Part 20

Swedenborg was so annoyed with this disposition on the part of spirits to prevaricate that he says, "I usually conduct my affairs regardless of their advice." When a spirit came to him and said, "I am the shade of Aristotle," Swedenborg challenged him, and the spirit acknowledged he was only Jimmy Smith. This is delightfully naive and surely reveals the man's sanity: he was deceived by neither living nor dead: he accepted or rejected communications as they appealed to his reason: he kept his literature and his hallucinations separate from his business, and never did a thing which did not gibe with his reason. In this way he lived to be eighty, earnest, yet composed, serene, steering safely clear from Bedlam, by making his commonsense the court of last appeal.

Emerson says that the critic who will render the greatest gift to modern civilization is the one who will show us how to fuse the characters of Shakespeare and Swedenborg. One stands for intellect, the other for spirituality. We need both, but we tire of too much goodness, virtue palls on us, and if we hear only psalms sung, we will long for the clink of glasses and the brave choruses of unrestrained good-fellowship. A slap on the back may give you a thrill of delight that the touch of holy water on your forehead can not lend.

Shakespeare hasn't much regard for concrete truth; Swedenborg is devoted to nothing else. Shakespeare moves jauntily, airily, easily, with careless indifference; Swedenborg lives earnestly, seriously, awfully. Shakespeare thinks that truth is only a point of view, a local issue, a matter of geography; Swedenborg considers it an exact science, with boundaries fixed and cornerstones immovable, and the business of his life was to map the domain.

If you would know the man Shakespeare, you will find him usually in cap and bells. Jaques, Costard, Trinculo, Mercutio, are confessions, for into the mouths of these he puts his wisest maxims. Shakespeare dearly loved a fool, because he was one. He plays with truth as a kitten gambols with a ball of yarn.

So Emerson would have us reconcile the holy zeal for truth and the swish of this bright blade of the intellect. He himself confesses that after reading Swedenborg he turns to Shakespeare and reads "As You Like It" with positive delight, because Shakespeare isn't trying to prove anything. The monks of the olden time read Rabelais and Saint Augustine with equal relish.

Possibly we take these great men too seriously--literature is only incidental, and what any man says about anything matters little, except to himself. No book is of much importance; the vital thing is: What do you yourself think?

When we read Shakespeare in a parlor class there are many things we read over rapidly--the teacher does not stop to discuss them. The remarks of Ophelia or the shepherd talk of Corin are indecent only when you stop and linger over them; it will not do to sculpture such things--let them forever remain in gaseous form. When George Francis Train picked out certain parts of the Bible and printed them, and was arrested for publishing obscene literature, the charge was proper and right. There are things that need not to be emphasized--they may all be a part of life, but in books they should be slurred over as representing simply a passing glimpse of nature.

And so the earnest and minute arguments of Swedenborg need not give us headache in efforts to comprehend them. They were written for himself, as a scaffolding for his imagination. Don't take Jonathan Edwards too seriously--he means well, but we know more. We know we do not know anything, and he never got that far.

The bracketing of the names of Shakespeare and Swedenborg is eminently well. They are Titans both. In the presence of such giants, small men seem to wither and blow away. Swedenborg was cast in heroic mold, and no other man since history began ever compassed in himself so much physical science, and with it all on his back, made such daring voyages into the clouds.

The men who soar highest and know most about another world usually know little about this. No man of his time was so competent a scientist as Swedenborg, and no man before or since has mapped so minutely the Heavenly Kingdom.

Shakespeare's feet were really never off the ground. His excursion in "The Tempest" was only in a captured balloon. Ariel and Caliban he secured out of an old book of fables.

Shakespeare knew little about physics; economics and sociology never troubled him; he had small Latin and less Greek; he never traveled, and the history of the rocks was to him a blank.

Swedenborg anticipated Darwin in a dozen ways; he knew the classic languages and most of the modern; he traveled everywhere; he was a practical economist, and the best civil engineer of his day.

Shakespeare knew the human heart--where the wild storms arise and where the passions die--the Delectable Isles where Allah counts not the days, and the swamps where love turns to hate and Hell knocks on the gates of Heaven. Shakespeare knew humanity, but little else; Swedenborg knew everything else, but here he balked, for woman's love never unlocked for him the secrets of the human heart.

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Emanuel Swedenborg was born at Stockholm, Sweden, in Sixteen Hundred Eighty-eight. His father was a bishop in the Lutheran Church, a professor in the theological seminary, a writer on various things, and withal a man of marked power and worth. He was a spiritualist, heard voices and received messages from the spirit world. It will be remembered that Martin Luther, in his monkish days, heard voices, and was in communication with both angels and devils. Many of his followers, knowing of his strange experiences, gave themselves up to fasts and vigils, and they, too, saw things. Abstain from food for two days and this sense of lightness and soaring is the usual result. So strong is example, and so prone are we to follow in the footsteps of those we love, that one "psychic" is sure to develop more. Little Emanuel Swedenborg, aged seven, saw angels, too, and when his father had a vision, he straightway matched it with a bigger one.

Then we find the mother of the boy getting alarmed, and peremptorily putting her foot down and ordering her husband to cease all celestial excursions.

Emanuel was set to work at his books and in the garden, and no more rappings was he to hear, nor strange white lights to see, until he was fifty-six years old.

Sweden is the least illiterate country on the globe, and has been for three hundred years. Her climate is eminently fitted to produce one fine product--men. The winter's cold does not subdue nor suppress, but tends to that earnest industry which improves the passing hours. The Scandinavians make hay while the sun shines; but in countries where the sun shines all the time men make no hay. In Florida, where flowers bloom the whole year through, even the bees quit work and say, "What's the use?"

Emanuel Swedenborg climbed the mountains with his father, fished in the fjords, collected the mosses on the rocks, and wrote out at length all of their amateur discoveries. The boy grew strong in body, lithe of limb, clear of eye--noble and manly.

His affection for his parents was perfect. When fifteen he addressed to them letters of apostrophe, all in studied words of deference and curious compliment, like, say, the letters of Columbus to Ferdinand and Isabella. His purity of purpose was sublime, and the jewel of his soul was integrity.

At college he easily stood at the head of his class. He reduced calculus to its simplest forms, and made abstractions plain. Even his tutors could not follow him. Once the King's actuary was called upon to verify some of his calculations. This brought him to the notice of the King, and thereafter he was always on easy and familiar terms with royalty. There is no hallucination in mathematics--figures do not lie, although mathematicians may, but this one never did.

We look in vain for college pranks, and some of those absurd and foolish things in which young men delight. We wish he could unbend, and be indiscreet, or even impolite, just to show us his humanity. But no, he is always grave, earnest, dignified, and rebukingly handsome. The college "grind" with bulging forehead, round shoulders, myopic vision and shambling gait is well known in every college, and serves as the butt of innumerable practical jokes. But no one took liberties with Emanuel Swedenborg either in boyhood or in after-life. His countenance was stern, yet not forbidding; his form tall, manly and muscular, and his persistent mountain-climbing and outdoor prospecting and botanizing gave him a glow of health which the typical grubber after facts very seldom has.

Thus we find Emanuel Swedenborg walking with stately tread through college, taking all the honors, looked upon by teachers and professors with a sort of awe, and pointed out by his fellow students in subdued wonder. His physical strength became a byword, yet we do not find he ever exercised it in contests; but it served as a protection, and commanded respect from all the underlings.

At twenty we find him falling violently in love, the one sole love-affair of his lone life. Instead of going to the girl he placed the matter before her father, and secured from him a written warrant for the damsel, returnable in three years' time. This document he carried with him, pored over it, slept with it under his pillow. As for the girl, timid, sensitive, aged fifteen, she fled on his approach, and shook with fear if he looked at her. He made his love plain by logical formulas and proved his passion by geometrical permutations--by charts and diagrams. A seasoned widow might have broken up the icy fastness of his soul and melted his forbidding nature in the crucible of feeling, but this poor girl just wanted some one to hold her little hand and say peace to her fluttering heart. How could she go plump herself in his lap, pull his ears and tell him he was a fool? Finally, the girl's brother, seeing her distress, stole the precious warrant from Swedenborg's coat, tore it up, and Swedenborg knew his case was hopeless. He brought calculus to bear, and proved by the law of averages that there were just as good fish in the sea as ever were caught.

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At twenty-one Swedenborg graduated at the University of Upsala. He took the degree of Doctor of Philosophy, and was sent on a tour of the European capitals to complete his education. He visited Hamburg, Paris, Vienna and then went to London, where he remained a year. He bore letters from the King of Sweden that admitted him readily into the best society, and as far as we know he carried himself with dignity, filled with a zeal to know and to become.

One prime object in his travel was to learn the language of the country that he was in, and so we hear of his writing home, "In Hamburg I speak only German; at Paris I talk and think in French; in London no one doubts but that I am an Englishman." This not only reveals the young man's accomplishments, but shows that sublime confidence in himself which never forsook him.