Part 14

“How many words do you think I shall want?”

It is a formula, I suppose, I said, and I will grant you a hundred words.

“Twenty,” said the Professor. “That was more than the wise men of Greece wanted for their grand utterances.”

The two Annexes whispered together, and the American Annex gave their joint result. One thousand was the number they had fixed on. They were used to hearing lectures, and could hardly conceive that any subject could be treated without taking up a good part of an hour.

“Less than ten,” said Number Five. “If there are to be more than ten, I don't believe that Number Seven would think the surprise would be up to our expectations.”

“Guess as much as you like,” said Number Seven.

“The answer will keep. I don't mean to say what it is until we are ready to leave the table.” He took a blank card from his pocket-book, wrote something on it, or appeared, at any rate, to write, and handed it, face down, to the Mistress. What was on the card will be found near the end of this paper. I wonder if anybody will be curious enough to look further along to find out what it was before she reads the next paragraph?

In the mean time there is a train of thought suggested by Number Seven and his whims. If you want to know how to account for yourself, study the characters of your relations. All of our brains squint more or less. There is not one in a hundred, certainly, that does not sometimes see things distorted by double refraction, out of plumb or out of focus, or with colors which do not belong to it, or in some way betraying that the two halves of the brain are not acting in harmony with each other. You wonder at the eccentricities of this or that connection of your own. Watch yourself, and you will find impulses which, but for the restraints you put upon them, would make you do the same foolish things which you laugh at in that cousin of yours. I once lived in the same house with the near relative of a very distinguished person, whose name is still honored and revered among us. His brain was an active one, like that of his famous relative, but it was full of random ideas, unconnected trains of thought, whims, crotchets, erratic suggestions. Knowing him, I could interpret the mental characteristics of the whole family connection in the light of its exaggerated peculiarities as exhibited in my odd fellow-boarder. Squinting brains are a great deal more common than we should at first sight believe. Here is a great book, a solid octavo of five hundred pages, full of the vagaries of this class of organizations. I hope to refer to this work hereafter, but just now I will only say that, after reading till one is tired the strange fancies of the squarers of the circle, the inventors of perpetual motion, and the rest of the moonstruck dreamers, most persons will confess to themselves that they have had notions as wild, conceptions as extravagant, theories as baseless, as the least rational of those which are here recorded.

Some day I want to talk about my library. It is such a curious collection of old and new books, such a mosaic of learning and fancies and follies, that a glance over it would interest the company. Perhaps I may hereafter give you a talk abut books, but while I am saying a few passing words upon the subject the greatest bibliographical event that ever happened in the book-market of the New World is taking place under our eyes. Here is Mr. Bernard Quaritch just come from his well-known habitat, No. 15 Piccadilly, with such a collection of rare, beautiful, and somewhat expensive volumes as the Western Continent never saw before on the shelves of a bibliopole.

We bookworms are all of us now and then betrayed into an extravagance. The keen tradesmen who tempt us are like the fishermen who dangle a minnow, a frog, or a worm before the perch or pickerel who may be on the lookout for his breakfast. But Mr. Quaritch comes among us like that formidable angler of whom it is said,

His hook he baited with a dragon's tail, And sat upon a rock and bobbed for whale.

The two catalogues which herald his coming are themselves interesting literary documents. One can go out with a few shillings in his pocket, and venture among the books of the first of these catalogues without being ashamed to show himself with no larger furnishing of the means for indulging his tastes,--he will find books enough at comparatively modest prices. But if one feels very rich, so rich that it requires a good deal to frighten him, let him take the other catalogue and see how many books he proposes to add to his library at the prices affixed. Here is a Latin Psalter with the Canticles, from the press of Fust and Schoeffer, the second book issued from their press, the second book printed with a date, that date being 1459. There are only eight copies of this work known to exist; you can have one of them, if so disposed, and if you have change enough in your pocket. Twenty-six thousand two hundred and fifty dollars will make you the happy owner of this precious volume. If this is more than you want to pay, you can have the Gold Gospels of Henry VIII., on purple vellum, for about half the money. There are pages on pages of titles of works any one of which would be a snug little property if turned into money at its catalogue price.

Why will not our multimillionaires look over this catalogue of Mr. Quaritch, and detain some of its treasures on this side of the Atlantic for some of our public libraries? We decant the choicest wines of Europe into our cellars; we ought to be always decanting the precious treasures of her libraries and galleries into our own, as we have opportunity and means. As to the means, there are so many rich people who hardly know what to do with their money that it is well to suggest to them any new useful end to which their superfluity may contribute. I am not in alliance with Mr. Quaritch; in fact, I am afraid of him, for if I stayed a single hour in his library, where I never was but once, and then for fifteen minutes only, I should leave it so much poorer than I entered it that I should be reminded of the picture in the titlepage of Fuller's 'Historie of the Holy Warre,' “We went out full. We returned empty.”

--After the teacups were all emptied, the card containing Number Seven's abridged history of two worlds, this and the next, was handed round.

This was all it held:

After all had looked at it, it was passed back to me. “Let The Dictator interpret it,” they all said.

This is what I announced as my interpretation:

Two worlds, the higher and the lower, separated by the thinnest of partitions. The lower world is that of questions; the upper world is that of answers. Endless doubt and unrest here below; wondering, admiring, adoring certainty above.--Am I not right?

“You are right,” answered Number Seven solemnly. “That is my revelation.”

The following poem was found in the sugar-bowl.

I read it to the company. There was much whispering and there were many conjectures as to its authorship, but every Teacup looked innocent, and we separated each with his or her private conviction. I had mine, but I will not mention it.

THE ROSE AND THE FERN.

Lady, life's sweetest lesson wouldst thou learn, Come thou with me to Love's enchanted bower: High overhead the trellised roses burn; Beneath thy feet behold the feathery fern, A leaf without a flower.

What though the rose leaves fall? They still are sweet, And have been lovely in their beauteous prime, While the bare frond seems ever to repeat, “For us no bud, no blossom, wakes to greet The joyous flowering time!”

Heed thou the lesson. Life has leaves to tread And flowers to cherish; summer round thee glows; Wait not till autumn's fading robes are shed, But while its petals still are burning red Gather life's full-blown rose!

Of course the reading of the poem at the end of the last paper has left a deep impression. I strongly suspect that something very much like love-making is going on at our table. A peep under the lid of the sugar-bowl has shown me that there is another poem ready for the company. That receptacle is looked upon with an almost tremulous excitement by more than one of The Teacups. The two Annexes turn towards the mystic urn as if the lots which were to determine their destiny were shut up in it. Number Five, quieter, and not betraying more curiosity than belongs to the sex at all ages, glances at the sugarbowl now and then; looking so like a clairvoyant, that sometimes I cannot help thinking she must be one. There is a sly look about that young Doctor's eyes, which might imply that he knows something about what the silver vessel holds, or is going to hold. The Tutor naturally falls under suspicion, as he is known to have written and published poems. I suppose the Professor and myself have hardly been suspected of writing love-poems; but there is no telling,--there is no telling. Why may not some one of the lady Teacups have played the part of a masculine lover? George Sand, George Eliot, Charles Egbert Craddock, made pretty good men in print. The authoress of “Jane Eyre” was taken for a man by many persons. Can Number Five be masquerading in verse? Or is one of the two Annexes the make believe lover? Or did these girls lay their heads together, and send the poem we had at our last sitting to puzzle the company? It is certain that the Mistress did not write the poem. It is evident that Number Seven, who is so severe in his talk about rhymesters, would not, if he could, make such a fool of himself as to set up for a “poet.” Why should not the Counsellor fall in love and write verses? A good many lawyers have been “poets.”

Perhaps the next poem, which may be looked for in its proper place, may help us to form a judgment. We may have several verse-writers among us, and if so there will be a good opportunity for the exercise of judgment in distributing their productions among the legitimate claimants. In the mean time, we must not let the love-making and the song-writing interfere with the more serious matters which these papers are expected to contain.

Number Seven's compendious and comprehensive symbolism proved suggestive, as his whimsical notions often do. It always pleases me to take some hint from anything he says when I can, and carry it out in a direction not unlike that of his own remark. I reminded the company of his enigmatical symbol.