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Part 8

Parlour Magic · Henry Perkins — chapter 8 of 35 · ~1,816 words · public domain

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Place two pieces of looking-glass, one at each end, parallel to one another, and looking over, or by the edge of one of them, the images of any objects placed on the bottom of the box, will appear continued to a considerable distance.

Or, line each of the four sides of the box with looking-glass, and the bottom of the box will be multiplied to an astonishing extent, there being no other limitation to the number of images but what is owing to the continued loss of light from reflection. The top of the box may be almost covered with thin canvas, which will admit sufficient light to render the exhibition very distinct.

The above experiments may be made very entertaining, by placing on the bottom of the box some toy, as sentry soldiers, &c.; and, if these be put in motion, by wires attached to them, or passing through the bottom or side of the box, it will afford a still more entertaining spectacle. Or the bottom of the box may be covered with moss, shining pebbles, flowers, &c.; only, in all cases, the upright figures between the pieces of looking-glass should be slender, and not too numerous, else they will obstruct the reflected light.

In a box with six, eight, or more sides, lined with looking-glass, as above, the different objects in it will be multiplied to an almost indefinite extent.

APPARATUS FOR WRITING IN THE DARK.

In this ingenious contrivance, A is a frame of wood, into the back and front of which are inserted two thin boards, the front one, B, reaching about half the height of the frame, and the back one being movable, by sliding in grooves, for better fixing the paper to be written on, C, to a roller at top, with a handle and ratchet working into a spring.

To use the apparatus, the paper is to be fixed on the roller, and a strip of lead, or other weight, suspended from the bottom of the paper, to keep it smooth: then, by resting the right hand on the edge of the board B, and turning, with the left hand, the ratchet, the distance of the lines may be regulated by the number of clicks caused by the spring on the ratchet. D, is a foot to support the apparatus, which, however, should be light enough to be held in the hand as a slate.

PORTABLE MICROSCOPE.

This cheap and useful instrument consists of a handle of hard wood, a, which is screwed into a brass piece, d, having, at its top, a ring, with screws on back and front, into which are to be screwed two cells with lenses of different foci. There is also a projecting piece formed on the side of the brass piece, d, in which is a hole to receive the screwed end of a cylindrical rod of brass, c. Upon this rod, a springing slit socket, e, slides backwards and forwards, and is also capable of being turned round. This socket has affixed to it, on one side, a projecting part, with a screwed cavity in it, to receive a short screwed tube, with a small hole in its centre, made to fit the steel stem of the spring forceps; a corresponding hole being made at the bottom of the screwed cavity, where is lodged a piece of perforated cork; which, being pressed upon by the action of the screw, closes upon the steel stem of the forceps, and steadies them, and the objects held in them. The stem of the forceps being removed from its place in the short tube; the handles and lenses, and the rod, c, and the sliding socket upon it, being unscrewed from its place in the handle; they can all three be packed in a black paper case, which is only three and a half inches long, one inch broad, and half an inch thick.

This microscope possesses three different magnifying powers, namely, those of two lenses separately, and the two in combination.

Microscopes of a still simpler nature are small globules of glass, formed by smelting the ends of fine threads of glass in the flame of a candle; and small globular microscopes of great magnifying power, made of hollow glass about the size of a small walnut, may be purchased very cheaply at the opticians’.

THE PHENAKISTISCOPE, OR STROBOSCOPE.

This amusing instrument consists of a turning wheel, upon which figures are seen to walk, jump, pump water, &c. The disc or wheel should be of stout card-board, upon which should be painted, towards the edge, figures in eight or ten postures. Thus, if it is wished to represent a man bowing, the first position is a man standing upright; in the second, his body has a slight inclination; in the third, still more; and so on, to the sixth position, where the body is most bent: the four following, represent the figure recovering its erect posture, so that the fifth and seventh, the fourth and eighth, the third and ninth, and second and tenth figures, have the same posture. Between each of the figures on the wheel, should be a slit, three-fourths of an inch long, and one-fourth of an inch wide, in a direction parallel with the radii of the wheel, and extending to an equal distance from the centre.

To work this instrument, place the figured side of the wheel before a looking-glass, and cause it to revolve upon its centre; then look through the slits or apertures, and you may observe, in the glass, the figures bowing continually, and with a rapidity proportionate to the rate at which the wheel turns. The illusion depends on the circumstance, that the wheel between each aperture is covered, while the figure goes further. That the deception may be complete, it is necessary that every part of the figures not bowing shall be at an equal distance from the centre of the wheel, and from the slits; also that the figures possess equal thickness and colour.

TO LOOK AT THE SUN WITHOUT INJURY.

Provide a wine-glass filled with plain water, which will keep off the heat so effectually, that the brightest sun may be viewed some time through it without any inconvenience. If a little black ink be added to the water, the image of the sun will appear through it, as white as snow; and when the ink is still more diluted, the sun will be of a purple hue.

BRILLIANT WATER MIRROR.

Nearly fill a glass tumbler with water, and hold it, with your back to the window, above the level of the eye, as in the engraving. Then look obliquely as in the direction E, a, c, and you will see the whole surface shining like burnished silver, with a strong metallic reflection; and any object, as a spoon, A C B, immersed in the water, will have its immersed part C B, reflected on the surface, as in a mirror, but with a brilliancy far surpassing that which can be obtained from quicksilver, or from the most highly-polished metals.

OPTICAL ILLUSION UNDER WATER.

Procure a large gallipot; place on the bottom, next the side furthest from you, a sixpence, and next to it, but towards the centre, a shilling; move to such a distance as will render the coins invisible; then let another person pour water gently in, and as it rises in the gallipot, it will cause both the sixpence and shilling to be seen, without your approaching nearer to the gallipot, or moving it towards you.

THE MAGIC WHEELS.

Cut out two card-board cog-wheels of equal size; place them upon a pin, and whirl them round with equal velocity in opposite directions; when, instead of producing a hazy tint, as one wheel would do, or as the two would if revolving in the same direction, there will be an extraordinary appearance of a fixed wheel. If the cogs be cut slantwise on both wheels, the spectral wheel, as it may be called, will exhibit slanting cogs; but if one of the wheels be turned, so that the cogs shall point in opposite directions, then the spectral wheel will have straight cogs. If wheels with radii, or arms, be viewed when moving, the deception will be similar; and however fast the wheels may move, provided it be with equal velocity, the magic of a fixed wheel will be presented.

Or, cut a card-board wheel with a certain number of teeth or cogs at its edge; a little nearer the centre, cut a series of apertures resembling the cogs in arrangement, but not to the same number; and still nearer the centre cut another series of apertures, different in number, and varying from the former. Fix this wheel upon another, with its face held two or three yards from an illuminated mirror; spin it round, the cogs will disappear, and a greyish belt, three inches broad, will become visible; but, on looking at the glass through the moving wheel, appearances will entirely change; one row of cogs, or apertures, will appear fixed, as if the wheel were not moving, whilst the other two will appear as if in motion; and, by shifting the eye, other and new effects appear.

These amusing deceptions were first experimented by Mr. Faraday. The simple apparatus for their exhibition may be purchased, for a trifling sum, of any respectable optician.

ACOUSTIC RAINBOW.

A sounding-plate, made of brass, nine inches long, and half a line in thickness, covered with a layer of water, may be employed to produce a rainbow in a chamber which admits the sun. On drawing a violin bow strongly across the plate, so as to produce the greatest possible intensity of tone, numerous drops of water fly perpendicularly and laterally upwards. The size of the drops is smaller as the tone is higher. The inner and outer rainbows are very beautifully seen in these ascending and descending drops, when the artificial shower is held opposite to the sun. When the eyes are close to the falling drops, each eye sees its appropriate rainbow; and four rainbows are perceived at the same time, particularly if the floor of the room is of a dark colour. The experiment succeeds best, if, when a finger is placed under the middle of the plate, and both of the angular points at one side are supported, the tone is produced at a point of the opposite side, a fourth of its length from one of its angles. An abundant shower of drops is thus obtained.

TRANSMISSION OF SOUND.

Suspend any sonorous body, as a bell, a glass, a silver spoon, or a tuning-fork, from a double thread, and put with the finger the extremities of the thread, one in each ear; if the body be then struck, the apparent loudness and depth of the sound will be surprising.

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