"Near those big eyes," called Peter.
"No, no, on the joint of the fore leg is a little membrane, which is just a thinner, tighter place in the skin of the leg. There!" Ben Gile had the fore leg of Jack's cricket stretched under the magnifying-glass. The children could see plainly the film of tight skin. "Underneath the thin, tight skin is a fine nerve which, when the air makes the skin shake, changes the motion into sound. Mrs. Cricket listens with her fore leg while Mr. Cricket sings his love-song to her."
At this the children laughed and laughed, and comical little Peter put up his leg as if listening.
"Here, Pete, give me your box. Do you remember what I told you about Mrs. Locust, Betty, and the way she lays her eggs?"
"Yes, sir. She has four straight spines at the end of her body, and after she has bored a hole with her body she guides the eggs in with the four spines."
"Good! Well, Mrs. Cricket wears at the end of her body a long spear. See this cricket of Peter's. Now she bores her hole with this spear and then guides her eggs carefully into the hole. Why, see here, Pete, what have you got here?"
The children gazed eagerly over the old man's shoulder.
"My, isn't it like velvet!" exclaimed Peter.
"And isn't it brown!" added Hope.
"But look at its stumpy front legs!" called Jack, who had forgotten his empty stomach in the excitement about this little creature, which looked like a cricket and yet was so different.
"And its little beads of eyes!" said Betty.
"Do you know what it is?" No one knew. "Well, it's a mole cricket. You rarely ever see one because they live underground and bore their way along just like moles, leaving tiny tracks and nibbling the roots of tender plants. You see, it doesn't need eyes any more than the mole does. But it does need those thickened fore legs to do its underground digging. Now, children, run out into the fields and let your crickets go. Be careful not to hurt them. We'll have supper, and after supper we'll catch a katydid."
Out ran the children. Soon they were setting the long wooden tables under the trees with delicious trout the boys had caught, with hot biscuits and jugs of maple syrup, with berries and cookies, with milk from the old cow, who, contentedly chewing her cud, was looking at them through the low crotch of a tree, and with little cakes of maple sugar which the guide had moulded into the shape of hearts.
HOW KATY DID
Never did trout, cookies, and maple sugar disappear so quickly; never were such appetites; never such laughing, and such interesting stories told by the guide.
"Hush!" said Ben Gile. "Do you hear that?"
"Yes," cried Peter.
"What is it?"
"It's a katydid," said Betty, "over there."
"Listen, children, what does it say?"
"It says, 'Chic-a-chee, chic-a-chee,' over and over again," answered Jack.
"Pooh," interrupted Jimmie, "it says, 'Katy did, Katy didn't!'"
"It says, 'Katy broke a china plate; yes, she did; no, she didn't,'" called Betty.
"Yes, she did; no, she didn't!" the children shouted, merrily, together.
"Well," said the old man, "anyway, it's all about what Katy did do and what Katy didn't do. Probably Mr. Katy, like other good husbands in the world, is singing of the wonderful things Katy did do and the naughty things she didn't do. That is Mr. Katy's love-song. Ah, he finds Mrs. Katy very charming--her beautiful wings, her gracefully waving antennae, her knowing, shining eyes! Now, listen again. Katydid carries its musical instrument at the base of its wing cover. On each side is a tiny membrane and a strong vein. When the wing covers are rubbed together the membrane speaks, and you hear--"
"Katy did, Katy didn't!" shouted the children.
"Do you think you know where they are? Well, take these lanterns"--the guide had lighted half a dozen--"and find them."
The children scurried off, certain of a quick victory. In the woods about the cabin you could hear them shouting: "It's here!" "No, it isn't!" "Where is it?"
Little Busybodies: the Life of Crickets, Ants, Bees, Beetles, and Other Busybodies · The Wunder Library — complete classics, free to read, with narration.