Part 9

“Well, I’ll be spokesman, and I’ll lie before I’ll go on that trip.”

I was boiling over with righteous wrath, but Cuthbert never was known to boil; he only simmered a little, but readily seconded my plan. We stopped at Kirby Corners, and there, secluded from view in the bushes, we spent the interval. Cuthbert had a watch, and by the light of the rising moon we were enabled to fix the full period for the trip. One hour and a half we allowed--an abundant limit. During this time I had completely “cooled off,” and had schooled myself to that point where I could tell a lie with a smooth face and a clear conscience. Accordingly, when the time came, we appeared at the door of the Tower. Mr. Snug was sitting in his accustomed place, and we entered and stood before him.

“Well, sir,” said he, with a polite bow of the head, dropping his paper and looking up at us.

“Mr. Snug, we have come to report,” said I, fearlessly. “We have been to Moody Barn.”

Instantly Mr. Snug straightened himself up in his chair, pushed back the gray locks from his high forehead, and, with an expression that I never shall forget, glared at me from under the frowning eyebrows.

“You lie, sir!” he exclaimed, in thundering tones that fairly made my hair stand on end, while Cuthbert trembled from head to foot; then followed a brief moment of consternation that seemed an age. “Now go!” continued he, as with an emphatic nod of the head he motioned toward the door. Sheepish and crest-fallen, we slunk away from the room. It is needless to say that we went this time. Through the darkness, by the aid of a lantern, we picked our way, as with theories numerous and ingenious we strove to account for that vociferous reception.

Late that night we held an experience meeting with Mr. and Mrs. Snug in the Tower, and if I remember right there were a few tears that fell, and many apologies and good resolves, and as the true state of the case dawned on Mr. Snug there was an evident twinge of regret on his kind face.

On the following morning (Saturday) there was a jolly party of youths leaving the Snuggery for a day’s boating at the lake. Dick Shin was among them; and just as he was passing out the gate, a youngster approaches him and taps him on the shoulder. “You are hereby arrested, sir, on the orders of Mr. Snug.”

With an anxious and innocent expression Dick follows his juvenile constable into the Tower, and his companions stroll along after to ascertain the cause of the detention. We pass over the brief but amusing trial, in which the prisoner, with the innocence of a little lamb, pleaded his cause.

“You stumbled, did you?” said Mr. Snug. “Well, you ought to know, sir, by this time that I don’t allow young men to stumble in that way in my house. These two boys have suffered through your admitted clumsiness.” Here Mr. Snug paused in a moment’s thought. “Dick Shin,” he continued, “I sent these innocent young gentlemen on two trips to Moody Barn--that makes four miles for Bigson and four miles for Harding, together making eight that they walked on your account. Now you may put down your fishing-pole, and ‘stumble’ along on the road to Judd’s Bridge, which will give you two extra miles in which to think over your sins. And to make sure”--here Mr. Snug arose and went to the closet--“you may take this hatchet along with you, and bring me back a good big chip from the end of the long bridge beam. I shall ride over that way to-morrow and see whether it fits. You understand?”

“Yes, sir,” replied the injured voice of Dick Shin. “But, Mr. Snug, can’t I put off that penance until Monday?”

“No, sir,” replied Mr. Snug, with a beaming smile and a bow of the head. “This is a lovely morning for contrite meditation. Go--instantly.”

Two hours later saw a demonstrative individual threatening to chop down the whole side of a bridge, while ten miles to the northward the placid surface of Waramaug rippled to the oars, and the lofty mountain-sides echoed with the shouts of a merry holiday.

* * * * *

But all things must have an end. The school-days ended, and so did this memorable vacation. A letter breaks the charm: insatiate publisher! Once more through the winding paths of the Housatonic, and I leave the loveliness of Hometown for the metropolis of brick and stone, there to resume the old routine.

AUTUMN.

I am sitting alone upon a wooded knoll at our old farm at Hometown. Above me a venerable oak holds aloft its dome of bronze-green verdure, and on either side the gnarled and knotty branches bend low, and trail their rustling leaves among the tufts of waving grass that fringe the slope around me.

It is a spot endeared to me from earliest memory, a loved retreat whose every glimpse beneath the overhanging boughs has left its impress, whose every feature of undulating field, of wooded mountain, and winding meadow-brook I have long been able to summon up at will before my closed eyes, as though a mirror of the living picture now before me. And what is this picture?

It is an enchanted vision of nature’s autumn loveliness--a vision of peace and tranquil resignation that lingers like a poem in the memory. It is a glorious October day, one of those rarest and loveliest of days when all nature seems transfigured, when a golden, misty veil swings from the heavens in a charmed haze, through which the commonest and most prosaic thing seems spiritualized and glorified. The summer’s full fruition is past and gone, the dross has been consumed; and in the lingering life, whose yielding flush now lends its sweet expression to the declining year, we see the type of perfect trust and hope that finds a fitting emblem in the dim horizon, where heaven and earth are wedded in a golden haze, where purple hills melt softly in the sky. It is a day when one may dream with open eyes, and whose day-dreams haunt the memory as sweet realities. The sky is filled with rolling, fleecy clouds, whose flat receding bases seem to float upon a transparent amber sea, from whose depths I look through into the blue air beyond.

Below me an ancient orchard skirts the borders of the knoll. Its boughs are crimson studded, and the ground beneath is strewn with the bright red fruit. They mark the minutes as they fall, running the gauntlet of the craggy twigs and bounding upon the slope beneath. Beyond the orchard stretch the low, flat meadow lands, set with alders and swamp-maples, with swaying willows, now enclosing, now revealing the graceful curves of the quiet stream as it winds in and out among the overhanging foliage. Soon it is lost beneath a wooded hill, where an old square tower and factory-bell betray the hiding-place of the glassy pond that sends its splashing water-fall across the rocks beneath the old town bridge. Looking down upon this bridge, Mount Pisgah, with its rugged cliff, is seen rising bold and stern against the sky, above a broad and bright mosaic of elms and maples, spreading from the grove of oaks near by in an unbroken expanse, to the very foot of the precipice, with here and there a sunny cupola or gable peering out among the branches, or a snowy steeple lifting high its golden cross or weather-vane glittering in the sun. The mountain-side is lit up with its autumn glow of intermingled maples, oaks, and beeches, with its changeless ledges of jutting rock, and dense, defiant pines standing like veteran bearded sentinels in perpetual vigilance.

All this comes to me in a single glimpse beneath the branches. But there are others, where undulating meadows, with their flowing lines of walls and fences, lead the eye through soft gradations to distant purple hills, through thrifty farms, with barns and barracks and rowen fields with browsing cattle, and ruddy buckwheat patches, where the flocks of village pigeons congregate among the cradle marks, in quest of scattered kernels shaken from the sheaves.

There is a tiny lake near by that nestles among the hill-side farms, where sloping pastures and fields of yellow, rustling corn glide almost to the water’s edge. So sensitive and sympathetic is this little sheet of water that I christened it one day Chameleon Lake, for it wears a different expression for every phase of season or freak of weather, and always dwells in harmony with the landscape which encloses it. In cloudy days it frowns as cold as steel. In days of sunshine it is as bright and blue as the sky itself, or shimmers like a shield of burnished silver. And now it is a flood of autumn gold, carrying from shore to shore a maze of ripples laden with opaline reflections of intermingled glints from cloud and sky, and of the gold and ruby colored foliage along its banks.

But this knoll and all these farms are not mine alone. They are such as I should hope might lurk in the memory of almost any one who looks back to early days among New England hills.

This old oak-tree, whose furrowed bark I lean upon, was a hardy patriarch when first I sought its shade. Its added years have scarcely changed a feature or modified a line in its old-time noble expression. As I look up, its great open arms spread out against the sky exactly as they did when I lolled beneath their shelter and watched the drifting clouds of twenty years ago sail through them in the blue above. Even the jagged furrows in the bark I seem to recognize. Here, too, is that same spreading scale of greenish lichen that fain will grow upon the trunk, as if I had not often picked it all to pieces in my early idling. The same round oak-gall rests on the bed of leaves in the hollow between the rocks near by, as though it had forgotten how a dozen years ago I cracked its polished shell and sent its spongy contents to the winds.

And here comes that veritable ant creeping through the grass at my elbow--now on the root, now on the bark, exploring every crack and crevice in his hurried search. I wonder if the little fellow will ever find what he has been looking for so long. And here’s a friend of his coming down. They stop and wag their antennæ in a moment’s conversation. I wonder what they said. I always did wonder when I watched them do the same thing on this very spot a score of years ago. The soft waving grass whispers about my ears as it did then, and I hear the low trumpet of the nuthatch as he creeps about in the tree o’erhead. Easily may one forget the lapse of time in such a place as this, where every leaf, and twig, and blade of grass conspire to breed forgetfulness of later years. Hark! that shrill tattoo again! The tree-toad. Yes, that same recluse in his mysterious hiding-place, seeking by his tantalizing trill to renew that game of hide-and-seek we left off so long ago--in those eager days when every stick and stone upon the knoll was overturned in my zeal to find his whereabouts. There he goes again! louder and more shrill. But now I realize the effect of time, for I only sit and listen to his oft-repeated call. Formerly that sound was like a galvanic thrill that electrified every nerve and muscle in my physiology. No, I’ll not hunt for you again, my musical young friend; besides, the odds would be against you now, for I know more about tree-toads than I once did, and you wouldn’t see me hunting on the ground as in the olden days. Besides, you’re getting bold; there is no need of hunting, for in that last toot you gave yourself away. Even now my eyes are fixed upon the hole in yonder hollow limb, and I see your tiny form clinging to the rotten wood within the opening. What would I not have given once to have thought of that soggy hole!

Near by a spreading yew monopolizes a rocky bit of ground, its foliage creeping above a silvery gray bed of branching moss, whose pillowy tufts spread almost to my feet. This was my fairy forest of tiny trees. Here I found the fairies’ cups and torches, and even now I can see their scarlet tips scattered here and there among the gray; and fragile little parasols, too--it were an insult, indeed, to designate such dainty things as these by the name of toadstools. Beyond this bed of moss a scrubby growth of whortleberry takes possession of the ground. The bushes are now bare of fruit, but ruddy with their autumn blushes, tingeing the surface of the knoll with a delicate coral pink. This thicket extends far down upon the slope, even encroaching upon the wheel-ruts of the lane, and across again, until cut short by an ancient tumbling line of lichen-covered stones, a landmark which has long since yielded up its claim as a barrier of protection to the old orchard it encloses, now only a moss-grown pile, with every chink and crevice a nestling-place of some searching tendril, fern, or clambering vine. For rods and rods it creeps along beneath the laden apple-trees, skirting the borders of this old farm lane, and finally hides away among a clump of cedars a few hundred feet away.

Of all the picturesque in nature, what is there, after all, that so wins one’s deeper sympathies as the ever-changing pictures of a rustic lane or roadside, with its weather-beaten walls and fences, and their rambling growth of weeds and creeping vines? How sweet the sense of near companionship awakened by these charming way-side pastorals that accompany you in your saunterings, and reach out to touch you as you pass--a sense of friendly fellowship that breathes a silent greeting in the most deserted paths or loneliest of by-ways!

Show me a ruined wall or a rutted zigzag fence, and I will show you a string of pearls, or rather, if in these later months, a fringe of gems, for the autumn fence is set in wreaths of rubies and glowing sapphires. Follow its rambling course, now through the field, now skirting swampy fallows, now by rustic lanes and cornfields and over rocky pastures, and you will follow a lead that will take you through the rarest bits of nature’s autumn landscape.