Part 4

Best of all he loved the resounding strings that could be twanged by the quill, or swept into a heavenly melody by the finger-tips, or throb beneath the strongly drawn bow. In all of these lay the secrets of the heart; in these Paul heard speak the bright dreams of the child, the vague hopes of growing boy or girl, the passionate desires of love, the silent loyalty of equal friendship, the dreariness of the dejected spirit, whose hopes have set like the sun smouldering to his fall, the rebellious grief of the heart that loses what it loves, the darkening fears that begin to roll about the ageing mind, like clouds that weep on mountain tops, and the despair of sinners, finding the evil too strong.

Best of all it was when all these instruments could conspire together to weave a sudden dream of beauty that seemed to guard a secret. What was the secret? It seemed so near to Paul sometimes, as if he were like a man very near the edge of some mountain from which he may peep into an unknown valley. Sometimes it was far away. But it was there, he doubted not, though it hid itself. It was like a dance of fairies in a forest glade, which a man could half discern through the screening leaves; but, when he gains the place, he sees nothing but tall flowers with drooping bells, bushes set with buds, large-leaved herbs, all with a silent, secret, smiling air, as though they said, "We have seen, we could tell."

Paul seemed very near this baffling secret at times; in the dewy silence of mornings, just before the sun comes up, when familiar woods and trees stand in a sort of musing happiness; at night when the sky is thickly sown with stars, or when the moon rises in a soft hush and silvers the sleeping pool; or when the sun goes down in a rich pomp, trailing a great glow of splendour with him among cloudy islands, all flushed with fiery red. When the sun withdrew himself thus, flying and flaring to the west, behind the boughs of leafless trees, what was the hidden secret presence that stood there as it were finger on lip, inviting yet denying? Paul knew within himself that if he could but say or sing this, the world would never forget. But he could not yet.

Then, too, Paul learned the magic of words, the melodious accent of letters, sometimes so sweet, sometimes so harsh; then the growing phrase, the word that beckons as it were other words to join it trippingly; the thought that draws the blood to the brain, and sets the heart beating swiftly--he learned the words that sound like far-off bells, or that wake a gentle echo in the spirit, the words that burn into the heart, and make the hearer ashamed of all that is hard and low. But he learned, too, that the craftsman in words must not build up his song word by word, as a man fetches bricks to make a wall; but that he must see the whole thought clear first, in a kind of divine flash, so that when he turns for words to write it, he finds them piled to his hand.

All these things Paul learnt, and day by day he suffered all the sweet surprises and joys of art. There were days that were not so, when the strings jangled aimlessly, and seemed to have no soul in them; days when it appeared that the cloud could not lift, as though light and music together were dead in the world--but these days were few; and Paul growing active and strong, caring little what he ate and drank, tasting no wine, because it fevered him at first, and then left him ill at ease, knowing no evil or luxurious thoughts, sleeping lightly and hardly, found his spirits very pure and plentiful; or if he was sad, it was a clear sadness that had something beautiful within it, and dwelt not on any past grossness of his own, but upon the thought that all beautiful things can but live for a time, and must then be laid away in the darkness and in the cold.

So Paul grew up knowing neither friendship nor love, only stirred at the sight of a beautiful face, a shapely hand, or a slender form; by a grateful wonder for what was so fair; untainted by any desire to master it, or make it his own; living only for his art, and with a sort of blind devotion to Mark, whom he soon excelled, though he knew it not. Mark once said to him, when Paul had made a song of some old forgotten sorrow, "How do you know all this, boy? You have not suffered, you have not lived!" "Oh," said Paul gaily, knowing it to be praise, "my heart tells me it is so."

Paul, too, as he grew to manhood, found himself with a voice that was not loud, but true--a voice that thrilled those who heard it through and through; but it seemed strange that he felt not what he made other men feel; rather his music was like a still pool that can reflect all that is above it, the sombre tree, the birds that fly over, the starry silence of the night, the angry redness of the dawn.

It was on one of his journeys with Mark that the news of Mistress Alison's death reached him. Mark told him very carefully and tenderly, and while he repeated the three or four broken words in which Mistress Alison had tried to send a last message to Paul--for the end had come very suddenly--Mark himself found his voice falter, and his eyes fill with tears. Paul had, at that sight, cried a little; but his life at the House of Heritage seemed to have faded swiftly out of his thoughts; he was living very intently in the present, scaling, as it were, day by day, with earnest effort, the steep ladder of song. He thought a little upon Mistress Alison, and on all her love and goodness: but it was with a tranquil sorrow, and not with the grief and pain of loss. Mark was very gentle with him for awhile; and this indeed did shame Paul a little, to find himself being used so lovingly for a sorrow which he was hardly feeling. But he said to himself that sorrow must come unbidden, and that it was no sorrow that was made with labour and intention. He was a little angered with himself for his dullness--but then song was so beautiful, that he could think of nothing else; he was dazzled.

A little while after, Mark asked him whether, as they were near at hand, he would turn aside to see Mistress Alison's grave. And Paul said, "No; I would rather feel it were all as it used to be!"--and then seeing that Mark looked surprised and almost grieved, Paul, with the gentle hypocrisy of childhood, said, "I cannot bear it yet," which made Mark silent, and he said no more, but used Paul more gently than ever.

One day Mark said to him, very gravely, as if he had long been pondering the matter, "It is time for me to take another pupil, Paul. I have taught you all I know; indeed you have learned far more than I can teach." Then he told him that he had arranged all things meetly. That there was a certain Duke who lacked a minstrel, and that Paul should go and abide with him. That he should have his room at the castle, and should be held in great honour, making music only when he would. And then Mark would have added some words of love, for he loved Paul as a son. But Paul seemed to have no hunger in his heart, no thought of the days they had spent together; so Mark said them not. But he added very gently, "And one thing, Paul, I must tell you. You will be a great master--indeed you are so already--and I can tell you nothing about the art that you do not know. But one thing I will tell you--that you have a human heart within you that is not yet awake: and when it awakes, it will be very strong; so that a great combat, I think, lies before you. See that it overcome you not!" And Paul said wondering, "Oh, I have a heart, but it is altogether given to song." And so Mark was silent.

Then Paul went to the Duke's Castle of Wresting and abode with him year after year. Here, too, he made no friend; he was gracious with all, and of a lofty courtesy, so that he was had in reverence; and he made such music that the tears would come into the eyes of those who heard him, and they would look at each other, and wonder how Paul could thus tell the secret hopes of the heart. There were many women in the castle, great ladies, young maidens, and those that attended on them. Some of these would have proffered love to Paul, but their glances fell before a certain cold, virginal, almost affronted look, that he turned to meet any smile or gesture that seemed to hold in it any personal claim, or to offer any gift but that of an equal and serene friendship. As a maiden of the castle once said, provoked by his coldness, "Sir Paul seems to have everything to say to all of us, but nothing to any one of us." He was kind to all with a sort of great and distant courtesy that was too secure even to condescend. And so the years passed away.

III

It was nearly noon at the Castle of Wresting, and the whole house was deserted, for the Duke had ridden out at daybreak to the hunt; and all that could find a horse to ride had gone with him; and, for it was not far afield, all else that could walk had gone afoot. So bright and cheerful a day was it that the Duchess had sent out her pavilion to be pitched in a lawn in the wood, and the Duke with his friends were to dine there; none were left in the castle save a few of the elder serving-maids, and the old porter, who was lame. About midday, however, it seemed that one had been left; for Paul, now a tall man, strongly built and comely, yet with a somewhat dreamful air, as though he pondered difficult things within himself, and a troubled brow, under which looked out large and gentle eyes, came with a quick step down a stairway. He turned neither to right nor left, but passed through the porter's lodge. Here the road from the town came up into the castle on the left, cut steeply in the hill, and you could see the red roofs laid out like a map beneath, with the church and the bridge; to the right ran a little terrace under the wall. Paul came through the lodge, nodding gravely to the porter, who returned his salute with a kind of reverence; then he walked on to the terrace, and stood for a moment leaning against the low wall that bounded it; below him lay for miles the great wood of Wresting, now all ablaze with the brave gold of autumn leaves; here was a great tract of beeches all rusty red; there was the pale gold of elms. The forest lay in the plain, here and there broken by clearings or open glades; in one or two places could be seen the roofs of villages, with the tower of a church rising gravely among trees. On the horizon ran a blue line of downs, pure and fine above the fretted gold of the forest. The air was very still, with a fresh sparkle in it, and the sun shone bright in a cloudless heaven; it was a day when the heaviest heart grows light, and when it seems the bravest thing that can be designed to be alive.

Once or twice, as Paul leaned to look, there came from the wood, very far away, the faint notes of a horn; he smiled to hear it, and it seemed as though some merry thought came into his head, for he beat cheerfully with his fingers on the parapet. Presently he seemed to bethink himself, and then walked briskly to the end of the terrace, where was a little door in the wall; he pushed this open, and found himself at the head of a flight of stone steps, with low walls on either hand, that ran turning and twisting according to the slope of the hill, down into the wood.

Paul went lightly down the steps; once or twice he turned and looked up at the grey walls and towers of the castle, rising from the steep green turf at their foot, above the great leafless trees--for the trees on the slope lost their leaves first in the wind. The sight pleased him, for he smiled again. Then he stood for a moment, lower down, to watch the great limbs and roots of a huge beech that seemed to cling to the slope for fear of slipping downwards. He came presently to a little tower at the bottom that guarded the steps. The door was locked; he knocked, and there came out an old woman with a merry wrinkled face, who opened it for him with a key, saying, "Do you go to the hunt, Sir Paul?" "Nay," he said, smiling, "only to walk a little alone in the wood." "To make music, perhaps?" said the old woman shyly. "Perhaps," said Paul, smiling, "if the music come--but it will not always come for the wishing."

As Paul walked in the deep places of the wood, little by little his fresh holiday mood died away, and there crept upon him a shadow of thought that had of late been no stranger to him. He asked himself, with some bitterness, what his life was tending to. There was no loss of skill in his art; indeed it was easier to him than ever; he had a rich and prodigal store of music in him, music both of word and sound, that came at his call. But the zest was leaving him. He had attained to his utmost desire, and in his art there was nothing more to conquer. But as he looked round about him and saw all the beautiful chains of love multiplying themselves about those among whom he lived, he began to wonder whether he was not after all missing life itself. He saw children born, he saw them growing up; then they, too, found their own path of love, they married, or were given in marriage; presently they had children of their own; and even death itself, that carried well-loved souls into the dark world, seemed to forge new chains of faith and loyalty. All this he could say and did say in his music. He knew it, he divined it by some magical instinct; he could put into words and sounds the secrets that others could not utter--and there his art stopped. It could not bring him within the charmed circle--nay, it seemed to him that it was even like a fence that kept him outside. He looked forward to a time when his art of itself must fade, when other minstrels should arise with new secrets of power; and what would become of him then?

He had by this time walked very far into the wood, and as he came down through a little rise, covered with leafy thickets, he saw before him a green track, that wound away among the trees. He followed it listlessly. The track led him through a beech wood; the smooth and shapely stems, that stood free of undergrowth, thickly roofed over by firm and glossy autumn foliage, with the rusty fallen floor of last year's leaves underfoot, brought back to him his delight in the sweet and fresh world--so beautiful, whatever the restless human heart desired in its presence.

He became presently aware that he was approaching some dwelling, he knew not what; and then the trees grew thinner; and in a minute he was out in a little forest clearing, where stood, in a small and seemly garden, enclosed with hedges and low walls and a moat, a forest lodge, a long low ancient building, ending in a stone tower.

The place had a singular charm. The ancient battlemented house, overgrown with ivy, the walls green and grey with lichens, seemed to have sprung as naturally out of the soil as the trees among which it stood, and to have become one with the place. He lingered for a moment on the edge of the moat, looking at a little tower that rose out of the pool, mirrored softly in the open spaces of the water, among the lily-leaves. The whole place seemed to have a wonderful peace about it; there was no sound but the whisper of leaves, and the doves crooning, in their high branching fastnesses, a song of peace.

As Paul stood thus and looked upon the garden, a door opened, and there came out a lady, not old, but well advanced in years, with a shrewd and kindly face; and then Paul felt a sort of shame within him, for standing and spying at what was not his own; and he would have hurried away, but the lady waved her hand to him with a courtly air, as though inviting him to approach. So he came forward, and crossing the moat by a little bridge that was hard by, he met her at the gate. He doffed his hat, and said a few words asking pardon for thus intruding on a private place, but she gave him a swift smile and said, "Sir Paul, no more of this--you are known to me, though you know me not. I have been at the Duke's as a guest; I have heard you sing--indeed," she added smiling, "I have been honoured by having been made known to the prince of musical men--but he hath forgotten my poor self; I am the Lady Beckwith, who welcomes you to her poor house--the Isle of Thorns, as they call it--and will deem it an honour that you should set foot therein; though I think that you came not for my sake."

"Alas, madam, no," said Paul, smiling too. "I did but walk solitary in the forest; I am lacking in courtesy, I fear; I knew not that there was a house here, but it pleased me to see it lie like a jewel in the wood."

"You knew not it was here, or you would have shunned it!" said the Lady Beckwith with a smile. "Well, I live here solitary enough with my daughters--my husband is long since dead--but to-day we must have a guest--you will enter and tarry with us a little?"

"Yes, very willingly," said Paul, who, like many men that care not much for company, was tenderly courteous when there was no escape. So after some further passages of courtesy, they went within.

The Lady Beckwith led him into a fair tapestried room, and bade him be seated, while she went to call upon her servants to make ready refreshments for him. Paul seated himself in an oak chair and looked around him. The place was but scantily furnished, but Paul had pleasure in looking upon the old solid furniture, which reminded him of the House of Heritage and of his far-off boyhood. He was pleased, too, with the tapestry, which represented a wood of walnut-trees, and a man that sate looking upon a stream as though he listened; and then Paul discerned the figure of a brave bird wrought among the leaves, that seemed to sing; while he looked, he heard the faint sound in a room above of some one moving; then a lute was touched, and then there rose a soft voice, very pure and clear, that sang a short song of long sweet notes, with a descant on the lute, ending in a high drawn-out note, that went to Paul's heart like wine poured forth, and seemed to fill the room with a kind of delicate fragrance.

Presently the Lady Beckwith returned; and they sate and talked awhile, till there came suddenly into the room a maiden that seemed to Paul like a rose; she came almost eagerly forward; and Paul knew in his mind that it was she that had sung; and there passed through his heart a feeling he had never known before; it was as though it were a string that thrilled with a kind of delicious pain at being bidden by the touch of a finger to utter its voice.

"This is my daughter Margaret," said the Lady Beckwith; "she knows your fame in song, but she has never had the fortune to hear you sing, and she loves song herself."

"And does more than love it," said Paul almost tremblingly, feeling the eyes of the maiden set upon his face; "for I heard but now a lute touched, and a voice that sang a melody I know not, as few that I know could have sung it."

The maiden stood smiling at him, and then Paul saw that she carried a lute in her hand; and she said eagerly, "Will you not sing to us, Sir Paul?"