Part 9

Our kind friend kept bringing out one unexpected and wholly unexpectable thing after another, as if he were a magician, and had only to fling a private signal into the air, and some attendant imp would hand forth any strange relic we might choose to ask for. He was especially rich in drawings by the Old Masters, producing two or three, of exquisite delicacy, by Raphael, one by Salvator, a head by Rembrandt, and others, in chalk or pen-and-ink, by Giordano, Benvenuto Cellini, and hands almost as famous; and besides what were shown us, there seemed to be an endless supply of these art-treasures in reserve. On the wall hung a crayon-portrait of Sterne, never engraved, representing him as a rather young man, blooming, and not uncomely; it was the worldly face of a man fond of pleasure, but without that ugly, keen, sarcastic, odd expression that we see in his only engraved portrait. The picture is an original, and must needs be very valuable; and we wish it might be prefixed to some new and worthier biography of a writer whose character the world has always treated with singular harshness, considering how much it owes him. There was likewise a crayon-portrait of Sterne's wife, looking so haughty and unamiable, that the wonder is, not that he ultimately left her, but how he ever contrived to live a week with such an awful woman.

After looking at these, and a great many more things than I can remember, above stairs, we went down to a parlor, where this wonderful bookseller opened an old cabinet, containing numberless drawers, and looking just fit to be the repository of such knick-knacks as were stored up in it. He appeared to possess more treasures than he himself knew off, or knew where to find; but, rummaging here and there, he brought forth things new and old: rose-nobles, Victoria crowns, gold angels, double sovereigns of George IV., two-guinea pieces of George II.; a marriage-medal of the first Napoleon, only forty-five of which were ever struck off, and of which even the British Museum does not contain a specimen like this, in gold; a brass medal, three or four inches in diameter, of a Roman emperor; together with buckles, bracelets, amulets, and I know not what besides. There was a green silk tassel from the fringe of Queen Mary's bed at Holyrood Palace. There were illuminated missals, antique Latin Bibles, and (what may seem of especial interest to the historian) a Secret-Book of Queen Elizabeth, in manuscript, written, for aught I know, by her own hand. On examination, however, it proved to contain, not secrets of state, but recipes for dishes, drinks, medicines, washes, and all such matters of housewifery, the toilet, and domestic quackery, among which we were horrified by the title of one of the nostrums, "How to kill a Fellow quickly"! We never doubted that bloody Queen Bess might often have had occasion for such a recipe, but wondered at her frankness, and at her attending to these anomalous necessities in such a methodical way. The truth is, we had read amiss, and the Queen had spelt amiss: the word was "Fellon,"--a sort of whitlow,--not "Fellow."

Our hospitable friend now made us drink a glass of wine, as old and genuine as the curiosities of his cabinet; and while sipping it, we ungratefully tried to excite his envy, by telling of various things, interesting to an antiquary and virtuoso, which we had seen in the course of our travels about England. We spoke, for instance, of a missal bound in solid gold and set around with jewels, but of such intrinsic value as no setting could enhance, for it was exquisitely illuminated, throughout, by the hand of Raphael himself. We mentioned a little silver case which once contained a portion of the heart of Louis XIV. nicely done up in spices, but, to the owner's horror and astonishment, Dean Buckland popped the kingly morsel into his mouth, and swallowed it. We told about the black-letter prayer-book of King Charles the Martyr, used by him upon the scaffold, taking which into our hands, it opened of itself at the Communion Service; and there, on the left-hand page, appeared a spot about as large as a sixpence, of a yellowish or brownish hue: a drop of the King's blood had fallen there.

Mr. Porter now accompanied us to the church, but first leading us to a vacant spot of ground where old John Cotton's vicarage had stood till a very short time since. According to our friend's description, it was a humble habitation, of the cottage order, built of brick, with a thatched roof. The site is now rudely fenced in, and cultivated as a vegetable garden. In the right-hand aisle of the church there is an ancient chapel, which, at the time of our visit, was in process of restoration, and was to be dedicated to Mr. Cotton, whom these English people consider as the founder of our American Boston. It would contain a painted memorial-window, in honor of the old Puritan minister. A festival in commemoration of the event was to take place in the ensuing July, to which I had myself received an invitation, but I knew too well the pains and penalties incurred by an invited guest at public festivals in England to accept it. It ought to be recorded (and it seems to have made a very kindly impression on our kinsfolk here) that five hundred pounds had been contributed by persons in the United States, principally in Boston, towards the cost of the memorial-window, and the repair and restoration of the chapel.

After we emerged from the chapel, Mr. Porter approached us with the vicar, to whom he kindly introduced us, and then took his leave. May a stranger's benediction rest upon him! He is a most pleasant man; rather, I imagine, a virtuoso than an antiquary; for he seemed to value the Queen of Otaheite's bag as highly as Queen Mary's embroidered quilt, and to have an omnivorous appetite for everything strange and rare. Would that we could fill up his shelves and drawers (if there are any vacant spaces left) with the choicest trifles that have dropped out of Time's carpet-bag, or give him the carpet-bag itself, to take out what he will!

The vicar looked about thirty years old, a gentleman, evidently assured of his position (as clergymen of the Established Church invariably are), comfortable and well-to-do, a scholar and a Christian, and fit to be a bishop, knowing how to make the most of life without prejudice to the life to come. I was glad to see such a model English priest so suitably accommodated with an old English church. He kindly and courteously did the honors, showing us quite round the interior, giving us all the information that we required, and then leaving us to the quiet enjoyment of what we came to see.

The interior of Saint Botolph's is very fine and satisfactory, as stately, almost, as a cathedral, and has been repaired--so far as repairs were necessary--in a chaste and noble style. The great eastern window is of modern painted glass, but is the richest, mellowest, and tenderest modern window that I have ever seen: the art of painting these glowing transparencies in pristine perfection being one that the world has lost. The vast, clear space of the interior church delighted me. There was no screen,--nothing between the vestibule and the altar to break the long vista; even the organ stood aside,--though it by and by made us aware of its presence by a melodious roar. Around the walls there were old engraved brasses, and a stone coffin, and an alabaster knight of Saint John, and an alabaster lady, each recumbent at full length, as large as life, and in perfect preservation, except for a slight modern touch at the tips of their noses. In the chancel we saw a great deal of oaken work, quaintly and admirably carved, especially about the seats formerly appropriated to the monks, which were so contrived as to tumble down with a tremendous crash, if the occupant happened to fall asleep.

We now essayed to climb into the upper regions. Up we went, winding and still winding round the circular stairs, till we came to the gallery beneath the stone roof of the tower, whence we could look down and see the raised Font, and my Talma lying on one of the steps, and looking about as big as a pocket-handkerchief. Then up again, up, up, up, through a yet smaller staircase, till we emerged into another stone gallery, above the jackdaws, and far above the roof beneath which we had before made a halt. Then up another flight, which led us into a pinnacle of the temple, but not the highest; so, retracing our steps, we took the right turret this time, and emerged into the loftiest lantern, where we saw level Lincolnshire, far and near, though with a haze on the distant horizon. There were dusty roads, a river, and canals, converging towards Boston, which--a congregation of red-tiled roofs--lay beneath our feet, with pygmy people creeping about its narrow streets. We were three hundred feet aloft, and the pinnacle on which we stood is a landmark forty miles at sea.

Content, and weary of our elevation, we descended the corkscrew stairs and left the church; the last object that we noticed in the interior being a bird, which appeared to be at home there, and responded with its cheerful notes to the swell of the organ. Pausing on the church-steps, we observed that there were formerly two statues, one on each side of the doorway; the canopies still remaining and the pedestals being about a yard from the ground. Some of Mr. Cotton's Puritan parishioners are probably responsible for the disappearance of these stone saints. This doorway at the base of the tower is now much dilapidated, but must once have been very rich and of a peculiar fashion. It opens its arch through a great square tablet of stone, reared against the front of the tower. On most of the projections, whether on the tower or about the body of the church, there are gargoyles of genuine Gothic grotesqueness,--fiends, beasts, angels, and combinations of all three; and where portions of the edifice are restored, the modern sculptors have tried to imitate these wild fantasies, but with very poor success. Extravagance and absurdity have still their law, and should pay as rigid obedience to it as the primmest things on earth.

In our further rambles about Boston, we crossed the river by a bridge, and observed that the larger part of the town seems to be on that side of its navigable stream. The crooked streets and narrow lanes reminded me much of Hanover Street, Ann Street, and other portions of the North End of our American Boston, as I remember that picturesque region in my boyish days. It is not unreasonable to suppose that the local habits and recollections of the first settlers may have had some influence on the physical character of the streets and houses in the New England metropolis; at any rate, here is a similar intricacy of bewildering lanes, and numbers of old peaked and projecting-storied dwellings, such as I used to see there. It is singular what a home-feeling and sense of kindred I derived from this hereditary connection and fancied physiognomical resemblance between the old town and its well-grown daughter, and how reluctant I was, after chill years of banishment, to leave this hospitable place, on that account. Moreover, it recalled some of the features of another American town, my own dear native place, when I saw the seafaring people leaning against posts, and sitting on planks, under the lee of warehouses,--or lolling on long-boats, drawn up high and dry, as sailors and old wharf-rats are accustomed to do, in seaports of little business. In other respects, the English town is more village-like than either of the American ones. The women and budding girls chat together at their doors, and exchange merry greetings with young men; children chase one another in the summer twilight; school-boys sail little boats on the river, or play at marbles across the flat tombstones in the churchyard; and ancient men, in breeches and long waistcoats, wander slowly about the streets, with a certain familiarity of deportment, as if each one were everybody's grandfather. I have frequently observed, in old English towns, that Old Age comes forth more cheerfully and genially into the sunshine than among ourselves, where the rush, stir, bustle, and irreverent energy of youth are so preponderant, that the poor, forlorn grandsires begin to doubt whether they have a right to breathe in such a world any longer, and so hide their silvery heads in solitude. Speaking of old men, I am reminded of the scholars of the Boston Charity School, who walk about in antique, long-skirted blue coats, and knee-breeches, and with bands at their necks,--perfect and grotesque pictures of the costume of three centuries ago.

On the morning of our departure, I looked from the parlor-window of the Peacock into the market-place, and beheld its irregular square already well covered with booths, and more in progress of being put up, by stretching tattered sail-cloth on poles. It was market-day. The dealers were arranging their commodities, consisting chiefly of vegetables, the great bulk of which seemed to be cabbages. Later in the forenoon there was a much greater variety of merchandise: basket-work, both for fancy and use; twig-brooms, beehives, oranges, rustic attire; all sorts of things, in short, that are commonly sold at a rural fair. I heard the lowing of cattle, too, and the bleating of sheep, and found that there was a market for cows, oxen, and pigs, in another part of the town. A crowd of towns-people and Lincolnshire yeomen elbowed one another in the square; Mr. Punch was squeaking in one corner, and a vagabond juggler tried to find space for his exhibition in another: so that my final glimpse of Boston was calculated to leave a livelier impression than my former ones. Meanwhile the tower of Saint Botolph's looked benignantly down; and I fancied it was bidding me farewell, as it did Mr. Cotton, two or three hundred years ago, and telling me to describe its venerable height, and the town beneath it, to the people of the American city, who are partly akin, if not to the living inhabitants of Old Boston, yet to some of the dust that lies in its churchyard.

One thing more. They have a Bunker Hill in the vicinity of their town; and (what could hardly be expected of an English community) seem proud to think that their neighborhood has given name to our first and most widely celebrated and best remembered battle-field.

NEAR OXFORD.

On a fine morning in September we set out on an excursion to Blenheim,-- the sculptor and myself being seated on the box of our four-horse carriage, two more of the party in the dicky, and the others less agreeably accommodated inside. We had no coachman, but two postilions in short scarlet jackets and leather breeches with top-boots, each astride of a horse; so that, all the way along, when not otherwise attracted, we had the interesting spectacle of their up-and-down bobbing in the saddle. It was a sunny and beautiful day, a specimen of the perfect English weather, just warm enough for comfort,--indeed, a little too warm, perhaps, in the noontide sun,--yet retaining a mere spice or suspicion of austerity, which made it all the more enjoyable.

The country between Oxford and Blenheim is not particularly interesting, being almost level, or undulating very slightly; nor is Oxfordshire, agriculturally, a rich part of England. We saw one or two hamlets, and I especially remember a picturesque old gabled house at a turnpike-gate, and, altogether, the wayside scenery had an aspect of old-fashioned English life; but there was nothing very memorable till we reached Woodstock, and stopped to water our horses at the Black Bear. This neighborhood is called New Woodstock, but has by no means the brand-new appearance of an American town, being a large village of stone houses, most of them pretty well time-worn and weather-stained. The Black Bear is an ancient inn, large and respectable, with balustraded staircases, and intricate passages and corridors, and queer old pictures and engravings hanging in the entries and apartments. We ordered a lunch (the most delightful of English institutions, next to dinner) to be ready against our return, and then resumed our drive to Blenheim.

The park-gate of Blenheim stands close to the end of the village street of Woodstock. Immediately on passing through its portals we saw the stately palace in the distance, but made a wide circuit of the park before approaching it. This noble park contains three thousand acres of land, and is fourteen miles in circumference. Having been, in part, a royal domain before it was granted to the Marlborough family, it contains many trees of unsurpassed antiquity, and has doubtless been the haunt of game and deer for centuries. We saw pheasants in abundance, feeding in the open lawns and glades; and the stags tossed their antlers and bounded away, not affrighted, but only shy and gamesome, as we drove by. It is a magnificent pleasure-ground, not too tamely kept, nor rigidly subjected within rule, but vast enough to have lapsed back into nature again, after all the pains that the landscape-gardeners of Queen Anne's time bestowed on it, when the domain of Blenheim was scientifically laid out. The great, knotted, slanting trunks of the old oaks do not now look as if man had much intermeddled with their growth and postures. The trees of later date, that were set out in the Great Duke's time, are arranged on the plan of the order of battle in which the illustrious commander ranked his troops at Blenheim; but the ground covered is so extensive, and the trees now so luxuriant, that the spectator is not disagreeably conscious of their standing in military array, as if Orpheus had summoned them together by beat of drum. The effect must have been very formal a hundred and fifty years ago, but has ceased to be so,--although the trees, I presume, have kept their ranks with even more fidelity than Marlborough's veterans did.

One of the park-keepers, on horseback, rode beside our carriage, pointing out the choice views, and glimpses at the palace, as we drove through the domain. There is a very large artificial lake (to say the truth, it seemed to me fully worthy of being compared with the Welsh lakes, at least, if not with those of Westmoreland), which was created by Capability Brown, and fills the basin that he scooped for it, just as if Nature had poured these broad waters into one of her own valleys. It is a most beautiful object at a distance, and not less so on its immediate banks; for the water is very pure, being supplied by a small river, of the choicest transparency, which was turned thitherward for the purpose. And Blenheim owes not merely this water-scenery, but almost all its other beauties, to the contrivance of man. Its natural features are not striking; but Art has effected such wonderful things that the uninstructed visitor would never guess that nearly the whole scene was but the embodied thought of a human mind. A skilful painter hardly does more for his blank sheet of canvas than the landscape-gardener, the planter, the arranger of trees, has done for the monotonous surface of Blenheim,--making the most of every undulation,--flinging down a hillock, a big lump of earth out of a giant's hand, wherever it was needed,-- putting in beauty as often as there was a niche for it,--opening vistas to every point that deserved to be seen, and throwing a veil of impenetrable foliage around what ought to be hidden;--and then, to be sure, the lapse of a century has softened the harsh outline of man's labors, and has given the place back to Nature again with the addition of what consummate science could achieve.

After driving a good way, we came to a battlemented tower and adjoining house, which used to be the residence of the Ranger of Woodstock Park, who held charge of the property for the King before the Duke of Marlborough possessed it. The keeper opened the door for us, and in the entrance-hall we found various things that had to do with the chase and woodland sports. We mounted the staircase, through several stories, up to the top of the tower, whence there was a view of the spires of Oxford, and of points much farther off,--very indistinctly seen, however, as is usually the case with the misty distances of England. Returning to the ground-floor, we were ushered into the room in which died Wilmot, the wicked Earl of Rochester, who was Ranger of the Park in Charles II.'s time. It is a low and bare little room, with a window in front, and a smaller one behind; and in the contiguous entrance-room there are the remains of an old bedstead, beneath the canopy of which, perhaps, Rochester may have made the penitent end that Bishop Burnet attributes to him. I hardly know what it is, in this poor fellow's character, which affects us with greater tenderness on his behalf than for all the other profligates of his day, who seem to have been neither better nor worse than himself. I rather suspect that he had a human heart which never quite died out of him, and the warmth of which is still faintly perceptible amid the dissolute trash which he left behind.

Methinks, if such good fortune ever befell a bookish man, I should choose this lodge for my own residence, with the topmost room of the tower for a study, and all the seclusion of cultivated wildness beneath to ramble in. There being no such possibility, we drove on, catching glimpses of the palace in new points of view, and by and by came to Rosamond's Well. The particular tradition that connects Fair Rosamond with it is not now in my memory; but if Rosamond ever lived and loved, and ever had her abode in the maze of Woodstock, it may well be believed that she and Henry sometimes sat beside this spring. It gushes out from a bank, through some old stone-work, and dashes its little cascade (about as abundant as one might turn out of a large pitcher) into a pool, whence it steals away towards the lake, which is not far removed. The water is exceedingly cold, and as pure as the legendary Rosamond was not, and is fancied to possess medicinal virtues, like springs at which saints have quenched their thirst. There were two or three old women and some children in attendance with tumblers, which they present to visitors, full of the consecrated water; but most of us filled the tumblers for ourselves, and drank.

Thence we drove to the Triumphal Pillar which was erected in honor of the Great Duke, and on the summit of which he stands, in a Roman garb, holding a winged figure of Victory in his hand, as an ordinary man might hold a bird. The column is I know not how many feet high, but lofty enough, at any rate, to elevate Marlborough far above the rest of the world, and to be visible a long way off; and it is so placed in reference to other objects, that, wherever the hero wandered about his grounds, and especially as he issued from his mansion, he must inevitably have been reminded of his glory. In truth, until I came to Blenheim, I never had so positive and material an idea of what Fame really is--of what the admiration of his country can do for a successful warrior--as I carry away with me and shall always retain. Unless he had the moral force of a thousand men together, his egotism (beholding himself everywhere, imbuing the entire soil, growing in the woods, rippling and gleaming in the water, and pervading the very air with his greatness) must have been swollen within him like the liver of a Strasburg goose. On the huge tablets inlaid into the pedestal of the column, the entire Act of Parliament, bestowing Blenheim on the Duke of Marlborough and his posterity, is engraved in deep letters, painted black on the marble ground. The pillar stands exactly a mile from the principal front of the palace, in a straight line with the precise centre of its entrance-hall; so that, as already said, it was the Duke's principal object of contemplation.

We now proceeded to the palace-gate, which is a great pillared archway, of wonderful loftiness and state, giving admittance into a spacious quadrangle. A stout, elderly, and rather surly footman in livery appeared at the entrance, and took possession of whatever canes, umbrellas, and parasols he could get hold of, in order to claim sixpence on our departure. This had a somewhat ludicrous effect. There is much public outcry against the meanness of the present Duke in his arrangements for the admission of visitors (chiefly, of course, his native countrymen) to view the magnificent palace which their forefathers bestowed upon his own. In many cases, it seems hard that a private abode should be exposed to the intrusion of the public merely because the proprietor has inherited or created a splendor which attracts general curiosity; insomuch that his home loses its sanctity and seclusion for the very reason that it is better than other men's houses. But in the case of Blenheim, the public have certainly an equitable claim to admission, both because the fame of its first inhabitant is a national possession, and because the mansion was a national gift, one of the purposes of which was to be a token of gratitude and glory to the English people themselves. If a man chooses to be illustrious, he is very likely to incur some little inconveniences himself, and entail them on his posterity. Nevertheless, his present Grace of Marlborough absolutely ignores the public claim above suggested, and (with a thrift of which even the hero of Blenheim himself did not set the example) sells tickets admitting six persons at ten shillings; if only one person enters the gate, he must pay for six; and if there are seven in company, two tickets are required to admit them. The attendants, who meet you everywhere in the park and palace, expect fees on their own private account,--their noble master pocketing the ten shillings. But, to be sure, the visitor gets his money's worth, since it buys him the right to speak just as freely of the Duke of Marlborough as if he were the keeper of the Cremorne Gardens.

Passing through a gateway on the opposite side of the quadrangle, we had before us the noble classic front of the palace, with its two projecting wings. We ascended the lofty steps of the portal, and were admitted into the entrance-hall, the height of which, from floor to ceiling, is not much less than seventy feet, being the entire elevation of the edifice. The hall is lighted by windows in the upper story, and, it being a clear, bright day, was very radiant with lofty sunshine, amid which a swallow was flitting to and fro. The ceiling was painted by Sir James Thornhill in some allegorical design (doubtless commemorative of Marlborough's victories), the purport of which I did not take the trouble to make out, --contenting myself with the general effect, which was most splendidly and effectively ornamental.

We were guided through the show-rooms by a very civil person, who allowed us to take pretty much our own time in looking at the pictures. The collection is exceedingly valuable,--many of these works of Art having been presented to the Great Duke by the crowned heads of England or the Continent. One room was all aglow with pictures by Rubens; and there were works of Raphael, and many other famous painters, any one of which would be sufficient to illustrate the meanest house that might contain it. I remember none of then, however (not being in a picture-seeing mood), so well as Vandyck's large and familiar picture of Charles I. on horseback, with a figure and face of melancholy dignity such as never by any other hand was put on canvas. Yet, on considering this face of Charles (which I find often repeated in half-lengths) and translating it from the ideal into literalism, I doubt whether the unfortunate king was really a handsome or impressive-looking man: a high, thin-ridged nose, a meagre, hatchet face, and reddish hair and beard,--these are the literal facts. It is the painter's art that has thrown such pensive and shadowy grace around him.

On our passage through this beautiful suite of apartments, we saw, through the vista of open doorways, a boy of ten or twelve years old coming towards us from the farther rooms. He had on a straw hat, a linen sack that had certainly been washed and re-washed for a summer or two, and gray trousers a good deal worn,--a dress, in short, which an American mother in middle station would have thought too shabby for her darling school-boy's ordinary wear. This urchin's face was rather pale (as those of English children are apt to be, quite as often as our own), but he had pleasant eyes, an intelligent look, and an agreeable, boyish manner. It was Lord Sunderland, grandson of the present Duke, and heir--though not, I think, in the direct line--of the blood of the great Marlborough, and of the title and estate.

After passing through the first suite of rooms, we were conducted through a corresponding suite on the opposite side of the entrance-hall. These latter apartments are most richly adorned with tapestries, wrought and presented to the first Duke by a sisterhood of Flemish nuns; they look like great, glowing pictures, and completely cover the walls of the rooms. The designs purport to represent the Duke's battles and sieges; and everywhere we see the hero himself, as large as life, and as gorgeous in scarlet and gold as the holy sisters could make him, with a three-cornered hat and flowing wig, reining in his horse, and extending his leading-staff in the attitude of command. Next to Marlborough, Prince Eugene is the most prominent figure. In the way of upholstery, there can never have been anything more magnificent than these tapestries; and, considered as works of Art, they have quite as much merit as nine pictures out of ten.

One whole wing of the palace is occupied by the library, a most noble room, with a vast perspective length from end to end. Its atmosphere is brighter and more cheerful than that of most libraries: a wonderful contrast to the old college-libraries of Oxford, and perhaps less sombre and suggestive of thoughtfulness than any large library ought to be, inasmuch as so many studious brains as have left their deposit on the shelves cannot have conspired without producing a very serious and ponderous result. Both walls and ceiling are white, and there are elaborate doorways and fireplaces of white marble. The floor is of oak, so highly polished that our feet slipped upon it as if it had been New England ice. At one end of the room stands a statue of Queen Anne in her royal robes, which are so admirably designed and exquisitely wrought that the spectator certainly gets a strong conception of her royal dignity; while the face of the statue, fleshy and feeble, doubtless conveys a suitable idea of her personal character. The marble of this work, long as it has stood there, is as white as snow just fallen, and must have required most faithful and religious care to keep it so. As for the volumes of the library, they are wired within the cases and turn their gilded backs upon the visitor, keeping their treasures of wit and wisdom just as intangible as if still in the unwrought mines of human thought.

I remember nothing else in the palace, except the chapel, to which we were conducted last, and where we saw a splendid monument to the first Duke and Duchess, sculptured by Rysbrack, at the cost, it is said, of forty thousand pounds. The design includes the statues of the deceased dignitaries, and various allegorical flourishes, fantasies, and confusions; and beneath sleep the great Duke and his proud wife, their veritable bones and dust, and probably all the Marlboroughs that have since died. It is not quite a comfortable idea, that these mouldy ancestors still inhabit, after their fashion, the house where their successors spend the passing day; but the adulation lavished upon the hero of Blenheim could not have been consummated, unless the palace of his lifetime had become likewise a stately mausoleum over his remains,-- and such we felt it all to be, after gazing at his tomb.

The next business was to see the private gardens. An old Scotch under-gardener admitted us and led the way, and seemed to have a fair prospect of earning the fee all by himself; but by and by another respectable Scotchman made his appearance and took us in charge, proving to be the head-gardener in person. He was extremely intelligent and agreeable, talking both scientifically and lovingly about trees and plants, of which there is every variety capable of English cultivation. Positively, the Garden of Eden cannot have been more beautiful than this private garden of Blenheim. It contains three hundred acres, and by the artful circumlocution of the paths, and the undulations, and the skilfully interposed clumps of trees, is made to appear limitless. The sylvan delights of a whole country are compressed into this space, as whole fields of Persian roses go to the concoction of an ounce of precious attar. The world within that garden-fence is not the same weary and dusty world with which we outside mortals are conversant; it is a finer, lovelier, more harmonious Nature; and the Great Mother lends herself kindly to the gardener's will, knowing that he will make evident the half-obliterated traits of her pristine and ideal beauty, and allow her to take all the credit and praise to herself. I doubt whether there is ever any winter within that precinct,--any clouds, except the fleecy ones of summer. The sunshine that I saw there rests upon my recollection of it as if it were eternal. The lawns and glades are like the memory of places where one has wandered when first in love.