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Part 6

John James Audubon · John Burroughs — chapter 6 of 13 · ~1,804 words · public domain

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In the course of six weeks, after many delays, and adventures with the ice and the cold, the party reached St. Geneviève.

Audubon has given in his journal a very vivid and interesting account of this journey. At St. Geneviève, the whiskey was in great demand, and what had cost them twenty-five cents a gallon, was sold for two dollars. But Audubon soon became discouraged with the place and longed to be back in Hendersonville with his family. He did not like the low bred French-Canadians, who made up most of the population of the settlement. He sold out his interest in the business to his partner, who liked the place and the people, and here the two parted company. Audubon purchased a fine horse and started over the prairies on his return trip to Hendersonville.

On this journey he came near being murdered by a woman and her two desperate sons who lived in a cabin on the prairies, where the traveller put up for the night. He has given a minute and graphic account of this adventure in his journal.

The cupidity of the woman had been aroused by the sight of Audubon's gold watch and chain. A wounded Indian, who had also sought refuge in the shanty had put Audubon upon his guard. It was midnight, Audubon lay on some bear skins in one corner of the room, feigning sleep. He had previously slipped out of the cabin and had loaded his gun, which lay close at hand. Presently he saw the woman sharpen a huge carving knife, and thrust it into the hand of her drunken son, with the injunction to kill yon stranger and secure the watch. He was just on the point of springing up to shoot his would-be murderers, when the door burst open, and two travellers, each with a long knife, appeared. Audubon jumped up and told them his situation. The drunken sons and the woman were bound, and in the morning they were taken out into the woods and were treated as the Regulators treated delinquents in those days. They were shot. Whether Audubon did any of the shooting or not, he does not say. But he aided and abetted, and his Spanish blood must have tingled in his veins. Then the cabin was set on fire, and the travellers proceeded on their way.

It must be confessed that this story sounds a good deal like an episode in a dime novel, and may well be taken with a grain of allowance. Did remote prairie cabins in those days have grindstones and carving knives? And why should the would-be murderers use a knife when they had guns?

Audubon reached Hendersonville in early March, and witnessed the severe earthquake which visited that part of Kentucky the following November, 1812. Of this experience we also have a vivid account in his journals.

Audubon continued to live at Hendersonville, his pecuniary means much reduced. He says that he made a pedestrian tour back to St. Geneviève to collect money due him from Rozier, walking the one hundred and sixty-five miles, much of the time nearly ankle-deep in mud and water, in a little over three days. Concerning the accuracy of this statement one also has his doubts. Later he bought a "wild horse," and on its back travelled over Tennessee and a portion of Georgia, and so around to Philadelphia, later returning to Hendersonville.

He continued his drawings of birds and animals, but, in the meantime, embarked in another commercial venture, and for a time prospered. Some years previously he had formed a co-partnership with his wife's brother, and a commercial house in charge of Bakewell had been opened in New Orleans. This turned out disastrously and was a constant drain upon his resources.

This partner now appears upon the scene at Hendersonville and persuades Audubon to erect, at a heavy outlay, a steam grist and saw mill, and to take into the firm an Englishman by the name of Pease.

This enterprise brought fresh disaster. "How I laboured at this infernal mill, from dawn till dark, nay, at times all night."

They also purchased a steamboat which was so much additional weight to drag them down. This was about the year 1817. From this date till 1819, Audubon's pecuniary difficulties increased daily. He had no business talent whatever; he was a poet and an artist; he cared not for money, he wanted to be alone with Nature. The forests called to him, the birds haunted his dreams.

His father dying in 1818, left him a valuable estate in France, and seventeen thousand dollars, deposited with a merchant in Richmond, Virginia; but Audubon was so dilatory in proving his identity and his legal right to this cash, that the merchant finally died insolvent, and the legatee never received a cent of it. The French estate he transferred in after years to his sister Rosa.

III.

Finally, Audubon gave up the struggle of trying to be a business man. He says: "I parted with every particle of property I had to my creditors, keeping only the clothes I wore on that day, my original drawings, and my gun, and without a dollar in my pocket, walked to Louisville alone."

This he speaks of as the saddest of all his journeys--"the only time in my life when the wild turkeys that so often crossed my path, and the thousands of lesser birds that enlivened the woods and the prairies, all looked like enemies, and I turned my eyes from them, as if I could have wished that they had never existed."

But the thought of his beloved Lucy and her children soon spurred him to action. He was a good draughtsman, he had been a pupil of David, he would turn his talents to account.

"As we were straightened to the very utmost, I undertook to draw portraits at the low price of five dollars per head, in black chalk. I drew a few gratis, and succeeded so well that ere many days had elapsed I had an abundance of work."

His fame spread, his orders increased. A settler came for him in the middle of the night from a considerable distance to have the portrait of his mother taken while she was on the eve of death, and a clergyman had his child's body exhumed that the artist might restore to him the lost features.

Money flowed in and he was soon again established with his family in a house in Louisville. His drawings of birds still continued and, he says, became at times almost a mania with him; he would frequently give up a head, the profits of which would have supplied the wants of his family a week or more, "to represent a little citizen of the feathered tribe."

In 1819 he was offered the position of taxidermist in the museum at Cincinnati, and soon moved there with his family. His pay not being forthcoming from the museum, he started a drawing school there, and again returned to his portraits. Without these resources, he says, he would have been upon the starving list. But food was plentiful and cheap. He writes in his journal: "Our living here is extremely moderate; the markets are well supplied and cheap, beef only two and one half cents a pound, and I am able to supply a good deal myself. Partridges are frequently in the streets, and I can shoot wild turkeys within a mile or so. Squirrels and Woodcock are very abundant in the season, and fish always easily caught."

In October, 1820, we again find him adrift, apparently with thought of having his bird drawings published, after he shall have further added to them by going through many of the southern and western states.

Leaving his family behind him, he started for New Orleans on a flatboat. He tarried long at Natchez, and did not reach the Crescent City till midwinter. Again he found himself destitute of means, and compelled to resort to portrait painting. He went on with his bird collecting and bird painting; in the meantime penetrating the swamps and bayous around the city.

At this time he seems to have heard of the publication of Wilson's "Ornithology," and tried in vain to get sight of a copy of it.

In the spring he made an attempt to get an appointment as draughtsman and naturalist to a government expedition that was to leave the next year to survey the new territory ceded to the United States by Spain. He wrote to President Monroe upon the subject, but the appointment never came to him. In March he called upon Vanderlyn, the historical painter, and took with him a portfolio of his drawings in hopes of getting a recommendation. Vanderlyn at first treated him as a mendicant and ordered him to leave his portfolio in the entry. After some delay, in company with a government official, he consented to see the pictures.

"The perspiration ran down my face," says Audubon, "as I showed him my drawings and laid them on the floor." He was thinking of the expedition to Mexico just referred to, and wanted to make a good impression upon Vanderlyn and the officer. This he succeeded in doing, and obtained from the artist a very complimentary note, as he did also from Governor Robertson of Louisiana.

In June, Audubon left New Orleans for Kentucky, to rejoin his wife and boys, but somewhere on the journey engaged himself to a Mrs. Perrie who lived at Bayou Sara, Louisiana, to teach her daughter drawing during the summer, at sixty dollars per month, leaving him half of each day to follow his own pursuits. He continued in this position till October when he took steamer for New Orleans. "My long, flowing hair, and loose yellow nankeen dress, and the unfortunate cut of my features, attracted much attention, and made me desire to be dressed like other people as soon as possible."

He now rented a house in New Orleans on Dauphine street, and determined to send for his family. Since he had left Cincinnati the previous autumn, he had finished sixty-two drawings of birds and plants, three quadrupeds, two snakes, fifty portraits of all sorts, and had lived by his talents, not having had a dollar when he started. "I sent a draft to my wife, and began life in New Orleans with forty-two dollars, health, and much eagerness to pursue my plan of collecting all the birds of America."

His family, after strong persuasion, joined him in December, 1821, and his former life of drawing portraits, giving lessons, painting birds, and wandering about the country, began again. His earnings proving inadequate to support the family, his wife took a position as governess in the family of a Mr. Brand.

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