Part 15

When you come to represent those parts of speech which indicate thought-relations, e.g. “because,” “therefore,” “but,” and so on, you have no such means as those described to assist you; so that these parts of the text must be lost, so far as your translation into pictorial form is concerned. Similarly, the content of the dream-thoughts is resolved by the dream-work into its ‘raw material,’ consisting of objects and activities. You may be satisfied if there is any possibility of indicating somehow, by a more minute elaboration of the images, certain relations which cannot be represented in themselves. In a precisely similar manner the dream-work succeeds in expressing much of the content of the latent thoughts by means of peculiarities in the form of the manifest dream, by its distinctness or obscurity, its division into various parts, etc. The number of parts into which a dream is divided corresponds as a rule with the number of its main themes, the successive trains of thought in the latent dream; a short preliminary dream often stands in an introductory or causal relation to the subsequent detailed main dream; whilst a subordinate dream-thought is represented by the interpolation into the manifest dream of a change of scene, and so on. The form of dreams, then, is by no means unimportant in itself, and itself demands interpretation. Several dreams in the same night often have the same meaning, and indicate an endeavour to control more and more completely a stimulus of increasing urgency. In a single dream, a specially difficult element may be represented by “doubling” it, i.e. by more than one symbol.

If we continue the comparison of dream-thoughts with the manifest dreams representing them, we discover in all directions things we should never have expected, e.g. that even nonsense and absurdity in dreams have their meaning; in fact, at this point the contrast between the medical and the psycho-analytic view of dreams becomes more marked than ever before. According to the medical view, the dream is absurd because while dreaming our mental activity has renounced its functions; according to our view, on the other hand, the dream becomes absurd when it has to represent a criticism implicit in the latent thoughts—the opinion: “It is absurd.” The dream I told you, about the visit to the theatre (“three tickets for one florin and a half”) is a good example of this: the opinion thus expressed was as follows: “It was absurd to marry so early.”

Similarly, we find out when we interpret dreams what is the real meaning of the doubts and uncertainties, so frequently mentioned by dreamers, whether a certain element did actually appear in the dream, whether it was really this and not rather something else. As a rule, there is nothing in the latent thoughts corresponding with these doubts and uncertainties; they originate wholly through the operation of the censorship and are comparable to a not entirely successful attempt at erasure.

One of our most surprising discoveries is the manner in which opposites in the latent dream are dealt with by the dream-work. We know already that points of agreement in the latent material are replaced by condensation in the manifest dream. Now contraries are treated in just the same way as similarities, with a marked preference for expression by means of the same manifest element. An element in the manifest dream which admits of an opposite may stand simply for itself, or for its opposite, or for both together; only the sense can decide which translation is to be chosen. It accords with this that there is no representation of a “No” in dreams, or at least none which is not ambiguous.

A welcome analogy to this strange behaviour of the dream-work is furnished in the development of language. Many philologists have maintained that in the oldest languages opposites such as: strong—weak, light—dark, large—small, were expressed by the same root word (antithetical sense of primal words). Thus, in old Egyptian “ken” stood originally for both “strong” and “weak.” In speaking, misunderstanding was guarded against in the use of such ambivalent words by the intonation and accompanying gestures; in writing, by the addition of a so-called “determinative,” that is to say, of a picture which was not meant to be expressed orally. Thus, “ken” = “strong” was written in such a way that after the letters there was a picture of a little man standing upright; when “ken” meant “weak,” there was added the picture of a man in a slack, crouching attitude. Only at a later period did the two opposite meanings of the same primal word come to be designated in two different ways by slight modifications of the original. Thus, from “ken” meaning “strong—weak” were derived two words: “ken” = “strong” and “kan” = “weak.” Nor is it only the oldest languages, in the last stages of their development, which have retained many survivals of these early words capable of meaning either of two opposites, but the same is true of much younger languages, even those which are to-day still living. I will quote some illustrations of this taken from the work of C. Abel (1884):

In Latin, such ambivalent words are:

altus = high or deep. sacer = sacred or accursed.

As examples of modifications of the original root, I quote:

clamare = to shout. clam = quietly, silently, secretly. siccus = dry. succus = juice.

and, in German, Stimme = voice. stumm = dumb.

A comparison of kindred languages yields a large number of examples:

English: lock = to shut. German: Loch = hole. Lücke = gap. English: cleave. German: kleben = to stick, adhere.

The English word “without,” originally carrying with it both a positive and a negative connotation, is to-day used in the negative sense only, but it is clear that “with” has the signification, not merely of “adding to,” but of “depriving of,” from the compounds “withdraw,” “withhold” (cf. the German wieder).

Yet another peculiarity of the dream-work has its counterpart in the development of language. In ancient Egyptian, as well as in other later languages, the sequence of sounds was transposed so as to result in different words for the same fundamental idea. Examples of this kind of parallels between English and German words may be quoted:

Topf (pot)—pot. Boat—tub. Hurry—Ruhe (rest). Balken (beam)—Kloben (club). wait—täuwen (to wait).

Parallels between Latin and German:—

capere—packen (to seize). ren—Niere (kidney).

Such transpositions as have taken place here in the case of single words are made by the dream-work in a variety of ways. The inversion of the meaning, i.e. substitution by the opposite, is a device with which we are already familiar; but, besides this, we find in dreams inversion of situations or of the relations existing between two persons, as though the scene were laid in a “topsy-turvy” world. In dreams often enough the hare shoots the hunter. Again, inversion is met with in the sequence of events, so that in dreams cause follows effect, which reminds us of what sometimes happens in a third-rate theatrical performance, when first the hero falls and then the shot which kills him is fired from the wings. Or there are dreams in which the whole arrangement of the elements is inverted, so that in interpreting them the last must be taken first, and the first last, in order to make sense at all. You remember that we also found this in our study of dream-symbolism, in which the act of plunging or falling into water has the same meaning as that of emerging from water, namely, giving birth or being born, and going up steps or a ladder means the same as coming down them. We cannot fail to recognize the advantage reaped for dream-distortion by this freedom from restrictions in representing the dream-thoughts.

These features of the dream-work may be termed archaic. They cling to the primitive modes of expression of languages or scripts, and yield the same difficulties, which we shall touch upon later in the course of some critical observations on this topic.

Now let us consider some other aspects of the subject. Clearly what has to be accomplished by the dream-work is the transformation of the latent thoughts, as expressed in words, into perceptual forms, most commonly into visual images. Now our thoughts originated in such perceptual forms; their earliest material and the first stages in their development consisted of sense-impressions, or, more accurately, of memory-pictures of these. It was later that words were attached to these pictures and then connected so as to form thoughts. So that the dream-work subjects our thoughts to a regressive process and retraces the steps in their development; in the course of this REGRESSION all new acquisitions won during this development of memory-pictures into thoughts must necessarily fall away.

This then is what we mean by the dream-work. Beside what we have learnt of its processes our interest in the manifest dream is bound to recede far into the background; I will, however, devote still a few more remarks to the manifest dream, for, after all, that is the only part of the dream with which we have any direct acquaintance.

It is natural that the manifest dream should lose some of its importance in our eyes. It must strike us as a matter of indifference whether it is carefully composed or split up into a succession of disconnected pictures. Even when the outward form of the dream is apparently full of meaning, we know that this appearance has been arrived at by the process of dream-distortion, and can have as little organic connection with the inner content of the dream as exists between the façade of an Italian church and its general structure and ground-plan. At times, however, this façade of the dream has a meaning too, reproducing an important part of the latent thoughts with little or no distortion. But we cannot know this until we have interpreted the dream and thus arrived at an opinion with regard to the degree of distortion present. A similar doubt obtains where two elements seem to be closely connected; such connection may contain a valuable hint that the corresponding elements in the latent dream are similarly related, but at other times we can convince ourselves that what is connected in thought has become widely separated in the dream.

In general we must refrain from attempting to explain one part of the manifest dream by another part, as though the dream were a coherent conception and a pragmatic representation. It is in most cases comparable rather to a piece of Breccia stone, composed of fragments of different kinds of stone cemented together in such a way that the markings upon it are not those of the original pieces contained in it. There is, as a matter of fact, one mechanism in the dream-work, known as SECONDARY ELABORATION, the object of which is to combine the immediate results of the work into a single and fairly coherent whole; during this process the material is often so arranged as to give rise to total misunderstanding, and for this purpose any necessary interpolations are made.

On the other hand, we should not overrate the dream-work or attribute to it more than is its due. Its activity is limited to the achievements here enumerated; condensation, displacement, plastic representation and secondary elaboration of the whole dream; these are all that it can effect. Such manifestations of judgement, criticism, surprise, or deductive reasoning, as are met with in dreams are not brought about by the dream-work and are only very rarely the expression of subsequent reflection about the dream; but are for the most part fragments of the latent thoughts introduced into the manifest dream with more or less modification and in a form suited to the context. Again, the dream-work cannot create conversation in dreams; save in a few exceptional cases, it is imitated from, and made up of, things heard or even said by the dreamer himself on the previous day, which have entered into the latent thoughts as the material or incitement of his dream. Neither do mathematical calculations come into the province of the dream-work; anything of the sort appearing in the manifest dream is generally a mere combination of numbers, a pseudo-calculation, quite absurd as such, and again only a copy of some calculation comprised in the latent thoughts. In these circumstances it is not surprising that the interest which was felt in the dream-work soon becomes directed instead towards the latent thoughts which disclose themselves in a more or less distorted form through the manifest dream. We are not justified, however, in a theoretical consideration of the subject, in letting our interest stray so far that we altogether substitute the latent thoughts for the dream as a whole, and make some pronouncement on the latter which is only true of the former. It is strange that the findings of psycho-analysis could be so misused as to result in confusion between the two. The term “dream” can only be applied to the results of the dream-work, i.e. to the form into which the latent thoughts have been rendered by the dream-work.

This work is a process of a quite peculiar type; nothing like it has hitherto been known in mental life. This kind of condensation, displacement, and regressive translation of thoughts into images, is a novelty, the recognition of which in itself richly rewards our efforts in the field of psycho-analysis. You will again perceive, from the parallels to dream-work, the connections revealed between psycho-analytic and other research, especially in the fields of the development of speech and thought. You will only realize the further significance of the insight so acquired when you learn that the mechanism of the dream-work is a kind of model for the formation of neurotic symptoms.

I know too that it is not possible for us yet to grasp the full extent of the fresh gain accruing to psychology from these labours. We will only hint at the new proofs thereby afforded of the existence of unconscious mental activities—for this indeed is the nature of the latent dream-thoughts—and at the promise dream-interpretation gives of an approach, wider than we ever guessed at, to the knowledge of the unconscious life of the mind.

Now, however, I think the time has come to give you individual examples of various short dreams, which will illustrate the points for which I have already prepared you.

TWELFTH LECTURE EXAMPLES OF DREAMS AND ANALYSIS OF THEM