"Mrs. Brace told me the same thing," Hastings said quietly, flashing a look at Wilton and back to the other.
"Damn her!" Webster broke forth with such vehemence that Wilton stared at him in amazement. "Damn her! And that's the first time I ever said that of a woman. It's as I suspected, as I expected. She's begun some sort of a crooked game!"
He trembled like a man with a chill. Hastings gave him no time to recover himself.
"You know Mrs. Brace, then? Know her well?" he pressed.
"Well enough!" Webster retorted with hot repugnance. "Well enough, although I never had but one conversation with her--if you may call that bedlam wildness a conversation. She came to my office the second day after I'd dismissed her daughter. She made a scene. She charged me with ruining her daughter's life, threatened suit for breach of promise. She said she'd 'get even' with me if it took her the rest of her life. I don't as a rule pay much attention to violent women, Mr. Hastings; but there was something about her that affected me strongly, she's implacable, and like stone, not like a woman. You saw her--understand what I mean?"
"Perfectly," agreed Hastings.
There flashed across his mind a picture of that incomprehensible woman's face, the black line of her eyebrows lifted half-way to her hair, the abnormal wetness of her lips thickened by a sneer. "If she's been after this man for two weeks," he thought, "I can understand his trembles!"
But he hurried the inquiry.
"So you think she lied about that letter?"
"Of course!" Webster laughed on a high note. "Next, I suppose, she'll produce the letter."
"She can't very well do that."
Something in his voice alarmed the suspected man.
"What do you mean?" he asked.
Hastings smiled.
"What do you mean?" Webster asked again, his voice lowered, and came a step nearer to the detective.
Hastings took a piece of paper from his pocket.
"Here's the flap of the grey envelope," he said, as if that was all the information he meant to impart.
Webster urged him, with eyes and voice:
"Well?"
"And on the back of it is some of Mildred Brace's handwriting."
The old man examined the piece of paper with every show of absorption. He could hear Webster's hurried breathing, and the gulp when he swallowed the lump in his throat.
The scene had got hold of Wilton also. Leaning forward in his chair, his lips half-parted, the thumb and forefinger of his right hand mechanically fubbing out his cigar, so that a little stream of fire trickled to the floor, he gazed unwinking at the envelope flap.
Webster went a step nearer to Hastings, and stood, passing his hand across the top of his head and staring again out of his half-closed eyes, as if the light had hurt them.
"And," the old man said, regarding Webster keenly but keeping any hint of accusation out of his voice, "I found it last night in the fireplace, behind the screen, in your room upstairs."
He paused, looking toward the door, his attention caught by a noise in the hall.
Webster laughed, on the high, derisive note. He was noticeably pale.
"Come, man!" Judge Wilton said, harsh and imperious. "Can't you see the boy's suffering? What's written on it?"
"What difference does it make--the writing?" Webster objected, with a movement of his shoulders that looked like a great effort to pull himself together. "If there's any at all, it's faked. Faked! That's what it is. People don't write on the inside of envelope flaps."
"no Clue!" · The Wunder Library — complete classics, free to read, with narration.