Othello

Part 1

Executive Director's Notes:

In addition to the notes below, and so you will *NOT* think all the spelling errors introduced by the printers of the time have been corrected, here are the first few lines of Hamlet, as they are presented herein:

Barnardo. Who's there? Fran. Nay answer me: Stand & vnfold your selfe

Bar. Long liue the King

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As I understand it, the printers often ran out of certain words or letters they had often packed into a "cliche". . .this is the original meaning of the term cliche. . .and thus, being unwilling to unpack the cliches, and thus you will see some substitutions that look very odd. . .such as the exchanges of u for v, v for u, above. . .and you may wonder why they did it this way, presuming Shakespeare did not actually write the play in this manner. . . .

The answer is that they MAY have packed "liue" into a cliche at a time when they were out of "v"'s. . .possibly having used "vv" in place of some "w"'s, etc. This was a common practice of the day, as print was still quite expensive, and they didn't want to spend more on a wider selection of characters than they had to.

You will find a lot of these kinds of "errors" in this text, as I have mentioned in other times and places, many "scholars" have an extreme attachment to these errors, and many have accorded them a very high place in the "canon" of Shakespeare. My father read an assortment of these made available to him by Cambridge University in England for several months in a glass room constructed for the purpose. To the best of my knowledge he read ALL those available . . .in great detail. . .and determined from the various changes, that Shakespeare most likely did not write in nearly as many of a variety of errors we credit him for, even though he was in/famous for signing his name with several different spellings.

So, please take this into account when reading the comments below made by our volunteer who prepared this file: you may see errors that are "not" errors. . . .

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Scanner's Notes:

What this is and isn't. This was taken from a copy of Shakespeare's first folio and it is as close as I can come in ASCII to the printed text.

The elongated S's have been changed to small s's and the conjoined ae have been changed to ae. I have left the spelling, punctuation, capitalization as close as possible to the printed text. I have corrected some spelling mistakes (I have put together a spelling dictionary devised from the spellings of the Geneva Bible and Shakespeare's First Folio and have unified spellings according to this template), typo's and expanded abbreviations as I have come across them. Everything within brackets [] is what I have added. So if you don't like that you can delete everything within the brackets if you want a purer Shakespeare.

Another thing that you should be aware of is that there are textual differences between various copies of the first folio. So there may be differences (other than what I have mentioned above) between this and other first folio editions. This is due to the printer's habit of setting the type and running off a number of copies and then proofing the printed copy and correcting the type and then continuing the printing run. The proof run wasn't thrown away but incorporated into the printed copies. This is just the way it is. The text I have used was a composite of more than 30 different First Folio editions' best pages.

David Reed

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The Tragedie of Othello, the Moore of Venice

Actus Primus. Scoena Prima.

Enter Rodorigo, and Iago.

Rodorigo. Neuer tell me, I take it much vnkindly That thou (Iago) who hast had my purse, As if y strings were thine, should'st know of this

Ia. But you'l not heare me. If euer I did dream Of such a matter, abhorre me

Rodo. Thou told'st me, Thou did'st hold him in thy hate

Iago. Despise me If I do not. Three Great-ones of the Cittie, (In personall suite to make me his Lieutenant) Off-capt to him: and by the faith of man I know my price, I am worth no worsse a place. But he (as louing his owne pride, and purposes) Euades them, with a bumbast Circumstance, Horribly stufft with Epithites of warre, Non-suites my Mediators. For certes, saies he, I haue already chose my Officer. And what was he? For-sooth, a great Arithmatician, One Michaell Cassio, a Florentine, (A Fellow almost damn'd in a faire Wife) That neuer set a Squadron in the Field, Nor the deuision of a Battaile knowes More then a Spinster. Vnlesse the Bookish Theoricke: Wherein the Tongued Consuls can propose As Masterly as he. Meere pratle (without practise) Is all his Souldiership. But he (Sir) had th' election; And I (of whom his eies had seene the proofe At Rhodes, at Ciprus, and on others grounds Christen'd, and Heathen) must be be-leed, and calm'd By Debitor, and Creditor. This Counter-caster, He (in good time) must his Lieutenant be, And I (blesse the marke) his Mooreships Auntient

Rod. By heauen, I rather would haue bin his hangman

Iago. Why, there's no remedie. 'Tis the cursse of Seruice; Preferment goes by Letter, and affection, And not by old gradation, where each second Stood Heire to'th' first. Now Sir, be iudge your selfe, Whether I in any iust terme am Affin'd To loue the Moore? Rod. I would not follow him then

Iago. O Sir content you. I follow him, to serue my turne vpon him. We cannot all be Masters, nor all Masters Cannot be truely follow'd. You shall marke Many a dutious and knee-crooking knaue; That (doting on his owne obsequious bondage) Weares out his time, much like his Masters Asse, For naught but Prouender, & when he's old Casheer'd. Whip me such honest knaues. Others there are Who trym'd in Formes, and visages of Dutie, Keepe yet their hearts attending on themselues, And throwing but showes of Seruice on their Lords Doe well thriue by them. And when they haue lin'd their Coates Doe themselues Homage. These Fellowes haue some soule, And such a one do I professe my selfe. For (Sir) It is as sure as you are Rodorigo, Were I the Moore, I would not be Iago: In following him, I follow but my selfe. Heauen is my Iudge, not I for loue and dutie, But seeming so, for my peculiar end: For when my outward Action doth demonstrate The natiue act, and figure of my heart In Complement externe, 'tis not long after But I will weare my heart vpon my sleeue For Dawes to pecke at; I am not what I am

Rod. What a fall Fortune do's the Thicks-lips owe If he can carry't thus? Iago. Call vp her Father: Rowse him, make after him, poyson his delight, Proclaime him in the Streets. Incense her kinsmen, And though he in a fertile Clymate dwell, Plague him with Flies: though that his Ioy be Ioy, Yet throw such chances of vexation on't, As it may loose some colour

Rodo. Heere is her Fathers house, Ile call aloud

Part 2

Iago. Doe, with like timerous accent, and dire yell, As when (by Night and Negligence) the Fire Is spied in populus Citties

Rodo. What hoa: Brabantio, Signior Brabantio, hoa

Iago. Awake: what hoa, Brabantio: Theeues, Theeues. Looke to your house, your daughter, and your Bags, Theeues, Theeues

Bra. Aboue. What is the reason of this terrible Summons? What is the matter there? Rodo. Signior is all your Familie within? Iago. Are your Doores lock'd? Bra. Why? Wherefore ask you this? Iago. Sir, y'are rob'd, for shame put on your Gowne, Your heart is burst, you haue lost halfe your soule Euen now, now, very now, an old blacke Ram Is tupping your white Ewe. Arise, arise, Awake the snorting Cittizens with the Bell, Or else the deuill will make a Grand-sire of you. Arise I say

Bra. What, haue you lost your wits? Rod. Most reuerend Signior, do you know my voice? Bra. Not I: what are you? Rod. My name is Rodorigo

Bra. The worsser welcome: I haue charg'd thee not to haunt about my doores: In honest plainenesse thou hast heard me say, My Daughter is not for thee. And now in madnesse (Being full of Supper, and distempring draughtes) Vpon malitious knauerie, dost thou come To start my quiet

Rod. Sir, Sir, Sir

Bra. But thou must needs be sure, My spirits and my place haue in their power To make this bitter to thee

Rodo. Patience good Sir

Bra. What tell'st thou me of Robbing? This is Venice: my house is not a Grange

Rodo. Most graue Brabantio, In simple and pure soule, I come to you

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