“Should you like to retire at once?”
“Yes; I am very sleepy.”
She got up, yawned, gave her hand to Paul, who took it with a furious look, and I lighted her into the bedroom. A disquieting feeling haunted me. “Here is all you want,” I said again.
The next morning she got up early, like a woman who is accustomed to work. She woke me by doing so, and I watched her through my half-closed eyelids.
She came and went without hurrying herself, as if she were astonished at having nothing to do. At length she went to the dressing-table, and in a moment emptied all my bottles of perfume. She certainly also used some water, but very little.
When she was quite dressed, she sat down on her trunk again, and clasping one knee between her hands, she seemed to be thinking.
At that moment I pretended to first notice her, and said:
“Good-morning, Francesca.”
Without seeming in at all a better temper than the previous night, she murmured, “Good-morning!”
When I asked her whether she had slept well, she nodded her head, and jumping out of bed, I went and kissed her.
She turned her face toward me like a child who is being kissed against its will; but I took her tenderly in my arms, and gently pressed my lips on her eyelids, which she closed with evident distaste under my kisses on her fresh cheek and full lips, which she turned away.
“You don't seem to like being kissed,” I said to her.
“Mica!” was her only answer.
I sat down on the trunk by her side, and passing my arm through hers, I said: “Mica! mica! mica! in reply to everything. I shall call you Mademoiselle Mica, I think.”
For the first time I fancied that I saw the shadow of a smile on her lips, but it passed by so quickly that I may have been mistaken.
“But if you never say anything but Mica, I shall not know what to do to please you. Let me see; what shall we do to-day?”
She hesitated a moment, as if some fancy had flitted through her head, and then she said carelessly: “It is all the same to me; whatever you like.”
“Very well, Mademoiselle Mica, we will have a carriage and go for a drive.”
“As you please,” she said.
Paul was waiting for us in the dining-room, looking as bored as third parties usually do in love affairs. I assumed a delighted air, and shook hands with him with triumphant energy.
“What are you thinking of doing?” he asked.
“First of all, we will go and see a little of the town, and then we might get a carriage and take a drive in the neighborhood.”
We breakfasted almost in silence, and then set out. I dragged Francesca from palace to palace, and she either looked at nothing or merely glanced carelessly at the various masterpieces. Paul followed us, growling all sorts of disagreeable things. Then we all three took a drive in silence into the country and returned to dinner.
The next day it was the same thing and the next day again; and on the third Paul said to me: “Look here, I am going to leave you; I am not going to stop here for three weeks watching you make love to this creature.”
I was perplexed and annoyed, for to my great surprise I had become singularly attached to Francesca. A man is but weak and foolish, carried away by the merest trifle, and a coward every time that his senses are excited or mastered. I clung to this unknown girl, silent and dissatisfied as she always was. I liked her somewhat ill-tempered face, the dissatisfied droop of her mouth, the weariness of her look; I liked her fatigued movements, the contemptuous way in which she let me kiss her, the very indifference of her caresses. A secret bond, that mysterious bond of physical love, which does not satisfy, bound me to her. I told Paul so, quite frankly. He treated me as if I were a fool, and then said:
“Very well, take her with you.”
But she obstinately refused to leave Genoa, without giving any reason. I besought, I reasoned, I promised, but all was of no avail, and so I stayed on.
Paul declared that he would go by himself, and went so far as to pack up his portmanteau; but he remained all the same.
Original Short Stories — Volume 06 · The Wunder Library — complete classics, free to read, with narration.