Consequently you feel worse than ever, and lonelier, and sorrier that you wasted your time coming. You are encouraged again by a glimpse of Tom putting on a clean collar and fixing himself up a bit; but when you are ready to go, and ask him if he's coming a bit down the street with you, he says he thinks he will in such a disinterested, don't-mind-if-I-do sort of tone, that he makes you mad.
At last, after promising to “drop in again, Mr. Brown, whenever you're passing,” and to “don't forget to call,” and thanking them for their assurance that they'll “be always glad to see you,” and telling them that you've spent a very pleasant evening and enjoyed yourself, and are awfully sorry you couldn't stay--you get away with Tom.
You don't say much to each other till you get round the corner and down the street a bit, and then for a while your conversation is mostly common-place, such as, “Well, how have you been getting on all this time, Tom?” “Oh, all right. How have you been getting on?” and so on.
But presently, and perhaps just as you have made up your mind to chance the alleged temperance business and ask Tom in to have a drink, he throws a glance up and down the street, nudges your shoulder, says “Come on,” and disappears sideways into a pub.
. . . . .
“What's yours, Tom?” “What's yours, Joe?” “The same for me.” “Well, here's luck, old man.” “Here's luck.” You take a drink, and look over your glass at Tom. Then the old smile spreads over his face, and it makes you glad--you could swear to Tom's grin in a hundred years. Then something tickles him--your expression, perhaps, or a recollection of the past--and he sets down his glass on the bar and laughs. Then you laugh. Oh, there's no smile like the smile that old mates favour each other with over the tops of their glasses when they meet again after years. It is eloquent, because of the memories that give it birth.
“Here's another. Do you remember----? Do you remember----?” Oh, it all comes back again like a flash. Tom hasn't changed a bit; just the same good-hearted, jolly idiot he always was. Old times back again! “It's just like old times,” says Tom, after three or four more drinks.
. . . . .
And so you make a night of it and get uproariously jolly. You get as “glorious” as Bobby Burns did in the part of Tam O'Shanter, and have a better “time” than any of the times you had in the old days. And you see Tom as nearly home in the morning as you dare, and he reckons he'll get it hot from his people--which no doubt he will--and he explains that they are very particular up at home--church people, you know--and, of course, especially if he's married, it's understood between you that you'd better not call for him up at home after this--at least, not till things have cooled down a bit. It's always the way. The friend of the husband always gets the blame in cases like this. But Tom fixes up a yarn to tell them, and you aren't to “say anything different” in case you run against any of them. And he fixes up an appointment with you for next Saturday night, and he'll get there if he gets divorced for it. But he MIGHT have to take the wife out shopping, or one of the girls somewhere; and if you see her with him you've got to lay low, and be careful, and wait--at another hour and place, perhaps, all of which is arranged--for if she sees you she'll smell a rat at once, and he won't be able to get off at all.
And so, as far as you and Tom are concerned, the “old times” have come back once more.
. . . . .
But, of course (and we almost forgot it), you might chance to fall in love with one of Tom's sisters, in which case there would be another and a totally different story to tell.
II.
Jack Ellis
Things are going well with you. You have escaped from “the track”, so to speak, and are in a snug, comfortable little billet in the city. Well, while doing the block you run against an old mate of other days--VERY other days--call him Jack Ellis. Things have gone hard with Jack. He knows you at once, but makes no advance towards a greeting; he acts as though he thinks you might cut him--which, of course, if you are a true mate, you have not the slightest intention of doing. His coat is yellow and frayed, his hat is battered and green, his trousers “gone” in various places, his linen very cloudy, and his boots burst and innocent of polish. You try not to notice these things--or rather, not to seem to notice them--but you cannot help doing so, and you are afraid he'll notice that you see these things, and put a wrong construction on it. How men will misunderstand each other! You greet him with more than the necessary enthusiasm. In your anxiety to set him at his ease and make him believe that nothing--not even money--can make a difference in your friendship, you over-act the business; and presently you are afraid that he'll notice that too, and put a wrong construction on it. You wish that your collar was not so clean, nor your clothes so new. Had you known you would meet him, you would have put on some old clothes for the occasion.
You are both embarrassed, but it is YOU who feel ashamed--you are almost afraid to look at him lest he'll think you are looking at his shabbiness. You ask him in to have a drink, but he doesn't respond so heartily as you wish, as he did in the old days; he doesn't like drinking with anybody when he isn't “fixed”, as he calls it--when he can't shout.
It didn't matter in the old days who held the money so long as there was plenty of “stuff” in the camp. You think of the days when Jack stuck to you through thick and thin. You would like to give him money now, but he is so proud; he always was; he makes you mad with his beastly pride. There wasn't any pride of that sort on the track or in the camp in those days; but times have changed--your lives have drifted too widely apart--you have taken different tracks since then; and Jack, without intending to, makes you feel that it is so.
You have a drink, but it isn't a success; it falls flat, as far as Jack is concerned; he won't have another; he doesn't “feel on”, and presently he escapes under plea of an engagement, and promises to see you again.
And you wish that the time was come when no one could have more or less to spend than another.
. . . . .
P.S.--I met an old mate of that description once, and so successfully persuaded him out of his beastly pride that he borrowed two pounds off me till Monday. I never got it back since, and I want it badly at the present time. In future I'll leave old mates with their pride unimpaired.
Two Larrikins
“Y'orter do something, Ernie. Yer know how I am. YOU don't seem to care. Y'orter to do something.”
Stowsher slouched at a greater angle to the greasy door-post, and scowled under his hat-brim. It was a little, low, frowsy room opening into Jones' Alley. She sat at the table, sewing--a thin, sallow girl with weak, colourless eyes. She looked as frowsy as her surroundings.
“Well, why don't you go to some of them women, and get fixed up?”
She flicked the end of the table-cloth over some tiny, unfinished articles of clothing, and bent to her work.
“But you know very well I haven't got a shilling, Ernie,” she said, quietly. “Where am I to get the money from?”
“Who asked yer to get it?”
On the Track · The Wunder Library — complete classics, free to read, with narration.