The heavy labor we hired done when we could, but many times we hitched the team to the big lumber wagon and drove to Presho to bring out our own load of goods, including barrels of coal-oil and gasoline for automobiles, for there were quite a few cars on the reservation. Automobiles, in fact, were the only modern convenience in the lives of these modern pioneers who stepped from the running board straight back into the conditions of covered-wagon days.
The needs of the people were tremendous and insistent. And the needs of the people had to find expression in some way if they were to be met. The print shop was ready, The Wand was ready, I was ready--the only hitch was that I couldn't operate the new press we had bought, because we couldn't put it together. Ida Mary and I labored futilely with bolts and screws and other iron parts for two days.
I had sat down in the doorway to rest, exhausted by my tussle with the machinery, when I saw a man coming from the Indian settlement. He appeared against the horizon as if he had ridden out of the ether, riding slowly, straight as an Indian, but as he came closer I saw he was a white man. At the door he dismounted, threw the reins on the ground, and walked past me into the store, lifting his slouch hat as he entered. A man rather short of stature, sturdy, with a wide-set jaw and flat features that would have been homely had they not been so strong.
He looked with surprise through the open door of the print shop with its stalled machinery.
"What's the trouble?" he asked.
I explained my predicament. "I can't put the thing together and I don't know what to do about it. It would be almost impossible to get an experienced printer out here to start it for me."
He smiled broadly, walked into the shop, and without a word fixed the forms, adjusted the press and turned out the first issue of that strange-fated newspaper.
He would accept no pay and no thanks. "My name is Farraday, Fred Farraday," he said. "I'll ride over next Friday and help you get the paper out."
With that he mounted his blue-roan pony and rode away as deliberately as he had come. Every Friday after that he returned to help print the paper. Naturally we were curious about the man who had solved our desperate need for a printer in so surprising a way, but Fred was content to come week after week and disappear again on the horizon without any explanation as to who he was, where he came from, where he went when he rode out of sight each Friday.
We tried him with hints, with bland suppositions, with bare-faced questions, and could not break through his taciturnity. But even Fred had no defense against Ma Wagor's curiosity, and little by little, through her persistent questioning, we learned that he had a homestead near the Agency, that he had run a newspaper in the Northwest, and that he had been connected with the Indian Service.
The business of the newspaper increased rapidly, and advertising began to come in from the small surrounding towns. Ma Wagor was kept busy in the store, selling groceries to the Indians who camped around for a day dickering, and to the white settlers who were generally in a hurry. So little time! So much to do! Ida Mary helped me in the print shop, and before long we found we needed an expert typesetter. And I found one--unlikely as it may seem--on an adjoining claim. Kathryn Slattery, tall and slim and red-haired, preferred setting type to sitting alone in her shack, and with her striking appearance as an added attraction the popularity of the settlement with the young men homesteaders mounted.
In this odd fashion I found on the prairie both a printer and a typesetter, and for problems of format for The Wand there was always the cartoonist from Milwaukee. Late one afternoon I spied a strange, moving object in the far distance, something that bobbed up and down with the regularity of a clock pendulum. I asked Ida Mary in some bewilderment whether she could identify it. At last we saw it was a stiff-jointed quadruped with some sort of jumping-jack on top, bouncing up and down at every step. As it drew closer, heading for the shop, Ida Mary began to laugh. "It's Alexander Van Leshout," she said.
The cartoonist scrambled down from his mount and led the old, stiff-jointed, sway-backed horse up to the door. "I would have called sooner," he explained, sweeping off his hat in a low bow, "but I have been breaking in my new steed. Let me introduce Hop-Along Cassidy."
It was the newspaper that had brought him, he went on to say. "Editorially it's not so bad, but the make-up would give anyone sore eyes." It was Van Leshout who helped with the make-up of the paper, and he made drawings and had plates made that would do credit to any newspaper.
He was a strange character in this setting, like an exotic plant in an old-fashioned garden, and his eccentricities aroused considerable amusement among the settlers, although he became in time a favorite with them, serving as a sort of counter-irritant to the strain of pioneer life. Men who trudged all day through the broiling sun turning furrows in that stubborn soil were entertained by the strange antics of a man who sat before his cabin in the shade (when there was any) painting the Indians. It was a rare treat to hear him go on, they admitted, but he was not to be taken seriously.
Among the subscriptions I received for The Wand was one from the New York broker, Halbert Donovan, with a letter addressed to McClure.
"Through the McClure Press which I had sent me," it read, "I learned that you are running a newspaper out on some Indian reservation. I remember quite well the fantastic idea you had about doing things out there with a little newspaper. But it does not seem possible you would be so foolhardy.
"I'm afraid your aspirations are going to receive a great blow. It is a poor place for dreams. Imagine your trying to be a voice of the frontier, as you put it, to a bunch of homesteaders in a God-forsaken country like that. If I can be of help to you in some way, you might let me know. You have shown a progressive spirit. Too bad to waste it."
What I needed at the moment was to have him send me a few corporations, but as that was unlikely, I pinned my faith in The Wand. It was a seven-column, four-page paper which carried staunchly a strange load of problems and responsibilities. In spite of the New York broker's blunt disbelief in the possibilities of a frontier newspaper, I had become more and more convinced during those weeks that only through some such medium could the homesteaders express their own needs, in their own way; have their problems discussed in terms of their own immediate situation.
We needed herd laws and a hundred other laws; we needed new land rulings. We needed schools, bridges across draws and dry creeks. We needed roads. In fact, there was nothing which we did not need--and most of all we needed a sense of close-knit cooperation. Aside from these matters of general interest, relating to their common welfare, the paper attempted to acquaint the settlers with one another, to inform them of the activities going on about them, to keep them advised of frontier conditions. To assist those who knew nothing of farming conditions in the West, and often enough those who had never farmed before, I reprinted articles on western soil and crops, and on the conservation of moisture.
Every week there were noticeable strides in that incredible country toward civilization, changes and improvements. These were printed as quickly as I learned of them, not only because of the encouragement this record of tangible results might bring the homesteaders, but also as a means of information for people in the East who still did not know what we were doing and who did not see the possibilities of the land.
And already, in depicting the homestead movement, I had begun to realize that the Lower Brulé was only a fraction of what was to come, and I reached out in panoramic scope to other parts of the frontier.
And already, though but dimly, I had begun to see that the system of cooperation which was being attempted--cautiously and on a small scale--was the logical solution for the farmer's problems, not alone in this homesteading area, not alone on the Lower Brulé; but that like a pebble thrown into a quiet stream it must make ever-widening circles until it encompassed the farmers throughout the West, perhaps--
Naturally public issues sprang up which neither Ida Mary nor I knew how to handle. We knew nothing about politics, nothing at all about the proper way to go about setting things right. But we were a jump ahead of the Lower Brulé settlers in homesteading experience, and there were many local issues with which to make a start.
One of the first public issues the paper took up was an attack on the railroad company in regard to the old bridge spanning the Missouri River at Chamberlain. "Every time a shower comes up, that bridge goes out," declared The Wand, and it wasn't much of an exaggeration. The homesteaders were dependent on the bridge to get immigrant goods across, and with the heavy rains that season many settlers had been delayed in getting on their land or in getting their crops planted in time.
The Wand referred to the railroad report that this was the biggest immigration period of the state's history, with 537 carloads of immigrant goods moved in during the first twelve days of the month. For several years the small towns west of the Missouri had been making a fight for a new bridge. "The Lower Brulé settlers want a new bridge," I wrote. "And if the Milwaukee does not build one we are going to do our shipping over the Northwestern regardless of longer hauls." I had not talked this matter over with the settlers, but they would do it, all right.
A flea attacking an elephant! But a flea can be annoying, and we would keep it up. I was encouraged when civic leaders of several small towns sent for copies of the article to use in their petitions to the company. It was the voice of the Lower Brulé, and already the Lower Brulé bore weight.
In practical ways the paper also tried to serve the homesteaders, keeping them posted on other frontier regions and the methods employed there to bring the land into production. It made a study of crops best adapted to the frontier; it became the Strip's bureau of information and a medium of exchange--not only of ideas but of commodities.
Land of the Burnt Thigh · The Wunder Library — complete classics, free to read, with narration.