CHAPTER XIII.. Landscapes Seen in Dreams

LANDSCAPES SEEN IN DREAMS

The painter of landscapes seen in dreams must be a memory that knows fantastic woods and faery seas all strange to the waking memory. Or else the artist is only a weariness with the day just past that gives us in sleep sight of the country which, so Mr. Maugham and other story-tellers say, is the real home that men may go their whole lives long without finding, because we are not always born at home, nor even brought up there, and we might for years be homesick for a land unseen. Once beheld, the recognition is instant, and in the foreign place begins a vita nuova--relief and an intensity of living never known before the new and familiar harbor came down to meet us at the shore. So sometimes it is in dreams. Recurrent and vivid, a scene of sheerest unreality will take on an earthly air, or landscapes flamboyantly exotic will hold the peace denied by every country it has been our daily fortune to know.

Dream landscapes come back again and again, as if they waited there forever, substantial, and we were the transient comers. Some, in ether dreams, shrink always from the same green waves, the same black, open mine, and two have now and then been found who saw on sleep journeys places that words repictured curiously alike. The fantasies may be patchwork of poems, plays, and paintings long forgotten, but when they rise in their compelling fusion they owe no debt to the lumber attic of the subconscious. The world they fashion is their own, and they do offer by their ethereal pathway a compensation for the insufficiencies of life.

There is a long, uncurving sea strand whose gray immensity of sands lies smooth for miles along the upper beach, but is feathered near the water by the stroking of little afterwaves, and draped unendingly with umber bands of kelp. Here as in no place seen the seaweed laces are edged with colors ground in unlighted depths, as if the tide cast carvings of lapis lazuli and feldspar up with the argent pebbles, and all the drifting algæ are incrusted with yellow shells. Shoreward the palms climb up until they make a green horizon, and their unnatural fronds sink down again like green chiffon that veils the entrance to the pensive forest. Vines with scented flowers as intangible as fog creep over root and trunk, and among them now and then with soundless foot and molten eye a leopard winds. Perpetual sunset wanes and glows behind the palms. There is never any wind. The violence of the ocean, the beasts, the tempest, is held in languorous leash while the treader of the sands goes on with unfelt steps toward rocks where the waters break importunate and sink moaning back. They hang black above a cave, and waves come in to prowl and snakes with scales like gems twine back and forth, glittering in the half light, with narcotic and effortless motion, until they with the rocks and all the scene fade.

A tiny stream, a pixy's river, slips from beneath a bowlder in a wood long known, and leads through thicket, glade, and clearing to a terrifying land, desolated by ancient fires and strewn with blackened stones and charred boughs. The place itself is athirst, and the dreamer kneels to drink. The tiny stream is dark, like a deep water, and bitter cold as if it flowed through ice. A staff thrust down cannot sound its depths. A finger's span across and bottomless! Nothing could dam its flow. Old embers at its borders are suddenly scattered when a gleaming hand parts the current and waves back toward the way just traced, but the flame-blasted firs have closed behind into a forbidding wall. Other pallid fingers rise from the portal of the abyss in warning gesture, but the narrow gulf opens underfoot.

There is a town where gay people in white dress promenade in a plaza shaded by orange trees, and they are always humming tunes. Little white streets lead to shuttered houses. A glory of buginvillæa overflows trellis and bower in splendid war with the hibiscus hedges and the dropping yellow fruit. Down the hill and over cobblestones, pursued by music and laughter, ministered to by odors of the lemon blossom, he whom sleep leads here may go toward a lake of fluent amethyst. The way is past the market place where brown women crouch by baskets of brilliant wares and venders of glistening lizards sit drowsily bent, and then at a step the forest dense and brooding is above him and its low boughs sweep the ripple of the lake. Immense leaves hang like curtains, and among them men with unquiet eyes move and hold monotoned speech while they hew sparkling rock into monstrous shapes. They are circling round a pit. They cast in ornaments of opal and dark gold and garlands of venomous forest growths, gray and blood-red, tied with withered vines. Cries come from the pit, but the chant never stops.

Marching from a stronghold far up on a mountain of cedars, men in mail come at dusk with standards flickering crimson, fringed with gold, down to a valley full of blossomed iris where there is a wide pool with torches at its rim. Their flare streams out toward the circling cliffs. Each marcher dips his silken flag into the quiet waters, and lights rise upon the battlements above as one by one all the black plumes are lost in the meadow's darkness and the torches burn low and fall into the pool.

A garden planted only with dark-red nasturtiums that lift for the dreamer's touch a flower's velvet cheek lies filmed with dew and fragrant as a noon breath from Ceylon spice groves. The miracle of color is spread along a hillside up to a high wall of great gray stones, and inside the gate is a house grown all over with grapevines, some borne down by blue clusters with shadowy bloom, some by clusters of topaz and ripe green. There is a pond among the grasses, where broad, wan lilies float, and purple pansies border all the walks. Very slowly the paneled door opens and the sun floods the central hall. It is hung with silver draperies, and an old woman stands there with a candle, mumbling and peering in a cataract of light.