Part 37

And now, for sleep plays strange tricks, the bark disappeared from the dream, and it was she, herself, who was floating, floating farther and farther away; whither she neither knew nor cared; it was enough to be at rest, lulled by the lapping of the cool waves.

Then there appeared a green isle rising from the sea; an isle so radiant and fairy-like that her famished eyes could hardly believe its reality; but it was real, for she sailed nearer and nearer to its shores, and at last her feet skimmed the shining sands and she floated through the air as disembodied spirits float, till she sank softly at the foot of a spreading tree.

Then she saw the green isle was a flowering isle. Every shrub and bush was blooming; the trees were hung with rosy garlands, and even the earth was carpeted with tiny flowers. The rare fragrances, the bird songs, soft and musical, the ravishment of color, all bore down upon her swimming senses at once, taking them captive so completely that she remembered no past, was conscious of no present, looked forward to no future. She seemed to leave the body and the sad, heavy things of the body. The humming in her ears ceased, the light faded, the birds songs grew fainter and more distant, the golden circle of pain receded farther and farther until it was lost to view; even the flowering island gently drifted away, and all was peace and silence.

It was time for the doctor now, and Clara Belle, too anxious to wait longer, softly turned the knob of her mother's door and entered the room. The glow of the open fire illumined the darkest side of the poor chamber. There were no trees near the house, and a full November moon streamed in at the unblinded, uncurtained windows, lighting up the bare interior--the unpainted floor, the gray plastered walls, and the white counterpane.

Her mother lay quite still, her head turned and drooping a little on the pillow. Her left hand was folded softly up against her breast, the fingers of the right partly covering it, as if protecting something precious.

Was it the moonlight that made the patient brow so white, and where were the lines of anxiety and pain? The face of the mother who had washed and cried and cried and washed was as radiant as if the closed eye were beholding heavenly visions.

“Something must have cured her!” thought Clara Belle, awed and almost frightened by the whiteness and the silence.

She tiptoed across the floor to look more closely at the still, smiling shape, and bending over it saw, under the shadow of the caressing right hand, a narrow gold band gleaming on the work-stained finger.

“Oh, the ring came, after all!” she said in a glad whisper, “and perhaps it was that that made her better!”

She put her hand on her mother's gently. A terrified shiver, a warning shudder, shook the girl from head to foot at the chilling touch. A dread presence she had never met before suddenly took shape. It filled the room; stifled the cry on her lips; froze her steps to the floor, stopped the beating of her heart.

Just then the door opened.

“Oh, doctor! Come quick!” she sobbed, stretching out her hand for help, and then covering her eyes. “Come close! Look at mother! Is she better--or is she dead?”

The doctor put one hand on the shoulder of the shrinking child, and touched the woman with the other.

“She is better!” he said gently, “and she is dead.”

Tenth Chronicle. REBECCA'S REMINISCENCES

Rebecca was sitting by the window in her room at the Wareham Female Seminary. She was alone, as her roommate, Emma Jane Perkins, was reciting Latin down below in some academic vault of the old brick building.

A new and most ardent passion for the classics had been born in Emma Jane's hitherto unfertile brain, for Abijah Flagg, who was carrying off all the prizes at Limerick Academy, had written her a letter in Latin, a letter which she had been unable to translate for herself, even with the aid of a dictionary, and which she had been apparently unwilling that Rebecca, her bosom friend, confidant, and roommate, should render into English.

An old-fashioned Female Seminary, with its allotment of one medium-sized room to two medium-sized young females, gave small opportunities for privacy by night or day, for neither the double washstand, nor the thus far unimagined bathroom, nor even indeed the humble and serviceable screen, had been realized, in these dark ages of which I write. Accordingly, like the irrational ostrich, which defends itself by the simple process of not looking at its pursuers, Emma Jane had kept her Latin letter in her closed hand, in her pocket, or in her open book, flattering herself that no one had noticed her pleased bewilderment at its only half-imagined contents.

All the fairies were not present at Rebecca's cradle. A goodly number of them telegraphed that they were previously engaged or unavoidably absent from town. The village of Temperance, Maine, where Rebecca first saw the light, was hardly a place on its own merits to attract large throngs of fairies. But one dear old personage who keeps her pocket full of Merry Leaves from the Laughing Tree, took a fancy to come to the little birthday party; and seeing so few of her sister-fairies present, she dowered the sleeping baby more richly than was her wont, because of its apparent lack of wealth in other directions. So the child grew, and the Merry Leaves from the Laughing Tree rustled where they hung from the hood of her cradle, and, being fairy leaves, when the cradle was given up they festooned themselves on the cribside, and later on blew themselves up to the ceilings at Sunnybrook Farm and dangled there, making fun for everybody. They never withered, even at the brick house in Riverboro, where the air was particularly inimical to fairies, for Miss Miranda Sawyer would have scared any ordinary elf out of her seventeen senses. They followed Rebecca to Wareham, and during Abijah Flagg's Latin correspondence with Emma Jane they fluttered about that young person's head in such a manner that Rebecca was almost afraid that she would discover them herself, although this is something, as a matter of fact, that never does happen.

A week had gone by since the Latin missive had been taken from the post-office by Emma Jane, and now, by means of much midnight oil-burning, by much cautious questioning of Miss Maxwell, by such scrutiny of the moods and tenses of Latin verbs as wellnigh destroyed her brain tissue, she had mastered its romantic message. If it was conventional in style, Emma Jane never suspected it. If some of the similes seemed to have been culled from the Latin poets, and some of the phrases built up from Latin exercises, Emma Jane was neither scholar nor critic; the similes, the phrases, the sentiments, when finally translated and written down in black-and-white English, made, in her opinion, the most convincing and heart-melting document ever sent through the mails:

Mea cara Emma:

Cur audeo scribere ad te epistulam? Es mihi dea! Semper es in mea anima. Iterum et iterum es cum me in somnis. Saepe video tuas capillos auri, tuos pulchros oculos similes caelo, tuas genas, quasi rubentes rosas in nive. Tua vox est dulcior quam cantus avium aut murmur rivuli in montibus.

Cur sum ego tam miser et pauper et indignus, et tu tam dulcis et bona et nobilis?

Si cogitabis de me ero beatus. Tu es sola puella quam amo, et semper eris. Alias puellas non amavi. Forte olim amabis me, sed sum indignus. Sine te sum miser, cum tu es prope mea vita omnis est gaudium.

Vale, carissima, carissima puella!

De tuo fideli servo A.F.

My dear Emma:

Why dare I write to you a letter? You are to me a goddess! Always you are in my heart. Again and again you are with me in dreams. Often I see your locks of gold, your beautiful eyes like the sky, your cheeks, as red roses in snow. Your voice is sweeter than the singing of birds or the murmur of the stream in the mountains.