Part 6

“Wa’al, I swar! I’m tarnal glad to see ye, and that’s a fact. Anybody cum up arter ye? No? Well, then, s’posin’ ye jest highst into my team.” So saying, he unhitched a corrugated shackle-jointed steed, and backed around his indescribable impromptu covered wagon--a sort of a hybrid between a “one-hoss shay” and a truck.

“’Tain’t much of a kerridge fer city folks to ride in, that’s a fact,” he continued, “but I cal’late it’s a little better’n shinnin’ it.” After some little manœuvring in the way of climbing over the front seat, we were soon wedged in the narrow compass, and, with an old horse-blanket over our knees, we went rattling down the hill toward the village and home of my boyhood.

Years have passed since those days when, as a united family, we dwelt under that old roof; but those who once were children are now men and women, with divided interests and individual homes. The old New England mansion is now a homestead only in name, known so only in recollections of the past and the possibilities of the future.

“Wa’al, thar’s the old house,” presently exclaimed Amos, as we neared the brow of a declivity looking down into the valley below. “Don’t look quite so spruce as’t did in the old times, but Warner’s a good keerful tenant, ’tain’t no use talkin’. I cal’late yeu might dig a pleggy long spell afore yeu could git another feller like him in this ’ere patch.”

In the vale below, in its nest of old maples and elms, almost screened from view by the foliage, we look upon the familiar outlines of the old mansion, its diamond window in the gable peering through the branches at us. “Skedup!” cried Amos, as he urged his pet nag into a jog-trot down the hill, through the main street of the town. The long fence in front of the homestead is soon reached, a sharp turn into the drive, a “Whoa, January!” and we are extricated from the wagon.

“Wa’al, I’ll leave ye naow. I guess ye kin find yer way around,” said Shoop, as with one outlandish geometrical stride he lifted himself into the wagon. Cordially greeted by our hostess, with repeated urgings to “make ourselves at home,” we were shown to our room. The house, though clad in a new dress, still retained the same hospitable and cosy look as of old.

Hometown, owing to some early local faction, is divided into two sections, forming two distinct towns. One, Newborough, a hill-top hamlet, with its picturesque long street, a hundred feet in width, and shaded with great weeping elms that almost meet overhead; and the other, Hometown proper, a picturesque little village in the valley, cuddling close around the foot of a precipitous bluff, known as Mount Pisgah. A mile’s distance separates the two centres. The old homestead is situated in the heart of Hometown, fronting on the main street. The house itself is a series of after-thoughts, wing after wing and gable after gable having clustered around the old nucleus, as the growth of new generations necessitated increased accommodation. Its outward aspect is rather modern, but the interior, with its broad open fireplaces, and accessaries in the shape of cranes and fire-dogs, is rich with all the features of typical New England; and the two gables of the main roof enclose the dearest old garret imaginable--at present an asylum for the quaint possessions of antique furniture and bric-à-brac, removed from their accustomed quarters on the advent of the new host. It is to this sanctuary that my footsteps first lead me, and, with a longing that will not be withstood, I find myself in front of the great white door. I lift the latch; a cool pungent odor of oak wood greets me as I ascend the steep stairs--an odor that awakens, like magic, a hundred fancies, and recalls a host of memories long forgotten. Every stair seems to creak a welcome, as when, on the rainy days of long ago, we sought the cosy refuge to hear the patter on the roof, or to nestle in the dark, obscure corners in our childish games. At the head of the stairs rises the ancient chimney, cleft in twain at the foot, with the quaint little cuddy between. Above me stretch the great beams of oak, like iron in their hardness. Yonder is the queer old diamond window looking out upon the village church, its panes half obscured by the dusty maze of webs. To the left, in a shadowy corner, stands the antiquated wheel--a relic of past generations. Long gray cobwebs festoon the rafters overhead, and the low buzzing of a wasp betrays its mud nest in the gable above. A sense of sadness steals over me as I sit gazing into this still chamber. On every side are mementos of a happy past, and all, though mute, speaking to me in a language whose power stirs the depths of my soul. Wherever the eye may turn, it meets with a silent greeting from an old friend, and the whole shrouded in a weird gloom that lends to the most common object an air of melancholy mystery. And yet it is only a garret. There are some, no doubt, for whom this word finds its fitting synonyme in the dictionary, but there are others to whom it sings a poem of infinite sweetness.

Looking through the dingy window between the maple boughs, my eye extends over lawn and shrubberies, three acres in extent--a little park, overrun with paths in every direction, through ancient orchard and embowered dells, while far beyond are glimpses of the wooded knolls, the winding brook, and meadows dotted with waving willows, and farther still the ample undulating farm.

It is in such a place as this that I have sought recreation and change of scene. My wife and I have run away from the city for a month or so. A vacation we call it; but to an artist such a thing is rarely known in its ordinary sense, and often, indeed, it means an increase of labor rather than a respite. My first week, however, I had consecrated to luxurious idleness. Together we wandered through the old familiar rambles where as boy and girl in earlier days we had been so oft together. Day after day found us in some new retreat. There were dark cool nooks by sheltered streams, spicy groves of pine and spruce, wooded slopes and rocky dells, and meadows rich with summer bloom, where idle butterflies flitted lazily on the wing; where meadow lilies nodded in billowing fields, and the daisies and red clover waved about our knees half screened in feathery purple grasses that spread their cloudy mist all through the blossoming maze. We heard the music of the scythe, and, sitting in the deep cool grass beneath the maple shade, we watched the circling motion of the mowers in the field--saw the forkfuls of the hay tossed in the drying sun, and breathed the perfumed air that floated from the windrows. We sauntered by the meadow brook where willows gleamed along the bank, and overhanging alders threw their sombre shadows in the quiet pools: where the ground-nut, and the meadow-rue, and the creeping madder fringed the tangled brink, and every footstep started up some agile frog that plunged into the unseen water. We stood where rippling shallows gurgled under festooned canopies of fox-grape, and the leaning linden-trees shut out the sky o’erhead and intertwined their drooping branches above the gliding current. Here, too, the weather-beaten crossing-pole makes its tottering span across the stream, and deep down beneath the bank the rainbow-tinted sunfish floats on filmy fins above his yellow bed of gravel, and we catch a flashing gleam of a silvery dace or shiner turning in the water.

Now we confront a rude slab fence, an ancient landmark, that terminates its length at the edge of the stream, where its gray and crumbling boards are secured with rusty nails against the trunk of a tall buttonwood-tree. A loosened slab is easily found, and we are soon upon the other side; and after picking our way through a forest of bush-elders, we emerge upon an open lot of low flat pasture-land, known always as the “old swamp meadow.” No other five acres on the face of the earth are so dear to me as this neglected field. I know its every rise and fall of ground, its every bog, and its lush greenness is refreshing even to the thought.

It is a luxuriant garden of all manner of succulent and juicy vegetation; an outbursting extravagance of plant life of almost tropical exuberance. All New England’s most majestic and ornamental flora seem congregated in its congenial soil; and even when a boy I learned to know and love them all, and even call them by their names.

Here are towering stems of iron-weed lifting high their scattered purple crowns, and in their midst the woolly clumps of boneset, its white flowered cushions intermingling with the dense pink tufts of thorough-wort.

On every side we overlook whole patches of these splendid blossoms, with their crests closely crowded in a mosaic of pink and white. And here’s a bed of peppermint and spearmint, interspersed with flaming spikes of cardinal lobelia; and here a lusty plant of Indian mallow, entangled in a maze of gold-thread and smart-weed. Here are massive burdocks six feet high, and great trees of jimson-weed, with their large spiral flowers and thorny pods.

High fronds of chain-fern rise up on every side from a jungle of bur-marigolds and clotburs, and tear-thumbs, with their saw-toothed stems and tiny bunches of pink blossoms.

No inch of ground in the old swamp lot but which does its tenfold duty; and what it lacks in quality of produce it amply makes up in quantity. Even a neighboring bed of clean-washed gravel is overrun with creeping mallow, with its rounded leaves and little “cheeses” down among their shadows.

Farther on we see the lily-pond, with its surrounding swamp and its legion of crowded water-plants. Here are rank, massive beds of swamp-cabbage, and lofty cat-tails by the thousand among the bristling bogs of tussock-sedge and bulrush. Here are calamus patches, and alder thickets, and sedges without number; and the prickly carex and blue-flag abound on every side. There are galingales and reeds, and tall and graceful rushes, turtle-head and jointed scouring grass, and horse-tail, besides a host of other old acquaintances, whose faces are familiar, but whose names I never knew. But they were all my friends in boyhood. I knew them in the bud and in the blossom, and even in their winter skeletons, brown and broken in the snow. Near by there is a ditch: you never would know it, for it is completely hidden from view beneath an interlacing growth of jewel-weed. But see that gorgeous mass of deep scarlet that floods the farther bank! Nowhere within a circuit of miles around is there such a regal display of cardinal flowers as this: skirting the borders of the ditch for rods and rods, clustering about a ruined, tumbling fence, whose moss-grown pickets are almost hidden in the dense profusion of bloom.

Then there is its airy companion, the “touch-me-not,” with its translucent, juicy stem, and its queer little golden flowers with spotted throats--the “jewel-weed” we used to call it. I know not why, unless from the magic of its leaf, which, when held beneath the water, was transformed to iridescent frosted silver. We all remember its sensitive, jumping seed-pods, that burst even at our approach for fear that we should touch them; but no one can fully appreciate the beauty of the plant who has not seen its silvery leaf beneath the water. Here it justifies its name, for it is indeed a jewel.

How often in those olden times have I lain down among these bulrushes and sedges near the lily pond, and listened to the buzzing songs of the crickets and the tiny katydids that swarmed the growth about me, and filled the air with their incessant din. I remember the little colony of ants that picked their way among the rushes; that gauzy dragon-fly too, that circled and dodged about the water’s edge, now skimming close upon the surface, now darting out of sight, or perhaps alighting on an overhanging sedge, as motionless as a mounted specimen, with wings aslant and fully spread. “Devil’s darning-needles” they were called. The devil may well be proud of them; for darning-needles of such precious metals and such exquisite design are rare indeed. They were of several sizes too. Some were large, and flashed the azure of the sapphire; others fluttered by with smoky, pearly wings, and slender bodies glittering in the light like animated emeralds: and another I well remember, a little airy thing, with a glistening sunbeam for a body, and wings of tiny rainbows.

I remember how I watched the disturbed motion of the arrow-heads out in the water, as the cautious turtles worked their way among them, and crawled out upon the stump close by.

Here they huddled together, a dozen or more, with heads erect, and turning from side to side as they surveyed the surrounding carpet of lily-pads, or listened to the bass-drum chorus of the great green bull-frogs among the pickerel-weed; and when I jumped and yelled at them, what a rolling, sprawling, splashing in the mud! It fairly makes me laugh to think of it. But there is hardly a leaf or wisp of grass in this old swamp lot but what brings back some old association or pleasant reminiscence.

For a week thus we idled, now on the mountain, now in the meadow, while I, with my sketch-book and collecting-box, either whiled away the hours with my pencil, or left the unfinished work to pursue the tantalizing butterfly, or search for unsuspecting caterpillars among the weeds and bushes.

On a sprig of black alder I found one--the same little fellow as of old, afflicted with the peculiarities of all his progenitors. We used to call him “Professor Wiggler,” owing to an hereditary nervous habit of wiggling his head from side to side when not otherwise employed. To this little humpbacked creature I am indebted for a great deal of past amusement. Distinctly I remember the whack-whack-whack on the inside of the old pasteboard box as the captive pets threatened to dash out their brains in their demonstrations at my approach. Professor Wiggler is really a most remarkable insect, as one might readily imagine from his scientific name, for in learned circles this individual is known as Mr. Gramatophora Trisignata. He has many strange eccentricities. At each moult of the skin he retains the shell of his former head on a long vertical filament. Two or three thus accumulate, and, as a consequence, in his maturer years he looks up to the head he wore when he was a youngster, and ponders on the flight of time and the hollowness of earthly things, or perhaps congratulates himself on the increased contents of his present shell. When fully grown, he stops eating, and goes into a new business. Selecting a suitable twig, he gnaws a cylindrical hole to its centre and follows the pith, now and then backing out of the tunnel, and dropping the excavated material in the form of little balls of sawdust. At length he emerges from the hollow, and again drawing himself in backward, spins a silken disk across the opening, and tints it with the color of the surrounding bark. Here he spends the winter, and comes out in a new spring suit in the following May. Only recently I had in my possession several of these twigs with their enclosed caterpillars, and in every one the color of the silken lid so closely matched the tint of the adjacent bark, although different in each, that several of my friends, even with the most careful scrutiny, failed to detect the deceptive spot. Whether the result of chance or of the instincts of the insect, I do not know; but certain it is that he paints with different colors under varying circumstances.

Insect-hunting had always been a passion with me. Large collections of moths and butterflies had many times accumulated under my hands, only to meet destruction through boyish inexperience; and even in childhood the love for the insect and the passion for the pencil strove hard for the ascendency, and were only reconciled by a combination which filled my sketch-book with studies of insect life.

There was one inhabitant of our fields which had always been to me a never-failing source of entertainment. There he is, the gilded tyrant. I see him now swinging to and fro on his glistening nest of silken threads, his golden yellow form glowing in bold relief against the dark recess in the brambles. My sketch is left in the grass, and I am soon seated in front of the gossamer maze. A festive grasshopper jumps up into my face, and makes a carom on the web. With a spasmodic snap of one hind leg he extricates it from its entanglement, and in another instant would fall from the meshes; but the agile spider is too quick for him. With a movement so swift as almost to elude the eye, he draws from his body a silver cloud of floss, and with his long hind legs throws it over his captive. The head and tail of the grasshopper are now further secured, after which the spider carefully straddles around the struggling insect, and bites off the other radiating webs in close proximity. The unlucky prey now hangs suspended across the opening. With business-like coolness his tormentor dangles himself from the edge of the torn web, and another cataract of glistening floss is thrown up and attached to the under side of the prisoner, after which he is turned round and round, as if on a spit. The stream of floss is carried from head to foot, and in less time than it takes to describe it the victim is wrapped in a silken winding-sheet, and soon meets his death from the poisoned fangs of his captor. Here is but one of the thousands of tragedies that are taking place every hour of the day in our fields. While deeply interested in the closing scenes of this one, I suddenly become aware of a shadow passing over the bushes. I turn my head, and meet the puzzled and pleasant gaze of Amos Shoopegg, as he stands there, hands in pockets, and milk-pail swinging from his wrist.

“Wa’al, thar,” he exclaims, banging down one brawny fist on his uplifted knee. “Buggin’ agin, I swaow! Hain’t yeu got over thet yit? What yeu kin find so mighty fine in them ’ere bugs beats me.”

“Amos,” I replied, “there’s a great deal more in these bugs than you imagine.”

“A pleggy sight, I suppose,” he resumed. “What specie o’ critter ye got hold on naow?” and he stretched forward his fringed and weather-beaten neck, and peered over the brambles. “What is’t ye got thar--straddle-bug?” He came still nearer, and looked at the spider. “Wa’al, darn my pictur ef ’tain’t an old yeller-belly! P’r’aps you don’t know that them critters is pizen. Why, Eben Sanford’s gal got all chawed up by one on ’em. Great Sneezer!” he exclaimed, taking three or four strides backward, with both hands uplifted. I had merely raised my hand and gently smoothed the spider.

“Wa’al,” he continued, “yen kin rub ’em daown ef yeu pleze; but fer my part, I’d ruther keep off abaout a good spittin’ distance”--which was the Shoopegg way of expressing a length of about fifteen feet. Amos was crossing lots for his “caow,” he said; but in spite of his plea that the “old heiffer” was “bellerin’” like “Sam Hill,” and was “gittin’ ’tarnal on-easy,” I made him tarry sufficiently long to enable me to send him off a wiser man.