Part 3

A third—he was young and beautiful—had a fondness for a brew called gin-and-ginger, which had so cheering and immediate effect upon him that, having left the drawing-room after tea the very pink and perfection of propriety, he would announce dinner in an advanced condition of jocular elevation, and when the plates slid out of his hands he would survey them with a waggish smile, as one who would say: “Bless their little hearts, see how playful they are!” We became anxious to secure a servant who would have more than a few streaks of sobriety, and when Susan’s owner came, we felt we had secured that pearl. He came in a great hurry ‹without Susan› because of the equally hurried departure of the beautiful hilarious one. After a week or so, we asked him if he would consider us as a permanency. He said he would have to consider us a little longer. After another ten days he informed us of Susan’s existence, and announced his intention of going to fetch her. We breathed again.

Juvenal—that is his name—is very fond of animals. A little too fond, we thought, when he invited a military friend’s dog to stay, during the owner’s absence at manœuvres. This animal, by name O’Reilly, arrived in dilapidated, devil-may-care, barrack-yard condition, which was a great shock to our Manchu prince. He also had pink bald elbows and knees. His hind legs were longer than his front ones, which gave him an ourang-outang gait. As became his Milesian name, he fought every one he met on his walks. Why he did not fight Loki, we do not know, for Loki loathed him and, we believe, suffered acutely in his poor little Chinese soul all during his stay. Yet unwelcome as he was, scald, ungainly, tiresome, there was something pathetic about the creature. He had a way of looking at one, deprecating and pleading at once; and he would display such rapture at the smallest token of toleration, that, despite our satisfaction at his departure, we had an ache in our hearts too. We have a shrewd suspicion that the corporal-major who owned him was a rough customer, and that poor O’Reilly’s life was not that happy one which every “owned” dog’s ought to be. A dog should not be treated as a dog.

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As for cats, once they have passed the giddy days of youth, in which they are imps, sprites, goblins, pucks, furry, fairy, freakish things—anything but mere animals—one cannot help feeling a certain awe with regard to them. Despite the many cycles of years that have elapsed since their ancestors took habitation with us, they have remained true Easterns. From father to son, from mother to daughter they have handed down secret stores of occult knowledge which they keep jealously to themselves, a sacred inheritance of race. Those eyes that fix you with pupil contracted to a slit, and look through and beyond you into mysteries undreamt of by you: that lofty detachment, that ineradicable independence, that relentless indifference: have we not all felt by these signs and tokens how completely the cat puts us outside the sphere of his real thoughts and feelings? Priests or priestesses they seem to be, of some alien creed, soul satisfying, contemplative, with sudden savage rites. Have you ever watched a cat with regard turned inwards, meditating? Its body sways, but the spirit bubbles softly as if it were seething in content over a mystic fire. It does not want you to join it in its rapture, like your dog. It has no desire to admit you into its comradeship. It is as self-contained and self-absorbed as the highest grade Mahatma.

Kitty-Wee, the Lovely, is chief of our three cats. She is a Persian lady with a wonderful robe of silver grey, faintly blue, and orange eyes inherited from that most beautiful, most evil monster, Tittums the Bold-and-Bad, her father, who spent his adorable kittenhood and his stormy youth under our London roof, until his habit of lying in wait for the servants at odd corners and jumping at their elbows, made it imperative for us to part with him. He was then adopted by a gentle parson’s daughter, in the freedom of whose country dwelling it was hoped that he might sow his wild oats and settle down into respectability. But alas! the day dawned, when lying on the rector’s cassock in the dining-room, he was so incensed at the reverend gentleman’s polite request to move, that he chased him round and round the room, ran him down in the hall and bit him. The churchman was not an unreasonable being and had made many allowances for the frailty of degenerate creation; but he drew the line at the violation of his reverend elbows. Tittums was once again, with many tears and heart-rendings, passed on. This time to a lady who keeps a cattery. We hear that he has become a model of every virtue, and that she only wears a fencing mask and boxing gloves when she combs him, because on the day when she left them off, Tittums, in a fit of absence of mind, bit her through the thumb. Anyone who takes a cat paper can hear more of this most distinguished beast, under the name of “Saracinesca.”

Kitty-Wee is supposed to have inherited her father’s superlative looks—only he was “smoke”—and her mother’s angelic disposition. If occasionally a spark of the paternal temper flashes out, the gardener’s wife ‹with whom she prefers to dwell› says “Kitty is a bit nervous to-day.”

It was after Kitty-Wee’s first mésalliance that she took up her abode with the worthy pair in the “little cot,” as Mrs. Adam calls it, at the bottom of the garden. Persian princesses, from the time of “A Thousand and One Nights” onwards, are proverbially capricious. But what perverse freak of youthful fancy induced our delicate silver-pawed highborn damsel to fix her young affections upon Mr. Hopkinson was and is, a painful mystery.

Mr. Hopkinson, a very hooligan among cats, so degenerate indeed as to have lost all his eastern characteristics, and to have assumed a positively “Arry-like, bank-’oliday, disreputable, Hampstead-Heath kind of vulgarity,” was a lean, mangy creature with a denuded tail. He had a black spot over one eye; the other eye was conspicuous by its absence. We could hear his raucous voice uplifted in serenade, suggestive of accordeons, night after night, and his guttural whisper of “Me ’Oighness” behind the bushes when we went on our walks. Every effort was made to discourage the preposterous suitor. But, alas! Kitty smiled. The infatuated Princess escaped the vigilance of her distracted family. Perhaps it is best to draw a veil over the consequences of this rash alliance. Kitty indeed did her best to obliterate them, refusing to do anything but sit heavily on three black and white kittens with ropy tails. She only purred again the day the last one died; “Oh! she was pleased, Mam,” said the gardener’s wife; “quite took up again, she did.”

Kitty-Wee’s next matrimonial venture, though likewise, we grieve to say, morganatic, was very much more successful. In fact it is to it that we owe—Bunny! The name, the lineage, the very personality of Bunny’s father is wrapt in mystery; but judging by the splendour of Bunny’s black fur, it is to be conjectured that Kitty-Wee’s choice was of a dark complexion, and if not royal, at any rate of noble blood.

Two brave brothers Bunny had, but he is the sole survivor; all the more cherished. And really, even if he lacks his mother’s supreme distinction, we cannot but feel proud of him. Waggish, gentle, humorous creature that he is, he will hang round the neck of Adam, the gardener, like a boa, for a whole morning together; or stalk the dogs from tree to tree, pounce on them at unexpected moments to deliver a swinging friendly slap on Susan’s fat back, or to waltz with Arabella, or to inveigle Loki, with odd freakish sidelong gambols, into a mysterious game of his own, which, as our little Chinaman has something of the cat in him, he seems to understand.

We are very glad that Adam had Bunny to console him, for Kitty-Wee’s offspring has an odd resemblance in size and appearance to Cæsar, the late Garden Cat, much beloved, who alas! went the way of all fur ‹with a melancholy little assistance from the chemist› shortly before Bunny’s appearance in this plane.

“Oh, Miss,” said Mrs. Adam, on the Sunday that followed that Socratic tragedy, “last night was the most dreadful night we ever spent! It was the first time for thirteen years we hadn’t had a cat in the house! Oh! Miss, I thought Daddy would have broken his heart. He just sat with his head on his hand, and sighed. Really Miss Marie, I don’t know when we’ve felt so bad.”

It will be seen that Mr. and Mrs. Adam have the right feeling towards “little sister cat and little brother dog,” as St. Francis of Assisi would have called them. This suits us very well, and oddly enough, Villino Loki is a kind of paradise for things of fur and feather. Cat and dog live in a strange harmony. To see Loki kiss Bunny, or Bunny clasp Arabella round the neck, is as pleasing a sight as you could imagine. And if Kitty-Wee occasionally boxes Loki with a kind of delicate compactness, it is with her claws in. As for Juvenal, the butler, whose pantry is full of singing birds, no sense of etiquette will restrain him from public blandishments when Loki is on the scene. George, the footman, can be heard addressing him—Loki—in back passages, as “My loved one!” And Tom, the old long-haired English cat, rules the kitchen.

Tom has reached the patriarchal age of eighteen years, and is cherished by the master of the Villino. He has had many vicissitudes. He was stung by an adder during our very first summer, years ago, on these moors, and lay for a day in a coma with one paw swollen the size of a child’s arm, to be saved by doses of brandy and milk. A few years later he was caught in a trap. How he got free no one knows, but we found him crawling, piteously complaining, with a shattered leg. With the help of the cook, who followed the tradition of the establishment and was Tom’s slave, the leg was set with strips of firewood, the bone being very successfully mended. It so happened that the Master of the House had, about the same time, snapped his tendo-plantaris at tennis; and it was a sight to see them both when they stumped down the wooden passages—the master dot-and-go-one on his crutches, Thomas following in his splints, dot-and-go-three.

The amateur surgery, however, was not completely successful. Though Thomas’ bone knit, the poor mangled flesh remained unhealed, and at last the cook conveyed her darling in a basket to the most celebrated London animal doctor. Thereafter ensued a time of horrible suspense. Telegrams went briskly backwards and forwards. Dr. Jewell “doubted if he could save the limb.” Tom’s adoring family could not contemplate the tragedy therein implied. “Better euthanasia!” we wired. “Will do my best for little cat,” the sympathetic Æsculapius of God’s humble creatures replied. Hope and devotion triumphed. Tommy returned to us with three legs in large fur trousers, the fourth as close as a mouse. The fur thereon has never grown to full length again. We fear it will never grow now.

Dear old Tom is toothless, and he is getting a little bald on the top of his head; but he is a beautiful creature still, and a dandy. His four spats are always of an almost startling snowiness; his shirt-front ditto. He is not very fond of any of the other animals, and was so revolted by Kitty-Wee’s mésalliance that she could not show her face in the kitchen without his instantly using as severe language as ever John Knox to Queen Mary. “Hussy!” was the mildest of his terms.

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Where we live, high on the southern moorlands of Surrey, the desolation of winter never seems to reach us; unless, indeed, upon certain days of streaming rains, or weeping mists that rush rapid and ghost-like up the valley, and blot out the world from view. But those days would be dreary anywhere and in any season.

Our funny little house, more like an Italian “Villino,” perhaps, than anything English, stands high, midway between the rolling shoulders of moor and the green-wooded dip of the valley. And the moor has always colour in it. There are some sunset days when it seems not so much to reflect as to give out rose and purple and carmine. And now in January it is a wonderful copper-brown, with the tawny of dying Bracken and the yellow of young Gorse. And opposite to us a belt of birchwood is purple against solemn green of pine. And the purple and solemn green run right down together to the bright verdure of fields and dells; then up again to moorland, where the fir trees march up once more against the sky.

There are Larches in these woods, and Oaks, so that the spring tints are almost as wonderful as the autumn. When the Furze and Broom are all guinea-gold on the moor, the young Bracken begins to creep in green patches that are pure joy. Later on the Bell-heather breaks into a deep rose which, with the sun on it, holds such a glory of colour that you could scarce find its match in an old Cathedral window. And when this splendour begins to turn to russet, then comes the tender silvery amethyst of the Ling, and spreads a mantle all over those great shoulders of wild land that is of the exact hue most beautiful to contrast with the full summer woods and the blue of an August sky; a combination so matchless for colour-loving eyes that it seems as if one’s soul were not big enough to hold the complete impression. And when our Delphiniums rear themselves against this background, we feel, looking on it all, as if we could sing for the mere rapture of it; or—having no voice—roll in the grass like Loki or like Bunny.

* * * * *

For a long time we—Loki’s Grandfather and Grandmother—had said to each other that we must have a week-end cottage. We were so tired of hiring other people’s houses, summer after summer, and of the labour ‹not unattended by some pleasurable excitement on Loki’s Grandmother’s part› of pulling their furniture about, and hiding away all the family portraits and the choicest works of art, to make the alien spaces tolerable to one’s own individuality. So tired, too, of the boredom and worry of having to restore everything to its pristine ugliness and hang up the enlarged photographs and the dreadful oil paintings on the walls once more—a tedious task, albeit enlivened on one occasion by the thrilling discovery that, having consigned these treasures to an oak chest in the hall, most of them had grown fur; and that on another the oil painting of your detested landlady, in middle Victorian chignon and the hump of the period, has received a scratch on the nose which no copious application of linseed oil will disguise. We always detest our landlady ... though not as much as we loathe the tenants who may happen to hire a house of ours.

At the end of each summer, therefore, we would make elaborate calculations to prove what a great economy it would be to have a little place of our own. Finally these plans and desires crystallized into action. When Loki’s Grandfather returned from a round of inspection to the hotel where we were staying in the district we fancied, and told Loki’s Grandmother that he had visited a funny little house with a terrace upon which he “saw her”—in his own phraseology—she was extremely sceptical. And when we drove down the hill to view his discovery, and were literally dropped from the side road through a perfunctory gate into the steepest little courtyard it is possible to imagine, and she beheld green stains on the rough-cast wall of the white small house, her scepticism increased to scoffing point. She was blind to the charms of the pretty pillared porch. The narrowness of the entrance passage filled her with disdain. Though she grudgingly admitted a possibility in the drawing-room, it was not until we emerged upon the terrace that her preventions vanished.—That rise and fall of moorland in such startling proximity, and the way in which the house and its terraces seemed to cling to the hillside and be perched in space between the giant curves and the dip of the valley beyond, fairly took her breath away. An artist friend described the first impression of the view in these words: “It is so sudden!” For a long time, even after the queer, fascinating spot had become our own, this wonder of “suddenness” always seized us.

It still seems incomprehensible to us that anyone could have desired to dispossess himself of so attractive a place—an Italian “Villino” on the Surrey Highlands is not to be found every day.

But, after all, it only became a Villino after our ownership. It was just a small white house on the hillside before that. Heather and Gorse, Bramble and Bracken pressed hard upon the small area of the property which was at all cultivated, between densely growing clumps of pine and holly.

The courtyard is no longer dank: it is widened, levelled, and walled in against its high fir-grown strip of bank. It is guarded by bright green wooden gates, and three sentinel Cypresses that begin to mark the Italian note.

As for the lower reach—the Reserve Garden now—which in former days was a dumping-ground for horrors of broken glass, potsherds and tin cans ‹a dreary patch of weeds and couch grass withal›, it is unrecognizable. Especially this year, when, to the herbaceous border, to the espaliered apple-trees, and to the neat little turfed walks, we have added a Rose-Garden between screens of rustic woodwork which are to blaze in the full luxuriance of the adorable Wichuriana tribe.