Part 18

"Sameness has 'all the difference in the world'--from difference; and difference is an entity as difference--it being identically that. They are alike and different at once, since either is the other when the observer would contrast it with the other; so that the sameness and the difference are 'subjective,' are the property of the observer: his is the 'limit' in their unlimited field. . . .

"We are thus apprized that distinction involves and carries its own identity; and that ultimate distinction--distinction in the last analysis--is self-distinction, 'self-knowledge,' as we realize it consciously every day. Knowledge is self-referred: to know is to know that you know, and to be known as well.

"'Ah! but both in the same time?' inquires the logician. A subject-object knowing itself as a seamless unit, while yet its two items show a real distinction: this passes all understanding."

But the whole of idealism goes to the proof that the two sides cannot succeed one another in a time-process. "To say you know, and you know that you know, is to add nothing in the last clause; it is as idle as to say that you lie, and you know that you lie," for if you know it not you lie not.

Philosophy seeks to grasp totality, "but the power of grasping or consenting to totality involves the power of thought to make itself its own object. Totality itself may indeed be taken by the naive intellect as an immediate topic, in the sense of being just an object, but it cannot be just that; for the knower, as other or opposite, would still be within that totality. The 'universe' by definition must contain all opposition. If distinction should vanish, what would remain? To what other could it change as a whole? How can the loss of distinction make a difference? Any loss, at its utmost, offers a new status with the old, but obviously it is too late now to efface distinction by a change. There is no possible conjecture, but such as carries with it the subjective that holds it; and when the conjecture is of distinction in general, the subjective fills the void with distinction of itself. The ultimate, ineffaceable distinction is self-distinction, self-consciousness. . . . 'Thou art the unanswered question, couldst see thy proper eye.' . . . The thought that must be is the very thought of our experience; the ultimate opposition, the to be and not to be, is personality, spirit--somewhat that is in knowing that it is, and is nothing else but this knowing in its vast relations.

"Here lies the bed-rock; here the brain-sweat of twenty-five centuries crystallizes to a jewel five words long: 'The Universe has No Opposite.' For there the wonder of that which is, rests safe in the perception that all things are only through the opposition which is their only fear."

"The inevitable generally," in short, is exactly and identically that which in point of fact is actually here.

This is the familiar nineteenth-century development of Kant's idealistic vision. To me it sounds monistic enough to charm the monist in me unreservedly. I listen to the felicitously-worded concept-music circling round itself, as on some drowsy summer noon one listens under the pines to the murmuring of leaves and insects, and with as little thought of criticism.

But Mr. Blood strikes a still more vibrant note: "No more can be than rationally is; and this was always true. There is no reason for what is not; but for what there is reason, that is and ever was. Especially is there no becoming of reason, and hence no reason for becoming, to a sufficient intelligence. In the sufficient intelligence all things always are, and are rational. To say there is something yet to be which never was, not even in the sufficient intelligence wherein the world is rational and not a blind and orphan waif, is to ignore all reason. Aught that might be assumed as contingently coming to be could only have 'freedom' for its origin; and 'freedom' has not fertility or invention, and is not a reason for any special thing, but the very vacuity of a ground for anything in preference to its room. Neither is there in bare time any principle or originality where anything should come or go. . . .

"Such idealism enures greatly to the dignity and repose of man. No blind fate, prior to what is, shall necessitate that all first be and afterward be known, but knowledge is first, with fate in her own hands. When we are depressed by the weight and immensity of the immediate, we find in idealism a wondrous consolation. The alien positive, so vast and overwhelming by itself, reduces its pretensions when the whole negative confronts it on our side. It matters little for its greatness when an equal greatness is opposed. When one remembers that the balance and motion of the planets are so delicate that the momentary scowl of an eclipse may fill the heavens with tempest, and even affect the very bowels of the earth--when we see a balloon, that carries perhaps a thousand pounds, leap up a hundred feet at the discharge of a sheet of note paper--or feel it stand deathly still in a hurricane, because it goes with the hurricane, sides with it, and ignores the rushing world below--we should realize that one tittle of pure originality would outweigh this crass objective, and turn these vast masses into mere breath and tissue-paper show."

But whose is the originality? There is nothing in what I am treating as this phase of our author's thought to separate it from the old-fashioned rationalism. There must be a reason for every fact; and so much reason, so fact. The reason is always the whole foil and background and negation of the fact, the whole remainder of reality. "A man may feel good only by feeling better. . . . Pleasure is ever in the company and contrast of pain; for instance, in thirsting and drinking, the pleasure of the one is the exact measure of the pain of the other, and they cease precisely together--otherwise the patient would drink more. The black and yellow gonfalon of Lucifer is indispensable in any spiritual picture." Thus do truth's two components seem to balance, vibrating across the centre of indifference; "being and non-being have equal value and cost," and "mainly are convertible in their terms."

This sounds radically monistic; and monistic also is the first account of the Ether-revelation, in which we read that "thenceforth each is all, in God. . . . The One remains, the many change and pass; and every one of us is the One that remains."

It seems to me that any transcendental idealist who reads this article ought to discern in the fragmentary utterances which I have quoted thus far, the note of what he considers the truer dialectic profundity. He ought to extend the glad hand of fellowship to Mr. Blood; and if he finds him afterwards palavering with the enemy, he ought to count him, not as a simple ignoramus or Philistine, but as a renegade and relapse. He cannot possibly be treated as one who sins because he never has known better, or as one who walks in darkness because he is congenitally blind.

Well, Mr. Blood, explain it as one may, does turn towards the darkness as if he had never seen the light. Just listen for a moment to such irrationalist deliverances on his part as these:--

"Reason is neither the first nor the last word in this world. Reason is an equation; it gives but a pound for a pound. Nature is excess; she is evermore, without cost or explanation.

'Is heaven so poor that justice Metes the bounty of the skies? So poor that every blessing Fills the debit of a cost? That all process is returning? And all gain is of the lost?'

Go back into reason, and you come at last to fact, nothing more--a given-ness, a something to wonder at and yet admit, like your own will. And all these tricks for logicizing originality, self-relation, absolute process, subjective contradiction, will wither in the breath of the mystical tact; they will swirl down the corridors before the besom of the everlasting Yea."

Or again: "The monistic notion of a oneness, a centred wholeness, ultimate purpose, or climacteric result of the world, has wholly given way. Thought evolves no longer a centred whole, a One, but rather a numberless many, adjust it how we will."

Or still again: "The pluralists have talked philosophy to a standstill--Nature is contingent, excessive and mystical essentially."

Have we here contradiction simply, a man converted from one faith to its opposite? Or is it only dialectic circling, like the opposite points on the rim of a revolving disc, one moving up, one down, but replacing one another endlessly, while the whole disc never moves? If it be this latter--Mr. Blood himself uses the image--the dialectic is too pure for me to catch: a deeper man must mediate the monistic with the pluralistic Blood. Let my incapacity be castigated, if my "Subject" ever reads this article, but let me treat him from now onwards as the simply pluralistic mystic which my reading of the rest of him suggests. I confess to some dread of my own fate at his hands. In making so far an ordinary transcendental idealist of him, I have taken liberties, running separate sentences together, inverting their order, and even altering single words, for all which I beg pardon; but in treating my author from now onwards as a pluralist, interpretation is easier, and my hands can be less stained (if they are stained) with exegetic blood.

I have spoken of his verbal felicity, and alluded to his poetry. Before passing to his mystic gospel, I will refresh the reader (doubtless now fatigued with so much dialectic) by a sample of his verse. "The Lion of the Nile" is an allegory of the "champion spirit of the world" in its various incarnations.

Thus it begins:--

"Whelped on the desert sands, and desert bred From dugs whose sustenance was blood alone-- A life translated out of other lives, I grew the king of beasts; the hurricane Leaned like a feather on my royal fell; I took the Hyrcan tiger by the scruff And tore him piecemeal; my hot bowels laughed And my fangs yearned for prey. Earth was my lair: I slept on the red desert without fear: I roamed the jungle depths with less design Than e'en to lord their solitude; on crags That cringe from lightning--black and blasted fronts That crouch beneath the wind-bleared stars, I told My heart's fruition to the universe, And all night long, roaring my fierce defy, I thrilled the wilderness with aspen terrors, And challenged death and life. . . ."

Again:

"Naked I stood upon the raked arena Beneath the pennants of Vespasian, While seried thousands gazed--strangers from Caucasus, Men of the Grecian Isles, and Barbary princes, To see me grapple with the counterpart Of that I had been--the raptorial jaws, The arms that wont to crush with strength alone, The eyes that glared vindictive.--Fallen there, Vast wings upheaved me; from the Alpine peaks Whose avalanches swirl the valley mists And whelm the helpless cottage, to the crown Of Chimborazo, on whose changeless jewels The torrid rays recoil, with ne'er a cloud To swathe their blistered steps, I rested not, But preyed on all that ventured from the earth, An outlaw of the heavens.--But evermore Must death release me to the jungle shades; And there like Samson's grew my locks again In the old walks and ways, till scapeless fate Won me as ever to the haunts of men, Luring my lives with battle and with love." . . .

I quote less than a quarter of the poem, of which the rest is just as good, and I ask: Who of us all handles his English vocabulary better than Mr. Blood?

His proclamations of the mystic insight have a similar verbal power:--

"There is an invariable and reliable condition (or uncondition) ensuing about the instant of recall from anaesthetic stupor to 'coming to,' in which the genius of being is revealed. . . . No words may express the imposing certainty of the patient that he is realizing the primordial Adamic surprise of Life.