Part 16

In some ways it was a relief to have the end in sight. I hated the minute routine of putting a paper together, with one letter of type at a time. I hated the hard mechanical work. Most of our neighbors were proving up, going back. But we realized, with a little shock of surprise, that we did not want to go back. Imperceptibly we had come to identify ourselves with the West; we were a part of its life, it was a part of us. Its hardships were more than compensated for by its unshackled freedom. To go back now would be to make a painful readjustment to city life; it would mean hunting jobs, being tied to the weariness of office routine. The opportunities for a full and active life were infinitely greater here on the prairie. There was a pleasant glow of possession in knowing that the land beneath our feet was ours.

For a little while we faced uncertainly the problem that other homesteaders were facing--that of going back, of trying to fit ourselves in again to city ways. But the eagerness to return to city life had gone. Then, too, there was something in the invigorating winter air and bright sunshine which had given me new resistance. There had been a continuous round of going down, and coming back with a second wind; but I had gained a little each time and was stronger now than before.

In the mid-afternoon, after our orgy of spring house-cleaning, with everything fresh and clean, Ida Mary said, "Someone is coming--straight across our land."

"Who is it?" I asked. We had learned to recognize every horse in that part of the country a mile away. But this was not a plainsman.

We rushed into the shack and made a mad scramble through the trunk, but before we could get dressed there came a knock at the door. "Will you wait a moment, please?" I called. It was the custom of the plains for a man to wait outside while his hostess dressed or put her house in order, there being no corner where he could stay during the process. If the weather prohibited outdoor waiting, he could retire to the hayshed.

A pleasant voice said, "I'll be glad to wait." But as I whispered, "Throw me those slippers," and Ida Mary said sotto voce, "What dress shall I wear?" we heard a muffled chuckle through the thin walls.

When we threw open the door to a slightly built man with brown hair and a polished air about him, I knew it was the cartoonist from Milwaukee. Only a city man and an artist could look like that.

"How do you do, Mr. Van Leshout."

"How did you know?" he said, as he came in.

"So you were a Lucky Number, after all," seemed a more appropriate response than telling him that it was spring and something had been bound to happen, something like the arrival of a cartoonist from Milwaukee.

"Are you going to be a settler?" Ida Mary asked doubtfully.

He laughed. Yes, he had taken a homestead close to the Sioux settlement so that he could paint some Indian pictures.

Odd how we kept forgetting the Indians, but up to now we hadn't even seen one, nor were we likely to, we thought, barricaded as they were in their own settlement. "But they are wonderful," he assured us enthusiastically; "magnificent people to paint; old, seamed faces and some really beautiful young ones. Character, too, and glamor!"

We invited him to tea, but he explained that he must get back to his claim before dark. It was already too late, Imbert told him; he would have to wait for the moon to rise. Imbert had dropped in, as he had a habit of doing, and seeing him through the eyes of an easterner we realized what fascination the lives of these plainsmen had for city men.

In honor of the occasion we got out the china cups, a wanton luxury on the plains, and tea and cake. As they rode off, Van Leshout called to us: "Come over to the shack. I built it myself. You'll know it by the crepe on the door."

As the two men melted into the darkness we closed the door reluctantly against the soft spring air. Strange that we had found prairie life dull!

One morning soon after the unexpected appearance of the Milwaukee cartoonist I awoke to find the prairie in blossom. Only in the spring is there color over that great expanse; but for a few weeks the grass is green and the wild flowers bloom in delicate beauty--anemones, tiny white and yellow and pink blossoms wherever the eye rests. I galloped to the print shop with the wind blowing through my hair, rejoicing in the sudden beauty, and found myself too much in holiday mood to get to work.

Suddenly I looked up from the type case to find an arresting figure in the doorway, a middle-aged man with an air of power and authority about him.

"I'm waiting for the stage," he said. "May I come in?"

I offered him the only chair there was--an upturned nail keg--and he sat down.

"Where do you come from?" he asked abruptly.

"St. Louis," I said.

"But why come out here to run a newspaper?"

"I didn't. I came to homestead with my sister, but the job was here."

Because he was amused at the idea, because the function of these frontier papers seemed unimportant to him, I began to argue the point, and finally, thoroughly aroused, described the possibilities which grew in my own mind as I discussed them. There was a tremendous job for the frontier newspaper to do, I pointed out. Did he know the extent of this great homestead movement and the future it promised? True, the frontier papers were small in size, but they could become a power in the development of this raw country.

"How?" he demanded.

I think I fully realized it for the first time myself then. "As a medium of cooperation," I told him.

He got up and walked to the window, hands in pockets, and looked out over the prairie. Then he turned around. "But the development of this country is a gigantic enterprise," he protested. "It would require the backing of corporations and millions of dollars. In fact, it's too big for any organization but the government to tackle. It's no job for a woman." His eyes twinkled as he contrasted my diminutive size with the great expanse of undeveloped plains. "What could you do?"