I ain't much on Nature," he had always maintained; and since Marietta admitted the same lack in herself there seemed to be nothing in that to regret. Yet it is nevertheless true that Jim had his thoughts, as he sat, abstractedly gazing at those shining heights, thoughts of high and solemn things which his condition brought near to him, thoughts which he rarely said anything about. To-day, as he watched the deep blue shadows brooding upon the Peak, he was wondering in a child-like way what Heaven would be like. Suddenly the musical clink of silver chains struck his ear, and the look of abstraction vanished. He had never heard those bridle chains before. Somebody had got something new! A moment more, and, with a fine rush and jingle, and a clear blast from the horn, the four-in-hand dashed by.

"Hurrah!" Jim cried huskily, as Marietta's foot trod the stair.

"I say, Jim! You seen 'em?"

She came up panting, for the stairs were very steep and narrow.

"Seen 'em? I rather guess! Wasn't it bully? Do you reckon they'll come back this way?"

"Course they will! Don't you s'pose they like to show themselves off? And the horn! did you hear the horn, Jim? I wonder if that's the way they sound in Switzerland!"

She came up and stood with her hand on Jim's shoulder, looking down into the street.

"And just to think of it, Jim!" she said, a moment later. "They say he's made lots of money right here in mines! If we was in mines we might have made some."

"More likely to lose it," Jim answered. He was not of the stuff that speculators are made of.

The shop-bell rang, and Marietta hurried downstairs, to spend ten minutes in selling a ten-cent Easter card; while Jim sat on, forgetting his burden of weakness and pain, and all his far-away dreams, in anticipation of the returning four-in-hand.

In Marietta, too, the jingle of the four-in-hand had struck a new key-note; her thoughts had taken a new turn. If Mr. Dayton had made money in mines why should not she and Jim do the same? They needed it far more than he did. To him it only meant driving four horses instead of one; to them it might mean driving one horse once in a while. It might even mean giving up the tiresome, profitless shop, and going to live in a snug little house of their own, where there should be a porch for Jim in pleasant weather and, for cold days, a sitting-room with two windows instead of one where she could work at her flower-books, while they planned what they should do when Jim got well. She sat over her pressed flowers, which she handled with much skill, while she revolved these thoughts in her mind. She was busy with her columbines, a large folio of which lay on a table near by. At her left hand was a pile of square cards with scalloped edges, upon which the columbines were to be affixed; at her right was a small glass window-pane smeared with what she called "stickum." As she deftly lifted the flowers, one by one, without ever breaking a fragile petal, she laid each first upon the "stickum"-covered square of glass and then upon the Bristol-board. She was skilful in always placing the flower precisely where it was to remain upon the page, so that the white surface was kept unstained. Then she further secured each brittle stem with a tiny strip of paper pasted across the end. She lifted a card and surveyed her work critically, thinking the while, not of the wonderful golden and purple flower, holding its beautiful head with as stately a grace as if it were still swaying upon its stem, but of the great "mining-boom" that was upon the town, and of the chances of a fortune.

Half-an-hour had passed since the shop-bell had last tinkled, and Marietta was beginning to think of making Jim a flying call, when she heard his cane rapturously banging the floor above. This was the signal for her to look out into the street, which she promptly did, and, behold! the four-in-hand had stopped before the door, a groom was standing at the leaders' heads, and the master of this splendid equipage was just coming in, his figure looming large and imposing in the doorway.

"Good morning, Mrs. Jim," he called before he was well inside the shop. "I want one of your ten-dollar flower-books."

Quite unmoved by the lavishness of her customer, Marietta rose in her stately way, and drew forth several specimens of her most expensive flower-book. Dayton examined them with an attempt to be discriminating, remarking that the book was for some California friends of his wife who were inclined to be "snifty" about Colorado flowers.

"That's the best of the lot," Marietta volunteered, singling out one which her customer had overlooked.

"So it is," he replied; "do it up for me, please."

This Marietta proceeded to do in a very leisurely manner. She was making up her mind to a bold step.

"Say, Mr. Dayton," she queried, as she took the last fold in the wrapping paper; "what's the best mine to go into?"

"The best mine? Oh, I wouldn't touch one of them if I were you!"

"Yes, you would, if you were me! So you might as well tell me a good one or I might make a mistake."

She held her head with the air of a princess, while the look of a wood-nymph still dwelt in her shadowy eyes, but words and tone meant "business."

"How much money have you got to lose?"