Part 15

"Now, Mr. Quaritch," I said, after introducing myself, "I have ten minutes to pass with you. You must not open a book; if you do I am lost, for I shall have to look at every illuminated capital, from the first leaf to the colophon." Mr. Quaritch did not open a single book, but let me look round his establishment, and answered my questions very courteously. It so happened that while I was there a gentleman came in whom I had previously met,--my namesake, Mr. Holmes, the Queen's librarian at Windsor Castle. My ten minutes passed very rapidly in conversation with these two experts in books, the bibliopole and the bibliothecary. No place that I visited made me feel more thoroughly that I was in London, the great central mart of all that is most precious in the world.

Leave at home all your guineas, ye who enter here, would be a good motto to put over his door, unless you have them in plenty and can spare them, in which case Take all your guineas with you would be a better one. For you can here get their equivalent, and more than their equivalent, in the choicest products of the press and the finest work of the illuminator, the illustrator, and the binder. You will be sorely tempted. But do not be surprised when you ask the price of the volume you may happen to fancy. You are not dealing with a bouquiniste of the Quais, in Paris. You are not foraging in an old book-shop of New York or Boston. Do not suppose that I undervalue these dealers in old and rare volumes. Many a much-prized rarity have I obtained from Drake and Burnham and others of my townsmen, and from Denham in New York; and in my student years many a choice volume, sometimes even an Aldus or an Elzevir, have I found among the trumpery spread out on the parapets of the quays. But there is a difference between going out on the Fourth of July with a militia musket to shoot any catbird or "chipmunk" that turns up in a piece of woods within a few miles of our own cities, and shooting partridges in a nobleman's preserves on the First of September. I confess to having felt a certain awe on entering the precincts made sacred by their precious contents. The lord and master of so many Editiones Principes, the guardian of this great nursery full of incunabula, did not seem to me like a simple tradesman. I felt that I was in the presence of the literary purveyor of royal and imperial libraries, the man before whom millionaires tremble as they calculate, and billionaires pause and consider. I have recently received two of Mr. Quaritch's catalogues, from which I will give my reader an extract or two, to show him what kind of articles this prince of bibliopoles deals in.

Perhaps you would like one of those romances which turned the head of Don Quixote. Here is a volume which will be sure to please you. It is on one of his lesser lists, confined principally to Spanish and Portuguese works:--

"Amadis de Gaula ... folio, gothic letter, FIRST EDITION, unique ... red morocco super extra, doublé with olive morocco, richly gilt, tooled to an elegant Grolier design, gilt edges ... in a neat case."

A pretty present for a scholarly friend. A nice old book to carry home for one's own library. Two hundred pounds--one thousand dollars--will make you the happy owner of this volume.

But if you would have also on your shelves the first edition of the "Cronica del famoso cabaluero cid Ruy Diaz Campadero," not "richly gilt," not even bound in leather, but in "cloth boards," you will have to pay two hundred and ten pounds to become its proprietor. After this you will not be frightened by the thought of paying three hundred dollars for a little quarto giving an account of the Virginia Adventurers. You will not shrink from the idea of giving something more than a hundred guineas for a series of Hogarth's plates. But when it comes to Number 1001 in the May catalogue, and you see that if you would possess a first folio Shakespeare, "untouched by the hand of any modern renovator," you must be prepared to pay seven hundred and eighty-five pounds, almost four thousand dollars, for the volume, it would not be surprising if you changed color and your knees shook under you. No doubt some brave man will be found to carry off that prize, in spite of the golden battery which defends it, perhaps to Cincinnati, or Chicago, or San Francisco. But do not be frightened. These Alpine heights of extravagance climb up from the humble valley where shillings and sixpences are all that are required to make you a purchaser.

One beauty of the Old World shops is that if a visitor comes back to the place where he left them fifty years before, he finds them, or has a great chance of finding them, just where they stood at his former visit. In driving down to the old city, to the place of business of the Barings, I found many streets little changed. Temple Bar was gone, and the much-abused griffin stood in its place. There was a shop close to Temple Bar, where, in 1834, I had bought some brushes. I had no difficulty in finding Prout's, and I could not do less than go in and buy some more brushes. I did not ask the young man who served me how the old shopkeeper who attended to my wants on the earlier occasion was at this time. But I thought what a different color the locks these brushes smooth show from those that knew their predecessors in the earlier decade!

I ought to have made a second visit to the Tower, so tenderly spoken of by Artemus Ward as "a sweet boon," so vividly remembered by me as the scene of a personal encounter with one of the animals then kept in the Tower menagerie. But the project added a stone to the floor of the underground thoroughfare which is paved with good intentions.

St. Paul's I must and did visit. The most striking addition since I was there is the massive monument to the Duke of Wellington. The great temple looked rather bare and unsympathetic. Poor Dr. Johnson, sitting in semi-nude exposure, looked to me as unhappy as our own half-naked Washington at the national capital. The Judas of Matthew Arnold's poem would have cast his cloak over those marble shoulders, if he had found himself in St. Paul's, and have earned another respite. We brought away little, I fear, except the grand effect of the dome as we looked up at it. It gives us a greater idea of height than the sky itself, which we have become used to looking upon.

A second visit to the National Gallery was made in company with A----. It was the repetition of an attempt at a draught from the Cup of Tantalus. I was glad of a sight of the Botticellis, of which I had heard so much, and others of the more recently acquired paintings of the great masters; of a sweeping glance at the Turners; of a look at the well-remembered Hogarths and the memorable portraits by Sir Joshua. I carried away a confused mass of impressions, much as the soldiers that sack a city go off with all the precious things they can snatch up, huddled into clothes-bags and pillow-cases. I am reminded, too, of Mr. Galton's composite portraits; a thousand glimpses, as one passes through the long halls lined with paintings, all blending in one not unpleasing general effect, out of which emerges from time to time some single distinct image.

In the same way we passed through the exhibition of paintings at the Royal Academy. I noticed that A---- paid special attention to the portraits of young ladies by John Sargent and by Collier, while I was more particularly struck with the startling portrait of an ancient personage in a full suit of wrinkles, such as Rembrandt used to bring out with wonderful effect. Hunting in couples is curious and instructive; the scent for this or that kind of game is sure to be very different in the two individuals.

I made but two brief visits to the British Museum, and I can easily instruct my reader so that he will have no difficulty, if he will follow my teaching, in learning how not to see it. When he has a spare hour at his disposal, let him drop in at the Museum, and wander among its books and its various collections. He will know as much about it as the fly that buzzes in at one window and out at another. If I were asked whether I brought away anything from my two visits, I should say, Certainly I did. The fly sees some things, not very intelligently, but he cannot help seeing them. The great round reading-room, with its silent students, impressed me very much. I looked at once for the Elgin Marbles, but casts and photographs and engravings had made me familiar with their chief features. I thought I knew something of the sculptures brought from Nineveh, but I was astonished, almost awe-struck, at the sight of those mighty images which mingled with the visions of the Hebrew prophets. I did not marvel more at the skill and labor expended upon them by the Assyrian artists than I did at the enterprise and audacity which had brought them safely from the mounds under which they were buried to the light of day and the heart of a great modern city. I never thought that I should live to see the Birs Nimroud laid open, and the tablets in which the history of Nebuchadnezzar was recorded spread before me. The Empire of the Spade in the world of history was founded at Nineveh by Layard, a great province added to it by Schliemann, and its boundary extended by numerous explorers, some of whom are diligently at work at the present day. I feel very grateful that many of its revelations have been made since I have been a tenant of the travelling residence which holds so many secrets in its recesses.

There is one lesson to be got from a visit of an hour or two to the British Museum,--namely, the fathomless abyss of our own ignorance. One is almost ashamed of his little paltry heartbeats in the presence of the rushing and roaring torrent of Niagara. So if he has published a little book or two, collected a few fossils, or coins, or vases, he is crushed by the vastness of the treasures in the library and the collections of this universe of knowledge.

I have shown how not to see the British museum; I will tell how to see it.

Take lodgings next door to it,--in a garret, if you cannot afford anything better,--and pass all your days at the Museum during the whole period of your natural life. At threescore and ten you will have some faint conception of the contents, significance, and value of this great British institution, which is as nearly as any one spot the noeud vital of human civilization, a stab at which by the dagger of anarchy would fitly begin the reign of chaos.

On the 3d of August, a gentleman, Mr. Wedmore, who had promised to be my guide to certain interesting localities, called for me, and we took a hansom for the old city. The first place we visited was the Temple, a collection of buildings with intricate passages between them, some of the edifices reminding me of our college dormitories. One, however, was a most extraordinary exception,--the wonderful Temple church, or rather the ancient part of it which is left, the round temple. We had some trouble to get into it, but at last succeeded in finding a slip of a girl, the daughter of the janitor, who unlocked the door for us. It affected my imagination strangely to see this girl of a dozen years old, or thereabouts, moving round among the monuments which had kept their place there for some six or seven hundred years; for the church was built in the year 1185, and the most recent of the crusaders' monuments is said to date as far back as 1241. Their effigies have lain in this vast city, and passed unharmed through all its convulsions. The Great Fire must have crackled very loud in their stony ears, and they must have shaken day and night, as the bodies of the victims of the Plague were rattled over the pavements.

Near the Temple church, in a green spot among the buildings, a plain stone laid flat on the turf bears these words: "Here lies Oliver Goldsmith." I believe doubt has been thrown upon the statement that Goldsmith was buried in that place, but, as some poet ought to have written,

Where doubt is disenchantment 'Tis wisdom to believe.

We do not "drop a tear" so often as our Della Cruscan predecessors, but the memory of the author of the "Vicar of Wakefield" stirred my feelings more than a whole army of crusaders would have done. A pretty rough set of filibusters they were, no doubt.

The whole group to which Goldsmith belonged came up before me, and as the centre of that group the great Dr. Johnson; not the Johnson of the "Rambler," or of "The Vanity of Human Wishes," or even of "Rasselas," but Boswell's Johnson, dear to all of us, the "Grand Old Man" of his time, whose foibles we care more for than for most great men's virtues. Fleet Street, which he loved so warmly, was close by. Bolt Court, entered from it, where he lived for many of his last years, and where he died, was the next place to visit. I found Fleet Street a good deal like Washington Street as I remember it in former years. When I came to the place pointed out as Bolt Court, I could hardly believe my eyes that so celebrated a place of residence should be entered by so humble a passageway. I was very sorry to find that No. 3, where he lived, was demolished, and a new building erected in its place. In one of the other houses in this court he is said to have labored on his dictionary. Near by was a building of mean aspect, in which Goldsmith is said to have at one time resided. But my kind conductor did not profess to be well acquainted with the local antiquities of this quarter of London.

If I had a long future before me, I should like above all things to study London with a dark lantern, so to speak, myself in deepest shadow and all I wanted to see in clearest light. Then I should want time, time, time. For it is a sad fact that sight-seeing as commonly done is one of the most wearying things in the world, and takes the life out of any but the sturdiest or the most elastic natures more efficiently than would a reasonable amount of daily exercise on a treadmill. In my younger days I used to find that a visit to the gallery of the Louvre was followed by more fatigue and exhaustion than the same amount of time spent in walking the wards of a hospital.

Another grand sight there was, not to be overlooked, namely, the Colonial Exhibition. The popularity of this immense show was very great, and we found ourselves, A---- and I, in the midst of a vast throng, made up of respectable and comfortable looking people. It was not strange that the multitude flocked to this exhibition. There was a jungle, with its (stuffed) monsters,--tigers, serpents, elephants; there were carvings which may well have cost a life apiece, and stuffs which none but an empress or a millionairess would dare to look at. All the arts of the East were there in their perfection, and some of the artificers were at their work. We had to content ourselves with a mere look at all these wonders. It was a pity; instead of going to these fine shows tired, sleepy, wanting repose more than anything else, we should have come to them fresh, in good condition, and had many days at our disposal. I learned more in a visit to the Japanese exhibition in Boston than I should have learned in half a dozen half-awake strolls through this multitudinous and most imposing collection of all

"The gorgeous East with richest hand Showers on her kings,"

and all the masterpieces of its wonder-working artisans.

One of the last visits we paid before leaving London for a week in Paris was to the South Kensington Museum. Think of the mockery of giving one hour to such a collection of works of art and wonders of all kinds! Why should I consider it worth while to say that we went there at all? All manner of objects succeeded each other in a long series of dissolving views, so to speak, nothing or next to nothing having a chance to leave its individual impress. In the battle for life which took place in my memory, as it always does among the multitude of claimants for a permanent hold, I find that two objects came out survivors of the contest. The first is the noble cast of the column of Trajan, vast in dimensions, crowded with history in its most striking and enduring form; a long array of figures representing in unquestioned realism the military aspect of a Roman army. The second case of survival is thus described in the catalogue: "An altar or shrine of a female saint, recently acquired from Padua, is also ascribed to the same sculptor [Donatello]. This very valuable work of art had for many years been used as a drinking-trough for horses. A hole has been roughly pierced in it." I thought the figure was the most nearly perfect image of heavenly womanhood that I had ever looked upon, and I could have gladly given my whole hour to sitting--I could almost say kneeling--before it in silent contemplation. I found the curator of the Museum, Mr. Soden Smith, shared my feelings with reference to the celestial loveliness of this figure. Which is best, to live in a country where such a work of art is taken for a horse-trough, or in a country where the products from the studio of a self-taught handicraftsman, equal to the shaping of a horse-trough and not much more, are put forward as works of art?

A little time before my visit to England, before I had even thought of it as a possibility, I had the honor of having two books dedicated to me by two English brother physicians. One of these two gentlemen was Dr. Walshe, of whom I shall speak hereafter; the other was Dr. J. Milner Fothergill. The name Fothergill was familiar to me from my boyhood. My old townsman, Dr. Benjamin Waterhouse, who died in 1846 at the age of ninety-two, had a great deal to say about his relative Dr. John Fothergill, the famous Quaker physician of the last century, of whom Benjamin Franklin said, "I can hardly conceive that a better man ever existed." Dr. and Mrs. Fothergill sent us some beautiful flowers a little before we left, and when I visited him he gave me a medallion of his celebrated kinsman.

London is a place of mysteries. Looking out of one of the windows at the back of Dr. Fothergill's house, I saw an immense wooden blind, such as we have on our windows in summer, but reaching from the ground as high as the top of the neighboring houses. While admitting the air freely, it shut the property to which it belonged completely from sight. I asked the meaning of this extraordinary structure, and learned that it was put up by a great nobleman, of whose subterranean palace and strange seclusion I had before heard. Common report attributed his unwillingness to be seen to a disfiguring malady with which he was said to be afflicted. The story was that he was visible only to his valet. But a lady of quality, whom I met in this country, told me she had seen him, and observed nothing to justify it. These old countries are full of romances and legends and diableries of all sorts, in which truth and lies are so mixed that one does not know what to believe. What happens behind the high walls of the old cities is as much a secret as were the doings inside the prisons of the Inquisition.

Little mistakes sometimes cause us a deal of trouble. This time it was the presence or absence of a single letter which led us to fear that an important package destined to America had miscarried. There were two gentlemen unwittingly involved in the confusion. On inquiring for the package at Messrs. Low, the publishers, Mr. Watts, to whom I thought it had been consigned, was summoned. He knew nothing about it, had never heard of it, was evidently utterly ignorant of us and our affairs. While we were in trouble and uncertainty, our Boston friend, Mr. James R. Osgood, came in. "Oh," said he, "it is Mr. Watt you want, the agent of a Boston firm," and gave us the gentleman's address. I had confounded Mr. Watt's name with Mr. Watts's name. "W'at's in a name?" A great deal sometimes. I wonder if I shall be pardoned for quoting six lines from one of my after-dinner poems of long ago:--