Part 2

That Heine understood his love for Mathilde, so far as any man of genius can understand his love, and was satisfied with it so far as any man of genius can be with any love, we may be quite sure. His many letters about her, and to her, prove it. All the elemental simplicities of her nature--the very bourgeoise traits which made his friends wonder--alike interested him, and drew him closer toward her. When she weaves a rug for his friend Lewald, how seriously he takes it! He could laugh at all things in heaven and earth, but when Mathilde weaves a rug for his friend he takes life seriously.

How "domestic" Heine could be is witnessed by a letter of his--to Mathilde from Hamburg in 1823--in regard to her buying a hat for his sister and another for his niece--giving careful directions as to style and price. Mathilde and he had then been each other's for over eight years, but none the less--nay, let us say all the more--he ended his letter: "Adieu! I think only of thee, and I love thee like the madman that I am."

Perhaps the truest proof of Heine's love for Mathilde is the way in which, in his will, he flattered his despicable cousin, Carl Heine, for her sake, so that she might not suffer any loss of his inheritance. There is no doubt that Heine knew the worth of his Mathilde. If so terrible a critic of human nature was satisfied to love and live with her for so many years, we may be sure that Mathilde was a remarkable woman. She didn't indeed talk poetry and philosophy, like little "Mouche," but then the women who do that are legion; and Mathilde was one of those rarer women who are just women, and love they know not why.

In saying this, we mustn't forget that "Camille Selden" said it was ridiculous to sentimentalize about Mme. Heine. Yet, at the same time, we must remember Heine's point of view. When "Camille Selden" first sought his acquaintance, he had been living with Mathilde for some twenty years. Men of genius--and even ordinary men are not apt to live with women they do not love for twenty years; and that Heine did perhaps the one wise thing of his life in marrying his Mathilde there can be very little doubt.

To a man such as Heine a woman is not so much a personality as a beautiful embodiment of the elements: "Earth, air, fire and water met together in a rose."' If she is beautiful, he will waive "intellectual sympathy"; if she is good, he will not mind her forgetting the titles of his books. When she becomes a mother, he --being a man of genius--understands that she is a more wonderful being than he can ever hope to be.

Much has been said about the unhappy marriages of great writers. The true reason too often has been that they have married literary amateurs instead of women and wives. Heine was wiser. No one would, of course, pretend that Mathilde was his mate. But, then, what woman could have been? Certainly not that little literary prig he called his "Mouche."