CHAPTER VI. Porlock and Exmoor

PORLOCK AND EXMOOR

The road now lies in Somerset; we pass Glenthorne, lying five hundred feet below, among its beautiful green woods and stretches of vivid green turf, and separated by some five miles of barren brown moors from the village of Porlock. The road that leads from Exmoor down to Porlock is incredibly steep, the steepest coach-road in England. It twists dangerously in sharp right-angle turns, the surface is loose and stony, worn by the dragging of brakes and the scouring of winter rains, and on a summer afternoon it is so hot, so dusty and glaring, and so steep, that it seems impossible for man or beast to climb. As soon as you are at the top, however, the fresh air of Exmoor fills your lungs and freshens your face, so let nobody be dissuaded from it.

Porlock itself was a port in Saxon times and in the reign of William the Conqueror (I have told elsewhere how not only the Danes, but Saxon Earl Harold, drove his ships into the harbour on a fierce raiding expedition), but it is now an inland village, and between it and the sea lie two miles of flat land of the most wonderful luxuriance. De gustibus indeed, and to me Porlock is one of the most beautiful spots in all England. It lies in a green bay--what was a bay eight centuries ago--between two towering headlands. On three sides of it rise the heights of Exmoor, barren, beautiful, and windswept; before it stretch the lands over which the Danes sailed, running out to a thin strip of marshland, and then a silvery flat beach, and then the tremulous silver curve of the sea, not like the line of wave that breaks at the foot of cliffs, but a true marshland sea, seeming to come from nowhere, infinitely smooth and faint and distant from the level shore to the dim horizon.

There are many kinds of beauty in the world: beauty of hot suns and delicate mists, of sea and shore, mountain and lake and city; there is the beauty of barren moors and of green orchards, and of flat fertile marshlands where streams run amid a luxuriance of tangled growth, kingcups and meadowsweet and loose-strife and forget-me-nots, and feathery willows and rushes where the reed-warblers sing. And at Porlock there is such a gathering up of these different beauties that it is difficult to describe the pleasure that one has in it. I have told you how it is fenced by Exmoor, and lies within sight of Dunkery Beacon, the highest point of the moors; but it is impossible to convey adequately the peculiar beauty of those great smooth dipping curves, the satisfying breadth and harmony of their line, the way the sunlight lies upon them, and the rich deep shadows that slide into their folds. And below, round Porlock, lie the orchards. I came there once in the spring, and as we turned the last angle of the stony road I saw before me such a sweep of blossom, such a foam of cherry and pear, white above the luxuriant grass, and of that delicate flushed rose of the apple-blossom, so exquisite a range of green, the hazy green of willows and the bright clear green of hawthorn, that it seemed impossible it should lie just under those miles on miles of moor where nothing bloomed but furze and heather.

The green fields that stretched away to the sea were just such fields as in the "Romaunt of the Rose" or the poems of the troubadours, fields verdantly green, and starred with daisies and golden with buttercups--the "enamelled meads" of Chaucer and the little illumined pictures of the fourteenth-century manuscripts; and the hedges were just such hedges, incredibly green, with here and there a break for the misty silver of the blackthorn. Wherever flowers could bloom they bloomed, in the gardens, in the hedges, by the roadside, in the crannies of the walls.

Porlock village itself is a quiet, charming spot which, in spite of the temptation of visitors who come here in considerable numbers in the autumn, when stag-hunting on Exmoor is in season, keeps most of its old-world simplicity, and has not much "modernized" itself. It is rambling, calm, and whitewashed; the bank itself is a long, low, cream building with a thatched roof, and a lovely note of colour from a climbing japonica. The Ship Inn also is a pleasant old building, with a dark, cool coffee-room and heavy, timbered roof. "Southey's corner," where he is said to have written his poem, "Porlock, thy verdant vale . . .," on being detained at the Ship by the heavy moorland rain, is by an old open fireplace, and has been cut off from a larger room by thin partitioning walls. It is a pleasant homely place, with its sound of horses from the stable-yard, and the clink of its old pewter pots from the bar, with its low raftered ceiling and brick floor, and the sunlight seen from its open doors.

Porlock Church has a square tower, with a heavy, octagonal, truncated spire, which gives the little church an over-weighted appearance, but very distinctive in this country, of tall Perpendicular towers. It is dedicated to St. Dubricius, who is a Celtic saint of the sixth century, who crowned and anointed Arthur of the Round Table; in the twelfth century he became a very famous saint once more, after having been nearly forgotten for several hundred years. Many miracles were worked at his tomb, and churches were dedicated to him. The present church at Porlock was built about the thirteenth century by Sir Simon Fitz-Roges, who was a crusader, but I am inclined to think that the dedication to St. Dubric belonged to the early simple church (probably a thatched and whitewashed barn) which was there at the time of the Conquest, and which, like the neighbouring churches of St. Culbone and St. Brendon, harks back to Celtic Christianity of pre-Saxon times. The church was altered in the fifteenth century, and the Harington Chantry, which now contains the tomb of Baron Harington and his wife, was added, and the present spire, in place of the old one, which was blown down in a gale. It is a little, quiet, grey English church, set peacefully in its green churchyard, shaded by a huge ancient yew, perhaps as old as itself. In the winter rain and wind beat round its solid grey walls, in spring the daffodils bloom in the churchyard, and on summer days the bees are busy among the clover and daisies over the graves. There are thousands of such small, sober, beautiful churches in England; they are the monument on which a fragment of the history of the race is inscribed; they are the nucleus of the village life; the beginning and the end of its activities have their sanction within its walls; they are rich with the continued service of men's lives, generation from generation taking up the duty and its privilege; they rise above the clustering roofs of the village, tower or spire, as the visible landmark of faith--not of a creed that can change and ebb and flow, but of a faith in the spiritual core that lies at the heart of material life, like the village church among the homes of its village.

We who pass casually, and pause, and step in and look, with a curious and antiquarian eye, for a bit of old brasswork or carved screen, miss the intimate beauty of these churches as much, perhaps, as if we read them in a catalogue: "St. Dubric; 12th cent.; fine marble monument of 15th cent. . . ., and so on." The plainest and simplest holds within its whitewashed walls the beauty of continuous tradition; you must see it in all its aspects of daylight and evening light, summer and winter, the rainy, tumultuous November afternoons and the long, golden, mellow evenings of June, to realize what it offers, of peace and order, tenderness and calm.

Inside Porlock Church, which is light and white and simple, there is a beautiful canopied tomb of the fifteenth century, with the recumbent figures of Baron Harington and his wife Elizabeth Courteny, carved in alabaster. Whoever made these marble figures was an artist; not only is the detail of the dress intricately and beautifully carved, the foliated wreath of his helmet, the elaborate decoration of her girdle, and the curved "horns" of her head-dress rolled either side of her face, but the whole pose and outline of the figures is firm and gracious.

I find that this tomb is quite famous among virtuosi, though I was unaware of it when I came upon the monument in the quiet of a workaday afternoon; but its beauty at once claimed my eye, presenting something so different from the average mediaeval tomb, of interest chiefly for its age. These figures are slightly defaced, the sharp edges worn smooth by time, and scores of initials have been scratched roughly on the surface of his armour or her mantle; but there is a certainty of line, a sharpness, and at the same time a suavity of angle, a way of disposing the head and hands and body, all within the stiff convention of rigid tomb carving, that to any lover of sculpture reveals the sure hand of a master, whether he were a nameless stonemason, working in a secluded village, or a renowned man, invited from far.

Standing by this beautiful tomb I can see the sunlight through the open door, with a black splash across the gold, of the great yews beyond; I hear the crowing of cocks and the voice of children, the creak of a passing cart and the song of birds, all the simple, jolly sounds of that everyday life which is the plain fabric on which all history, of nations and empires and monarchs, is (if you like) the embroidery.

From Porlock to the little port of Porlock Weir is a walk of two miles along a narrow lane between high green hedges. The road leads nowhere else but there and back; it is a kind of enchanted road which goes to an enchanted village, a village at the world's end, beyond the circle of mere reality. Every cottage in Porlock Weir is just such a little cottage as J. M. Barrie's fairies might build, low-browed under a steep thatch, with great tall chimneys, in which are cut just such little windows as would frame a fairy's head, looking out and laughing and nodding at you; whitewashed, half-timbered cottages, grouped together in a jumble of delicious curves and angles, with dusky, deep oak doorways, and stone steps hollowed by the feet that have gone in and out, and long leaded windows, softly yellow with lamplight in the mellow twilight of summer evenings, and gardens--oh, gardens that are small, and walled with stone, and running over with colour and bloom as no other gardens in the world could ever be! Hydrangeas, geranium, larkspur and evening primrose, columbine, forget-me-not, roses--and, indeed, the roses have gone wild with freedom, and threaten to overflow and drown the village, trailing over the wall, running up the tall chimneys, thrusting in at the open windows--nor are there names for all the flowers that bloom here, for all the mellow gold and crimson and blue and yellow and purple that glow in the sunlight, and fade gently into shadows of themselves as night falls. Beyond is the sea, all round the flowering meadows of the marsh, behind the moors; to anyone who has had the fortune to see Porlock Weir on such a day in May as this I recall, when this England of ours seems, to our fancy, to gather up all beauties of colour and sound and scent and sunlight of which the long winter and the chill, reluctant spring have starved us, and offer them all at once in immeasurable bounty, this village will seem to them to have the loveliness of magic.

The beauty of Exmoor is a stranger beauty and more remote than that of these lovely villages. It is the beauty of space, I suppose, and the great open arch of the sky; it is the clouds and cloud shadows, the changing light from dawn to evening through the blazing colourless hours of midsummer noon to the tender light of the falling day, when the land lies in long, suave, misty curves; it is the swirl of mist down its hillsides, and the solemn banking of great heavy rain-clouds, purple and black, above it, that gives it so rich and varied a beauty: for it is like a great open canvas, on which an artist's hand makes wonderful pictures of a myriad changes of sun and shadow. Anyone who has seen Exmoor, as Mr. Widgery has seen and loved and painted it, on a still September night, under the mellow splendour of the harvest moon, high above the infinite shadowy blue of the horizon and the misty moor, has seen a rare loveliness he must travel far to match.

The "forest" of Exmoor is about thirty-five miles in extent from east to west, and twenty from north to south, running from the valley of Crowcombe, near the Quantocks, to Hangman Point, near Combe Martin. It is a stretch of country which makes its appeal to the sportsman, the antiquarian, the artist, and the mere idle, happy walker; it is a little country within a country, having many peculiarities of scenery and structure, plant life and animal life, history and custom, peculiar to itself.

And, firstly, though from Saxon times until 1818 it ranked as a "royal forest," it is not a forest at all. Trees will hardly live on Exmoor, not even the black fir, the hardiest tree of all; only here and there a few twisted and stunted alders planted along the shelter of a wall, and degenerated into "scrub." As soon as you descend from the heights, indeed, the country becomes luxuriantly wooded, as at Glenthorne and Lynton and Horner Woods; but the great expanse of Exmoor is bare brown land, covered with short tussocky grass and grey furze. Why, then, was it called a "forest" in Saxon times? Did "forest" mean also moorland, wild and unarable land? This opinion has been held by many authorities, but there is the contrary one put forward, that Exmoor was at some time a forest, and that all the land from Crowcombe to Combe Martin was clothed with oak and beech. We know, indeed, that in early times, certainly, England was much more densely wooded than now; the rocky foundation on which Exmoor lies is covered with a peaty deposit which is formed of decayed vegetable substance--the myriad leaves, perhaps, of many hundred autumns--and near the Chains, which are a series of dangerous bogs near Dunkery Beacon, stumps and roots of bog-oak have been pulled out of the ground. This last fact does not seem to me in any way conclusive, for Exmoor may have had wooded thickets, without being a forest covering half a county, like the New Forest.

And, if it were, what causes led to its deforestation? The climate of Britain was not, we know, more sheltered and temperate in old days than now, so it seems necessary to suppose human agency to account for so great a change. There is one theory, ingenious but fantastic, which asserts that the whole forest was felled to provide timber props for the mine-workings of Devon and Cornwall. Whether this took place in Celtic times, when the trade with Phoenicia was at its height, or subsequently--in which case it is strange there is no historical record of so remarkable a fact--or whether those prehistoric peoples who built huge camps and erected mighty monoliths were yet capable of so stupendous a feat as felling the timber of sixty thousand acres, and carting it over roadless country, is at least open to question. There is another theory, that the Romans in their struggle to subdue the Britons, who took refuge in these wooded fastnesses, fired the forest, and burned them out, as they are supposed to have done with Hatfield Moor in Yorkshire, which, now a peaty moor, was 12,000 acres of forest land until Ostorius, having slain many Britons, drove the remnant into the forest and destroyed it. An ingenious gentleman, in support of this theory, instances Cow Castle (or Cae Castle), near Simonsbath, which is a large British camp in the centre of Exmoor, and juxtaposes with it Showlsborough Castle, a few miles away, just beyond the limits of Exmoor, which is held to be a Roman camp, and where certainly two Roman swords have been found within recent years, advancing this as proof that a serious campaign between Romans and Britons was fought across Exmoor.

All these are interesting speculations; one hesitates to dismiss a theory because of its apparent unlikeliness, until it has been proved wrong, for in this unrecorded past of ours so many things are possible; nevertheless, it seems to me difficult to believe that the Romans would have or could have burnt forty to sixty thousand acres of woodland--above all, in a climate so humid and a country so well watered as ours.

Exmoor is not generally heather-covered, but its tors and hillsides are clothed with a wiry colourless grass and the hardy, prickly furze. Heather grows abundantly on its boundaries, and above all on the common lands, such as Brendon Common, Lynton, and Parracombe Common, which surround it, and which are distinguished from the moorland proper. Native agriculturists say, I believe, that the heather grows to its finest on land which has been turned up by man's labour--like nettles, which grow so wildly in deserted gardens and ruined villages--and that this common land on the edge of the moor bears evidence of having once been cultivated. With the break-up of the feudal system, certainly, at the beginning of the sixteenth century, much land in England went out of cultivation with the abolition of forced labour, and became pasturage or mere rough common. The people around here say that, if you turn up a strip of land on Exmoor, where nothing grows but grass and furze, and leave it, in a year or so the heather will come. But that heather, unlike nettles, does not grow only where the land has been turned by the plough is proved enough by the heather which grows on steep hillsides, such as the Scotch mountains or Dunkery Beacon, which can never have been brought under cultivation.

To all who live in the West Country, who says Exmoor says "the red deer." This is the last corner in England where the red deer, an ancient and native inhabitant of these islands, lives in his natural state, and where he can be hunted with the freedom, and yet with the traditional pomps and usages, with which our Saxon and Norman nobles hunted him. The hunting passion of the Norman Kings is familiar to us in our history; how William the Conqueror "loved the tall red deer as his father," and how he laid waste hamlets and villages in Hampshire, and the little crops of the toiling villagers, to plant the New Forest for his pleasure in the deer; and how his son William Rufus met his death there, while hunting, by an untraced arrow piercing his eye, and retribution for William's act was made plain to all men. The Saxon Kings, doubtless, hunted with less pomp, but with an equal passion. There was a Saxon palace at Porlock, and also at Dulverton, from which they might hunt on Exmoor, and it may very well be that Alfred the Great came to Porlock for rest and refreshment among the labours of his life, his lawgiving and his translating of Latin books into the Anglo-Saxon tongue for his people's good, and his bitter and incessant struggle with the Danes.

The laws by which the Kings protected their sport were among the most cruel and oppressive ever made in England. They were not, so far as I can find, imposed by the Saxon Kings upon their countrymen, but by the conquering Norman and Plantagenets. Canute, the Danish King, is said first to have made death or mutilation the penalties for poaching; but throughout the Middle Ages the game laws were intricate, rigid, and of incredible cruelty. To cut off a man's thumbs so that he could not hold his tools, to lame him, to hang him, for snaring a hare or shooting a deer in a land abounding with game, while he tilled another man's ground and went hungry on his salt fish and coarse bread, while all around him bred and ran the flesh food his stomach craved, and the King who owned it lived far away, and neither hunted it nor ate it from spring to winter--this seems one of the stupid and anomalous cruelties of which the human race is so amazingly capable. It was a concession, granted by Henry II, for men to be allowed to keep dogs at all, even for the guarding of their homes and their small flocks; but even so the animals had to be brought before some magistrate every three years, and maimed, by cutting off the three claws of the fore-feet, to prevent them from pursuing or seizing game.

There is a description of stag-hunting in Chaucer's "Book of the Duchess," which dates somewhere from the end of the fourteenth century, which is substantially the same, I suppose, as a modern hunt on Exmoor; a few of the terms are different. The stag is "embossed," meaning "hidden in a thicket," and Chaucer says he is "rechased" when he means he is headed back, while the note which the huntsman sounds to recall the hounds when the stag is lost is a "forloyn." But stag-hunting elsewhere than on Exmoor is virtually an archaic imitation of a sport. The beast is carted to the meet, loosed, chased, and when brought to bay is recaptured and carted back to captivity. Here it is a natural affair, and rendered necessary by the depredations which the deer commit on the farmers' crops; it also contains an element of danger to the hunters, and calls for coolness, decision, and endurance: for the pace is killing, the going rough, the hills tremendously steep, there are rocky combes down which the rider has to plunge, streams to ford, bogs which make the going unsafe, if not actually dangerous--and a rider, unfamiliar with Exmoor, who finds himself caught in an October mist had better jog quietly home before worse befall him--and, at the last, the chance of losing the stag, or having him, as happens occasionally, plunge desperately off the rocks into the sea.

The red deer is the most beautiful of all wild creatures in England; seen in his native setting on these high, windy moors, the brown grass and patches of purple heather all round him, the clear brown and white streams of the combes where he waters, the blue shadows of hill behind hill, and the grey billows of mist and cloud the wind sends rolling down the hillsides, he is a noble beast indeed.

Wild-horses also run on Exmoor. Mr. Page, in his "Exploration of Exmoor," advances the theory that they are not native ponies, like those of the New Forest or parts of Scotland, but the descendants of horses which the Phoenicians brought in their galleys when they traded with Cornwall and Devon; for their bones are smaller and lighter than those of our native ponies, and beautifully white and polished like ivory, as are the bones of the Arab horses of the north coast of Africa. This is an entertaining theory, with its romantic conjectures: the picture of the Phoenician oared galleys pulling into Combe Martin or Porlock Bay; the scenes on the beach, with the swarthy, beak-nosed sailors, the Celts, eager for trade and curious to look at any foreigners come from beyond the sea; the heaps of tin and silver, the ivory and gold and Eastern gauds with which the Phoenicians bartered; the plunging, high-spirited little horses, wild with release from the galleys. But though the Phoenicians certainly came, it is very likely the horses did not; for Mr. Snell, another authority on Exmoor, thinks that the ponies are indigenous, like the red deer, and are at least as old as the first human inhabitants of this north-west corner.

They are small creatures, as active as cats, and at Bampton Fair, where many hundreds are driven in for the last Thursday in October, and the narrow streets are packed with them from end to end, there are scenes of great liveliness and disorder. Dulverton, which is the centre of Exmoor, used also to have a fair, which consisted mainly of Exmoor ponies and sheep; but it has passed out of existence by reason of railways and shops, and the greater facility for commercial exchange of our era, and the charming cobbled, whitewashed town--which was quite an important town, remember, when John Ridd's cousin Rachael lived there--now dozes undisturbed among the brown hills.

The sheep of Exmoor are of a horned variety; we all know what excellent mutton they make from its praises in "Lorna Doone," and John Fry's lyrical outburst over the saddle of mutton "six year old, and without a tooth in mun head," and sure to eat as soft as cream. John Fry was referring to the custom among the farmers of not killing their sheep until the teeth begin to go. Their coats are exceedingly thick, and their wool a very valuable asset to the whole county; it was more particularly so in the Middle Ages, when cloth-making was the staple industry of England. There is a woolpack in the coat-of-arms of Minehead, and the most striking feature of the little mediaeval town of Dunster is the yarn-market in the centre of the main street.

Wolves were plentiful on Exmoor at that time, and doubtless did much damage among the sheep; in hard winters, even, they would have come down into the little villages of Simonsbath and Parracombe, but the last of them was killed in the reign of Elizabeth. In her reign, also, wild-pigs could be hunted here, while the existence of such names as Crane Tor, Lynx Tor, Bear Down, is evidence of an even greater variety of game in Saxon times than now. Yet there is abundance still, hares and foxes, badger and otter; the otter, indeed, makes grievous depredations among the salmon that come up the river to spawn, for, like a dingo among sheep, he slays promiscuously what he does not eat. It is, I suppose, a lingering tradition of our old stern game laws that imposes a severe penalty for poaching when a man picks up a salmon which an otter has killed and left.

Birds abound on Exmoor; snipe and woodcock, partridge and black-game, plover and wild-duck. Nothing could more exactly express the loneliness and wildness of this great open country than, when you are walking solitary, to hear the harsh, melancholy cry of the bittern from the reedy, desolate bogs, or in the falling daylight of a cloudy February afternoon to see the plover rise from the tussocks of brown grass at your feet, and go flying and wailing above you, in that broken-winged, broken-hearted way of theirs, or to watch the duck flying home across the sunset, with their strange honk-honk!

For all that I have said about the barrenness of these great moors, Exmoor is the land of sweet waters. The Exe, the Barle, the Quarine, rising near Dunkery Beacon, the Haddes from the Brendon Hills, the Lyn, the Wear Water, the Badgeworthy (up which little John Ridd fished for loach), the Parley Water, the Horner, which runs into Porlock Bay, the East Water, all these beautiful clear, clean streams abound with fish, and have the freshness and the sparkle of this sparkling upland air. Wherever there is a fold in the ground there is running water--though geographically one should put it in the opposite way, that wherever the water runs there is a fold in the ground--and wherever it runs flowers and ferns and trees grow in beautiful abundance. I have already described the luxuriant green of the wooded gorges of the Lyn, the variety of trees and the luxuriance of ferns and mosses; the Horner Woods, near Porlock, have the same green loveliness, though a sharper air blows through them, as they stand nearer the Exmoor heights and less sheltered by steep rocks than those that overshadowed the Lyn, and on a summer afternoon there is a sharp smell of resin from the sun-warmed pines, and the keen air stirs even in the depths of the wood.

And besides these rivers there are numberless little unnamed streams, everywhere the tinkle and chatter of water, breaking over stones, slipping through the peaty earth, falling in a thin spray down the face of the cliffs, spreading out across the white rocks of an encircled cove, incessant movement and change of colour and light, a ceaseless ripple and gleam of reflected water across the lichened trunk of some old tree, sweet and incessant sound.