Part 13

He made a curious impression, which can hardly be described, save that any student of human nature would say at once, ‘He is out of relation with the world.’ He had something of the expression one sees in a recluse or a hermit. If you have ever wandered up a mountain side, you may have come suddenly upon a hut, a rude bed within it, and in the door a man reading, or smoking, or gazing into vacancy. You remember the look you met in that man’s eyes. He has tasted life and found it bitter; has sounded the world and found it hollow; has known man or woman and found them false. Friendship to him is without savour, and love without hope.

After watching the children for an hour, the stranger slipped out quietly. Mistress Mary followed him to the door, abashed at her unintentional discourtesy in allowing him to go without a good morning. She saw him stand at the foot of the steps, look first up, then down the street, then walk aimlessly to the corner. There, with hands in pockets, he paused again, glancing four ways; then, with a shrug and a gait that seemed to say, ‘It makes no difference,’ he slouched away.

‘He is simply a stranger in a strange city, pining for his home,’ thought Mary, ‘or else he is a stranger in every city, and has nowhere a home.’

He came again a few days later, and then again, apologising for the frequency of his visits, but giving no special reason for them. The neophytes called him ‘the Solitary,’ but the children christened him after a fashion of their own, and began to ask small favours of him. ‘Thread my needle, please, Mr. Man!’ ‘More beads,’ or ‘More paper, Mr. Man, please.’

It is impossible to keep out of relation with little children. One of these mites of humanity would make a man out of your mountain hermit, resist as he might. They set up a claim on one whether it exists or not, and one has to allow it, and respond to it at least in some perfunctory fashion. More than once, as Mr. Man sat silently near the circle, the chubby Baker baby would fall over his feet, and he would involuntarily stoop to pick her up, straighten her dress, and soothe her woe. There was no hearty pleasure in his service even now. Nobody was certain that he felt any pleasure at all. His helpfulness was not spontaneous; it seemed a kind of reflex action, a survival of some former state of mind or heart; for he did his favours in a dream, nor heard any thanks: yet the elixir was working in his veins.

‘He is dreadfully in the way,’ grumbled Edith; ‘he is more ever-present than my ardent Russian.’

‘So long as he insists on coming, let us make him supply the paternal element,’ suggested Rhoda. ‘It may be a degrading confession, but we could afford to part with several women here if we could only secure a really fatherly man. The Solitary cannot indulge in any day-dreams or trances, if we accept him as the patriarch of the institution.’

Whereupon they boldly asked him, on his subsequent visits, to go upon errands, and open barrels of apples, and order intoxicated gentlemen off the steps, and mend locks and window-fastenings, and sharpen lead-pencils, and put on coal, and tell the lady in the rear that her parrot interfered with their morning prayers by shrieking the hymns in impossible keys. He accepted these tasks without protest, and performed them conscientiously, save in the parrot difficulty, in which case he gave one look at the lady, and fled without opening the subject.

It could not be said that he appeared more cheerful, the sole sign of any increased exhilaration of spirits being the occasional straightening of his cravat and the smoothing of his hair—refinements of toilet that had heretofore been much neglected, though he always looked unmistakably the gentleman.

He seemed more attracted by Lisa than by any of the smaller children; but that may have been because Mary had told him her story, thinking that other people’s stories were a useful sort of thing to tell people who had possible stories of their own.

Lisa was now developing a curious and unexpected facility and talent in the musical games. She played the tambourine, the triangle, the drum, as nobody else could, and in accompanying the marches she invented all sorts of unusual beats and accents. It grew to be the natural thing to give her difficult parts in the little dramas of child life: the cock that crowed in the morn to wake the sleeping birds and babies, the mother-bird in the nest, the spreading willow-tree in the pond where the frogs congregated,—these rôles she delighted in and played with all her soul.

It would have been laughable, had it not been pathetic, to watch her drag Mr. Man into the games, and to see him succumb to her persuasions with his face hanging out flaming signals of embarrassment. In the ‘Carrier Doves’ the little pigeons flew with an imaginary letter to him, and this meant that he was to stand and read it aloud, as Mary and Edith had done before him.

‘It seems to be a letter from a child,’ he faltered, and then began stammeringly, ‘“My dear Mr. Man”’—there was a sudden stop. That there was a letter in his mind nobody could doubt, but he was too greatly moved to read it. Rhoda quickly reached out her hand for the paper, covering his discomfiture by exclaiming, ‘The pigeons have brought Mr. Man a letter from some children in his fatherland! Yes’ (reading), ‘they hope that we will be good to him, because he is far away from home, and they send their love to all Mistress Mary’s children. Wasn’t it pretty of the doves to remember that Mr. Man is a stranger here?’

The Solitary appeared for the last time a week before Thanksgiving Day, and he opened the door on a scene of jollity that warmed him to the heart.

In the middle of the floor was a mimic boat, crowded from stem to stern with little Pilgrim fathers and mothers trying to land on Plymouth Rock, in a high state of excitement and an equally high sea. Pat Higgins was a chieftain commanding a large force of tolerably peaceful Indians on the shore, and Massasoit himself never exhibited more dignity; while Marm Lisa was the proud mother of the baby Oceanus born on the eventful voyage of the Mayflower.

Then Mistress Mary told the story of the festival very simply and sweetly, and all the tiny Pilgrims sang a hymn of thanksgiving. The Solitary listened, with his heart in his eyes and a sob in his throat; then, Heaven knows under the inspiration of what memory, he brushed Edith from the piano-stool, and, seating himself in her place, played as if he were impelled by some irresistible force. The hand of a master had never swept those keys before, and he held his hearers spellbound.

There was a silence that could be felt. The major part of the audience were not of an age to appreciate high art, but the youngsters were awed by the strange spectacle of Mr. Man at the piano, and with gaping mouth and strained ear listened to the divine harmonies he evoked. On and on he played, weaving the story of his past into the music, so it seemed to Mistress Mary. The theme came brokenly and uncertainly at first, as his thoughts strove for expression. Then out of the bitterness and gall, the suffering and the struggle—and was it remorse?—was born a sweet, resolute, triumphant strain that carried the listeners from height to height of sympathy and emotion. It had not a hint of serenity; it was new-born courage, aspiration, and self-mastery the song of ‘him that overcometh.’

When he paused, there was a deep-drawn breath, a sigh from hearts surcharged with feeling, and Lisa, who had drawn closer and closer to the piano, stood there now, one hand leaning on Mr. Man’s shoulder and the tears chasing one another down her cheeks.

‘It hurts me here,’ she sighed, pressing her hand to her heart.

He rose presently and left the room without a word, while the children prepared for home-going with a subdued air of having assisted at some solemn rite.

When Mistress Mary went out on the steps, a little later, he was still there.

‘It is the last time! Auf wiedersehen!’ he said.

‘Auf wiedersehen,’ she answered gently, giving him her hand.

‘Have you no Thanksgiving sermon for me?’ he asked, holding her fingers lingeringly. ‘No child in all your flock needs it so much.’

‘Yes,’ said Mary, her eyes falling, for a moment, beneath his earnest gaze; but suddenly she lifted them again as she said bravely, ‘I have a sermon, but it is one with a trumpet-call, and little balm in it. “Unto whomsoever anything is given, of him something shall be required.”’

When he reached the corner of the street he stopped, but instead of glancing four ways, as usual, he looked back at the porch where Mistress Mary stood. She carried Jenny Baker, a rosy sprig of babyhood, in the lovely curve of her arm; Bobby Baxter clasped her neck from behind in a strangling embrace; Johnny, and Meg, and Billy were tugging at her apron; and Marm Lisa was standing on tiptoe trying to put a rose in her hair. Then the Solitary passed into the crowd, and they saw him in the old places no more.

XIII LEAVES FROM MISTRESS MARY’S GARDEN

‘WE have an unknown benefactor. A fortnight ago came three bushels of flowers: two hundred tiny nosegays marked “For the children,” half a dozen knots of pink roses for the “little mothers,” a dozen scarlet carnations for Lisa, while one great bunch of white lilies bore the inscription, “For the Mother Superior.” Last week a barrel of apples and another of oranges appeared mysteriously, and to-day comes a note, written in a hand we do not recognise, saying we are not to buy holly, mistletoe, evergreens, Christmas tree, or baubles of any kind, as they will be sent to us on December 22. We have inquired of our friends, but have no clue as yet, further than it must be somebody who knows our needs and desires very thoroughly. We have certainly entertained an angel unawares, but which among the crowd of visitors is it most likely to be? The Solitary, I wonder? I should never have thought it, were it not for the memory of that last day, the scene at the piano, the “song of him that overcometh,” and the backward glance from the corner as he sprang, absolutely sprang, on the car. There was purpose in it, or I am greatly mistaken. Mr. Man’s eyes would be worth looking into, if one could find purpose in their brown depths! Moreover, though I am too notorious a dreamer of dreams to be trusted, I cannot help fancying he went back to something; it was not a mere forward move, not a sudden determination to find some new duty to do that life might grow nobler and sweeter, but a return to an old duty grown hateful. That was what I saw in his face as he stood on the crossing, with the noon sunshine caught in his tawny hair and beard. Rhoda, Edith, and I have each made a story about him, and each of us would vouch for the truth of her particular version. I will not tell mine, but this is Rhoda’s; and while it differs from my own in several important particulars, it yet bears an astonishing resemblance to it. It is rather romantic, but if one is to make any sort of story out of the Solitary it must be a romantic one, for he suggests no other.