But the stern gate-keepers bade him go away, announcing that the dwelling was the dwelling of Terute-Hime, daughter of the famed Choja Yokoyama, and that no person of the male sex whosoever could be permitted to enter; and furthermore, that guards had been appointed to guard the palace--ten by night and ten by day--with extreme caution and severity.
But the merchant told the gate-keepers that he was Goto Sayemon, of the street called Muromachi, in the city of Kyoto; that he was a well-famed merchant there, and was by the people called Sendanya; that he had thrice been to India and thrice to China, and was now upon his seventh return journey to the great country of the Rising Sun.
And he said also to them: "Into all the palaces of Nihon, save this one only, I have been freely admitted; so I shall be deeply grateful to you if you permit me to enter."
Thus saying, he produced many rolls of silk, and presented them to the gate-keepers; and their cupidity made them blind; and the merchant, without more difficulty, entered, rejoicing.
Through the great outer gate he passed, and over a bridge, and then found himself in front of the chambers of the female attendants of the superior class.
And he called out with a very loud voice: "O my ladies, all things that you may require I have here with me!
"I have all jorogata-no-meshi-dogu; I have hair-combs and needles and tweezers; I have tategami, and combs of silver, and kamoji from Nagasaki, and even all kinds of Chinese mirrors!"
Whereupon the ladies, delighted with the idea of seeing these things, suffered the merchant to enter their apartment, which he presently made to look like a shop for the sale of female toilet articles.
(1) Nakodo. The profession of nakodo exists; but any person who arranges marriages for a consideration is for the time being called the nakodo.
But while making bargains and selling very quickly, Sayemon did not lose the good chance offered him; and taking from his box the love-letter which had been confided to him, he said to the ladies:--
"This letter, if I remember rightly, I picked up in some town in Hitachi, and I shall be very glad if you will accept it,--either to use it for a model if it be written beautifully, or to laugh at if it prove to have been written awkwardly."
Then the chief among the maids, receiving the letter, tried to read the writing upon the envelope: "Tsuki ni hoshi--ame ni arare ga--kori kana,"--
Which signified, "Moon and stars--rain and hail--make ice." But she could not read the riddle of the mysterious words.
The other ladies, who were also unable to guess the meaning of the words, could not but laugh; and they laughed so shrilly that the Princess Terute heard, and came among them, fully robed, and wearing a veil over her night-black hair.
And the bamboo-screen having been rolled up before her, Terute-Hime asked: "What is the cause of all this laughing? If there be anything amusing, I wish that you will let me share in the amusement."
The maids then answered, saying: "We were laughing only at our being unable to read a letter which this merchant from the capital says that he picked up in some street. And here is the letter: even the address upon it is a riddle to us."
And the letter, having been laid upon an open crimson fan, was properly presented to the princess, who received it, and admired the beauty of the writing, and said:--
"Never have I seen so beautiful a hand as this: it is like the writing of Kobodaishi himself, or of Monju Bosatsu.
"Perhaps the writer is one of those princes of the Ichijo, or Nijo, or Sanjo families, all famed for their skill in writing.
"Or, if this guess of mine be wrong, then I should say that these characters have certainly been written by Oguri-Hangwan Kane-uji, now so famed in the province of Hitachi.... I shall read the letter for you."
Then the envelope was removed; and the first phrase she read was Fuji no yama (the Mountain of Fuji), which she interpreted as signifying loftiness of rank. And then she met with such phrases as these:--
Kiyomidzu kosaka (the name of a place); arare ni ozasa (hail on the leaves of the bamboo-grass); itaya ni arare (hail following upon a wooden roof);
Tamato ni kori (ice in the sleeve); nonaka ni shimidzu (pure water running through a moor); koike ni makomo (rushes in a little pond);
Inoba ni tsuyu (dew on the leaves of the taro); shakunaga obi (a very long girdle); shika ni momiji (deer and maple-trees);
Futamata-gawa (a forked river); hoso tanigawa-ni marukibashi (a round log laid over a little stream for a bridge); tsurunashi yumi ni hanuki dori (a stringless bow, and a wingless bird).
And then she understood that the characters signified:--
Maireba au--they would meet, for he would call upon her. Arare nai--then they would not be separated. Korobi au--they would repose together.
And the meaning of the rest was thus:--
Kokoro: Hints and Echoes of Japanese Inner Life · The Wunder Library — complete classics, free to read, with narration.