Part 1

Executive Director's Notes:

In addition to the notes below, and so you will *NOT* think all the spelling errors introduced by the printers of the time have been corrected, here are the first few lines of Hamlet, as they are presented herein:

Barnardo. Who's there? Fran. Nay answer me: Stand & vnfold your selfe

Bar. Long liue the King

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As I understand it, the printers often ran out of certain words or letters they had often packed into a "cliche". . .this is the original meaning of the term cliche. . .and thus, being unwilling to unpack the cliches, and thus you will see some substitutions that look very odd. . .such as the exchanges of u for v, v for u, above. . .and you may wonder why they did it this way, presuming Shakespeare did not actually write the play in this manner. . . .

The answer is that they MAY have packed "liue" into a cliche at a time when they were out of "v"'s. . .possibly having used "vv" in place of some "w"'s, etc. This was a common practice of the day, as print was still quite expensive, and they didn't want to spend more on a wider selection of characters than they had to.

You will find a lot of these kinds of "errors" in this text, as I have mentioned in other times and places, many "scholars" have an extreme attachment to these errors, and many have accorded them a very high place in the "canon" of Shakespeare. My father read an assortment of these made available to him by Cambridge University in England for several months in a glass room constructed for the purpose. To the best of my knowledge he read ALL those available . . .in great detail. . .and determined from the various changes, that Shakespeare most likely did not write in nearly as many of a variety of errors we credit him for, even though he was in/famous for signing his name with several different spellings.

So, please take this into account when reading the comments below made by our volunteer who prepared this file: you may see errors that are "not" errors. . . .

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Scanner's Notes:

What this is and isn't. This was taken from a copy of Shakespeare's first folio and it is as close as I can come in ASCII to the printed text.

The elongated S's have been changed to small s's and the conjoined ae have been changed to ae. I have left the spelling, punctuation, capitalization as close as possible to the printed text. I have corrected some spelling mistakes (I have put together a spelling dictionary devised from the spellings of the Geneva Bible and Shakespeare's First Folio and have unified spellings according to this template), typo's and expanded abbreviations as I have come across them. Everything within brackets [] is what I have added. So if you don't like that you can delete everything within the brackets if you want a purer Shakespeare.

Another thing that you should be aware of is that there are textual differences between various copies of the first folio. So there may be differences (other than what I have mentioned above) between this and other first folio editions. This is due to the printer's habit of setting the type and running off a number of copies and then proofing the printed copy and correcting the type and then continuing the printing run. The proof run wasn't thrown away but incorporated into the printed copies. This is just the way it is. The text I have used was a composite of more than 30 different First Folio editions' best pages.

David Reed

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The Second Part of Henry the Fourth

Containing his Death: and the Coronation of King Henry the Fift

Actus Primus. Scoena Prima.

INDVCTION.

Enter Rumour.

Open your Eares: For which of you will stop The vent of Hearing, when loud Rumor speakes? I, from the Orient, to the drooping West (Making the winde my Post-horse) still vnfold The Acts commenced on this Ball of Earth. Vpon my Tongue, continuall Slanders ride, The which, in euery Language, I pronounce, Stuffing the Eares of them with false Reports: I speake of Peace, while couert Enmitie (Vnder the smile of Safety) wounds the World: And who but Rumour, who but onely I Make fearfull Musters, and prepar'd Defence, Whil'st the bigge yeare, swolne with some other griefes, Is thought with childe, by the sterne Tyrant, Warre, And no such matter? Rumour, is a Pipe Blowne by Surmises, Ielousies, Coniectures; And of so easie, and so plaine a stop, That the blunt Monster, with vncounted heads, The still discordant, wauering Multitude, Can play vpon it. But what neede I thus My well-knowne Body to Anathomize Among my houshold? Why is Rumour heere? I run before King Harries victory, Who in a bloodie field by Shrewsburie Hath beaten downe yong Hotspurre, and his Troopes, Quenching the flame of bold Rebellion, Euen with the Rebels blood. But what meane I To speake so true at first? My Office is To noyse abroad, that Harry Monmouth fell Vnder the Wrath of Noble Hotspurres Sword: And that the King, before the Dowglas Rage Stoop'd his Annointed head, as low as death. This haue I rumour'd through the peasant-Townes, Betweene the Royall Field of Shrewsburie, And this Worme-eaten-Hole of ragged Stone, Where Hotspurres Father, old Northumberland, Lyes crafty sicke. The Postes come tyring on, And not a man of them brings other newes Then they haue learn'd of Me. From Rumours Tongues, They bring smooth-Comforts-false, worse then True-wrongs. Enter.

Scena Secunda.

Enter Lord Bardolfe, and the Porter.

L.Bar. Who keepes the Gate heere hoa? Where is the Earle? Por. What shall I say you are? Bar. Tell thou the Earle That the Lord Bardolfe doth attend him heere

Por. His Lordship is walk'd forth into the Orchard, Please it your Honor, knocke but at the Gate, And he himselfe will answer. Enter Northumberland.

L.Bar. Heere comes the Earle

Nor. What newes Lord Bardolfe? Eu'ry minute now Should be the Father of some Stratagem; The Times are wilde: Contention (like a Horse Full of high Feeding) madly hath broke loose, And beares downe all before him