Part 11

Now, on the very night when Matteo was fuddled, Ippolita in tears, Alessandro in a fever, and the more reputable Padovani turning down their beds, the watch came rattling at the Sub-Prefect's door to report a dead Jew in the Via della Gatta. Of all nights in the year, this, the eve of the Glorious Ippolita's home-bringing, to be vexed by a dead Jew! Messer Alessandro was exceedingly annoyed.

"Take your accursed Jew," he said to the lieutenant, "and stuff him underground. I am busy, I am absorbed in work. When I have leisure I will attend to him. You can dig him up again. And I take this opportunity to tell you, Lieutenant, that your visit is most inopportune. For six months you have brought me nothing of the sort, and to-night, for example, you plump a Jew on my doorstep. Bury your beastly Jew and leave me in peace."

"But, Excellency," stammered the Lieutenant, "your Excellency will see that I have no control over the assassins of Padua. This Jew has not died happily. There is a great hole under his ribs. He is scarcely cold yet."

"That is soon remedied," said Alessandro; "put him in the ground."

"But, Excellency, a murdered Jew, a Jew in holes--"

"The Jews have been damned from the beginning of our dispensation," cried the Sub-Prefect in a rage. "Well, I add my malediction. I say, Damn your Jew!" And he shut the door in the face of the watch.

The Lieutenant was hungry. If his chief could damn the Jews, so could he.

"Corporal," says he, "I am going to supper. Do what you like with the Jew, so long as you put him decently away when you have finished. Good night."

The Corporal conferred with his men. Here was the Jew--what should they do with him? One of the archers suggested a source of profit. He might be shown in the wine-shops at a quattrino a head. Agreed. Off they set.

They showed him at the Codalunga--there were some low-browed hovels there, as was usual about the gates: the Jew did well. Thence they skirted the walls by the Riviera Santa Sofia, tried him at the outer gate of the Carmine, worked their way from tavern to tavern, till they came to the Vicolo Agnus Dei. It was a thousand pities Matteo was drunk in his bed; he had quattrini enough and would not have missed the treat for the world. Ippolita, whimpering in hers, wondered what the buzzing and sliding of shoes in the street below could be about. She had troubles of her own, poor girl, but she could not stand this. Up she got: a single glance out of window was enough. She shuffled on a shift and a petticoat, snatched a shawl, and tiptoed out. Annina, her bosom friend, had no troubles. She was half undressed, but she too slipped a shawl over her head and went peering into the alley. There she met Ippolita, and joined hands. Flaring torches, a swarm of eager black heads, whispers, grunting, the archers' plumed helmets--"Madonna! What's all this?" cried the two girls together in a stew of curiosity. A dead Jew? A murdered Jew? O Gesu! They borrowed a quattrino apiece from a neighbour and were richly rewarded. Ah, the blood, the staring, his grey old fingers! There was a something, if you like, to talk about at the house door; and a something to dream of, per Bacco! I believe the Jew engulfed all her annoyances of the past and all her fret over the immediate future.

When they had done with him, came the question of his interment. It was the small hours, very near the time to relieve guard. The Jew's hosts found themselves out by the Porta Santa Croce--an empty quarter of the town, abounding in gardens.

"Over the wall with him," said the Corporal; "we'll plant him here." It was done. The Jew, who, by the look of him, had earned more money an hour after death than in all the years of his life, was put a foot and a half underground among the pumpkins in a garden of the Via di Vanzo. Padua went to sleep.

IPPOLITA LIFTS UP HER EYES TO THE HILLS

Waking from a late troubled sleep, Ippolita found her little room possessed by three noble ladies--Emilia Malaspina, Euforbia di Ponterotto, and Domenica di Campodarsego--dressed all in saffron and white (her sacred colours, they told her), who announced themselves, with much kneeling and folding of arms over breasts, as her handmaids. "Sagro cuor di Gesu!" thought poor Ippolita, "what a way to undo me!" But aloud she only murmured, "Tante grazie, gentildonne," and got out of bed.

They had prepared for her a scented bath, into which, in her dazed condition, she entered without overmuch persuasion. True, she thought to find her death in so much water, and crossed herself vehemently when first it touched her back; but there might be worse deaths (she supposed) than drowning for a poor girl bought and sold, and not so very long ago a Jew had been baptized in Santa Giustina in water up to his neck. Nothing, however, would induce her to sit down. They dressed her then in silk, tied and garlanded her hair, put a gold chain round her neck, silken shoes on her feet--talking in quick whispers to each other all the time; and so announced with curtsies that she might enter the litter as soon as she would. She was at the disposition of these ladies, was her faltered reply. Emilia waved her hand out of the little window; chords of music sounded from the street; the voices of men and ladies rose upon a madrigal--

"Fior' di Maggio--Soave, pio e saggio--Salve, Ippolita!"--the work of Alessandro's muse upon that night of discord from the Jew. So she went downstairs.

The Vicolo Agnus Dei--a blind alley of low jutting houses over arcades, full of squalor, pink wash, children, and cats--was on this early morning ablaze with colour and music. From wall to wall (and eight feet will measure that) it seemed packed with the nobility. Tousled heads from above looked down curiously on heads elaborately frizzed, on scarlet caps, on plumes, on garlands, on jewelled necks. Poverty and riches touch at their extremes, like houses in the South. The shoulders of the ladies at play were no barer than those of the slatterns who gaped at them playing; but for Ippolita, who had always been a decent girl, let us hope her blushes were a cloak. She felt naked. And the bath, remember, had unnerved her.

What these neighbours of hers may have thought is no concern of ours, since the actors in the play took no concern in it. Twenty pieces of silver had bought an incomparable peg for their conceits. They were rescuing, they said to each other, a lily from the gutter, taking a jewel from a dirty finger, glorifying the glories--a pious act which could not fail of returning honour to those who took honour in doing it. The people! Sacks to be filled with garlic and black wine, liver and blood-puddings--grunting hogs, let them keep their sty. Let them not dare (and in truth it never occurred to them to dare) interfere with the diversions of the great. Yet as the veiled sacrifice went to mount the litter, one brown-eyed rascal from an upper window, holding a towel over her neck, shrilled out in homely patois, "A vederti, 'Polita mia!" and Ippolita turned her lovely head and showed for a moment her shining wet eyes to those who watched. She smiled tenderly at the send-off, but "Addio, Annina, addio!" she said softly, and turned bowing to her bowing gaolers.

As the swaying litter of gold and white went out into the Pozzo Depinto and turned up towards the Pontecorbo Gate; as the music and chanting--"Candida Ippolita, premio d'Amore! Grazia insolita del sommo Fattore!"--died away to a murmurous underflow of sound, perhaps a tongue or two was thrust into a cheek or two, perhaps a bare shoulder shrugged or one shock-head wagged to another. The air was sharp, beds still warm--whose business was it? The street was left to the rats and snuffing dogs again.

But Annina had sparks of fire in her brown eyes, and panted as she tugged at her staylaces. It was not long before she clattered downstairs on her clacking heels, and went to mark the cage they had gilded for her dear Ippolita.

Those hierophants, that Collegio d'Amore (as the new style ran), bearing in their midst the garlanded victim--Goddess at once and Sacrifice--awoke the echoes of the streets without comment. The city gates were open, it is true; in some churches the doors stood wide for the first mass; they passed a priest or so just up, a friar or so, furtive truants from their beds; then, at the edge of the Piazza del Santo, Ippolita peeping through her curtains saw a little company of goatherds, blanketted, brown-legged, shabby rogues, their feet white with country dust, new in from the hills with their flocks. They blinked to see the gay procession; but wistfully, longingly, she looked after them from her cage. They were not so much market-stuff, per Dio! They walked at large over bright hillsides, singing to the sky and the winds. They were not pestered with love or fine buzzing ladies or capering signori, who larded poor girls with compliments, and showed their teeth most when they meant least. Ah, if she could run away! If she could hide with them, lie on the hillsides while the goats cropped about her; lie on her back, her hands a pillow, and sing to the sky and the winds because she was so happy! The thought possessed her; she ached for freedom; felt the water of desire hot in her mouth. The sleepy shepherds huddled in their rags watched her go by; they little knew what a craving the sight of their dusty ease had stirred in a heart whose covering was fine silk and strung pearls. Her wrongs came back upon her like heaped waters of a flood. That shameful bath--ah, Soul of Christ, to strip one naked, and let souse in hot water, like a pig whose bristles must come off! More than songs which she did not understand, more than compliments which made her feel foolish and pictures which made her look so, was this refined indignity. Seethed in water like a dead pig--ah, Madonna! She arrived sulky--if so humble-minded a girl could be sulky; defiant, suspicious, at least.

The place chosen for the new Collegio d'Amore was the Villa Venusta, whose shady garden can still be seen from the Riviera Businello. This garden is full of trees, myrtle, wisteria, lilac, acacia--flowering trees--with a complement of firs and shining laurel to give a setting to so much golden-green and white. It has a canal on two sides, is a deep, leafy place, where nightingales sing day and night; it abounds in grass lawns, flowers, weeping trees, and marble hermae. The villa itself is very stately, a three-storied house in the Venetian style, from whose upper windows you can command a fine stretch of country; below you on either hand the Piazza del Santo, the Prato della Valle, with their enormous churches, pink and grey; beyond these the city walls, the green plain; lastly, the ragged outline of the far distant hills. It has a courtyard with lemon trees, long, dim rooms empty of all but coolness, shuttered against the glare of noon; above, a great saloon coffered in the ceiling, frescoed on the walls, with a dais and a throne; an open loggia full of flowers; above all this again, raftered bedrooms smelling of lavender. A roomy, stately place for those whose lives move easily in such surroundings; for Ippolita, the girl of the people, happy in her dark tenement in the Vicolo, gossip of the upper windows, shy beckoner to the street, burnisher of doorposts at sundown--for Ippolita this windy great house was a prison, neither more nor less.

It was a prison, at least, conducted according to the best rules of gallantry then obtaining. They bowed her up the staircase to the refectory: they sat her down and plied her on their knees with fruit and cups of wine. They led her to the throne room, where, high above them all, she was to sit, and (being crowned) hear them contend in verse and prose for the privilege of her love for the day. It was all arranged. She was to have a favourite every day, man or maid. Favour was to go by merit among her slaves. The theme was always to be her incomparable virtues--her beauty, discretion, wit (poor dumb fish!), her shining chastity, power of binding and loosing by one soft blue ray from her eyes, etc. They displayed her emblems on the walls--the peacock, because her beauty was her pride, her pride her beauty; doves, because they were Aphrodite's birds; rabbits, because the artist understood rabbits; the beaver, that glorious witness of virtue, who makes himself less certainly a beaver that he may be more safely a saint; the beaver, I say, in white on a green field. Other symbols--the lily of her candour, the rose of her glowing cheeks, the crocus of her hair, the pink anemones which were her toes, the almond for her fingers: she saw herself articulated; her fauna, her flora, her moral and physical attributes cried at her from the four walls.

Ippolita sat very scared on her throne, and endured what she could by catching firmly to the knobs of it and blinking her eyes. One by one they came creeping, these silken ladies, these slashed and curled young lords, to kiss her hand. "Dio mio!" thought she. "What is all this about? And are maids courted this way among the great?" She knew very little about it, yet was quite sure they were not. She wondered when Alessandro's business was going to begin. As a matter of fact, it had begun. He was now removing several inches of superfluous finger-nail with a sword.

For the first day that same Alessandro del Dardo won her to himself by his descant upon the theme, "How a gentleman may dismember himself without dishonour for a lady's love; and how not."

"Now he has me," thought poor Ippolita, and set her teeth. But he lay at her feet most of the day, and though at night he led her into the garden, if you will believe me, he never even kissed her hand.

"Who is mad?" thought she to herself, staring from her bed into the shadowy angles of the room. "Am I mad? Are these signori all mad? Is this a mad-house? Dio! it soon should be at this rate." She cried herself to sleep at last.

Next day it was Meleagro who won her by a careful consideration of the question, "Whether or no, when a gentleman has served a lady for ten years, and she falls sick of the small-pox, he is ipso facto absolved of his vow?" Meleagro decided that he was not, and was accepted by Ippolita, not because she admired his reasoning but because she thought it part of the game.