Part 15

But sensational stories did not bring much fame, and the conscientious Louisa tired of them. A novel, Moods, written at eighteen, shared nearly the same fate as Flower Fables. Some critics praised, some condemned, but the great world was indifferent. After this, she offered a story to Mr. James T. Fields, at that time editor of the Atlantic Monthly, but it was declined, with the kindly advice that she stick to her teaching. But Louisa Alcott had a strong will and a brave heart, and would not be overcome by obstacles.

The Civil War had begun, and the school-teacher's heart was deeply moved. She was now thirty, having had such experience as makes us very tender toward suffering. The perfume of natures does not usually come forth without bruising. She determined to go to Washington and offer herself as a nurse at the hospital for soldiers. After much official red tape, she found herself in the midst of scores of maimed and dying, just brought from the defeat at Fredericksburg. She says: "Round the great stove was gathered the dreariest group I ever saw,--ragged, gaunt, and pale, mud to the knees, with bloody bandages untouched since put on days before; many bundled up in blankets, coats being lost or useless, and all wearing that disheartened look which proclaimed defeat more plainly than any telegram, of the Burnside blunder. I pitied them so much, I dared not speak to them. I yearned to serve the dreariest of them all.

"Presently there came an order, 'Tell them to take off socks, coats, and shirts; scrub them well, put on clean shirts, and the attendants will finish them off, and lay them in bed.'

"I chanced to light on a withered old Irishman," she says, "wounded in the head, which caused that portion of his frame to be tastefully laid out like a garden, the bandages being the walks, and his hair the shrubbery. He was so overpowered by the honor of having a lady wash him, as he expressed it, that he did nothing but roll up his eyes and bless me, in an irresistible style which was too much for my sense of the ludicrous, so we laughed together; and when I knelt down to take off his shoes, he wouldn't hear of my touching 'them dirty craters.' Some of them took the performance like sleepy children, leaning their tired heads against me as I worked; others looked grimly scandalized, and several of the roughest colored like bashful girls."

When food was brought, she fed one of the badly wounded men, and offered the same help to his neighbor. "Thank you, ma'am," he said, "I don't think I'll ever eat again, for I'm shot in the stomach. But I'd like a drink of water, if you ain't too busy."

"I rushed away," she says; "but the water pails were gone to be refilled, and it was some time before they reappeared. I did not forget my patient, meanwhile, and, with the first mugful, hurried back to him. He seemed asleep; but something in the tired white face caused me to listen at his lips for a breath. None came. I touched his forehead; it was cold; and then I knew that, while he waited, a better nurse than I had given him a cooler draught, and healed him with a touch. I laid the sheet over the quiet sleeper, whom no noise could now disturb; and, half an hour later, the bed was empty."

With cheerful face and warm heart she went among the soldiers, now writing letters, now washing faces, and now singing lullabies. One day a tall, manly fellow was brought in. He seldom spoke, and uttered no complaint. After a little, when his wounds were being dressed, Miss Alcott observed the big tears roll down his cheeks and drop on the floor.

She says: "My heart opened wide and took him in, as, gathering the bent head in my arms, as freely as if he had been a child, I said, 'Let me help you bear it, John!' Never on any human countenance have I seen so swift and beautiful a look of gratitude, surprise, and comfort as that which answered me more eloquently than the whispered--

"'Thank you, ma'am; this is right good! this is what I wanted.'

"'Then why not ask for it before?'

"'I didn't like to be a trouble, you seemed so busy, and I could manage to get on alone.'"

The doctors had told Miss Alcott that John must die, and she must take the message to him; but she had not the heart to do it. One evening he asked her to write a letter for him. "Shall it be addressed to wife or mother, John?"

"Neither, ma'am; I've got no wife, and will write to mother myself when I get better. Mother's a widow; I'm the oldest child she has, and it wouldn't do for me to marry until Lizzy has a home of her own, and Jack's learned his trade; for we're not rich, and I must be father to the children and husband to the dear old woman, if I can."

"No doubt you are both, John; yet how came you to go to war, if you felt so?"

"I went because I couldn't help it. I didn't want the glory or the pay; I wanted the right thing done, and people kept saying the men who were in earnest ought to fight. I was in earnest, the Lord knows! but I held off as long as I could, not knowing which was my duty. Mother saw the case, gave me her ring to keep me steady, and said 'Go'; so I went."

"Do you ever regret that you came, when you lie here suffering so much?"

"Never, ma'am; I haven't helped a great deal, but I've shown I was willing to give my life, and perhaps I've got to.... This is my first battle; do they think it's going to be my last?"

"I'm afraid they do, John."

He seemed startled at first, but desired Miss Alcott to write the letter to Jack, because he could best tell the sad news to the mother. With a sigh, John said, "I hope the answer will come in time for me to see it."

Two days later Miss Alcott was sent for. John stretched out both hands as he said, "I knew you'd come. I guess I'm moving on, ma'am." Then clasping her hand so close that the death marks remained long upon it, he slept the final sleep. An hour later John's letter came, and putting it in his hand, Miss Alcott kissed the dead brow of the Virginia blacksmith, for his aged mother's sake, and buried him in the government lot.

The noble teacher after a while became ill from overwork, and was obliged to return home, soon writing her book, Hospital Sketches, published in 1865. This year, needing rest and change, she went to Europe as companion to an invalid lady, spending a year in Germany, Switzerland, Paris, and London. In the latter city she met Jean Ingelow, Frances Power Cobbe, John Stuart Mill, George Lewes, and others, who had known of the brilliant Concord coterie. Such persons did not ask if Miss Alcott were rich, nor did they care.

In 1868 her father took several of her more recent stories to Roberts Brothers to see about their publication in book form. Mr. Thomas Niles, a member of the firm, a man of refinement and good judgment, said: "We do not care just now for volumes of collected stories. Will not your daughter write us a new book consisting of a single story for girls?"

Miss Alcott feared she could not do it, and set herself to write Little Women, to show the publishers that she could not write a story for girls. But she did not succeed in convincing them or the world of her inability. In two months the first part was finished, and published October, 1868. It was a natural, graphic story of her three sisters and herself in that simple Concord home. How we, who are grown-up children, read with interest about the "Lawrence boy," especially if we had boys of our own, and sympathized with the little girl who wrote Miss Alcott, "I have cried quarts over Beth's sickness. If you don't have her marry Laurie in the second part, I shall never forgive you, and none of the girls in our school will ever read any more of your books. Do! do! have her, please."

The second part appeared in April, 1869, and Miss Alcott found herself famous. The "pile of blotted manuscript" had "placed the name of March upon the roll of fame." Some of us could not be reconciled to dear Jo's marriage with the German professor, and their school at Plumfield, when Laurie loved her so tenderly. "We cried over Beth, and felt how strangely like most young housekeepers was Meg. How the tired teacher, and tender-hearted nurse for the soldiers must have rejoiced at her success! "This year," she wrote her publishers, "after toiling so many years along the uphill road, always a hard one to women writers, it is peculiarly grateful to me to find the way growing easier at last, with pleasant little surprises blossoming on either side, and the rough places made smooth."

When Little Men was announced, fifty thousand copies were ordered in advance of its publication! About this time Miss Alcott visited Rome with her artist sister May, the "Amy" of Little Women, and on her return, wrote Shawl-straps, a bright sketch of their journey, followed by an Old-Fashioned Girl; that charming book Under the Lilacs, where your heart goes out to Ben and his dog Sancho; six volumes of Aunt Jo's Scrap-bag; Jack and Jill; and others. From these books Miss Alcott has already received about one hundred thousand dollars.

She has ever been the most devoted of daughters. Till the mother went out of life, in 1877, she provided for her every want. May, the gifted youngest sister, who was married in Paris in 1878 to Ernst Nieriker, died a year and a half later, leaving her infant daughter, Louisa May Nieriker, to Miss Alcott's loving care. The father, who became paralyzed in 1882, now eighty-six years old, has had her constant ministries. How proud he has been of his Louisa! I heard him say, years ago, "I am riding in her golden chariot."

Miss Alcott now divides her time between Boston and Concord. "The Orchards," the Alcott home for twenty-five years, set in its frame of grand trees, its walls and doors daintily covered with May Alcott's sketches, has become the home of the "Summer School of Philosophy," and Miss Alcott and her father live in the house where Thoreau died.

Most of her stories have been written in Boston, where she finds more inspiration than at Concord. "She never had a study," says Mrs. Moulton; "any corner will answer to write in. She is not particular as to pens and paper, and an old atlas on her knee is all the desk she cares for. She has the wonderful power to carry a dozen plots in her head at a time, thinking them over whenever she is in the mood. Often in the dead waste and middle of the night she lies awake and plans whole chapters. In her hardest working days she used to write fourteen hours in the twenty-four, sitting steadily at her work, and scarcely tasting food till her daily task was done. When she has a story to write, she goes to Boston, hires a quiet room, and shuts herself up in it. In a month or so the book will be done, and its author comes out 'tired, hungry, and cross,' and ready to go back to Concord and vegetate for a time."