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Part 26

Observations and Reflections Made in the Course of a Journey Through France, Italy, and Germany, Vol. 1 (of 2) · Hester Lynch Piozzi — chapter 26 of 28 · ~2,968 words · public domain

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That nunnery, supported by the arch of Nerva, which is all that is now left standing of that Emperor's Forum.

I must not however quit the Coliseum, without repeating what passed between the King of Sweden and his Roman laquais de place when he was here; and the fellow, in the true cant of his Ciceroneship, exclaimed as they looked up, "Ah Maesta! what cursed Goths those were that tore away so many fine things here, and pulled down such magnificent pillars, &c." "Hold, hold friend," replies the King of Sweden; "I am one of those cursed Goths myself you know: but what were your Roman nobles a-doing, I would ask, when they laboured to destroy an edifice like this, and build their palaces with its materials?"

The baths of Livia are still elegantly designed round her small apartments; and one has copies sold of them upon fans; the curiosity of the original is to see how well the gilding stands; in many places it appears just finished. These baths are difficult of access somehow; I never could quite understand how we got in or out of them, but they did belong to the Imperial palace, which covered this whole Palatine hill, and here was Nero's golden house, by what I could gather, but of that I thank Heaven there is no trace left, except some little portion of the wall, which was 120 feet high, and some marbles in shades, like women's worsted work upon canvass, very curious, and very wonderful; as all are natural marbles, and no dye used: the expence must have surpassed credibility.

The Temple of Vesta, supposed to be the very temple to which Horace alludes in his second Ode, is a pretty rotunda, and has twenty pillars fluted of Parian marble: it is now a church, as are most of the heathen temples.

Such adaptations do not please one, but then it must be allowed and recollected that one is very hard to please: finding fault is so easy, and doing right so difficult!

The good Pope Gregory, who feared (by sacred inspiration one would think) all which should come to pass, broke many beautiful antique statues, "lest," said he, "induced by change of dress or name perhaps our Christians may be tempted to adore them:" and we say he was a blockhead, and burned Livy's decads, and so he did; but he refused all titles of earthly dignity; he censured the Oriental Patriarchs for substituting temporal splendours in the place of primitive simplicity; which he said ought alone to distinguish the followers of Jesus Christ. He required a strict attention to morality from all his inferior clergy; observed that those who strove to be first, would end in being last; and took himself the title of servant to the servants of God.

Well! Sabinian, his successor, once his favourite Nuncio, flung his books in the fire as soon as he was dead; so his injunctions were obeyed but while he lived to enforce them; and every day now shews us how necessary they were: when, even in these enlightened times, there stands an old figure that every Abate in the town knows to have been originally made for the fabulous God of Physic, Esculapius, is prayed to by many old women and devotees of all ages indeed, just at the Via Sacra's entrance, and called St. Bartolomeo.

A beautiful Diana too, with her trussed-up robes, the crescent alone wanting, stands on the high altar to receive homage in the character of St. Agnes, in a pretty church dedicated to her fuor delle Porte, where it is supposed she suffered martyrdom; and why? Why for not venerating that very Goddess Diana, and for refusing to walk in her procession at the New Moon, like a good Christian girl. "Such contradictions put one from one's self" as Shakespear says.

We are this moment returned home from Tivoli; have walked round Adrian's Villa, and viewed his Hippodrome, which would yet make an admirable open Manège. I have seen the Cascatelle, so sweetly elegant, so rural, so romantic; and I have looked with due respect on the places once inhabited, and ever justly celebrated by genius, wit, and learning; have shuddered at revisiting the spot I hastened down to examine, while curiosity was yet keen enough to make me venture a very dangerous and scarcely-trodden path to Neptune's Grotto; where, as you descend, the Cicerone shews you a wheel of some coarse carriage visibly stuck fast in the rock till it is become a part of it; distinguished from every other stone only by its shape, its projecting forward, and its shewing the hollow places in its fellies, where nails were originally driven. This truly-curious, though little venerable piece of antiquity, serves to assist the wise men in puzzling out the world's age, by computing how many centuries go to the petrifying a cart wheel. A violent roar of dashing waters at the bottom, and a fall of the river at this place from the height of 150 feet, were however by no means favourable to my arithmetical studies; and I returned perfectly disposed to think the world's age a less profitable, a less diverting contemplation, than its folly.

We looked at the temple of the old goddess that cured coughs, now a Christian church, dedicated to la Madonna della Tosse; it is exactly all it ever was, I believe; and we dined in the temple of Sibylla Tiburtina, a beautiful edifice, of which Mr. Jenkins has sent the model to London in cork, which gives a more exact representation after all than the best-chosen words in the world. I would rather make use of them to praise Mr. Jenkins's general kindness and hospitality to all his country-folks, who find a certain friend in him; and if they please, a very competent instructor.

In order however to understand the meaning of some spherical pots observed in the Circus of Caracalla, I chose above all men to consult Mr. Greatheed, whose correct taste, deep research, and knowledge of architecture, led me to prefer his account to every other, of their use and necessity: it shall be given in his own words, which I am proud of his permission to copy.

"Of those pots you mention, there are not any remaining in the Circus Maxiouis, as the walls, seats and apodium of that have entirely disappeared. They are to be seen in the Circus of Caracalla, on the Appian way; of this, and of this alone, enough still exists to ascertain the form, structure, and parts of a Roman course. It was surrounded by two parallel walls which supported the seats of the spectators. The exterior wall rose to the summit of the gallery; the interior one was much lower, terminated with the lowest rows, and formed the apodium. This rough section may serve to elucidate my description. From wall to wall an arch was turned which formed a quadrant, and on this the seats immediately rested: but as the upper rows were considerably distant from the crown of the arch, it was necessary to fill the intermediate space with materials sufficiently strong to support the upper stone benches and the multitude. Had these been of solid substance, they would have pressed prodigious and disproportionate weight on the summit of the arch, a place least able to endure it from its horizontal position. To remedy this defect, the architect caused spherical pots to be baked; of these each formed of itself an arch sufficiently powerful to sustain its share of the incumbent weight, and the whole was rendered much less ponderous by the innumerable vacuities.

"A similiar expedient was likewise used to diminish the pressure of their domes, by employing the scoriæ of lava brought for that purpose from the Lipari Islands. The numberless bubbles of this volcanic substance give it the appearance of a honeycomb, and answer the same purpose as the pots in Caracalla's Circus, so much so, that though very hard, it is of less specific gravity than wood, and consequently floats in water."

Before I quit the Circus of Caracalla, I must not forbear mentioning his bust, which so perfectly resembles Hogarth's idle 'Prentice; but why should they not be alike?

For black-guards are black-guards in every degree,

I suppose, and the people here who shew one things, always take delight to souce an Englishman's hat upon his head, as if they thought so too.

This morning's ramble let us to see the old grotto, sacred to Numa's famous nymph, Ægeria, not far from Rome even now. I wonder that it should escape being built round when Rome was so extensive as to contain the crowds which we are told were lodged in it. That the city spread chiefly the other way, is scarce an answer. London spreads chiefly the Marybone way perhaps, yet is much nearer to Rumford than it was fifty or sixty years ago.

The same remark may be made of the Temple of Mars without the walls, near the Porta Capena: a rotunda it was on the road side then: it is on the road side now, and a very little way from the gate.

Caius Cestius's sepulchre however, without the walls, on the other side, is one of the most perfect remains of antiquity we have here. Aurelian made use of that as a boundary we know: it stands at present half without and half within the limit that Emperor set to the city; and is a very beautiful pyramid a hundred and ten feet high, admirably represented in Piranesi's prints, with an inscription on the white marble of which it is composed, importing the name and office and condition of its wealthy proprietor: C. Cestius, septem vir epulonum. He must have lived therefore since Julius Caesar's time it is plain, as he first increased the number of epulones to seven, from three their original institution. It was probably a very lucrative office for a man to be Jupiter's caterer; who, as he never troubled himself with looking over the bills, they were such commonly, I doubt not, as made ample profits result to him who went to market; and Caius Cestius was one of the rich contractors of those days, who neglected no opportunity of acquiring wealth for himself, while he consulted the honour of Jupiter in providing for his master's table very plentiful and elegant banquets.

That such officers were in use too among the Persians during the time their monarchy lasted, is plain from the apocryphal story of Bel and the Dragon in our Bibles, where, to the joy of every child that reads it, Daniel detects the fraud of the priests by scattering ashes or saw-dust in the temple.

But I fear the critics will reprove me for saying that Julius Caesar only increased the number to seven, while many are of opinion he added three more, and made them a decemvirate: mean time Livy tells us the institution began in the year of Rome 553, during the consulate of Fulvius Purpurio and Marcellus, upon a motion of Romuleius if I remember. They had the privilege granted afterwards of edging the gown with purple like the pontiffs, when increased to seven in number; and they were always known by the name Septemviratus, or Septemviri Epulonum, to the latest hours of Paganism.

The tomb of Caius Cestius is supposed to have cost twelve thousand pounds sterling of our money in those days; and little did he dream that it should be made in the course of time a repository for the bones of divisos orbe Britannos: for such it is now appointed to be by government. All of us who die at Rome, sleep with this purveyor of the gods; and from his monument shall at the last day rise the re-animated body of our learned and incomparable Sir James Macdonald: whose numerous and splendid acquirements, though by the time he had reached twenty-four years old astonished all who knew him, never overwhelmed one little domestic virtue. His filial piety however; his hereditary courage, his extensive knowledge, his complicated excellencies, have now, I fear, no other register to record their worth, than a low stone near the stately pyramid of Jupiter's caterer.

The tomb of Cæcilia Metella, wife of the rich and famous Crassus, claims our next attention; it is a beautiful structure, and still called Capo di Bove by the Italians, on account of its being ornamented with the oxhead and flowers which now flourish over every door in the new-built streets of London; but the original of which, as Livy tells us, and I believe Plutarch too, was this. That Coratius, a Sabine farmer, who possessed a particularly fine cow, was advised by a soothsayer to sacrifice her to Diana upon the Aventine Hill; telling him, that the city where she now presided--Diana--should become mistress of the world, and he who presented her with that cow should become master over that city. The poor Sabine went away to wash in the Tyber, and purify himself for these approaching honours; but in the mean time, a boy having heard the discourse, and reported it to Servius Tullius, he hastened to the spot, killed Coratius's cow for him, sacrificed her to Diana, and hung her head with the horns on, and the garland just as she died, upon the temple door as an ornament. From that time, it seems, the ornament called Caput Bovis was in a manner consecrated to Diana, and her particular votaries used it on their tombs. Nor could one easily account for the decorations of many Roman sarcophagi, till one recollects that they were probably adapted to that divinity in whose temple they were to be placed, rather than to the particular person occupying the tomb, or than to our general ideas of death, time, and eternity. It is probably for this reason that the immense sarcophagus lately dug up from under the temple of Bacchus without the walls, cut out of one solid piece of red porphyry, has such gay ornaments round it, relative to the sacrifices of Bacchus, &c.; and I fancy these stone coffins, if we may call them so, were often made ready and sold to any person who wished to bury their friend, and who chose some story representing the triumph of whatever deity they devoted themselves to. Were the modern inhabitants of Rome who venerate St. Lorenzo, St. Sebastiano, &c. to place, not uncharacteristically at all--a gridiron, or an arrow on their tombstone, it might puzzle succeeding antiquarians, and yet be nothing out of the way in the least.

Of the Egyptian obelisks at Rome I will not strive to give any account, or even any idea. They are too numerous, too wonderful, too learned for me to talk about; but I must not forbear to mention the broken thing which lies down somewhere in a heap of rubbish, and is said to be the greatest rarity in Rome, column, or obelisk and the greatest antiquity surely, if 1630 years before the birth of Christ be its date; as that was but two centuries after the invention of letters by Memnon, and just about the time that Joseph the favourite of Pharaoh died. There is a sphinx upon it, however, mighty clearly expressed; and some one said, how strange it was, if the world was no older than we think it, that they should, in so early a stage of existence, represent, or even imagine to themselves a compound animal: though the chimæra came in play when the world was pretty young too, and the Prophet Isaiah speaks of centaurs; but that was long after even Hesiod's time.

A modern traveller has however, with much ingenuity of conjecture, given us an excellent reason why the Sphinx was peculiar to Egypt, as the Nile was observed to overflow when the sun was in those signs of the Zodiack:

The lion virgin Sphinx, which shows What time the rich Nile overflows.

And sure I think, as people lived longer then than they do now; as Moses was contemporary with Cecrops, so that monarchy and a settled form of government had begun to obtain footing in Greece, and apparently migrated a little westward even then; that this column might have employed the artists of those days, without any such exceeding stretch of probability as our modern Aristotelians study to make out, from their zeal to establish his doctrine of the world's eternity. While, if conjecture were once as liberally permitted to believers as it is generously afforded to scepticks, I know not whether a hint concerning Sphinx's original might not be deduced from old Israel's last blessing to his sons; The lion of Judah, with the head of a virgin, in whose offspring that lion was one day to sink and be lost, except his hinder parts; might naturally enough grow into a favourite emblem among the inhabitants of a nation who owed their existence to one of the family; and who would be still more inclined to commemorate the mystical blessing, if they observed the fructifying inundation to happen regularly, as Mr. Savary says, when the Sun left Leo for Virgo.

The broken pillar has however carried me too far perhaps, though every day passed in the Pope's Musæum confirms my belief, nay certainty, that they did mingle the veneration of Joseph with that of their own gods: The bushel or measure of corn on the Egyptian Jupiter's head is a proof of it, and the name Serapis, a further corroboration: the dream which he explained for Pharaoh relative to the event that fixed his favour in that country, was expressed by cattle; and for apis, the ox's head, was perfectly applicable to him for every reason.

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