Part 41

“Stromboli!”

Noticing some neolithic celts similar to those I obtained at Vaccarizza, I would gladly have learnt their place of origin. Promptly came the answer:

“Stromboli!”

“Nonsense, my good woman. I’ve been three times to Stromboli; it is an island of black stones where the devil has a house, and such things are not found there.” (Of course she meant Strongoli, the ancient Petelia.)

This vigorous assertion made her more circumspect. Thenceforward everything was declared to come from the province—dalla provincia; it was safer.

“That bad picture—whence?”

“Dalla provincia!”

“Have you really no catalogue?”

“I know everything.”

“And this broken statue—whence?”

“Dalla provincia!”

“But the province is large,” I objected.

“So it is. Large, and old.”

I have also revisited Tiriolo, once celebrated for the “Sepulchres of the Giants” (Greek tombs) that were unearthed here, and latterly for a certain more valuable antiquarian discovery. Not long ago it was a considerable undertaking to reach this little place, but nowadays a public motor-car whirls you up and down the ravines at an alarming pace and will deposit you, within a few hours, at remote Cosenza, once an enormous drive. It is the same all over modern Calabria. The diligence service, for instance, that used to take fourteen hours from San Giovanni to Cosenza has been replaced by motors that cover the distance in four or five. One is glad to save time, but this new element of mechanical hurry has produced a corresponding kind of traveller—a machine-made creature, devoid of the humanity of the old; it has done away with the personal note of conviviality that reigned in the post-carriages. What jocund friendships were made, what songs and tales applauded, during those interminable hours in the lumbering chaise!

You must choose Sunday for Tiriolo, on account of the girls, whose pretty faces and costumes are worth coming any distance to see. A good proportion of them have the fair hair which seems to have been eliminated, in other parts of the country, through the action of malaria.

Viewed from Catanzaro, one of the hills of Tiriolo looks like a broken volcanic crater. It is a limestone ridge, decked with those characteristic flowers like Campanula fragilis which you will vainly seek on the Sila. Out of the ruins of some massive old building they have constructed, on the summit, a lonely weather-beaten fabric that would touch the heart of Maeterlinck. They call it a seismological station. I pity the people that have to depend for their warnings of earthquakes upon the outfit of a place like this. I could see no signs of life here; the windows were broken, the shutters decaying, an old lightning-rod dangled disconsolately from the roof; it looked as abandoned as any old tower in a tale. There is a noble view from this point over both seas and into the riven complexities of Aspromonte, when the peak is not veiled in mists, as it frequently is. For Tiriolo lies on the watershed; there (to quote from a “Person of Quality”) “where the Apennine is drawn into so narrow a point, that the rain-water which descendeth from the ridge of some one house, falleth on the left in the Terrene Sea, and on the right into the Adriatick. . . .”

My visits to the provincial museum have become scandalously frequent during the last few days. I cannot keep away from the place. I go there not to study the specimens but to converse with their keeper, the woman who, in her quiet way, has cast a sort of charm over me. Our relations are the whispered talk of the town; I am suspected of matrimonial designs upon a poor widow with the ulterior object of appropriating the cream of the relics under her care. Regardless of the perils of the situation, I persevere; for the sake of her company I forswear the manifold seductions of Catanzaro. She is a noteworthy person, neither vicious nor vulgar, but simply the dernier mot of incompetence. Her dress, her looks, her children, her manners—they are all on an even plane with her spiritual accomplishments; at no point does she sink, or rise, beyond that level. They are not as common as they seem to be, these harmoniously inefficient females.

Why has she got this job in a progressive town containing so many folks who could do it creditably? Oh, that is simple enough! She needs it. On the platform of the Reggio station (long before the earthquake) I once counted five station-masters and forty-eight other railway officials, swaggering about with a magnificent air of incapacity. What were they doing? Nothing whatever. They were like this woman: they needed a job.

We are in a patriarchal country; work is pooled; it is given not to those who can do it best, but to those who need it most—given, too, on pretexts which sometimes strike one as inadequate, not to say recondite. So the street-scavengering in a certain village has been entrusted to a one-armed cripple, utterly unfit for the business—why? Because his maternal grand-uncle is serving a long sentence in gaol. The poor family must be helped! A brawny young fellow will be removed from a landing-stage boat, and his place taken by some tottering old peasant who has never handled an oar—why? The old man’s nephew has married again; the family must be helped. A secretarial appointment was specially created for an acquaintance of mine who could barely sign his own name, for the obvious reason that his cousin’s sister was rheumatic. One must help that family. A postman whom I knew delivered the letters only once every three days, alleging, as unanswerable argument in his defence, that his brother’s wife had fifteen children.

One must help that family!

Somebody seems to have thought so, at all events.

XXIX CHAOS

I have never beheld the enchantment of the Straits of Messina, that Fata Morgana, when, under certain conditions of weather, phantasmagoric palaces of wondrous shape are cast upon the waters—not mirrored, but standing upright; tangible, as it were; yet diaphanous as a veil of gauze.

A Dominican monk and correspondent of the Naples Academy, Minasi by name, friend of Sir W. Hamilton, wrote a dissertation upon this atmospheric mockery. Many have seen and described it, among them Pilati de Tassulo; Nicola Leoni reproduces the narrative of an eye-witness of 1643; another account appears in the book of A. Fortis (“Mineralogische Reisen, 1788”). The apparition is coy. Yet there are pictures of it—in an article in “La Lettura” by Dr. Vittorio Boccara, who therein refers to a scientific treatise by himself on the subject, as well as in the little volume “Da Reggio a Metaponto” by Lupi-Crisafi, which was printed at Gerace some years ago. I mention these writers for the sake of any one who, luckier than myself, may be able to observe this phenomenon and become interested in its history and origin. . . .

The chronicles of Messina record the scarcely human feats of the diver Cola Pesce (Nicholas the Fish). The dim submarine landscapes of the Straits with their caves and tangled forests held no secrets from him; his eyes were as familiar with sea-mysteries as those of any fish. Some think that the legend dates from Frederick II, to whom he brought up from the foaming gulf that golden goblet which has been immortalized in Schiller’s ballad. But Schneegans says there are Norman documents that speak of him. And that other tale, according to which he took to his watery life in pursuit of some beloved maiden who had been swallowed by the waves, makes one think of old Glaucus as his prototype.

Many are the fables connected with his name, but the most portentous is this: One day, during his subaqueous wanderings, he discovered the foundations of Messina. They were insecure! The city rested upon three columns, one of them intact, another quite decayed away, the third partially corroded and soon to crumble into ruin. He peered up from, his blue depths, and in a fateful couplet of verses warned the townsmen of their impending doom. In this prophetic utterance ascribed to the fabulous Cola Pesce is echoed a popular apprehension that was only too justified.

F. Muenter—one of a band of travellers who explored these regions after the earthquake of 1783—also gave voice to his fears that Messina had not yet experienced the full measure of her calamities. . . .

I remember a night in September of 1908, a Sunday night, fragrant with the odours of withered rosemary and cistus and fennel that streamed in aromatic showers from the scorched heights overhead—a starlit night, tranquil and calm. Never had Messina appeared so attractive to me. Arriving there generally in the daytime and from larger and sprightlier centres of civilization, one is prone to notice only its defects. But night, especially a southern night, has a wizard touch. It transforms into objects of mysterious beauty all unsightly things, or hides them clean away; while the nobler works of man, those facades and cornices and full-bellied balconies of cunningly wrought iron rise up, under its enchantment, ethereal as the palace of fairies. And coming, as I then did, from the sun-baked river-beds of Calabria, this place, with its broad and well-paved streets, its glittering cafés and demure throng of evening idlers, seemed a veritable metropolis, a world-city.