Part 5

"Gentlemen," he said, "what is this quarrel? Lieutenant Patoff, I must beg you to remember that you are my guest as well as your brother's, and that the windows are open. Even the soldiers at the gates can hear your cries. Be good enough either to cease quarreling, or to retire to some place where you cannot be heard."

Without waiting for an answer, the old diplomat faced about and walked away.

"That is the beginning," said Paul, in a low voice. "You see what you are doing? You are ruining me,--and for what? Not even because you have a caprice for a woman, but merely because I have warned you not to make trouble."

Paul crossed the room and picked up the fallen cigarette case. Then he handed it to his brother, with a conciliatory look.

"There,--smoke a cigarette and be quiet, like a good fellow," he said.

The servant entered with the glass of water, and put it down upon the table. Glancing at the fragments of the mirror upon the floor, he looked inquiringly at his master. Paul made a gesture signifying that he might leave the room. The presence of the servant did not tend to pacify Alexander, whose face was still flushed with anger, as he roughly took the silver case and turned away with a furious glance. The servant had noticed, in the course of three weeks, that the brothers were not congenial to each other, but this was the first time he had witnessed a violent quarrel between them. When he was gone Alexander turned again and confronted Paul.

"You are insufferable," he said, in low tones.

"It is easy for you to escape my company," returned the other. "The Varna boat leaves here to-morrow afternoon at three."

"Set your mind at rest," said Alexander, regaining some control of his temper at the prospect of immediate departure. "I will leave to-morrow."

He went towards the door.

"Dinner is at seven," said Paul quietly. But his brother left the room without noticing the remark, and, retiring to his room, he revenged himself by writing a long letter to his mother, in which he explained at length the violence and, as he described it, the "impossibility" of his brother's character. He had all the pettiness of a bad child; he knew that he was his mother's favorite, and he naturally went to her for sympathy when he was angry with his brother, as he had done from his infancy. Having so far vented his wrath, he closed his letter without re-reading it, and delivered it to be posted before the clock struck seven.

He found Paul waiting for him in the sitting-room, and was received by him as though nothing had happened. Paul was indeed neither so forgiving nor so long-suffering as he appeared. He cordially disliked his brother, and was annoyed at his presence and outraged at his rashness. He felt bitterly enough that Alexander had quartered himself in the little pavilion for nearly a month without an invitation, and that, even financially, the visit caused him inconvenience; but he felt still more the danger to himself which lay in Alexander's folly, and he was not far wrong when he said that the ambassador's rebuke was the beginning of trouble. Accustomed to rely upon himself and his own wise conduct in the pursuance of his career, he resented the injury done him by such incidents as had taken place that afternoon. On the other hand, since Alexander had expressed his determination to leave Buyukdere the next day, he was determined that on his side the parting should be amicable. He could control his mood so far as to be civil during dinner, and to converse upon general topics. Alexander sat down to table in silence. His face was pale again, and his eyes had regained that simple, trustful look which was so much at variance with his character, and which, in the opinion of his admirers, constituted one of his chief attractions. It is unfortunate that, in general, the expression of the eyes should have less importance than that of the other features, for it always seems that by the eyes we should judge most justly. As a matter of fact, I think that the passions leave no trace in them, although they express the emotions of the moment clearly enough. The dark pupils may flash with anger, contract with determination, expand with love or fear; but so soon as the mind ceases to be under the momentary influence of any of these, the pupil returns to its normal state, the iris takes its natural color, and the eye, if seen through a hole in a screen, expresses nothing. If we were in the habit of studying men's mouths rather than their eyes, we should less often be deceived in the estimates we form of their character. Alexander Patoff's eyes were like a child's when he was peaceably inclined, like a wild-cat's when he was angry; but his nervous, scornful lips were concealed by the carefully trained dark brown mustache, and with them lay hidden the secret of his ill-controlled, ill-balanced nature.

When dinner was finished, the servant announced that the steam launch was at the pier, and that the embassy kavass was waiting outside to conduct them to Santa Sophia. Alexander, who wanted diversion of some kind during the evening, said he would go, and the two brothers left the pavilion together.

The kavass is a very important functionary in Constantinople, and, though his office is lucrative, it is no sinecure. In former times the appearance of Franks in the streets of Constantinople was very likely to cause disturbance. Those were the great days of Turkey, when the Osmanli was master of the East, and regarded himself as the master of the world. A Frank--that is to say, a person from the west of Europe--was scarcely safe out of Pera without an escort; and even at the present day most people are advised not to venture into Stamboul without the attendance of a native, unless willing to wear a fez instead of a hat. It became necessary to furnish the embassies with some outward and visible means of protection, and the kavass was accordingly instituted. This man, who was formerly always a Janizary, is at present a veteran soldier, and therefore a Mussulman; for Christians rarely enter the army in Constantinople, being permitted to buy themselves off. He is usually a man remarkable for his trustworthy character, of fine presence, and generally courageous. He wears a magnificent Turkish military dress, very richly adorned with gold embroidery, girt with a splendid sash, in which are thrust enough weapons to fill an armory,--knives, dirks, pistols, and daggers,--while a huge scimiter hangs from his sword-belt. When he is on active service, you will detect somewhere among his trappings the brown leather case of a serviceable army revolver. The reason of this outfit is a very simple one. The kavass is answerable with his head for those he protects,--neither more nor less. Whenever the ambassador or the minister goes to the palace, or to Stamboul, or on any expedition whatsoever, the kavass follows him, frequently acting as interpreter, and certainly never failing to impose respect upon the populace. Moreover, when he is not needed by the head of the mission in person, he is ready to accompany any member of the household when necessary. A lady may cross Stamboul in safety with no other attendant, for he is answerable for her with his life. Whether or not, in existing circumstances, he would be put to death, in case his charge were killed by a mob, is not easy to say; it is at least highly probable that he would be executed within twenty-four hours.

It chanced, on the evening chosen by Paul and Alexander for their visit to Santa Sophia, that no other members of the embassy accompanied them. Some had seen the ceremony before, some intended to go the next day, and some were too lazy to go at all. They followed the kavass in silence across the road, and went on board the beautiful steam launch which lay alongside the quay. The night was exceedingly dark, for as the appearance of the new moon terminates the month Ramazan, and as the ceremonies take place only during the last week of the month, there can, of course, be no moonlight. But a dark night is darker on the black waters of the Bosphorus than anywhere else in the world; and the darkness is not relieved by the illumination of the shores. On the contrary, the countless twinkling points seem to make the shadow in midstream deeper, and accidents are not unfrequent. In some places the current is very rapid, and it is no easy matter to steer a steam launch skillfully through it, without running over some belated fisherman or some shadowy caique, slowly making way against the stream in the dark.

The two brothers sat in the deep cane easy-chairs on the small raised deck at the stern, the weather being too warm to admit of remaining in the cushioned cabin. The sailors cast off the moorings, and the strong little screw began to beat the water. In two minutes the launch was far out in the darkness. The kavass gave the order to the man at the wheel, an experienced old pilot:--

"To the Vinegar Sellers' Landing."

The engine was put at full speed, and the launch rushed down stream towards Constantinople. Paul and Alexander looked at the retreating shore and at the lights of the embassy, fast growing dim in the distance. Paul wished himself alone in his quiet pavilion, with a cigarette and one of Gogol's novels. His brother, who was ashamed of his violent temper and disgusted with his brother's coldness, wished that he might never come back. Indeed, he was inclined to say so, and to spend the night at a hotel in Pera; but he was ashamed of that too, now that his anger had subsided, and he made up his mind to be morally uncomfortable for at least twenty-four hours. For it is the nature of violent people to be ashamed of themselves, and then to work themselves into new fits of anger in order to escape their shame, a process which may be exactly compared to the drunkard's glass of brandy in the morning, and which generally leads to very much the same result.

But Paul said nothing, and so long as he was silent it was impossible to quarrel with him. Alexander, therefore, stretched out his legs and puffed at his cigarette, wondering whether he should ever see the lady in the yashmak again, trying to imagine what her face could be like, but never doubting that she was beautiful. He had been in love with many faces. It was the first time he had ever fallen in love with a veil. The sweet air of the Bosphorus blew in his face, the distant lights twinkled and flashed past as the steam launch ran swiftly on, and Alexander dozed in his chair, dreaming that the scented breeze had blown aside the folds of the yashmak, and that he was gazing on the most beautiful face in the world. That is one of the characteristics of the true Russian. The Slav is easily roused to frenzied excitement, and he as easily falls back to an indolent and luxurious repose. There is something poetic in his temperament, but the extremes are too violent for all poetry. To be easily sad and easily gay may belong to the temper of the poet, but to be bloodthirsty and luxurious by turns savors of the barbarian.

Alexander was aroused by the lights of Stamboul and by the noise of the large ferry-boats just making up to the wooden piers of Galata bridge, or rushing away into the darkness amidst tremendous splashing of paddles and blowing of steam whistles. A few minutes later the launch ran alongside of the Vinegar Sellers' Landing on the Stamboul shore, and the kavass came aft to inform the brothers that the carriage was waiting by the water-stairs.

II.

There is probably no nation in the world more attached to religion, both in form and principle, than the Osmanli; and it is probably for this reason that their public ceremonies bear a stamp of vigor and sincerity rarely equaled in Christian countries. No one can witness the rites practiced in the mosque of Agia Sophia without being profoundly impressed with the power of the Mohammedan faith. The famous church of Justinian is indeed in itself magnificent and awe-inspiring; the vast dome is more effective than that of Saint Peter's, in proportion as the masses which support it are smaller and less apparent; the double stories of the nave are less burdened with detail and ornament, and are therefore better calculated to convey an impression of size; the view from the galleries is less obstructed in all directions, and there is something startling in the enormous shields of green inscribed in gold with the names of God, Mohammed, and the earliest khalifs. Everything in the building produces a sensation of smallness in the beholder, almost amounting to stupor. But the Agia Sophia seen by day, in the company of a chattering Greek guide, is one thing; it is quite another when viewed at night from the solitude of the vast galleries, during the religious ceremonies of the last week in the month Ramazan.

Paul and Alexander Patoff were driven through dark streets to a narrow lane, where the carriage stopped before a flight of broad steps which suddenly descended into blackness. The kavass was at the door, and seemed anxious that they should be quick in their movements. He held a small lantern in his hand, and, carrying it low down, showed them the way. Entering a gloomy doorway, they were aware of a number of Turks, clad mostly in white tunics, with white turbans, and congregated near the heavy leathern curtain which separates this back entrance from the portico. One of these men, a tall fellow with an ugly scowl, came forward, holding a pair of keys in his hand, and after a moment's parley with the kavass unlocked a heavily ironed door, lighting a taper at the lantern.

As they entered, both the brothers cast a glance at the knot of scowling men, and Alexander felt in his pocket for his pistol. He had forgotten it, and the discovery did not tend to make him feel more safe. Then he smiled to himself, recognizing that it was but a passing feeling of distrust which he experienced, and remembering how many thousands of Franks must have passed through that very door to reach the winding staircase. As for Paul, he had been there the previous year, and was accustomed to the sour looks of Mussulmans when a Frank visitor enters one of their mosques. He also went in, and the kavass, who was the last of the party, followed, pulling the door on its hinges behind him. During several minutes they mounted the rough stone steps in silence, by the dim light of the lantern and the taper. Then emerging into the gallery through a narrow arch, a strange sound reached them, and Alexander stood still for a moment.

Far down in the vast church an Imam was intoning a passage of the Koran in a voice which hardly seemed human; indeed, such a sound is probably not to be heard anywhere else in the world. The pitch was higher than what is attainable by the highest men's voices elsewhere, and yet the voice possessed the ringing, manly quality of the tenor, and its immense volume never dwindled to the proportions of a soprano. The priest recited and modulated in this extraordinary key, introducing all the ornaments peculiar to the ancient Arabic chant with a facility which an operatic singer might have envied. Then there was a moment's silence, broken again almost immediately by a succession of heavy sounds which can only be described as resembling rhythmical thunder, rising and falling three times at equal intervals; another short but intense silence, and again the voice burst out with the wild clang of a trumpet, echoing and reverberating through the galleries and among the hundred marble pillars of the vast temple.

The two brothers walked forward to the carved stone balustrade of the high gallery, and gazed down from the height upon the scene below. The multitude of worshipers surged like crested waves blown obliquely on a shingly shore. For the apse of the Christian church is not built so that, facing it, the true believer shall look towards Mecca, and the Mussulmans have made their mihrab--their shrine--a little to the right of what was once the altar, in the true direction of the sacred city. The long lines of matting spread on the floor all lie evenly at an angle with the axis of the nave, and when the mosque is full the whole congregation, amounting to thousands of men, are drawn up like regiments of soldiers in even ranks to face the mihrab, but not at right angles with the nave. The effect is startling and strangely inharmonious, like the studied distortions of some Japanese patterns, but yet fascinating from its very contrariety to what the eye expects.

There they stand, the ranks of the faithful, as they have stood yearly for centuries in the last week of Ramazan. As the trumpet notes of each recited verse die away among the arches, every man raises his hands above his head, then falls upon his knees, prostrates himself, and rises again, renewing the act of homage three times with the precision of a military evolution. At each prostration, performed exactly and simultaneously by that countless multitude, the air is filled with the tremendous roar of muffled rhythmical thunder, in which no voice is heard, but only the motion of ten thousand human bodies, swaying, bending, and kneeling in unison. Nor is the sound alone impressive. From the vaulted roof, from the galleries, from the dome itself, are hung hundreds of gigantic chandeliers, each having concentric rings of lighted lamps, suspended a few feet above the heads of the worshipers. Seen from the great height of the gallery, these thousands of lights do not dazzle nor hide the multitude below, which seems too great to be hidden, as the heavens are not hid by the stars; but the soft illumination fills every corner and angle of the immense building, and, lest any detail of the architecture and splendid music should escape the light, rows of little lamps are kindled along the cornices of the galleries and roof, filling up the interstices of darkness as a carver burnishes the inner petals of the roses on a huge gilt frame of exquisite design, in which not the smallest beauty of the workmanship can be allowed to pass unnoticed.

This whole flood of glorious illumination descends then to the floor of the nave, and envelops the ranks of white and green clothed men, who rise and fall in long sloping lines, like a field of corn under the slanting breeze. There is something mystic and awe-inspiring in the sight, the sound, the whole condition, of this strange worship. A man looks down upon the serried army of believers, closely packed, but not crowded nor irregular, shoulder to shoulder, knee to knee, not one of them standing a hair's breadth in front of his rank nor behind it, moving all as one body, animated by one principle of harmonious motion, elevated by one unquestioning faith in something divine,--a man looks down upon this scene, and, whatever be his own belief, he cannot but feel an unwonted thrill of admiration, a tremor of awe, a quiver of dread, at the grand solemnity of this unanimous worship of the unseen. And then, as the movement ceases, and the files of white turbans remain motionless, the unearthly voice of the Imam rings out like a battle signal from the lofty balcony of the mastaba, awaking in the fervent spirits of the believers the warlike memories of mighty conquest. For the Osmanli is a warrior, and his nation is a warrior tribe; his belief is too simple for civilization, his courage too blind and devoted for the military operations of our times, his heart too easily roused by the bloodthirsty instincts of the fanatic, and too ready to bear the misfortunes of life with the grave indifference of the fatalist. He lacks the balance of the faculties which is imposed upon civilized man by a conscious distinction of the possible from the impossible; he lacks the capacity for being contented with that state of life in which he is placed. Instead of the quiet courage and self-knowledge of a serviceable strength, he possesses the reckless and all-destroying zeal of the frenzied iconoclast; in place of patience under misfortune, in the hope of better times, he cultivates the insensibility begotten of a belief in hopeless predestination,--instead of strength he has fury, instead of patience, apathy. He is a strange being, beyond our understanding, as he is too often beyond our sympathy. It is only when we see him roused to the highest expression of his religious fervor that we involuntarily feel that thrill of astonishment and awe which in our hearts we know to be genuine admiration.