Part 26

The same thing year after year, and the same sounds--the dismal barrel organs, and brazen instruments, and pipes, wailing, droning, booming. How melancholy the inexpressible noise when the fair is left behind, and the wet vapours are settling and thickening around it! But the melancholy is not in the fair--the ploughboy likes it; it is in ourselves, in the thought that thus, though the years go by, so much of human life remains the same--the same blatant discord, the same monotonous roundabout, the same poor gingerbread.

The ploughs are at work, travelling slowly at the ox's pace up and down the hillside. The South Down plough could scarcely have been invented; it must have been put together bit by bit in the slow years--slower than the ox; it is the completed structure of long experience. It is made of many pieces, chiefly wood, fitted and shaped and worked, as it were, together, well seasoned first, built up, like a ship, by cunning of hand.

None of these were struck out--a hundred a minute--by irresistible machinery ponderously impressing its will on iron as a seal on wax--a hundred a minute, and all exactly alike. These separate pieces which compose the plough were cut, chosen, and shaped in the wheelwright's workshop, chosen by the eye, guided in its turn by long knowledge of wood, and shaped by the living though hardened hand of man. So complicated a structure could no more have been struck out on paper in a deliberate and single plan than those separate pieces could have been produced by a single blow.

There are no machine lines--no lines filed out in iron or cut by the lathe to the draughtsman's design, drawn with straight-edge and ruler on paper. The thing has been put together bit by bit: how many thousand, thousand clods must have been turned in the furrows before the idea arose, and the curve to be given to this or that part grew upon the mind as the branch grows on the tree! There is not a sharp edge or sharp corner in it; it is all bevelled and smoothed and fluted as if it had been patiently carved with a knife, so that, touch it where you will, it handles pleasantly.

In these curved lines and smoothness, in this perfect adaptability of means to end, there is the spirit of art showing itself, not with colour or crayon, but working in tangible material substance. The makers of this plough--not the designer--the various makers, who gradually put it together, had many things to consider. The fields where it had to work were, for the most part, on a slope, often thickly strewn with stones which jar and fracture iron.

The soil was thin, scarce enough on the upper part to turn a furrow, deepening to nine inches or so at the bottom. So quickly does the rain sink in, and so quickly does it dry, that the teams work in almost every weather, while those in the vale are enforced to idleness. Drain furrows were not needed, nor was it desirable that the ground should be thrown up in "lands," rising in the centre. Oxen were the draught animals, patient enough, but certainly not nimble. The share had to be set for various depths of soil.

All these are met by the wheel plough, and in addition it fulfils the indefinite and indefinable condition of handiness. A machine may be apparently perfect, a boat may seem on paper, and examined on principles, the precise build, and yet when the one is set to work and the other floated they may fail. But the wheel plough, having grown up, as it were, out of the soil, fulfils the condition of handiness.

This handiness, in fact, embraces a number of minor conditions which can scarcely be reduced to writing, but which constantly occur in practice, and by which the component parts of the plough were doubtless unconsciously suggested to the makers. Each has its proper name. The framework, on wheels in front--the distinctive characteristic of the plough--is called collectively "tacks," and the shafts of the plough rest on it loosely, so that they swing or work almost independently, not unlike a field-gun limbered up.

The pillars of the framework have numerous holes, so that the plough can be raised or lowered, that the share may dig deep or shallow. Then there is the "cock-pin," the "road-bat" (a crooked piece of wood), the "sherve-wright" (so pronounced)--shelvewright (?)--the "rist," and spindle, besides, of course, the usual coulter and share. When the oxen arrive at the top of the field, and the first furrow is completed, they stop, well knowing their duty, while the ploughman moves the iron rist, and the spindle which keeps it in position, to the other side, and moves the road-bat so as to push the coulter aside. These operations are done in a minute, and correspond in some degree to turning the rudder of a ship. The object is that the plough, which has been turning the earth one way, shall now (as it is reversed to go downhill) continue to turn it that way. If the change were not effected when the plough was swung round, the furrow would be made opposite. Next he leans heavily on the handles, still standing on the same spot; this lifts the plough, so that it turns easily as if on a pivot.

Then the oxen "jack round"--that is, walk round--so as to face downhill, the framework in front turning like the fore-wheels of a carriage. So soon as they face downhill and the plough is turned, they commence work and make the second furrow side by side with the first. The same operation is repeated at the bottom, and thus the plough travels straight up and down, always turning the furrow the same way, instead of, as in the valleys, making a short circuit at each end, and throwing the earth in opposite directions. The result is a perfectly level field, which, though not designed for it, must suit the reaping-machine better than the drain furrows and raised "lands" of the valley system.

It is somewhat curious that the steam plough, the most remarkable application of machinery to agriculture, in this respect resembles the village-made wheel plough. The plough drawn by steam power in like manner turns the second furrow side by side into the first, always throwing the earth the same way, and leaving the ground level. This is one of its defects on heavy, wet land, as it does not drain the surface. But upon the slopes of the Downs no drains or raised "lands" are needed, and the wheel plough answers perfectly.

So perfectly, indeed, does it answer that no iron plough has yet been invented that can beat it, and while the valleys and plains are now almost wholly worked with factory-made ploughs, the South Downs are cultivated with the ploughs made in the villages by the wheelwrights. A wheelwright is generally regularly employed by two or three farms, which keep him in constant work. There is not, perhaps, another home-made implement of old English agriculture left in use; certainly, none at once so curious and interesting, and, when drawn by oxen, so thoroughly characteristic.

Under the September sun, flowers may still be found in sheltered places, as at the side of furze, on the highest of the Downs. Wild thyme continues to bloom--the shepherd's thyme--wild mignonette, blue scabious, white dropwort, yellow bedstraw, and the large purple blooms of greater knapweed. Here and there a blue field gentian is still in flower; "eggs and bacon" grow beside the waggon tracks. Grasshoppers hop among the short dry grass; bees and humble-bees are buzzing about, and there are places quite bright with yellow hawkweeds.

The furze is everywhere full of finches, troops of them; and there are many more swallows than were flying here a month since. No doubt they are on their way southwards, and stay, as it were, on the edge of the sea while yet the sun shines. As the evening falls the sheep come slowly home to the fold. When the flock is penned some stand panting, and the whole body at each pant moves to and fro lengthways; some press against the flakes till the wood creaks; some paw the dry and crumbling ground (arable), making a hollow in which to lie down.

Rooks are fond of the places where sheep have been folded, and perhaps that is one of the causes why they so continually visit certain spots in particular fields to the neglect of the rest.

THE BREEZE ON BEACHY HEAD

The waves coming round the promontory before the west wind still give the idea of a flowing stream, as they did in Homer's days. Here beneath the cliff, standing where beach and sand meet, it is still; the wind passes six hundred feet overhead. But yonder, every larger wave rolling before the breeze breaks over the rocks; a white line of spray rushes along them, gleaming in the sunshine; for a moment the dark rock-wall disappears, till the spray sinks.

The sea seems higher than the spot where I stand, its surface on a higher level--raised like a green mound--as if it could burst in and occupy the space up to the foot of the cliff in a moment. It will not do so, I know; but there is an infinite possibility about the sea; it may do what it is not recorded to have done. It is not to be ordered, it may overleap the bounds human observation has fixed for it. It has a potency unfathomable. There is still something in it not quite grasped and understood--something still to be discovered--a mystery.

So the white spray rushes along the low broken wall of rocks, the sun gleams on the flying fragments of the wave, again it sinks and the rhythmic motion holds the mind, as an invisible force holds back the tide. A faith of expectancy, a sense that something may drift up from the unknown, a large belief in the unseen resources of the endless space out yonder, soothes the mind with dreamy hope.

The little rules and little experiences, all the petty ways of narrow life, are shut off behind by the ponderous and impassable cliff; as if we had dwelt in the dim light of a cave, but coming out at last to look at the sun, a great stone had fallen and closed the entrance, so that there was no return to the shadow. The impassable precipice shuts off our former selves of yesterday, forcing us to look out over the sea only, or up to the deeper heaven.

These breadths draw out the soul; we feel that we have wider thoughts than we knew; the soul has been living, as it were, in a nutshell, all unaware of its own power, and now suddenly finds freedom in the sun and the sky. Straight, as if sawn down from turf to beach, the cliff shuts off the human world, for the sea knows no time and no era; you cannot tell what century it is from the face of the sea. A Roman trireme suddenly rounding the white edge-line of chalk, borne on wind and oar from the Isle of Wight towards the gray castle at Pevensey (already old in olden days), would not seem strange. What wonder could surprise us coming from the wonderful sea?

The little rills winding through the sand have made an islet of a detached rock by the beach; limpets cover it, adhering like rivet-heads. In the stillness here, under the roof of the wind so high above, the sound of the sand draining itself is audible. From the cliff blocks of chalk have fallen, leaving hollows as when a knot drops from a beam. They lie crushed together at the base, and on the point of this jagged ridge a wheatear perches.

There are ledges three hundred feet above, and from these now and then a jackdaw glides out and returns again to his place, where, when still and with folded wings, he is but a speck of black. A spire of chalk still higher stands out from the wall, but the rains have got behind it and will cut the crevice deeper and deeper into its foundation. Water, too, has carried the soil from under the turf at the summit over the verge, forming brown streaks.

Upon the beach lies a piece of timber, part of a wreck; the wood is torn and the fibres rent where it was battered against the dull edge of the rocks. The heat of the sun burns, thrown back by the dazzling chalk; the river of ocean flows ceaselessly, casting the spray over the stones; the unchanged sky is blue.

Let us go back and mount the steps at the Gap, and rest on the sward there. I feel that I want the presence of grass. The sky is a softer blue, and the sun genial now the eye and the mind alike are relieved--the one of the strain of too great solitude (not the solitude of the woods), the other of too brilliant and hard a contrast of colours. Touch but the grass and the harmony returns; it is repose after exaltation.

A vessel comes round the promontory; it is not a trireme of old Rome, nor the "fair and stately galley" Count Arnaldus hailed with its seamen singing the mystery of the sea. It is but a brig in ballast, high out of the water, black of hull and dingy of sail: still it is a ship, and there is always an interest about a ship. She is so near, running along but just outside the reef, that the deck is visible. Up rises her stern as the billows come fast and roll under; then her bow lifts, and immediately she rolls, and, loosely swaying with the sea, drives along.

The slope of the billow now behind her is white with the bubbles of her passage, rising, too, from her rudder. Steering athwart with a widening angle from the land, she is laid to clear the distant point of Dungeness. Next, a steamer glides forth, unseen till she passed the cliff; and thus each vessel that comes from the westward has the charm of the unexpected. Eastward there is many a sail working slowly into the wind, and as they approach, talking in the language of flags with the watch on the summit of the Head.

Once now and then the great Orient pauses on her outward route to Australia, slowing her engines: the immense length of her hull contains every adjunct of modern life; science, skill, and civilisation are there. She starts, and is lost sight of round the cliff, gone straight away for the very ends of the world. The incident is forgotten, when one morning, as you turn over the newspaper, there is the Orient announced to start again. It is like a tale of enchantment; it seems but yesterday that the Head hid her from view; you have scarcely moved, attending to the daily routine of life, and scarce recognise that time has passed at all. In so few hours has the earth been encompassed.