Part 25

"As a filial daughter, Elizabeth told her father of the poet's love, and of the poet's love in return, and asked a parent's blessing to crown their happiness. At first he was incredulous of the strange story; but when the truth flashed on him from the new fire in her eyes, he kindled with rage, and forbade her ever seeing or communicating with her lover again, on the penalty of disinheritance and banishment forever from a father's love. This decision was founded on no dislike for Mr. Browning personally, or anything in him or his family; it was simply arbitrary. But the new love was stronger than the old in her,--it conquered." Mr. Barrett never forgave his daughter, and died unreconciled, which to her was a great grief.

In 1846, Elizabeth Barrett arose from her sick-bed to marry the man of her choice, who took her at once to Italy, where she spent fifteen happy years. At once, love seemed to infuse new life into the delicate body and renew the saddened heart. She was thirty-seven. She had wisely waited till she found a person of congenial tastes and kindred pursuits. Had she married earlier, it is possible that the cares of life might have deprived the world of some of her noblest works.

The marriage was an ideal one. Both had a grand purpose in life. Neither individual was merged in the other. George S. Hillard, in his Six Months in Italy, when he visited the Brownings the year after their marriage, says, "A happier home and a more perfect union than theirs it is not easy to imagine; and this completeness arises not only from the rare qualities which each possesses, but from their perfect adaptation to each other.... Nor is she more remarkable for genius and learning, than for sweetness of temper and purity of spirit. It is a privilege to know such beings singly and separately, but to see their powers quickened, and their happiness rounded, by the sacred tie of marriage, is a cause for peculiar and lasting gratitude. A union so complete as theirs--in which the mind has nothing to crave nor the heart to sigh for--is cordial to behold and soothing to remember."

"Mr. Browning," says one who knew him well, "did not fear to speak of his wife's genius, which he did almost with awe, losing himself so entirely in her glory that one could see that he did not feel worthy to unloose her shoe-latchet, much less to call her his own."

When mothers teach their daughters to cultivate their minds as did Mrs. Browning, as well as to emulate her sweetness of temper, then will men venerate women for both mental and moral power. A love that has reverence for its foundation knows no change.

"Mrs. Browning's conversation was most interesting. She never made an insignificant remark. All that she said was always worth hearing; a greater compliment could not be paid her. She was a most conscientious listener, giving you her mind and heart, as well as her magnetic eyes. Persons were never her theme, unless public characters were under discussion, or friends were to be praised. One never dreamed of frivolities in Mrs. Browning's presence, and gossip felt itself out of place. Yourself, not herself, was always a pleasant subject to her, calling out all her best sympathies in joy, and yet more in sorrow. Books and humanity, great deeds, and above all, politics, which include all the grand questions of the day, were foremost in her thoughts, and therefore oftenest on her lips. I speak not of religion, for with her everything was religion.

"Thoughtful in the smallest things for others, she seemed to give little thought to herself. The first to see merit, she was the last to censure faults, and gave the praise that she felt with a generous hand. No one so heartily rejoiced at the success of others, no one was so modest in her own triumphs. She loved all who offered her affection, and would solace and advise with any. Mrs. Browning belonged to no particular country; the world was inscribed upon the banner under which she fought. Wrong was her enemy; against this she wrestled, in whatever part of the globe it was to be found."

Three years after her marriage her only son was born. The Italians ever after called her "the mother of the beautiful child." And now some of her ablest and strongest work was done. Her Casa Guidi Windows appeared in 1851. It is the story of the struggle for Italian liberty. In the same volume were published the Portuguese Sonnets, really her own love-life. It would be difficult to find any thing more beautiful than these.

"First time he kissed me he but only kissed The fingers of this hand wherewith I write, And ever since, it grew more clean and white, Slow to world-greetings, quick with its 'Oh, list,' When the angels speak. A ring of amethyst I could not wear here, plainer to my sight, Than that first kiss. The second passed in height The first, and sought the forehead, and half-missed Half falling on the hair. O beyond meed! That was the chrism of love, which love's own crown With sanctifying sweetness, did precede. The third upon my lips was folded down In perfect, purple state; since when, indeed, I have been proud and said, 'My love, my own!'

* * * * *

How do I love thee? Let me count the ways, I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of being and ideal Grace. I love thee to the level of every day's Most quiet need, by sun and candle light. I love thee freely, as men strive for Right, I love thee purely, as they turn from Praise. I love thee with the passion put to use In my old griefs, and with my childhood's faith. I love thee with a love I seemed to lose With my lost saints--I love thee with the breath, Smiles, tears of all my life!--and, if God choose, I shall but love thee better after death."

Mrs. Browning's next great poem, in 1856, was Aurora Leigh, a novel in blank verse, "the most mature," she says in the preface, "of my works, and the one into which my highest convictions upon Life and Art have entered." Walter Savage Landor said of it: "In many pages there is the wild imagination of Shakespeare. I had no idea that any one in this age was capable of such poetry."

For fifteen years this happy wedded life, with its work of brain and hand, had been lived, and now the bond was to be severed. In June, 1861, Mrs. Browning took a severe cold, and was ill for nearly a week. No one thought of danger, though Mr. Browning would not leave her bedside. On the night of June 29, toward morning she seemed to be in a sort of ecstasy. She told her husband of her love for him, gave him her blessing, and raised herself to die in his arms. "It is beautiful," were her last words as she caught a glimpse of some heavenly vision. On the evening of July 1, she was buried in the English cemetery, in the midst of sobbing friends, for who could carry out that request?--

"And friends, dear friends, when it shall be That this low breath is gone from me, And round my bier ye come to weep, Let one most loving of you all Say, 'Not a tear must o'er her fall,-- He giveth his beloved sleep!'"

The Italians, who loved her, placed on the doorway of Casa Guidi a white marble tablet, with the words:--

"_Here wrote and died E.B. Browning, who, in the heart of a woman, united the science of a sage and the spirit of a poet, and made with her verse a golden ring binding Italy and England.

"Grateful Florence placed this memorial, 1861_."

For twenty-five years Robert Browning and his artist-son have done their work, blessed with the memory of her whom Mr. Stedman calls "the most inspired woman, so far as known, of all who have composed in ancient or modern tongues, or flourished in any land or time."

GEORGE ELIOT.

Going to the Exposition at New Orleans, I took for reading on the journey, the life of George Eliot, by her husband, Mr. J.W. Cross, written with great delicacy and beauty. An accident delayed us, so that for three days I enjoyed this insight into a wonderful life. I copied the amazing list of books she had read, and transferred to my note-book many of her beautiful thoughts. To-day I have been reading the book again; a clear, vivid picture of a very great woman, whose works, says the Spectator, "are the best specimens of powerful, simple English, since Shakespeare."

What made her a superior woman? Not wealthy parentage; not congenial surroundings. She had a generous, sympathetic heart for a foundation, and on this she built a scholarship that even few men can equal. She loved science, and philosophy, and language, and mathematics, and grew broad enough to discuss great questions and think great thoughts. And yet she was affectionate, tender, and gentle.

Mary Ann Evans was born Nov. 22, 1819, at Arbury Farm, a mile from Griff, in Warwickshire, England. When four months old the family moved to Griff, where the girl lived till she was twenty-one, in a two-story, old-fashioned, red brick house, the walls covered with ivy. Two Norway firs and an old yew-tree shaded the lawn. The father, Robert Evans, a man of intelligence and good sense, was bred a builder and carpenter, afterward becoming a land-agent for one of the large estates. The mother was a woman of sterling character, practical and capable.

For the three children, Christiana, Isaac, and Mary Ann, there was little variety in the commonplace life at Griff. Twice a day the coach from Birmingham to Stamford passed by the house, and the coachman and guard in scarlet were a great diversion. She thus describes, the locality in Felix Holt: "Here were powerful men walking queerly, with knees bent outward from squatting in the mine, going home to throw themselves down in their blackened flannel, and sleep through the daylight, then rise and spend much of their high wages at the alehouse with their fellows of the Benefit Club; here the pale, eager faces of handloom weavers, men and women, haggard from sitting up late at night to finish the week's work, hardly begun till the Wednesday. Everywhere the cottages and the small children were dirty, for the languid mothers gave their strength to the loom."

Mary Ann was an affectionate, sensitive child, fond of out-door sports, imitating everything she saw her brother do, and early in life feeling in her heart that she was to be "somebody." When but four years old, she would seat herself at the piano and play, though she did not know one note from another, that the servant might see that she was a distinguished person! Her life was a happy one, as is shown in her Brother and Sister Sonnet:--

"But were another childhood's world my share, I would be born a little sister there."

At five, the mother being in poor health, the child was sent to a boarding-school with her sister, Chrissy, where she remained three or four years. The older scholars petted her, calling her "little mamma." At eight she went to a larger school, at Nuneaton, where one of the teachers, Miss Lewis, became her life-long friend. The child had the greatest fondness for reading, her first book, a Linnet's Life, being tenderly cared for all her days. Aesop's Fables were read and re-read. At this time a neighbor had loaned one of the Waverley novels to the older sister, who returned it before Mary Ann had finished it. Distressed at this break in the story, she began to write out as nearly as she could remember, the whole volume for herself. Her amazed family re-borrowed the book, and the child was happy. The mother sometimes protested against the use of so many candles for night reading, and rightly feared that her eyes would be spoiled.

At the next school, at Coventry, Mary Ann so surpassed her comrades that they stood in awe of her, but managed to overcome this when a basket of dainties came in from the country home. In 1836 the excellent mother died. Mary Ann wrote to a friend in after life, "I began at sixteen to be acquainted with the unspeakable grief of a last parting, in the death of my mother." In the following spring Chrissy was married, and after a good cry with her brother over this breaking up of the home circle, Mary Ann took upon herself the household duties, and became the care-taker instead of the school-girl. Although so young she took a leading part in the benevolent work of the neighborhood.

Her love for books increased. She engaged a well-known teacher to come from Coventry and give her lessons in French, German, and Italian, while another helped her in music, of which she was passionately fond. Later, she studied Greek, Latin, Spanish, and Hebrew. Shut up in the farm-house, hungering for knowledge, she applied herself with a persistency and earnestness that by-and-by were to bear their legitimate fruit. That she felt the privation of a collegiate course is undoubted. She says in Daniel Deronda: "You may try, but you can never imagine what it is to have a man's force of genius in you, and yet to suffer the slavery of being a girl."