The Bennett-Pry or quarrel had been a cause célèbre when John Young was night editor of the Philadelphia Press and I was one of its Washington correspondents. Nothing so virulent had ever passed between an editor and a Congressman. In one of his speeches Pryor had actually gone the length of rudely referring to Mrs. James Gordon Bennett.
The dinner was duly given. But it ended John's connection with the Herald and his friendly relations with the owner of the Herald. The incident might be cited as among "The Curiosities of Journalism," if ever a book with that title is written. John's "break" was so bad that I never had the heart to ask him how he could have perpetrated it.
III
The making of an editor is a complex affair. Poets and painters are said to be born. Editors and orators are made. Many essential elements enter into the editorial fabrication; need to be concentrated upon and embodied by a single individual, and even, with these, environment is left to supply the opportunity and give the final touch.
Aptitude, as the first ingredient, goes without saying of every line of human endeavor. We have the authority of the adage for the belief that it is not possible to make a silk purse out of a sow's ear. Yet have I known some unpromising tyros mature into very capable workmen.
The modern newspaper, as we know it, may be fairly said to have been the invention of James Gordon Bennett, the elder. Before him there were journals, not newspapers. When he died he had developed the news scheme in kind, though not in the degree that we see so elaborate and resplendent in New York and other of the leading centers of population. Mr. Bennett had led a vagrant and varied life when he started the Herald. He had been many things by turns, including a writer of verses and stories, but nothing very successful nor very long. At length he struck a central idea--a really great, original idea--the idea of printing the news of the day, comprising the History of Yesterday, fully and fairly, without fear or favor. He was followed by Greeley and Raymond--making a curious and very dissimilar triumvirate--and, at longer range, by Prentice and Forney, by Bowles and Dana, Storey, Medill and Halstead. All were marked men; Greeley a writer and propagandist; Raymond a writer, declaimer and politician; Prentice a wit and partisan; Dana a scholar and an organizer; Bowles a man both of letters and affairs. The others were men of all work, writing and fighting their way to the front, but possessing the "nose for news," using the Bennett formula and rescript as the basis of their serious efforts, and never losing sight of it. Forney had been a printer. Medill and Storey were caught young by the lure of printer's ink. Bowles was born and reared in the office of the Springfield Republican, founded by his father, and Halstead, a cross betwixt a pack horse and a race horse, was broken to harness before he was out of his teens.
Assuming journalism, equally with medicine and law, to be a profession, it is the only profession in which versatility is not a disadvantage. Specialism at the bar, or by the bedside, leads to perfection and attains results. The great doctor is the great surgeon or the great prescriptionist--he cannot be great in both--and the great lawyer is rarely great, if ever, as counselor and orator.
The great editor is by no means the great writer. But he ought to be able to write and must be a judge of writing. The newspaper office is a little kingdom. The great editor needs to know and does know every range of it between the editorial room, the composing room and the pressroom. He must hold well in hand everybody and every function, having risen, as it were, step-by-step from the ground floor to the roof. He should be level-headed, yet impressionable; sympathetic, yet self-possessed; able quickly to sift, detect and discriminate; of various knowledge, experience and interest; the cackle of the adjacent barnyard the noise of the world to his eager mind and pliant ear. Nothing too small for him to tackle, nothing too great, he should keep to the middle of the road and well in rear of the moving columns; loving his art--for such it is--for art's sake; getting his sufficiency, along with its independence, in the public approval and patronage, seeking never anything further for himself. Disinterestedness being the soul of successful journalism, unselfish devotion to every noble purpose in public and private life, he should say to preferment, as to bribers, "get behind me, Satan." Whitelaw Reid, to take a ready and conspicuous example, was a great journalist, but rather early in life he abandoned journalism for office and became a figure in politics and diplomacy so that, as in the case of Franklin, whose example and footsteps in the main he followed, he will be remembered rather as the Ambassador than as the Editor.
More and more must these requirements be fulfilled by the aspiring journalist. As the world passes from the Rule of Force--force of prowess, force of habit, force of convention--to the Rule of Numbers, the daily journal is destined, if it survives as a power, to become the teacher--the very Bible--of the people. The people are already beginning to distinguish between the wholesome and the meretricious in their newspapers. Newspaper owners, likewise, are beginning to realize the value of character. Instances might be cited where the public, discerning some sinister but unseen power behind its press, has slowly yet surely withdrawn its confidence and support. However impersonal it pretends to be, with whatever of mystery it affects to envelop itself, the public insists upon some visible presence. In some States the law requires it. Thus "personal journalism" cannot be escaped, and whether the "one-man power" emanates from the Counting Room or the Editorial Room, as they are called, it must be clear and answerable, responsive to the common weal, and, above all, trustworthy.
John Weiss Forney was among the most conspicuous men of his time. He was likewise one of the handsomest. By nature and training a journalist, he played an active, not to say an equivocal, part in public life-at the outset a Democratic and then a Republican leader.
Born in the little town of Lancaster, it was his mischance to have attached himself early in life to the fortunes of Mr. Buchanan, whom he long served with fidelity and effect. But when Mr. Buchanan came to the Presidency, Forney, who aspired first to a place in the Cabinet, which was denied him, and then to a seat in the Senate, for which he was beaten--through flagrant bribery, as the story ran--was left out in the cold. Thereafter he became something of a political adventurer.
The days of the newspaper "organ" aproached their end. Forney's occupation, like Othello's, was gone, for he was nothing if not an organ grinder. Facile with pen and tongue, he seemed a born courtier--a veritable Dalgetty, whose loyal devotion to his knight-at-arms deserved better recognition than the cold and wary Pennsylvania chieftain was willing to give. It is only fair to say that Forney's character furnished reasonable excuse for this neglect and apparent ingratitude. The row between them, however, was party splitting. As the friend and backer of Douglas, and later along a brilliant journalistic soldier of fortune, Forney did as much as any other man to lay the Democratic party low.
I can speak of him with a certain familiarity and authority, for I was one of his "boys." I admired him greatly and loved him dearly. Most of the young newspaper men about Philadelphia and Washington did so. He was an all-around modern journalist of the first class. Both as a newspaper writer and creator and manager, he stood upon the front line, rating with Bennett and Greeley and Raymond. He first entertained and then cultivated the thirst for office, which proved the undoing of Greeley and Raymond, and it proved his undoing. He had a passion for politics. He would shine in public life. If he could not play first fiddle he would take any other instrument. Thus failing of a Senatorship, he was glad to get the Secretaryship of the Senate, having been Clerk of the House.
He was bound to be in the orchestra. In those days newspaper independence was little known. Mr. Greeley was willing to play bottle-holder to Mr. Seward, Mr. Prentice to Mr. Clay. James Gordon Bennett, the elder, and later his son, James Gordon Bennett, the younger, challenged this kind of servility. The Herald stood at the outset of its career manfully in the face of unspeakable obloquy against it. The public understood it and rose to it. The time came when the elder Bennett was to attain official as well as popular recognition. Mr. Lincoln offered him the French mission and Mr. Bennett declined it. He was rich and famous, and to another it might have seemed a kind of crowning glory. To him it seemed only a coming down--a badge of servitude--a lowering of the flag of independent journalism under which, and under which alone, he had fought all his life.
Charles A. Dana was not far behind the Bennetts in his independence. He well knew what parties and politicians are. The most scholarly and accomplished of American journalists, he made the Sun "shine for all," and, during the years of his active management, a most prosperous property. It happened that whilst I was penny-a-lining in New York I took a piece of space work--not very common in those days--to the Tribune and received a few dollars for it. Ten years later, meeting Mr. Dana at dinner, I recalled the circumstance, and thenceforward we became the best of friends. Twice indeed we had runabouts together in foreign lands. His house in town, and the island home called Dorsoris, which he had made for himself, might not inaptly be described as very shrines of hospitality and art, the master of the house a virtuoso in music and painting no less than in letters. One might meet under his roof the most diverse people, but always interesting and agreeable people. Perhaps at times he carried his aversions a little too far. But he had reasons for them, and a man of robust temperament and habit, it was not in him to sit down under an injury, or fancied injury. I never knew a more efficient journalist. What he did not know about a newspaper, was scarcely worth knowing.
In my day Journalism has made great strides. It has become a recognized profession. Schools of special training are springing up here and there. Several of the universities have each its College of Journalism. The tendency to discredit these, which was general and pronounced at the start, lowers its tone and grows less confident.
Assuredly there is room for special training toward the making of an editor. Too often the newspaper subaltern obtaining promotion through aptitudes peculiarly his own, has failed to acquire even the most rudimentary knowledge of his art. He has been too busy seeking "scoops" and doing "stunts" to concern himself about perspectives, principles, causes and effects, probable impressions and consequences, or even to master the technical details which make such a difference in the preparation of matter intended for publication and popular perusal. The School of Journalism may not be always able to give him the needful instruction. But it can set him in the right direction and better prepare him to think and act for himself.
Chapter the Twenty-Eighth
Bullies and Braggarts--Some Kentucky Illustrations--The Old Galt House--The Throckmortons--A Famous Sugeon--"Old Hell's Delight"
I do not believe that the bully and braggart is more in evidence in Kentucky and Texas than in other Commonwealths of the Union, except that each is by the space writers made the favorite arena of his exploits and adopted as the scene of the comic stories told at his expense. The son-of-a-gun from Bitter Creek, like the "elegant gentleman" from the Dark and Bloody Ground, represents a certain type to be found more or less developed in each and every State of the Union. He is not always a coward. Driven, as it were, to the wall, he will often make good.
He is as a rule in quest of adventures. He enters the village from the countryside and approaches the mêlée. "Is it a free fight?" says he. Assured that it is, "Count me in," says he. Ten minutes later, "Is it still a free fight?" he says, and, again assured in the affirmative, says he, "Count me out."
Once the greatest of bullies provoked old Aaron Pennington, "the strongest man in the world," who struck out from the shoulder and landed his victim in the middle of the street. Here he lay in a helpless heap until they carted him off to the hospital, where for a day or two he flickered between life and death. "Foh God," said Pennington, "I barely teched him."
This same bully threatened that when a certain mountain man came to town he would "finish him." The mountain man came. He was enveloped in an old-fashioned cloak, presumably concealing his armament, and walked about ostentatiously in the proximity of his boastful foeman, who remained as passive as a lamb. When, having failed to provoke a fight, he had taken himself off, an onlooker said: "Bill, I thought you were going to do him up?"
"But," says Bill, "did you see him?"
"Yes, I saw him. What of that?"
"Why," exclaimed the bully, "that man was a walking arsenal."
Aaron Pennington, the strong man just mentioned, was, in his younger days, a river pilot. Billy Hite, a mite of a man, was clerk. They had a disagreement, when Aaron told Billy that if he caught him on "the harrican deck," he would pitch him overboard. The next day Billy appeared whilst Aaron, off duty, was strolling up and down outside the pilot-house, and strolled offensively in his wake. Never a hostile glance or a word from Aaron. At last, tired of dumb show, Billy broke forth with a torrent of imprecation closing with "When are you going to pitch me off the boat, you blankety-blank son-of-a-gun and coward?"
Aaron Pennington was a brave man. He was both fearless and self-possessed. He paused, gazed quizzically at his little tormentor, and says he: "Billy, you got a pistol, and you want to get a pretext to shoot me, and I ain't going to give it to you."
Marse Henry: an Autobiography (volume 2) · The Wunder Library — complete classics, free to read, with narration.