December 15, morning.
I have had your dear letter of the 9th, in which you speak of our home. It makes me happy to feel how fine and strong is the force of life which soon adjusts itself to each separation and uprooting. It makes me happy, too, to think that my letters find an echo in your heart. Sometimes I was afraid of boring you, because though our life is so fine in many ways, it is certainly very primitive, and there are not many salient things to relate.
If only I could follow my calling of painter I could have recourse to these wonderful visions that lie before me, and I could find vent for all the pent-up artist's emotion that is within me. As it is, in trying to speak of the sky, the tree, the hill, or the horizon, I cannot use words as subtle as they, and the infinite variety of these things can only be named in the same general terms, which I am afraid of constantly repeating. . . .
December 15.
One must adapt oneself to this special kind of life, which is indigent as far as intellectual activity goes, but marvellously rich in emotion. I suppose that in troubled times for many centuries there have been men who, weary of luxury, have sought in the peace of the cloister the contemplation of eternal things; contemplation threatened by the crowd, but a refuge even so. And so I think our life is like that of the monks of old, who were military too, and more apt at fighting than I could ever be. Among them, those who willed could know the joy which I now find.
To-day I have a touching letter from Madame M----, whose spirit I love and admire.
Changeable but very beautiful weather.
It is impossible to say more than we have already said about the attitude we must adopt in regard to events. The important thing is to put this attitude in practice. It is not easy, as I have learnt in these last days, though no new difficulty had arisen to impede my path towards wisdom.
. . . Tormenting anxiety can sometimes be mistaken for an alert conscience.
December 16.
Yesterday in our shelter I got out your little album--very much damaged, alas--and I tried to copy some of the lines of the landscape. I was stopped by the cold, and I was returning dissatisfied when I suddenly had the idea of making one of my friends sit for me. How can I tell you what a joy it was to get a good result! I believe that my little pencil proved entirely successful. The sketch has been sent away in a letter to some friend of his. It was such a true joy to me to feel I had not lost my faculty.
December 17 (in a new billet).
. . . Last night we left behind all that was familiar when we came out of the first-line trenches after three days of perfect peace there. We were told off to the billet which we occupied on October 6th and 7th. One can feel in the air the wind of change. I don't know what may come, but the serenity of the weather to-day seems an augury of happiness.
These have been days of marvellous scenes, which I can appreciate better now than during those few days of discouragement, which came because I allowed myself to reckon things according to our miserable human standards.
I write to you by a window from which I watch the sunset. You see that goodness is everywhere for us.
3 o'clock.
. . . I take up this letter once more in the twilight of an exceptional winter: the day fades away as calmly as it came. I am watching the women washing clothes under the lines of trees on the river bank; there is peace everywhere--I think even in our hearts. Night falls. . . .
December 19 (in a billet).
A sweet day, ending here round the table. Quiet, drawing, music. I can think with calm of the length of the days to come when I realise how swift have been these days that are past. Half the month is gone, and Christmas comes in the midst of war. The only thing for me is to adapt myself entirely to these conditions of existence, and, owing to my union with you, to gain a degree of acceptance which is of an order higher than human courage.
December 21, morning.
MY VERY DEAR MOTHER,--I have told you freely in my letters of my happiness; but the rock ahead of happiness is that poor humanity is in perpetual fear of losing it. In spite of all experience, we do not realise that in the eternal scheme of things a new happiness always grows at the side of an old one.
For myself, I have not to look for a new one. I have only to try to reconcile two wisdoms. One, which is human, prompts me to cultivate my happiness, but the other teaches me that human happiness is a most perishable flower.
We may say: Let us make use of the joys chosen by an upright conscience; but let us never forget how swiftly these pass.
Yes, the Holy Scriptures contain the finest and most poetical philosophy. I think they owe it to their affiliation to the oldest philosophies. There are many disputable things in Edouard Schure, but what remains is the divination which made him climb through all doctrine to the infinitely distant Source of human wisdom.
Do you know that those touching traditions of the Good Shepherd and the Divine Mother, so happily employed in our Christian religions, are the creations of the oldest symbolism? The Greeks derived them from their own spiritual ancestors; with them the good shepherd was called Hermes, the god of the migration of souls. In the same way, the type of our Madonna is the great Demeter, the mother who bears an infant in her arms.
One feels that all religions, as they succeeded each other, transmitted the same body of symbols, renewed each time by humanity's perpetually-young spirit of poetry.
December 23 (in the dark).
I had begun this letter yesterday, when I was forced to leave off. It was then splendid weather, which has lasted fairly well. But we are now back again in our first lines. This time we are occupying the village itself, our pretty Corot village of two months ago. But our outpost is situated in a house where we are obliged to show no sign of life, so as to conceal our presence from the enemy. And so here we are at nine o'clock in the morning, in a darkness that would make it seem to be late on Christmas eve.
Letters of a Soldier, 1914-1915 · The Wunder Library — complete classics, free to read, with narration.