It must have been midnight ere a final frenzied galop on the part of the indefatigable band announced the close of the entertainment. I walked a few paces beside the lame “proprietor” who, supported on the arms of his nephews, made his way to the spot where the cabs were waiting—his rheumatism, he explained, obliging him to drive. How he had enjoyed walking as a youth, and what pleasure it would now have given him to protract, during a promenade to my hotel, our delightful conversation! But infirmities teach us to curtail our pleasures, and many things that seem natural to man’s bodily configuration are found to be unattainable. He seldom left his rooms; the stairs—the diabolical stairs! Would I at least accept his card and rest assured how gladly he would receive me and do all in his power to make my stay agreeable?
That card has gone the way of numberless others which the traveller in Southern Europe gathers about him. I have also forgotten the old man’s name. But the palazzo in which he lived bore a certain historical title which happened to be very familiar to me. I remember wondering how it came to reach Messina.
In the olden days, of course, the days of splendour.
Will they ever return?
It struck me that the sufferings of the survivors would be alleviated if all the sheds in which they are living could be painted white or pearl-grey in order to protect them, as far as possible, from the burning rays of the sun. I mentioned the idea to an overseer.
“We are painting as fast as we can,” he replied. “An expensive matter, however. The Villagio Elena alone has cost us, in this respect, twenty thousand francs—with the greatest economy.”
This will give some notion of the scale on which things have to be done. The settlement in question contains some two hundred sheds—two hundred out of over ten thousand.
But I was alluding not to these groups of hygienic bungalows erected by public munificence and supplied with schools, laboratories, orphanages, hospitals, and all that can make life endurable, but to the others—those which the refugees built for themselves—ill-contrived hovels, patched together with ropes, potato-sacks, petroleum cans and miscellaneous odds and ends. A coat of whitewash, at least, inside and out. ... I was thinking, too, of those still stranger dwellings, the disused railway trucks which the government has placed at the disposal of homeless families. At many Stations along the line may be seen strings of these picturesque wigwams crowded with poor folk who have installed themselves within, apparently for ever. They are cultivating their favourite flowers and herbs in gaudy rows along the wooden platforms of the carriages; the little children, all dressed in black, play about in the shade underneath. The people will suffer in these narrow tenements under the fierce southern sun, after their cool courtyards and high-vaulted chambers! There will be diseases, too; typhoids from the disturbed drainage and insufficient water-supply; eye troubles, caused by the swarms of flies and tons of accumulated dust. The ruins are also overrun with hordes of mangy cats and dogs which ought to be exterminated without delay.
If, as seems likely, those rudely improvised sheds are to be inhabited indefinitely, we may look forward to an interesting phenomenon, a reversion to a corresponding type of man. The lack of the most ordinary appliances of civilization, such as linen, washing-basins and cooking utensils, will reduce them to the condition of savages who view these things with indifference or simple curiosity; they will forget that they ever had any use for them. And life in these huts where human beings are herded together after the manner of beasts—one might almost say fitted in, like the fragments of a mosaic pavement—cannot but be harmful to the development of growing children.
The Calabrians, I was told, distinguished themselves by unearthly ferocity; Reggio was given over to a legion of fiends that descended from the heights during the week of confusion. “They tore the rings and brooches off the dead,” said a young official to me. “They strangled the wounded and dying, in order to despoil them more comfortably. Here, and at Messina, the mutilated corpses were past computation; but the Calabrians were the worst.”
Vampires, offspring of Night and Chaos.
So Dolomieu, speaking of the dépravation incroyable des moeurs which accompanied the earthquake of 1783, recounts the case of a householder of Polistena who was pinned down under some masonry, his legs emerging out of the ruins; his servant came and took the silver buckles off his shoes and then fled, without attempting to free him. We have seen something of this kind more recently at San Francisco.
“After despoiling the corpses, they ransacked the dwellings. Five thousand beds, sir, were carried up from Reggio into the mountains.”
“Five thousand beds! Per Dìo! It seems a considerable number.”
A young fellow, one of the survivors, attached himself to me in the capacity of guide through the ruins of Reggio. He wore the characteristic earthquake look, a dazed and bewildered expression of countenance; he spoke in a singularly deliberate manner. Knowing the country, I was soon bending my steps in the direction of the cemetery, chiefly for the sake of the exquisite view from those windswept heights, and to breathe more freely after the dust and desolation of the lower parts. This burial-ground is in the same state as that of Messina, once the pride of its citizens; the insane frolic of nature has not respected the slumber of the dead or their commemorative shrines; it has made a mockery of the place, twisting the solemn monuments into repulsive and irreverential shapes.
But who can recount the freaks of stone and iron during those moments—the hair-breadth escapes? My companion’s case was miraculous enough. Awakened from sleep with the first shock, he saw, by the dim light of the lamp which burns in all their bedrooms, the wall at his bedside weirdly gaping asunder. He darted to reach the opening, but it closed again and caught his arm in a stony grip. Hours seemed to pass—the pain was past enduring; then the kindly cleft yawned once more, allowing him to jump into the garden below. Simultaneously he heard a crash as the inner rooms of the house fell; then climbed aloft, and for four days wandered among the bleak, wet hills. Thousands were in the same plight.
I asked what he found to eat.
“Erba, Signore. We all did. You could not touch property; a single orange, and they would have killed you.”
Grass!
He bore a name renowned in the past, but his home being turned into a dust-heap under which his money, papers and furniture, his two parents and brothers, are still lying, he now gains a livelihood by carrying vegetables and fruit from the harbour to the collection of sheds honoured by the name of market. Later in the day we happened to walk past the very mansion, which lies near the quay. “Here is my house and my family,” he remarked, indicating, with a gesture of antique resignation, a pile of wreckage.
Hard by, among the ruins, there sat a young woman with dishevelled hair, singing rapturously. “Her husband was crushed to death,” he said, “and it unhinged her wits. Strange, is it not, sir? They used to fight like fiends, and now—she sings to him night and day to come back.”
Love—so the Greeks fabled—was the child of Chaos.
In this part of the town stands the civic museum, which all readers of Gissing’s “Ionian Sea” will remember as the closing note of those harmonious pages. It is shattered, like everything else that he visited in Reggio; like the hotel where he lodged; like the cathedral whose proud superscription Circumlegentes devenimus Rhegium impressed him so deeply; like that “singular bit of advanced civilization, which gave me an odd sense of having strayed into the world of those romancers who forecast the future—a public slaughter-house of tasteful architecture, set in a grove of lemon trees and palms, suggesting the dreamy ideal of some reformer whose palate shrinks from vegetarianism.” We went the round of all these places, not forgetting the house which bears the tablet commemorating the death of a young soldier who fell fighting against the Bourbons. From its contorted iron balcony there hangs a rope by which the inmates may have tried to let themselves down.
A friend of mine, Baron C—— of Stilo, is a member of that same patriotic family, and gave me the following strange account. He was absent from Reggio at the time of the catastrophe, but three others of them were staying there. On the first shock they rushed together, panic-stricken, into one room; the floor gave way, and they suddenly found themselves sitting in their motor-car which happened to be placed exactly below them. They escaped with a few cuts and bruises.
An inscription on a neighbouring ruin runs to the effect that the mansion having been severely damaged in the earthquake of 1783, its owner had rebuilt it on lines calculated to defy future shattering!. Whether he would rebuild it yet again?
Nevertheless, there seems to be some chance for the revival of Reggio; its prognosis is not utterly hopeless.
But Messina is in desperate case.
That haughty sea-front, with its long line of imposing edifices—imagine a painted theatre decoration of cardboard through which some sportive behemoth has been jumping with frantic glee; there you have it. And within, all is desolation; the wreckage reaches to the windows; you must clamber over it as best you can. What an all-absorbing post-tertiary deposit for future generations, for the crafty antiquarian who deciphers the history of mankind out of kitchen-middens and deformed heaps of forgotten trash! The whole social life of the citizens, their arts, domestic economy, and pastimes, lies embedded in that rubbish. “A musical race,” he will conclude, observing the number of decayed pianofortes, guitars, and mandolines. The climate of Messina, he will further argue, must have been a wet one, inasmuch as there are umbrellas everywhere, standing upright among the debris, leaning all forlorn against the ruins, or peering dismally from under them. It rained much during those awful days, and umbrellas were at a premium. Yet fifty of them would not have purchased a loaf of bread.
Old Calabria · The Wunder Library — complete classics, free to read, with narration.