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Part 20

Nature Near London · Richard Jefferies — chapter 20 of 27 · ~2,620 words · public domain

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Just above Molesey Lock, in the meadows beside the towing-path, the blue meadow geranium, or crane's-bill, flowers in large bunches in the summer. It is one of the most beautiful flowers of the field, and after having lost sight of it for some time, to see it again seemed to bring the old familiar far-away fields close to London. Between Hampton Court and Kingston the towing-path of the Thames is bordered by a broad green sward, sufficiently wide to be worth mowing. One July I found a man at work here in advance of the mowers, pulling up yarrow plants with might and main.

The herb grew in such quantities that it was necessary to remove it first, or the hay would be too coarse. On conversing with him, he said that a person came sometimes and took away a trap-load of yarrow; the flowers were to be boiled and mixed with cayenne pepper, as a remedy for cold in the chest. In spring the dandelions here are pulled in sackfuls, to be eaten as salad. These things have fallen so much into disuse in the country that country people are surprised to find the herbalists flourishing round the great city of progress.

The continued dry weather in the early summer of the present year, which was so favourable to partridges and game, was equally favourable to the increase of several other kinds of birds, and among these the jays. Their screeching is often heard in this district, quite as often as it is in country woodlands. One day in the spring I saw six all screeching and yelling together up and down a hedge near the road. Now in October they are plentiful. One flew across overhead with an acorn in its beak, and perched in an elm beside the highway. He pecked at the acorn on the bough, then glanced down, saw me, and fled, dropping the acorn, which fell tap tap from branch to branch till it reached the mound.

Another jay actually flew up into a fir in the green, or lawn, before a farm-house window, crossing the road to do so. Four together were screeching in an elm close to the road, and since then I have seen others with acorns, while walking there. Indeed, this autumn it is not possible to go far without hearing their discordant and unmistakable cry. They were never scarce here, but are unusually numerous this season, and in the scattered trees of hedgerows their ways can be better observed than in the close covert of copses and plantations, where you hear them, but cannot see for the thick fir boughs.

It is curious to note the number of creatures to whom the oak furnishes food. The jays, for instance, are now visiting them for acorns; in the summer they fluttered round the then green branches for the chafers, and in the evenings the fern owls or goat-suckers wheeled about the verge for these and for moths. Rooks come to the oaks in crowds for the acorns; wood-pigeons are even more fond of them, and from their crops quite a handful may sometimes be taken when shot in the trees.

They will carry off at once as many acorns as old-fashioned economical farmers used to walk about with in their pockets, "chucking" them one, two, or three at a time to the pigs in the stye as a bonne bouche and an encouragement to fatten well. Never was there such a bird to eat as the wood-pigeon. Pheasants roam out from the preserves after the same fruit, and no arts can retain them at acorn time. Swine are let run out about the hedgerows to help themselves. Mice pick up the acorns that fall, and hide them for winter use, and squirrels select the best.

If there is a decaying bough, or, more particularly, one that has been sawn off, it slowly decays into a hollow, and will remain in that state for years, the resort of endless woodlice, snapped up by insect-eating birds. Down from the branches in spring there descend long, slender threads, like gossamer, with a caterpillar at the end of each--the insect-eating birds decimate these. So that in various ways the oaks give more food to the birds than any other tree. Where there are oaks there are sure to be plenty of birds. Beeches come next. Is it possible that the severe frosts we sometimes have split oak trees? Some may be found split up the trunk, and yet not apparently otherwise injured, as they probably would be if it had been done by lightning. Trees are said to burst in America under frost, so that it is not impossible in this country.

There is a young oak beside the highway which in autumn was wreathed as artistically as could have been done by hand. A black bryony plant grew up round it, rising in a spiral. The heart-shaped leaves have dropped from the bine, leaving thick bunches of red and green berries clustering about the greyish stem of the oak.

Every one must have noticed that some trees have a much finer autumn tint than others. This, it will often be found, is an annual occurrence, and the same elm, or beech, or oak that has delighted the eye with its hues this autumn, will do the same next year, and excel its neighbours in colour. Oaks and beeches, perhaps, are the best examples of this, as they are also the trees that present the most beautiful appearance in autumn.

There are oaks on villa lawns near London whose glory of russet foliage in October or November is not to be surpassed in the parks of the country. There are two or three such oaks in Long Ditton. All oaks do not become russet, or buff; some never take those tints. An oak, for instance, not far from those just mentioned never quite loses its green; it cannot be said, indeed, to remain green, but there is a trace of it somewhere; the leaves must, I suppose, be partly buff and partly green; and the mixture of these colours in bright sunshine produces a tint for which I know no accurate term.

In the tops of the poplars, where most exposed, the leaves stay till the last, those growing on the trunk below disappearing long before those on the spire, which bends to every blast. The keys of the hornbeam come twirling down: the hornbeam and the birch are characteristic trees of the London landscape--the latter reaches a great height and never loses its beauty, for when devoid of leaves the feathery spray-like branches only come into view the more.

The abundant bird life is again demonstrated as the evening approaches. Along the hedgerows, at the corners of the copses, wherever there is the least cover, so soon as the sun sinks, the blackbirds announce their presence by their calls. Their "ching-chinging" sounds everywhere; they come out on the projecting branches and cry, then fly fifty yards farther down the hedge, and cry again. During the day they may not have been noticed, scattered as they were under the bushes, but the dusky shadows darkening the fields send them to roost, and before finally retiring, they "ching-ching" to each other.

Then, almost immediately after the sun has gone down, looking to the south-west the sky seen above the trees (which hide the yellow sunset) becomes a delicate violet. Soon a speck of light gleams faintly through it--the merest speck. The first appearance of a star is very beautiful; the actual moment of first contact as it were of the ray with the eye is always a surprise, however often you may have enjoyed it, and notwithstanding that you are aware it will happen. Where there was only the indefinite violet before, the most intense gaze into which could discover nothing, suddenly, as if at that moment born, the point of light arrives.

So glorious is the night that not all London, with its glare and smoke, can smother the sky; in the midst of the gas, and the roar and the driving crowd, look up from the pavement, and there, straight above, are the calm stars. I never forget them, not even in the restless Strand; they face one coming down the hill of the Haymarket; in Trafalgar Square, looking towards the high dark structure of the House at Westminster, the clear bright steel silver of the planet Jupiter shines unwearied, without sparkle or flicker.

Apart from the grand atmospheric changes caused by a storm wave from the Atlantic, or an anti-cyclone, London produces its own sky. Put a shepherd on St. Paul's, allow him three months to get accustomed to the local appearances and the deceptive smoke clouds, and he would then tell what the weather of the day was going to be far more efficiently than the very best instrument ever yet invented. He would not always be right; but he would predict the local London weather with far more accuracy than any one reading the returns from the barometers at Valentia, Stornoway, Brest, or Christiansand.

The reason is this--the barometer foretells the cloud in the sky, but cannot tell where it will burst. The practised eye can judge with very considerable accuracy where the discharge will take place. Some idea of what the local weather of London will be for the next few hours may often be obtained by observation on either of the bridges--Westminster, Waterloo, or London Bridge: there is on the bridges something like a horizon, the best to be got in the City itself, and the changes announce themselves very clearly there. The difference in the definition is really wonderful.

From Waterloo Bridge the golden cross on St. Paul's and the dome at one time stand out as if engraved upon the sky, clear and with a white aspect. At the same time, the brick of the old buildings at the back of the Strand is red and bright. The structures of the bridges appear light, and do not press upon their arches. The yellow straw stacked on the barges is bright, the copper-tinted sails bright, the white wall of the Embankment clear, and the lions' heads distinct. Every trace of colour, in short, is visible.

At another time the dome is murky, the cross tarnished, the outline dim, the red brick dull, the whiteness gone. In summer there is occasionally a bluish haze about the distant buildings. These are the same changes presented by the Downs in the country, and betoken the state of the atmosphere as clearly. The London atmosphere is, I should fancy, quite as well adapted to the artist's uses as the changeless glare of the Continent. The smoke itself is not without its interest.

Sometimes upon Westminster Bridge at night the scene is very striking. Vast rugged columns of vapour rise up behind and over the towers of the House, hanging with threatening aspect; westward the sky is nearly clear, with some relic of the sunset glow: the river itself, black or illuminated with the electric light, imparting a silvery blue tint, crossed again with the red lamps of the steamers. The aurora of dark vapour, streamers extending from the thicker masses, slowly moves and yet does not go away; it is just such a sky as a painter might give to some tremendous historical event, a sky big with presage, gloom, tragedy. How bright and clear, again, are the mornings in summer! I once watched the sun rise on London Bridge, and never forgot it.

In frosty weather, again, when the houses take hard, stern tints, when the sky is clear over great part of its extent, but with heavy thunderous-looking clouds in places--clouds full of snow--the sun becomes of a red or orange hue, and reminds one of the lines of Longfellow when Othere reached the North Cape--

"Round in a fiery ring Went the great sun, oh King! With red and lurid light."

The redness of the winter sun in London is, indeed, characteristic.

A sunset in winter or early spring floods the streets with fiery glow. It comes, for instance, down Piccadilly; it is reflected from the smooth varnished roofs of the endless carriages that roll to and fro like the flicker of a mighty fire; it streaks the side of the street with rosiness. The faces of those who are passing are lit up by it, all unconscious as they are. The sky above London, indeed, is as full of interest as above the hills. Lunar rainbows occasionally occur; two to my knowledge were seen in the direction and apparently over the metropolis recently.

When a few minutes on the rail has carried you outside the hub as it were of London, among the quiet tree-skirted villas, the night reigns as completely as in the solitudes of the country. Perhaps even more so, for the solitude is somehow more apparent. The last theatre-goer has disappeared inside his hall door, the last dull roll of the brougham, with its happy laughing load, has died away--there is not so much as a single footfall. The cropped holly hedges, the leafless birches, the limes and acacias are still and distinct in the moonlight. A few steps farther out on the highway the copse or plantation sleeps in utter silence.

But the tall elms are the most striking; the length of the branches and their height above brings them across the light, so that they stand out even more shapely than when in leaf. The blue sky (not, of course, the blue of day), the white moonlight, the bright stars--larger at midnight and brilliant, in despite of the moon, which cannot overpower them in winter as she does in summer evenings--all are as beautiful as on the distant hills of old. By night, at least, even here, in the still silence, Heaven has her own way.

When the oak leaves first begin to turn buff, and the first acorns drop, the redwings arrive, and their "kuk-kuk" sound in the hedges and the shrubberies in the gardens of suburban villas. They seem to come very early to the neighbourhood of London, and before the time of their appearance in other districts. The note is heard before they are seen; the foliage of the shrubberies, still thick, though changing colour, concealing them. Presently, when the trees are bare, with the exception of a few oaks, they have disappeared, passing on towards the west. The fieldfares, too, as I have previously observed, do not stay. But missel-thrushes seem more numerous near town than in the country.

Every mild day in November the thrushes sing; there are meadows where one may be certain to hear the song-thrush. In the dip or valley at Long Ditton there are several meadows well timbered with elm, which are the favourite resorts of thrushes, and their song may be heard just there in the depth of winter, when it would be possible to go a long distance on the higher ground without hearing one. If you hear the note of the song-thrush during frost it is sure to rain within a few hours; it is the first sign of the weather breaking up.

Another autumn sign is the packing (in a sense) of the moorhens. During the summer the numerous brooks and ponds about town are apparently partially deserted by these birds; at least they are not to be seen by casual wayfarers. But directly the winter gets colder they gather together in the old familiar places, and five or six, or even more, come out at once to feed in the meadows or on the lawns by the water.

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