Part 5

The Island and the Garden which Celia Thaxter Loved

The poppies that grow in Celia Thaxter’s garden nod bright heads in welcome to all who come. It is as if the sunny presence of their mistress dwelt always in the spot, finding voice in these blooms which are so delicate, yet so regnant in spirit. To these all the other flowers which speak of the homely virtues, marigolds and red geraniums, coreopsis and pinks and love-in-a-mist, seem subordinate at first approach, though they occupy the bulk of the garden, which seems to epitomize the life of the mistress who tended it so long. There is no square of it without its rich aroma of love and womanliness, yet it is the vivid personality of the poppies, flowers for dreams, which touches first the comer from the outside world.

Round about the garden lies Appledore, the largest of the Isles of Shoals, rocked gently on the bosom of blue seas, its margin flashing with beryl and pearl where rocks and breakers touch, its rounded ridges white and green again with the granite of which it is built and the verdure with which it is clothed. Over it all bends the blue of the summer sky, and as you look up to this from the little garden it seems to lean lovingly upon the hill which is the island’s highest part, heaven so near that the scent of the flowers may easily pass to it by way of the little winding path. To climb this path yourself is to find the sky not so near after all. Standing on the summit, you realize first the depth of its great dome and the wide sweep of sea that rims the islands round. Here are but gray ledges that rise out of an immensity which dwarfs them. Far to the north and west is a thin, blue line of land that lifts in the farthest distance the peaks of the White Mountains. All else is but a vast expanse of sea that seems as if it might rise in a storm and overwhelm these rocks that it has washed so white and smooth. Somewhere to the eastward of our coast lies, they tell us, the lost Atlantis, submerged beneath this great sweep of blue that smiles beryl and laughs pearl-white in wave crests. Who knows but this granite dome of Appledore on which we seem to loom so high in air is the westernmost peak of the vanished continent? We are but seventy-five feet above the sea’s surface. It must be the thought of its depths that gives us the feeling of being upon a mountain peak. For all that, this height and distance so make us dominate the other islands that they seem but ledges, wave-washed reefs in comparison, and one wonders how such of them as have buildings on them hold them during the sweep of winter gales and full-moon tides.

In the smile of summer it is easy to forget this. It is but a step from the rough rocks of the island to the dense verdure of its shrubbery. At first one wonders where the soil came from that nourishes herb and shrub in such profusion. Here among the gray granite grow most of the beauties of any shore-sheltered New England pasture. Here is elder showing white, lace-like blooms, bayberry and staghorn sumac each striving to overtop the other, wild cherry and shadbush, and beneath and around these low-bush black huckleberries, raspberries and blackberries, the last two blessing the tangle with fruit. Among the grasses grow yarrow, St. John’s-wort, mullein, toad-flax, cranes-bill, evening primrose and other herbs, while Virginia creeper and fragrant clematis make many a spot a bower of climbing vines. Not only do all these familiar pasture folk grow here, but in many instances they seem to grow with a luxuriance that exceeds that of their favorite shore locations. Their tangle makes passage difficult except by established paths, and the road which circumnavigates the island is cut almost as much through the compacted shrubbery as through the rough rocks along the tops of the cliffs. Rainfall collects in the hollows of the granite in some places and makes miniature marshes, and in one spot a tiny pond which is big enough to supply ice to the islanders, filling to the brim with the winter rains and in some winters freezing pretty nearly solid. In August this pond, which is high in the middle of the island, is dry, its bottom green with rushes and its sides rampant with the spears of the blue flag.

Often in the tiny valleys in the heart of the island, surrounded by its dense shrubbery, you lose sight of the sea, but you cannot forget it. However still the day, you can hear the deep breathing of the tides, sighing as they sleep, and a mystical murmur running through the swish of the breakers, that is the song of the deep sea waves, riding steadily in shore, ruffled but in no wise impeded by the west winds that vainly press them in the contrary direction. However rich the perfume of the clematis the wind brings with it the cool, soothing odor that is born of wild gardens deep in the brine and loosed with nascent oxygen as the curling wave crushes to a smother of white foam. It may be that the breathing of this nascent oxygen and the unknown life-giving principles in this deep sea odor gives the plants of Appledore their vigor and luxuriance of growth. Certainly it would not seem to be the soil that does it. Down on the westward shore of the island, in an angle of the white granite, where there was but a thin crevice for its roots and no sign of humus, I found a single yarrow growing. Its leaves were so luxuriant, yet delicate, so fern-like and beautiful, such feathery fronds of soft, rich green as to make one, though knowing it but yarrow, yet half believe it a tropic fern by some strange chance transplanted to the rugged ledges of the lonely island. With something in the air, and perhaps in the granite, that makes this common roadside plant develop such luxuriance, it is no wonder that other common pasture folk, goldenrod and aster, morning glory and wild parsnip, and a dozen others, growing in abundant soil in the tiny levels and hollows, are taller and fuller of leaf and petal than elsewhere. In the richness and beauty of the yarrow leaves growing in the very hollow of the granite’s hand, as in the height and splendor of the Shirley poppies in the little garden, one seems to find a parallel to Celia Thaxter, whose own character, nurtured on the same sea air, sheltered in the hollow hand of the same granite, grew equally rich and beautiful.

All Appledore, indeed all the Isles of Shoals are built of this rock, which is white in the distance, but which near to shows silver fleckings of mica that flash in the sun. Through the granite run narrow veins of quartz that is as hard as flint, but that has scattered among its crystals also a silvering of these mica flecks which are in strange contrast to the tiny pin points of a softer, darker rock which one finds evenly sprinkled through the white. This dark rock softens to wind and weather first and leaves these white cliffs honeycombed with the tiniest of fissures, so that they are as rough to the hand as sandpaper. Dykes of trap run through the island, and as this rock too is softer than its casing the winds and waves of centuries have worn it away, leaving chasms down which you may walk to the tide, between the sheer cliffs. One such chasm runs quite across Appledore from east to west near the northern end of the island, almost cutting off a round dome of granite from its fellow rock. The soil lies rich in this narrow hollow between ledges, and many things grow in it, lush with leaves and beautiful with bloom. Here the shadbush had already ripened its fruit. Here the island’s one apple tree grows vigorously, though it dares not lift its head above the level of the rocks against which it snuggles, lest the zero gales of winter nip it off. Crowding round it grow wild cherry and wild rose, elder and sumac and huckleberry and chokeberry, all eager to fend it from rough winds in that friendliness which seems, like foliage, to flourish in the place. Here is a soft turf of grass in which grow violets and dandelions, both spring and fall, and plantain, cinquefoil and evening primrose have come to make the place homelike. If rough winds blow here rougher rocks fend them off, and though they may whistle over the tops of these in the little valley between there is quiet, and floods of sunshine gather and well up till the place is full.

This tiny valley dips toward the sea at the west and broadens to a meadow where I fancy the islanders have at some time grown cranberries, for a few plants remain. For the most part, however, this meadow is set thick with the green spears of the bog rushes which grow so close together that there is little room for anything else. To crush your way in among these is to pass through a very forest of dark green lances whose tips stretch upward to stab your chin, yet burst into bloom from the sides near these tips, as if the full life within them which could not be restrained yet which finds no outlet in leaves, exploded in a lance pennant of olive-brown beauty. A Maryland yellow-throat whose nest stands empty in the grass on the borders of this little, lance-serried marsh fluttered and chirped and clung among these rushes and from the top of a near-by bayberry shrub a song sparrow trilled a note or two, despite the fact that it is moulting time and few birds have the heart to sing in dishabille. Nightfall brought no sound of frog voices from this little marsh, yet I cannot fancy it in spring without a hyla or two to pipe flute notes from its margin. Near this I found the one ophidian of the island, a beautiful, slender, graceful green snake, little more than a foot long. This lovely little creature feeds on crickets and insect larvæ and is the very gentlest snake that ever crawled. Jarred by my footfall in the grass he glided away among the tangle, trusting to his coloration, which is a perfect grass green, to hide him, which it soon did. If Appledore must have its serpent no sweeter-natured nor lovelier variety could be found. If modern Eves sit upon the rocks of moonlight nights and listen to this one’s promptings one can scarcely blame them.

Under the eaves and under the verandas of the houses are the nests of barn swallows, gray mud stippled up against a rafter, the fast-growing young almost crowding one another out. So gently familiar are these birds, and so little afraid of people, that one has built a nest under the frequented piazza of the big hotel, and the parent birds flit back and forth unconcerned by the rows of guests that often take chairs and watch the nestlings for long periods. Not only do the parents feed their young while thus watched by crowds but a few feet away, but they fly in under the veranda and capture food right over the heads of the promenaders with equal freedom from fear. Barn swallows are usually friendly, confiding birds. They seem here to have caught the sense of protection and safety which comes to all on the little island, and become even more fearless. It is much the same way with the tree swallows, which, having no hollow trees, build in bird boxes all about. These already have young in flight. Standing on the cliffs you see their steel blue backs as they swirl with the little waves in and out among the rockweed at low tide, seeking their food very close to land or water. Often the young sit on some safe pinnacle and are fed there, the old bird flashing up, twittering, delivering a message and a mouthful at the same time, then flashing away again, whirling and wheeling, never beyond call of the eager fledgling. Often the fledgling soars into space, hardly to be distinguished then from the older bird, and twitters back and forth near the parent. Then when the latter comes with a mouthful the former simply poises fluttering while the old bird dashes up, twitters and feeds, and is off again in the flash of an eye, so fleet of motion, so agile of turn, that it puzzles the watcher to follow the course of flight.

At the bottom of the tide the rocks over which the tree swallows swirl with the waves are a golden olive with the sun-touched tips of the carrageen. Higher up the boulders lift their heads with the air-celled rockweed falling all about them like wet hair. Some of these tresses hang down in golden luxuriance, others are dark, almost black, as if blondes and brunettes were to be found among tide rocks as among men. Between these rocks are still pools of brine where mussels and crabs wait the deliverance of the full sea and kelp waves its long, dark-olive, ruffle-margined banners. Down among these with the ear close to the smooth, undulating surface you may catch the eerie plaint of the whistling buoy off the channel some miles to landward, telling its loneliness in recurrent moans.

Up on the rocks again in the bright sunlight, one finds the land birds numerous, chief among which are the song sparrows. In the secluded peace of the place these also, evidently making their summer home here and nesting in the shrubbery that is all about, have lost most of their fear of man and will approach very near to gather crumbs about your feet. A small flock of robins goes by, stopping a moment to feed, then taking wing again as if practising for that southward migration which will begin before very long. Olive-sided flycatchers, already working toward the sun, flit to catch flies and light alternately almost as if playing leapfrog from bush to bush. So far as I have observed, the olive-sided flycatchers do most of their migrating thus, hippety-hop from perch to perch, with a fly well caught at every hop and well swallowed at every perch. A kingbird sat haughtily, as if mounted, on a stub, monarch of all he surveyed, now and then giving his piercing little cry and sailing out to the destruction of a moth or beetle, then sailing leisurely back again. A lone gull fished and cried lonesomely in the surf, and a few pairs of sandpipers slipped with twinkling feet along the rocks, feeding in the moist path of the receding wave and lifting on long, slender wings to safety at the crash of the next one. These were the only day birds to be found of a pleasant day at Appledore. Monarch butterflies were plentiful, migrants these over the seven miles or more of sea between the island and the mainland. A few cabbage butterflies fluttered white wings over the Cruciferæ which grow in the vegetable gardens of the place. The cabbage butterflies may well be natives, and so might that other which danced away so rapidly that I could not be sure of him, though I am confident that he was either a hunter’s butterfly or an angle-wing. Yet these, too, may have come from the mainland on a still day or with the wind right and not too strong, such extraordinary distances do these seemingly frail and impotent insects cover sometimes. Honey bees from hives ashore make a regular business of flying to the islands and back laden with honey. Students of bees ordinarily give them a range of two and a half to four miles, yet these Appledore bees must come at least seven miles and probably ten for their harvesting.

At nightfall three great blue herons came flapping out from the mainland to fish among the kelp and rockweed of the outlying reefs. All along the western horizon the soft blue line of land began to melt into the steel blue of the sea that the sunset fire seemed then to temper to a violet hardness. The southwest wind had blown the sky full of blowsy cumulus clouds that were touched with fire from the setting sun, yet in the main had the color of the steel sea, as if they were the flaked dross from its melting. Then the sun for a moment burned through the thin blue line of land and set the sea ablaze with a gentle radiance of crimson and gold that slipped along the level miles and wrapped the blessed isles in its arms, radiant arms that unclasped themselves in a moment, lifted above the islands in benediction and then passed. The poppies in Celia Thaxter’s garden folded their two inner petals like slim hands, clasped in prayer, lifted trustfully to the sky.

A little way from the garden that she loved and tended so long is Celia Thaxter’s grave, on a knoll to which the sky bends so gently that it seems as if you might step off into it. Up to the smooth turf of this knoll crowd all the pasture shrubs that she loved, sheltering it from the wind on three sides and letting the sun smile in upon it all day long without hindrance. The sumacs come nearest as if they were the very guard of honor, but close behind them press the wild roses, the St. John’s-wort, the evening primroses and even the shy white clover slipping in between the others, very close to the ground, and tossing soft perfumes out over the brown grass. On the grave itself someone in loving remembrance scatters the petals of red geranium, which seems of all things the home-loving, home-keeping flower. The poppies are for poets’ dreams which write themselves in the dancing morning wind, clasp hands in prayer at sunset, and flutter away. Red geraniums seem born of the fireside where home has been since fire first came down out of heaven. Dreams and hearthfire both were dear to the sweet lady of Appledore, and both flowers commemorate her there.

THOREAU’S WALDEN

A Survey of the Pond and its Surroundings

He who would know Thoreau’s Walden will do well to bathe in it. His first plunge may well be in Thoreau’s story of the pond and his life on its bank, and when he comes dripping from this and puts on the garments of everyday life he still must feel a little of the glow of the fire with which this alchemist of the woods transmuted all things, showing us how rough granite, hard iron and base lead are gold. Thoreau lived on the borders of the little clear pond but two years. He knew it in the flesh for just his short life. But his spirit had birth in something akin to its pure, profound waters and dwells above them now for all centuries.

The next plunge should be in the waters themselves, and only thus shall you learn to the full what a miracle the pond is. Here is a crater of glacier-crushed granite, out of which never came smoke nor lava, only a white fire from unexplored depths, a fire of cool austerity which burns the dross out of all that may be put into it. There is no inflowing stream. Its waters well up from a mysterious source within the very earth. Their outflow is equally invisible. In their going they leap spirit-like along the golden stairs which the sun lets down to them and pass up for the building of rainbows, their white light breaking in its mystical seven colors, a visible ecstasy to all who watch the heavens. To plunge in these waters at dawn is to feel this cool fire thrill through the marrow of your bones, and only by total immersion shall you know to the full its purity.

Coming to such a flight with Eos through the dusky solemnity of the trees of the western bank, I saw the pond silvered beneath its tense level with the frosty scintillations of the stars that had shone into it all night. It was as if their radiance had but penetrated the water-tension film of the surface and collected just beneath it, making a white mirror which my plunge shattered into a thousand prisms of scintillant light. The dancing night winds had shaken all the rich odors from the white clethra blooms that grow all about the pond’s rim and stored them along its surface, and to swim out toward the center was to enter a sweetly perfumed bath. The forest to eastward, full of black density, as it was, could not bar out the rose of the morning from the sight. Instead it stood in a silhouetted fretting against it and let its glow shine through a million tiny windows of the day, blossoming again in the ripples ahead. Here was a moving picture of the blooming and vanishing of pink meadow-flowers, flashing a brief life upon the film, vanishing and growing again. The cinematograph is nothing new. Walden has operated it for those who will swim toward the dawn in its waters since the centuries began. In our theaters we are but tawdry imitators of its film productions.

Chin deep in its middle you begin to feel that you know the pond. In a sense you are its eye and look upon the world as it does. Day breaks for the swimmer as it does for Walden, and the flash of the sun above the wood to eastward warms you both with the same sudden sweep of its August fire. In the same sense you are the pond’s ear and hear as it does. The morning rustle of the trees, shaking the dusk from their boughs, comes to you as a clear ecstasy, and you think you can hear the wan tinkling of the invisible feet of fairy mists as they leap sunward from the surface and vanish in the day. Over the wood comes the intermittent pulse of Concord waking, and by fainter reverberations the pond knows that Lincoln and more distant villages are astir. Then the first train of the day crashes by the southern margin and stuns the tympanum with a vast avalanche of uproar.

To plunge beneath the surface and escape this is to learn the real color of the pond. From without, on the banks, this varies. Oftenest it is a dull, clear green like that of alexandrite, a chrysoberyl gem from the mines of Ceylon and the Ural mountains. You see this best from the higher points of the hills along the borders and at certain angles of the sun the green shows red reflections and tints of blue as does the gem. If, swimming in the center, you will tip up as a duck does and go head foremost with open eyes into the depths, you will see none of this color. There with all the influences of reflection and refraction eliminated you find yourself moving through an infinitely soft blue that is semi-opaque merely because a million generations of use has fitted the human eye for seeing details through air only. Yet the perception of color remains. Hold your breath desperately and swim as far down as you may and there is no change. The color has all the softness and gentle beauty of the turquoise. In certain lights among the Florida Keys I have seen this sweetest, gentlest of blues in the Gulf Stream, but in no other water.

To turn and look at yourself in this water is to have another surprise. Already it seems as if the mystic fires of its depths had begun to inform you with a pure whiteness that should be akin to nobility of soul, and as you step forth on the shore mayhap this quality, passing subtly to the blood and brain, lingers for a while, and in the clear fire of renewed vitality you feel that the morning has indeed brought back to you the heroic age.

To come to Walden at mid-day, even with Thoreau’s account of it in the back of your head, is not at first to be impressed with the clear spirituality of its waters nor their depth. Here, you say, is the path from Concord, lightly worn by the spring of his tread, clumsily rutted by the heavy footsteps of many who follow, having indeed hitched their wagon to a star. Here is the cairn erected in his memory, to which with doffed hat you may well add a stone from the pond shore. And here is the pond itself, a gem of silvered water set among low, wooded hills. Your eye may well catch first a sight of the driftwood on the shore, of which there is much and think it makes the place untidy and wish that the Concord selectmen might have it removed. But the thought which this first mid-day glimpse stirs soon passes from you and standing on the very brink you realize the limpidity of the water and the spirit of dignity and peace which prevails over all. The world grows up around many shrines of its great ones and so changes the environment that you go away sorry that you came, wishing that you had let the place live in your imagination as it was in its heroic age, rather than as it has since degenerated.

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Walden is Walden still, very much as Thoreau painted it. No chimney smoke rises in view from its shore. No picnic pavilion disturbs its outline or jangle of trolley echoes within its spaces. The woods grow tall all about it, and if they are more frequented by men than in his day and less by wild creatures the casual visitor need hardly know the difference. The pond was low when he wrote of Walden. So it is now and the same stones with which it was “walled-in” then pave the wide margins to-day. You may walk all around it on this crushed granite and note the sparkle of plentiful mica in the pebbles. Near the beach where he took his morning swim is the tiny meadow which in the years of high water is a cove to be fished in. You may throw a stone across this meadow cove and in any direction save at its narrow entrance from the pond you will hit tall woods that in dense array lean lovingly over it and give it cool shadows except when the sun is high. Between the tall trees and the meadow grasses grows the clethra, its white spikes of perfume seeming to make a lace collar all about the place. In the bottom of this meadow grows much thoroughwort, which is a plain, homely weed to the passing glance, not considered fit for a garden nor thought to beautify a roadside as do so many fairer pasture blooms. Yet its gray-white heads add a soft friendliness to the coarse meadow grasses and give delicacy to the whole place, seeming to invite invasion and preparing the invader to find the more fragile flowers of the Gerardia tenuifolia that nestles beneath it, its pink bells set by some fairy bell-ringer of the dawn with mute throats open toward the sky. The little enclosure is as deep as a well, stoned in by forest walls, and is beloved of the argynnis butterflies whose spangled underwings shine with the same silver as the mica along the pond shore. Meadowsweet and a half dozen other August flowers warm their heads in the sun and cool their feet in the shadows of this same meadow, but the thoroughwort seems to possess it most and to have a feeling of rightful ownership as if it were Thoreau’s own plant. All about the pond you will find it blossoming in the same way, standing bravely out from the wood with its feet among the close-set stones. Always before thoroughwort has seemed to me coarse and unattractive. Here it seems to belong and to give and take a certain beauty of virility and appropriateness. Perhaps it is because with it came so often the fond fragrance of the white alders and the soft, rose-pink beauty of the gerardia bells. In many places the stones of the beach are set so close together and have so little soil beneath them that nothing can grow, yet in others the plucky, bright-faced hedge hyssop has crept into the interstices among them and made a carpet pattern of soft green that is all flecked with the golden yellow of their blooms. And all behind these rise the woods, oak and chestnut, maple and scattered pines, whose plumed tops seem like the war-bonnets of Indian chiefs, standing guard over the homely, beautiful, simple, mysterious little pond which seems to excite love and reverence in the hearts of all who remain long on its banks.

The hills climb abruptly from the brink of Walden on all sides. The woods climb the hills and top their summits with half-century-old growth that yearly adds to its girth and stature.

Nor, one fancies, need these trees again fear the sweep of the woodchopper’s axe. The spirit of reverence for its shores, which through the one-time hermit of Walden has spread to us all, should prevent that. For now the pond is much as Thoreau remembered it had been in his boyhood, walled in by dense forests, a place of echoes. Your spoken word comes back to you from this shore and from that, refined and made more sonorous, as if the wood gods would fain teach you oratory and had taken your phrase into their own mouths and put it forth again as an example. To your ears it comes again sweetened with the gentle essences of juniper, birch and sassafras, rich with the melodies taught to bare boughs by winter winds. In the haze of the August noon these other shores are distant to the eye. The sight must swim a long way through the quivering air to reach one or the other. The hearing, thanks to the kindly offices of the wood gods, leaps the space at a bound.

The kingfisher seems as much a familiar of the place as the echoes. Like them he flies back and forth from shore to shore till you wonder whether he is trying to keep pace with them or whether he is the embodiment of one that does not need to be set going by a word but has volition of its own. The kingfisher’s voice hardly seems to belong at Walden, it is so harsh and unlovely. Even in this very school of sweet echoes it has learned neither modulation nor singing quality. Far different is the gentle peet-weet of the sandpipers which precede you along shore in scalloped flight. Something of the bright sweetness of the hedge hyssop strolls along the moist stones of the margin with them, as if the two became yearly more and more related. Each fall I think the olive-fuscous backs of these little birds get just a little more of a golden tinge from this continual neighboring with the equally gentle, friendly Gratiola aurea. If in return some fine summer the hedge hyssop should blossom into twittering song no one need be terribly surprised.

In contrast to the fearless rattle of the kingfisher as he echoed from shore to shore and to the twittering, friendly sandpipers who ran so fearlessly along the margin, was the single little green heron that has made the pond his abiding place for a while. There is but one, nor are there any signs that herons have nested about the pond this year, so I fancy this bird is a bachelor visitor seeking to reduce living to its lowest terms and finding on the Walden shore the simplicity and seclusion that is the spirit of the place. He is as taciturn and patient as any hermit could be. When his country seat on one shore is invaded he simply flies silently to another and there resumes that inward contemplation which is as characteristic of the bird as the rattling, vibrating flight is of the kingfisher. The little green heron was a recluse of the pond shore long before the first pioneer planted his cabin in Concord. His kin still cling to the place which is as lovely and lonely now as it was then.

At nightfall deep peace settles upon the little pond. The shores that were so distant to the eye in the noonday haze draw in friendlily toward one another, and the last light slips through the trees to westward and throws a coverlet of shadow over this sleepy child of the woods. In the growing dusk there is no mystery about the place. It is just a wee baby of a pond that is tired and has been put to bed. But as children often do when we think them asleep for the night the pond, as darkness gathered, seemed to dimple with wakeful laughter, to kick off the shadow quilt and dance with a new radiance of life. Gathering clouds of sultry August thunderstorms had gloomed the sky with the passing of the sun, and there was no star to give an answering twinkle, but the whole surface of the pond laughed up to the clouds in silvery light. It was as if all the mica-shine of all the granite ground together and sifted to make its unfathomed bottom had come to the surface, the infinitesimal flakes joining hands in a fairy dance to the tiny tune of the little evening winds. The pond was such a gentle little part of the vocal earth then that it did not seem as if it had ever been mysterious and informed with all the deep wisdom of the stars. Its surface was no bigger than the counterpane of a white crib on which danced the fairy dreams of the child that slumbered happily below.