Finally the war came to an end. London was preparing to give Miss Nightingale a royal welcome, when, lo! she took passage by design on a French steamer, and reached Lea Hurst, Aug. 15, 1856, unbeknown to any one. There was a murmur of disappointment at first, but the people could only honor all the more the woman who wished no blare of trumpets for her humane acts.
Queen Victoria sent for her to visit her at Balmoral, and presented her with a valuable jewel; a ruby-red enamel cross on a white field, encircled by a black band with the words, "Blessed are the merciful." The letters V. R., surmounted by a crown in diamonds, are impressed upon the centre of the cross. Green enamel branches of palm, tipped with gold, form the framework of the shield, while around their stems is a riband of the blue enamel with the single word "Crimea." On the top are three brilliant stars of diamonds. On the back is an inscription written by the Queen. The Sultan sent her a magnificent bracelet, and the government, $250,000, to found the school for nurses at St. Thomas' Hospital.
Since the war, Miss Nightingale has never been in strong health, but she has written several valuable books. Her Hospital Notes, published in 1859, have furnished plans for scores of new hospitals. Her Notes on Nursing, published in 1860, of which over one hundred thousand have been sold, deserve to be in every home. She is the most earnest advocate of sunlight and fresh air.
She says: "An extraordinary fallacy is the dread of night air. What air can we breathe at night but night air? The choice is between pure night air from without, and foul night air from within. Most people prefer the latter,--an unaccountable choice. What will they say if it be proved true that fully one-half of all the disease we suffer from, is occasioned by people sleeping with their windows shut? An open window most nights of the year can never hurt any one. In great cities night air is often the best and purest to be had in the twenty-four hours.
"The five essentials, for healthy houses," she says, are "pure air, pure water, efficient drainage, cleanliness, and light.... I have known whole houses and hospitals smell of the sink. I have met just as strong a stream of sewer air coming up the back staircase of a grand London house, from the sink, as I have ever met at Scutari; and I have seen the rooms in that house all ventilated by the open doors, and the passages all unventilated by the close windows, in order that as much of the sewer air as possible might be conducted into and retained in the bed-rooms. It is wonderful!"
Miss Nightingale has much humor, and she shows it in her writings. She is opposed to dark houses; says they promote scrofula; to old papered walls, and to carpets full of dust. An uninhabited room becomes full of foul air soon, and needs to have the windows opened often. She would keep sick people, or well, forever in the sunlight if possible, for sunlight is the greatest possible purifier of the atmosphere. "In the unsunned sides of narrow streets, there is degeneracy and weakliness of the human race,--mind and body equally degenerating." Of the ruin wrought by bad air, she says: "Oh, the crowded national school, where so many children's epidemics have their origin, what a tale its air-test would tell! We should have parents saying, and saying rightly, 'I will not send my child to that school; the air-test stands at "horrid."' And the dormitories of our great boarding-schools! Scarlet fever would be no more ascribed to contagion, but to its right cause, the air-test standing at 'Foul.' We should hear no longer of 'Mysterious Dispensations' and of 'Plague and Pestilence' being in 'God's hands,' when, so far as we know, He has put them into our own." She urges much rubbing of the body, washing with warm water and soap. "The only way I know to remove dust, is to wipe everything with a damp cloth.... If you must have a carpet, the only safety is to take it up two or three times a year, instead of once.... The best wall now extant is oil paint."
"Nursing is an art; and if it is to be made an art, requires as exclusive a devotion, as hard a preparation, as any painter's or sculptor's work; for what is the having to do with dead canvas or cold marble compared with having to do with the living body, the temple of God's Spirit? Nursing is one of the fine arts; I had almost said, the finest of the fine arts."
Miss Nightingale has also written Observations on the Sanitary State of the Army in India, 1863; Life or Death in India, read before the National Association for the Promotion of Social Science, 1873, with an appendix on Life or Death by Irrigation, 1874.
She is constantly doing deeds of kindness. With a subscription sent recently by her to the Gordon Memorial Fund, she said: "Might but the example of this great and pure hero be made to tell, in that self no longer existed to him, but only God and duty, on the soldiers who have died to save him, and on boys who should live to follow him."
Miss Nightingale has helped to dignify labor and to elevate humanity, and has thus made her name immortal.
Florence Nightingale died August 13, 1910, at 2 P.M., of heart failure, at the age of ninety. She had received many distinguished honors: the freedom of the city of London in 1908, and from King Edward VII, a year previously, a membership in the Order of Merit, given only to a select few men; such as Field Marshal Roberts, Lord Kitchener, Alma Tadema, James Bryce, George Meredith, Lords Kelvin and Lister, and Admiral Togo.
Her funeral was a quiet one, according to her wishes.
LADY BRASSEY.
One of my pleasantest days in England was spent at old Battle Abbey, the scene of the ever-memorable Battle of Hastings, where William of Normandy conquered the Saxon Harold.
The abbey was built by William as a thank-offering for the victory, on the spot where Harold set up his standard. The old gateway is one of the finest in England. Part of the ancient church remains, flowers and ivy growing out of the beautiful gothic arches.
As one stands upon the walls and looks out upon the sea, that great battle comes up before him. The Norman hosts disembark; first come the archers in short tunics, with bows as tall as themselves and quivers full of arrows; then the knights in coats of mail, with long lances and two-edged swords; Duke William steps out last from the ship, and falls foremost on both hands. His men gather about him in alarm, but he says, "See, my lords, I have taken possession of England with both my hands. It is now mine, and what is mine is yours."
Word is sent to Harold to surrender the throne, but he returns answer as haughty as is sent. Brave and noble, he plants his standard, a warrior sparkling with gold and precious stones, and thus addresses his men:--
"The Normans are good knights, and well used to war. If they pierce our ranks, we are lost. Cleave, and do not spare!" Then they build up a breastwork of shields, which no man can pass alive. William of Normandy is ready for action. He in turn addresses his men: "Spare not, and strike hard. There will be booty for all. It will be in vain to ask for peace; the English will not give it. Flight is impossible; at the sea you will find neither ship nor bridge; the English would overtake and annihilate you there. The victory is in our hands."
From nine till three the battle rages. The case becomes desperate. William orders the archers to fire into the air, as they cannot pierce English armor, and arrows fall down like rain upon the Saxons. Harold is pierced in the eye. He is soon overcome and trampled to death by the enemy, dying, it is said, with the words "Holy Cross" upon his lips.
Ten thousand are killed on either side, and the Saxons pass forever under foreign rule. Harold's mother comes and begs the body of her son, and pays for it, some historians say, its weight in gold.
Every foot of ground at Battle Abbey is historic, and all the country round most interesting. We drive over the smoothest of roads to a palace in the distance,--Normanhurst, the home of Lady Brassey, the distinguished author and traveller. Towers are at either corner and in the centre, and ivy climbs over the spacious vestibule to the roof. Great buildings for waterworks, conservatories, and the like, are adjoining, in the midst of flower-gardens and acres of lawn and forest. It is a place fit for the abode of royalty itself.
In no home have I seen so much that is beautiful gathered from all parts of the world. The hall, as you enter, square and hung with crimson velvet, is adorned with valuable paintings. Two easy-chairs before the fireplace are made from ostriches, their backs forming the seats. These birds were gifts to Lady Brassey in her travels. In the rooms beyond are treasures from Japan, the South Sea Islands, South America, indeed from everywhere; cases of pottery, works in marble, Dresden candelabra, ancient armor, furs, silks, all arrayed with exquisite taste.
One room, called the Marie Antoinette room, has the curtains and furniture, in yellow, of this unfortunate queen. Here are pictures by Sir Frederick Leighton, Landseer, and others; stuffed birds and fishes and animals from every clime, with flowers in profusion. In the dining-room, with its gray walls and red furniture, is a large painting of the mistress of this superb home, with her favorite horse and dogs. The views from the windows are beautiful, Battle Abbey ruin in the distance, and rivers flowing to the sea. The house is rich in color, one room being blue, another red, a third yellow, while large mirrors seem to repeat the apartments again and again. As we leave the home, not the least of its attractions come up the grounds,--a load of merry children, all in sailor hats; the Mabelle and Muriel and Marie whom we have learned to know in Lady Brassey's books.
The well-known author is the daughter of the late Mr. John Alnutt of Berkley Square, London, who, as well as his father, was a patron of art, having made large collections of paintings. Reared in wealth and culture, it was but natural that the daughter, Annie, should find in the wealthy and cultured Sir Thomas Brassey a man worthy of her affections. In 1860, while both were quite young, they were married, and together they have travelled, written books, aided working men and women, and made for themselves a noble and lasting fame.
Sir Thomas is the eldest son of the late Mr. Brassey, "the leviathan contractor, the employer of untold thousands of navvies, the genie of the spade and pick, and almost the pioneer of railway builders, not only in his own country, but from one end of the continent to the other." Of superior education, having been at Rugby and University College, Oxford, Sir Thomas was called to the bar at Lincoln's Inn in 1864, and was elected to Parliament from Devonport the following year, and from Hastings three years later, in 1868, which position he has filled ever since.
Exceedingly fond of the sea, he determined to be a practical sailor, and qualified himself as a master-marine, by passing the requisite Board of Trade examination, and receiving a certificate as a seaman and navigator. In 1869 he was made Honorary Lieutenant in the Royal Naval Reserve.
Besides his parliamentary work, he has been an able and voluminous writer. His Foreign Work and English Wages I purchased in England, and have found it valuable in facts and helpful in spirit. The statement in the preface that he "has had under consideration the expediency of retiring from Parliament, with the view of devoting an undivided attention to the elucidation of industrial problems, and the improvement of the relations between capital and labor," shows the heart of the man. In 1880 he was made Civil Lord of the Admiralty, and in 1881 was created by the Queen a Knight Commander of the Order of the Bath, for his important services in connection with the organization of the Naval Reserve forces of the country.
In 1869, after Sir Thomas and Lady Brassey had been nine years married, they determined to take a sea-voyage in his yacht, and between this time and 1872 they made two cruises in the Mediterranean and the East. From her childhood the wife had kept a journal, and from fine powers of observation and much general knowledge was well fitted to see whatever was to be seen, and describe it graphically. She wrote long, journal-like letters to her father, and on her return The Flight of the Meteor was prepared for distribution among relatives and intimate friends.
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