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Part 13

Letters of a Soldier, 1914-1915 · Eugène Emmanuel Lemercier — chapter 13 of 28 · ~1,430 words · public domain

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. . . Yesterday, in the course of that march, I lived in a picture by my beloved primitives. Coming out of the wood, as we went down a long road, we had close by us a large farm-house, plumed by a group of bare trees beside a frozen pool.

Then, in the under-perspective so cleverly used by my dear painters with their air of simplicity, a road, unwinding itself, with its slopes and hills, bound in by shrubs, and some solitary trees: all this precise, fine, etched, and yet softened. A little bridge spanning a stream, a man on horseback passing close to the little bridge, carefully silhouetted, and then a little carriage: delicate balance of values, discreet, yet well maintained--all this in front of a horizon of noble woods. A kind of grey weather which has replaced the enchantment, so modern in feeling, of the nuances of last Sunday, takes me back to that incisive consciousness which moves us as a Breughel and the other masters, whose names escape me. Like this, too, the clear and orderly thronging in Albert Duerer backgrounds.

November 26.

DEAREST MOTHER,--I didn't succeed in finishing this letter yesterday. We were very busy. And now to-day it is still dark. From my dug-out, where I have just arrived in the front line, I send you my great love; I am very happy. I feel that the work I am to do in future is taking shape in myself. What does it matter if Providence does not allow me to bring it to light? I have firm hope, and above all I have confidence in eternal justice, however it may surprise our human ideas. . . .

November 28.

The position we occupy is 45 metres away from the enemy. The roads of approach are curious and even picturesque in their harshness, emphasised by the greyness of the weather.

Our troops, having dodged by night the enemy's vigilance, and come up from the valley to the mid-heights where the rising ground protects them from the infantry fire, find shelters hollowed from the side of the hill, burrows where those who are not on guard can have some sleep and the warmth of an Improvised hearth. Then, farther on, just where the landscape becomes magnificent in freedom, expanse, and light, the winding furrow, called the communication trench, begins. Concealed thus, we arrive in the trench, and it is truly a spectacle of war, severe and not without grandeur--this long passage which has a grey sky for ceiling, and in which the floor is covered over with recent snow. Here the last infantry units are stationed--units, generally, of feeble effective. The enemy is not more than a hundred metres away. From there continues the communication trench, more and more deep and winding, in which I feel anew the emotion I always get from contact with newly turned earth. The excavating for the banking-up works stirs something in me: it is as if the energy of this disembowelled earth took hold of me and told me the history of life.

Two or three sappers are at work lengthening the hollows, watched by the Germans who, from point to point, can snipe the insufficiently protected places. At this end the last sentry guards about forty metres.

You can picture the contrast between all this military organisation and the peace that used to reign here. Think what an astonishment it is to me to remember that where I now look the labourer once walked behind his plough, and that the sun, whose glory I contemplate as a prisoner contemplates liberty, shone upon him freely on these heights.

Then, too, when at dusk I come out into the open, what an ecstasy! I won't speak to you of this, for I feel I must be silent about these joys. They must not be exposed: they are birds that love silence. . . . Let us confine our speech to that essential happiness which is not easily affrighted--the happiness of feeling ourselves prepared equally for all.

November 29, in the morning (from a billet).

MY VERY DEAR MOTHER,--Yesterday evening I left the first line trenches in broken weather which, in the night, after my arrival here, turned into rain. I watch it falling through the fog from my favourite window. If you like I will tell you of the wonders I saw yesterday.

From the position described in my letter of yesterday, can be seen, as I have often written to you, the most marvellous horizon. Yesterday a terrible wind rent a low veil of clouds which grew red at their summits. Perhaps the background of my 'Haheyna' will give you a faint idea of what it was. But how much more majestic and full of animation was the emotion I experienced yesterday.

The hills and valleys passed in turn from light to shade, now defined, now veiled, according to the movement of the mists. High up, blue spaces fringed with light.

Such was the beauty of yesterday. Shall I speak of the evenings that went before, when, on my way along the road, the moon brought out the pattern of the trees, the pathetic Calvaries, the touching spectacle of houses which one knew were ruins, but which night seemed to make stand forth again like an appeal for peace.

I am glad to see you like Verlaine. Read the fine preface by Coppee to the selected works, which you will find in my library.

His fervour has a spontaneity, I might almost say a grossness, which always repels me a little, just because it belongs to that kind of Catholic fervour which on its figurative side will always leave me cold. But what a poet!

He has been my almost daily delight both here and when I was in Paris; often the music of his Paysages Tristes comes back to me, exactly expressing the emotion of certain hours. His life is as touching as that of a sick animal, and one almost wonders that a like indignity has not withered the exquisite flowers of his poetry. His conversion, that of an artist rather than of a thinker, followed on a great upsetting of his existence which resulted from grave faults of his. (He was in prison.)

In the Lys Rouge Anatole France has drawn a striking portrait of him, under the name of Choulette; perhaps you will find we have this book.

In Sagesse the poems are fine and striking because of the true impulse and sincerity of the remorse. A little as though the cry of the Nuit de Mai resounded all through his work.

Our two great poets of the last century, Musset and Verlaine, were two unhappy beings without any moral principle with which to stake up their flowers of thought--yet what magnificent and intoxicating flowers.

Perhaps I tire you when I speak thus on random subjects, but to do so enables me to plunge back into my old life for a little while. Since I had the happiness of getting your letters, I have not taken note of anything. Do not think that distractions by the way make me forgetful of our need and hope, but I believe it is just the beautiful adornment of life which gives it, for you and me, its value.

I am still expecting letters from you after that of the 22nd, but I am sure to get them here in this billet. Thank you for the parcel you promise: poor mothers, what pains they all take!

December 1, in the morning (from a billet).

I remember the satisfaction I felt in my freedom when I was exempted from my military duties. It seemed to me that if, at twenty-seven years old, I had been obliged to return to the regiment, my life and career would have been irretrievably lost. And here I am now, twenty-eight years old, back in the army, far from my work, my responsibilities, my ambitions--and yet never has life brought me such a full measure of finer feelings; never have I been able to record such freshness of sensibility, such security of conscience. So those are the blessings arising out of the thing which my reasonable human foresight envisaged as disaster. And thus continues the lesson of Providence which, upsetting all my fears, makes good arise out of every change of situation.

The two last sunrises, yesterday and to-day, were lovely. . . .

I feel inclined to make you a little sketch of the view from my window. . . .

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