"Used to live up in these parts once, master."
"Who are you?"
"Convict 49, as broke jail over a week ago an' would ha' died but for the little 'un there," and he nodded towards the Imp.
The convict, as I say, was a tall, thin fellow, with a cadaverous face lined with suffering, while the hair at his temples was prematurely white. And as I looked at him, it occurred to me that the suffering which had set its mark so deeply upon him was not altogether the grosser anguish of the body. Now for our criminal who can still feel morally there is surely hope. I think so, anyhow! For a long moment there was silence, while I stared into the haggard face below, and the Imp looked from one to the other of us, utterly at a loss.
"I wonder if you ever heard tell of 'the bye Jarge,'" I said suddenly.
The convict started so violently that the jacket tore in my grasp.
"How--how did ye know--?" he gasped, and stared at me with dropped jaw.
"I think I know your father."
"My feyther," he muttered; "old Jasper--'e ain't dead, then?"
"Not yet," I answered; "come, get up and I'll tell you more while you eat." Mechanically he obeyed, sitting with his glowing eyes fixed upon my face the while I told him of old Jasper's lapse of memory and present illness.
"Then 'e don't remember as I'm a thief an' convict 49, master?"
"No; he thinks and speaks of you always as a boy and a pattern son."
The man uttered a strange cry, and flinging himself upon his knees buried his face in his hands.
"Come," I said, tapping him on the shoulder; "take off those things," and nodding to the Imp, he immediately began unwrapping Peter's garments.
"What, master," cried the convict, starting up, "are you goin' to let me see 'im afore you give me up?"
"Yes," I nodded; "only be quick." In less than five minutes the tattered prison dress was lying in the bed of the river, and we were making our way along the path towards old Jasper's cottage.
The convict spoke but once, and that as we reached the cottage gate: "is he very ill, sir?"
"Very ill," I said. He stood for a moment, inhaling the fragrance of the roses in great breaths, and staring about him; then with an abrupt gesture he opened the little gate, and gliding up the path with his furtive, stealthy footstep knocked at the door. For some half hour the Imp and I strolled to and fro in the moonlight, during which he related to me much about his outlaw and the many "ruses he had employed to get him provision." How upon one occasion, to escape the watchful eyes of Auntie Lisbeth, he had been compelled to hide a slice of jam-tart in the trousers-pockets, to the detriment of each; how Dorothy had watched him everywhere in the momentary expectation of "something happening;" how Jane and Peter and cook would stand and stare and shake their heads at him because he ate such a lot, "an' the worst of it was I was aw full' hungry all the time, you know, Uncle Dick!" This and much more he told me as we waited there in the moonlight.
At last the cottage door opened and the convict came out. He did not join us at once, but remained staring away towards the river, though I saw him jerk his sleeve across his eyes more than once in his furtive, stealthy fashion; but when at last he came up to us his face was firm and resolute.
"Did you see old Jasper?" I asked.
"Yes, sir; I saw him."
"Is he any better?"
"Much better--he died in my arms, sir. An' now I'm ready to go back, there's a police-station in the village." He stopped suddenly and turned to stare back at the lighted windows of the cottage, and when he spoke again his voice sounded hoarser than ever.
"Thought I'd come back from furrin parts, 'e did, wi' my pockets stuffed full o' gold an' bank-notes. Called me 'is bye Jarge, 'e did!" and again he brushed his cuff across his eyes.
"Masters I don't know who ye may be, but I'm grateful to ye an' more than grateful, sir. An' now I'm ready to go back an' finish my time."
"How much longer is that?"
"Three years, sir."
"And when you come out, what shall you do then?"
My Lady Caprice · The Wunder Library — complete classics, free to read, with narration.