Even a Conscientious Objector loses his conscience when there is a woman in the case. John North turned up his sleeves as though he had been a boxer all his life, and proceeded to trounce his opponent with such vigour that the biscuit tins were hurled to the ground and the contents of a box of chocolates were scattered all over the floor.
As far as we are concerned, Mademoiselle Thérèse passes out of existence from this moment, but the little incident in her shop was not without consequences. In the first place, the Military Police cast the two miscreants into the same guard room, where, from bitter rivals, they became the best of friends. In the second place, John North, having once drawn blood, was no longer content with his former life, and wanted to draw more.
In the end he joined the Westfords, and fired his first shot over the parapet under direct tuition from his new friend. It matters little that his first shot flew several yards above the German parapet; the intention was good, and it is always possible that the bullet may have stung into activity some corpulent Hun whose duty called on him to lead pack horses about behind the firing line.
* * * * *
For weeks Holy John, as his company called him, passed out of my life. There were many other things to think of--bombs and grenades, attacks and counter-attacks, "barrages" and trench mortars, and all the other things about which we love to discourse learnedly when we come home on leave. John North was, for the time, completely forgotten.
But one day when the Great Push was in full swing, I met him again. From his former point of view he had sadly degenerated; from ours he had become a useful fellow with a useful conscience that told him England wanted him to "do in" as many Huns as he could.
I was supervising some work on a trench that had been German, but was now ours--the red stains on the white chalk told of the fight for it--when a voice I knew sounded from farther up the trench.
"If you don't bloomin' well march better, I won't arf biff you one, I won't," I heard, as the head of a strange little procession came round the traverse. At the rear of six burly but downcast Germans, came Private John North, late Conscientious Objector, driving his prisoners along with resounding oaths and the blood-chilling manoeuvres of a bayonet that he brandished in his left hand.
"They'll all mine, sir, the beauties," he said as he passed me. "Got 'em all meself, and paid me little finger for 'em, too," and he held up a bandaged right arm for my inspection.
And, far down the trench, I heard him encouraging his prisoners with threats that would delight a pirate or a Chinaman.
How he, single-handed, captured six of the enemy I do not know, but he was the first man to reach the German wire, they tell me, and he brought in two wounded men from No Man's Land.
Personally, then, it hardly seems to me that six Germans are enough to pay for the little finger of Holy John, erstwhile Conscientious Objector.
XIV
DAVID AND JONATHAN
Strangely different though they were, they had been friends ever since they first met at school, eleven years before. Jonathan--for what other names are necessary than the obvious David and Jonathan?--was then a fat, sandy-haired boy, with a deep love of the country, and hands that, however often he washed them, always seemed to be stained with ink. He had a deep admiration, an adoration almost, for his dark-haired, dark-eyed David, wild and musical.
The love of the country it was that first made them friends, and David became, so to speak, Jonathan's means of expression, for David could put into words, and, later on, into music, what Jonathan could only feel dimly and vaguely. Jonathan was the typical British public-schoolboy with a twist of artistic sense hidden away in him, while David was possessed of a soul, and knew it. A soul is an awkward thing to possess at school in England, for it brings much "ragging" and no little contempt on its owner, and Jonathan fought many battles in defence of his less-understood friend.
Eleven years had wrought but little material change in them. Jonathan, after a few minor rebellions, had settled down in his father's office and was learning to forget the call of the open road and the half-formed dreams of his youth. David, on the other hand, was wandering over the Continent nominally studying languages for the Consular Service, really picking up a smattering of poetry, a number of friends, and a deep knowledge of music. From Jonathan, he had learned to hide his sentiments in the presence of those who would not understand, and to make his reason conquer the wilder of the whims that ran through his brain. Jonathan, in turn, had gained a power, which he scarcely realised, of appreciating music and scenery, and which no amount of office life would ever diminish.
Then the war broke out, and brought them together again.
At the beginning of it, David, who had been amusing himself in Madrid by teaching the elements of grammar and a large vocabulary of English slang to any Spaniard who would pay for it, came home and enlisted with Jonathan in a line regiment. For two months they drilled and exercised themselves in the so-called "arts of war." Then, chiefly on account of a soulless section commander, they applied for, and obtained, commissions in the same regiment.
In the same billet, they re-lived their schooldays, and over the fire in the evenings would call up old memories, or David would tell of his adventures abroad, until late in the night.
When the time came for them to go to the front, the Fates still favoured them; they went out together to the same regiment in France, and were drafted to the same company. Together they went up to the trenches for the first time, together they worked, together they crouched under the parapet when the German shells came unpleasantly close, and, all the time, Jonathan, calm and stolid, unconsciously helped the other, who, being cursed with a vivid imagination, secretly envied his friend's calm.
Now, nothing has more power to cement or break friendships than war. The enforced company, the sharing of danger, the common bearing of all imaginable discomforts combine to make comrades or enemies. There are so many things to tax one's patience, that a real friend in whom one may confide becomes doubly dear, while you end by hating a man who has the misfortune to irritate you day after day. War made David and Jonathan realise how much their friendship meant, and how necessary each was to the other, the one because of his continued calm, the other because of the relief his love of music and of Nature brought with it.
Near the end of April 1915 they came back to billets near Ypres. To the north a terrific battle was in progress, the last inhabitants were fleeing from the town, and huge shells screamed on their way, and burst with appalling clouds of smoke among the already shattered houses. Occasionally a motor cyclist would come racing down the road, and, once or twice, an ambulance came by with its load of gassed and wounded from the fighting to the north.
One morning, when the Germans seemed fairly quiet, David and Jonathan set out arm in arm towards Ypres, to explore. An occasional shell--a hum, increasing until it became a roar, followed, a moment after, by a fearful explosion--warned them not to proceed beyond the outskirts of the town, and here it was that they came upon a large villa, with lilac budding in the garden. By mutual consent, they turned in at the tall iron gate, and entered the half-ruined house.
The part of the house giving on the road had been destroyed by a large shell. Over a gaping hole in the ceiling was a bed, its iron legs weirdly twisted, which threatened to overbalance at any minute and to come hurtling down into the hall beneath. Shattered picture frames still hung on the walls, and on the floor near at hand lay a rosary, the Crucifix crushed by some heedless boot. The furniture lay in heaps, and the front door was lying grotesquely across a broken mirror. Everywhere was wreckage.
The other half of the house was still almost intact. In what had once been the salon they found comfortable chairs and an excellent Pleyel piano, while a copy of the Daily Mirror gave the clue that the room had until recently been occupied by British troops.
David seated himself at the piano and began to play, and Jonathan threw himself in an arm-chair near the window to listen, and to watch the alternate cloud and sunshine outside. It was one of those perfect mornings of April, bright-coloured and windy, and the breeze in the lilacs combined with the notes of the piano until they could hardly be told apart. The rare whirr and explosion of a shell only had the effect of accentuating the intervening peace. Jonathan had never felt so at one with Nature and with his friend, and more than once, stolid and calm though he generally was, he felt a tear in his eye at an extra beautiful little bit of music or the glory of the world outside.
III
Mud and Khaki: Sketches From Flanders and France · The Wunder Library — complete classics, free to read, with narration.