Part 5

“Who is strong enough to resist me?” said the Englishman, addressing him. “Do you not know that everything here on earth must obey me, that it is in my power to do everything? I read men’s thoughts, I see the future, and I know the past. I am here, and I can be elsewhere also. Time and space and distance are nothing to me. The whole world is at my beck and call. I have the power of continual enjoyment and of giving joy. I can see through walls, discover hidden treasures, and fill my hands with them. Palaces arise at my nod, and my architect makes no mistakes. I can make all lands break forth into blossom, heap up their gold and precious stones, and surround myself with fair women and ever new faces; everything is yielded up to my will. I could gamble on the Stock Exchange, and my speculations would be infallible; but a man who can find the hoards that misers have hidden in the earth need not trouble himself about stocks. Feel the strength of the hand that grasps you; poor wretch, doomed to shame! Try to bend the arm of iron! try to soften the adamantine heart! Fly from me if you dare! You would hear my voice in the depths of the caves that lie under the Seine; you might hide in the Catacombs, but would you not see me there? My voice could be heard through the sound of thunder, my eyes shine as brightly as the sun, for I am the peer of Lucifer!”

Castanier heard the terrible words, and felt no protest nor contradiction within himself. He walked side by side with the Englishman, and had no power to leave him.

“You are mine; you have just committed a crime. I have found at last the mate whom I have sought. Have you a mind to learn your destiny? Aha! you came here to see a play, and you shall see a play--nay, two. Come. Present me to Mme. de la Garde as one of your best friends. Am I not your last hope of escape?”

Castanier, followed by the stranger, returned to his box; and in accordance with the order he had just received, he hastened to introduce Melmoth to Mme. de la Garde. Aquilina seemed to be not in the least surprised. The Englishman declined to take a seat in front, and Castanier was once more beside his mistress; the man’s slightest wish must be obeyed. The last piece was about to begin, for, at that time, small theatres gave only three pieces. One of the actors had made the Gymnase the fashion, and that evening Perlet (the actor in question) was to play in a vaudeville called Le Comedien d’Etampes, in which he filled four different parts.

When the curtain rose, the stranger stretched out his hand over the crowded house. Castanier’s cry of terror died away, for the walls of his throat seemed glued together as Melmoth pointed to the stage, and the cashier knew that the play had been changed at the Englishman’s desire.

He saw the strong-room at the bank; he saw the Baron de Nucingen in conference with a police-officer from the Prefecture, who was informing him of Castanier’s conduct, explaining that the cashier had absconded with money taken from the safe, giving the history of the forged signature. The information was put in writing; the document signed and duly despatched to the Public Prosecutor.

“Are we in time, do you think?” asked Nucingen.

“Yes,” said the agent of police; “he is at the Gymnase, and has no suspicion of anything.”

Castanier fidgeted on his chair, and made as if he would leave the theatre, but Melmoth’s hand lay on his shoulder, and he was obliged to sit and watch; the hideous power of the man produced an effect like that of nightmare, and he could not move a limb. Nay, the man himself was the nightmare; his presence weighed heavily on his victim like a poisoned atmosphere. When the wretched cashier turned to implore the Englishman’s mercy, he met those blazing eyes that discharged electric currents, which pierced through him and transfixed him like darts of steel.

“What have I done to you?” he said, in his prostrate helplessness, and he breathed hard like a stag at the water’s edge. “What do you want of me?”

“Look!” cried Melmoth.

Castanier looked at the stage. The scene had been changed. The play seemed to be over, and Castanier beheld himself stepping from the carriage with Aquilina; but as he entered the courtyard of the house on the Rue Richer, the scene again was suddenly changed, and he saw his own house. Jenny was chatting by the fire in her mistress’ room with a subaltern officer of a line regiment then stationed at Paris.

“He is going, is he?” said the sergeant, who seemed to belong to a family in easy circumstances; “I can be happy at my ease! I love Aquilina too well to allow her to belong to that old toad! I, myself, am going to marry Mme. de la Garde!” cried the sergeant.

“Old toad!” Castanier murmured piteously.

“Here come the master and mistress; hide yourself! Stay, get in here Monsieur Leon,” said Jenny. “The master won’t stay here for very long.”

Castanier watched the sergeant hide himself among Aquilina’s gowns in her dressing-room. Almost immediately he himself appeared upon the scene, and took leave of his mistress, who made fun of him in “asides” to Jenny, while she uttered the sweetest and tenderest words in his ears. She wept with one side of her face, and laughed with the other. The audience called for an encore.

“Accursed creature!” cried Castanier from his box.

Aquilina was laughing till the tears came into her eyes.

“Goodness!” she cried, “how funny Perlet is as the Englishwoman!... Why don’t you laugh? Every one else in the house is laughing. Laugh, dear!” she said to Castanier.

Melmoth burst out laughing, and the unhappy cashier shuddered. The Englishman’s laughter wrung his heart and tortured his brain; it was as if a surgeon had bored his skull with a red-hot iron.

“Laughing! are they laughing!” stammered Castanier.

He did not see the prim English lady whom Perlet was acting with such ludicrous effect, nor hear the English-French that had filled the house with roars of laughter; instead of all this, he beheld himself hurrying from the Rue Richer, hailing a cab on the Boulevard, bargaining with the man to take him to Versailles. Then once more the scene changed. He recognized the sorry inn at the corner of the Rue de l’Orangerie and the Rue des Recollets, which was kept by his old quartermaster. It was two o’clock in the morning, the most perfect stillness prevailed, no one was there to watch his movements. The post-horses were put into the carriage (it came from a house in the Avenue de Paris in which an Englishman lived, and had been ordered in the foreigner’s name to avoid raising suspicion). Castanier saw that he had his bills and his passports, stepped into the carriage, and set out. But at the barrier he saw two gendarmes lying in wait for the carriage. A cry of horror burst from him but Melmoth gave him a glance, and again the sound died in his throat.

“Keep your eyes on the stage, and be quiet!” said the Englishman.

In another moment Castanier saw himself flung into prison at the Conciergerie; and in the fifth act of the drama, entitled The Cashier, he saw himself, in three months’ time, condemned to twenty years of penal servitude. Again a cry broke from him. He was exposed upon the Place du Palais-de-Justice, and the executioner branded him with a red-hot iron. Then came the last scene of all; among some sixty convicts in the prison yard of the Bicetre, he was awaiting his turn to have the irons riveted on his limbs.

“Dear me! I cannot laugh any more!...” said Aquilina. “You are very solemn, dear boy; what can be the matter? The gentleman has gone.”

“A word with you, Castanier,” said Melmoth when the piece was at an end, and the attendant was fastening Mme. de la Garde’s cloak.

The corridor was crowded, and escape impossible.

“Very well, what is it?”