Part 21

There are in the psychic life, as we have heard, repressed wishes which belong to the first system, and to whose fulfilment the second system is opposed. There are wishes of this kind—and we do not mean this in an historic sense, that there have been such wishes and that these have then been destroyed—but the theory of repression, which is essential to the study of psychoneurosis, asserts that such repressed wishes still exist, contemporaneously with an inhibition weighing them down. Language has hit upon the truth when it speaks of the “suppression” of such impulses. The psychic contrivance for bringing such wishes to realisation remains preserved and in a condition to be used. But if it happens that such a suppressed wish is fulfilled, the vanquished inhibition of the second system (which is capable of becoming conscious) is then expressed as a painful feeling. To close this discussion; if sensations of a disagreeable character which originate from somatic sources are presented during sleep, this constellation is taken advantage of by the dream activity to represent the fulfilment—with more or less retention of the censor—of an otherwise suppressed wish.

This condition of affairs makes possible a number of anxiety dreams, while another series of the dream formations which are unfavourable to the wish theory exhibits a different mechanism. For anxiety in dreams may be of a psychoneurotic nature, or it may originate in psychosexual excitements, in which case the anxiety corresponds to a repressed libido. Then this anxiety as well as the whole anxiety dream has the significance of a neurotic symptom, and we are at the dividing-line where the wish-fulfilling tendency of dreams disappears. But in other anxiety-dreams the feeling of anxiety comes from somatic sources (for instance in the case of persons suffering from pulmonary or heart trouble, where there is occasional difficulty in getting breath), and then it is used to aid those energetically suppressed wishes in attaining fulfilment in the form of a dream, the dreaming of which from psychic motives would have resulted in the same release of fear. It is not difficult to unite these two apparently discrepant cases. Of two psychic formations, an emotional inclination and an ideal content, which are intimately connected, the one, which is presented as actual, supports the other in the dream; now anxiety of somatic origin supports the suppressed presentation content, now the ideal content, which is freed from suppression, and which proceeds with the impetus given by sexual emotion, assists the discharge of anxiety. Of the one case it may be said that an emotion of somatic origin is psychically interpreted; in the other case everything is of psychic origin but the content which has been suppressed is easily replaced by a somatic interpretation which is suited to anxiety. The difficulties which lie in the way of understanding all this have little to do with the dream; they are due to the fact that in discussing these points we are touching upon the problems of the development of anxiety and of repression.

Undoubtedly the aggregate of bodily feelings is to be included among the commanding dream stimuli which originate internally. Not that it is able to furnish the dream content, but it forces the dream thoughts to make a choice from the material destined to serve the purpose of representation in the dream content; it does this by putting within easy reach that part of the material which is suited to its own character, while withholding the other. Moreover this general feeling, which is left over from the day, is probably connected with the psychic remnants which are significant for the dream.

If somatic sources of excitement occurring during sleep—that is, the sensations of sleep—are not of unusual intensity, they play a part in the formation of dreams similar, in my judgment, to that of the impressions of the day which have remained recent but indifferent. I mean that they are drawn into the dream formation, if they are qualified for being united with the presentation content of the psychic dream-source, but in no other case. They are treated as a cheap ever-ready material, which is utilised as often as it is needed, instead of prescribing, as a precious material does, the manner in which it is to be utilised. The case is similar to that where a patron of art brings to an artist a rare stone, a fragment of onyx, in order that a work of art may be made of it. The size of the stone, its colour, and its marking help to decide what bust or what scene shall be represented in it, while in the case where there is a uniform and abundant supply of marble or sandstone the artist follows only the idea which takes shape in his mind. Only in this manner, it seems to me, is the fact explicable that the dream content resulting from bodily excitements that have not been accentuated to a usual degree, does not appear in all dreams and during every night.

Perhaps an example, which takes us back to the interpretation of dreams, will best illustrate my meaning. One day I was trying to understand the meaning of the sensations of being impeded, of not being able to move from the spot, of not being able to get finished, &c., which are dreamt about so often, and which are so closely allied to anxiety. That night I had the following dream: I am very incompletely dressed, and I go from a dwelling on the ground floor up a flight of stairs to an upper story. In doing this I jump over three steps at a time, and I am glad to find I can mount the steps so quickly. Suddenly I see that a servant girl is coming down the stairs, that is, towards me. I am ashamed and try to hurry away, and now there appears that sensation of being impeded; I am glued to the steps and cannot move from the spot.

Analysis: The situation of the dream is taken from everyday reality. In a house in Vienna I have two apartments, which are connected only by a flight of stairs outside. My consultation-rooms and my study are on an elevated portion of the ground floor, and one story higher are my living-rooms. When I have finished my work downstairs late at night, I go up the steps into my bedroom. On the evening before the dream I had actually gone this short distance in a somewhat disorderly attire—that is to say, I had taken off my collar, cravat, and cuffs; but in the dream this has changed into a somewhat more advanced degree of undress, which as usual is indefinite. Jumping over the steps is my usual method of mounting stairs; moreover it is the fulfilment of a wish that has been recognised in the dream, for I have reassured myself about the condition of my heart action by the ease of this accomplishment. Moreover the manner in which I climb the stairs is an effective contrast to the sensation of being impeded which occurs in the second half of the dream. It shows me—something which needed no proof—that the dream has no difficulty in representing motor actions as carried out fully and completely; think of flying in dreams!

But the stairs which I go up are not those of my house; at first I do not recognise them; only the person coming toward me reveals to me the location which they are intended to signify. This woman is the maid of the old lady whom I visit twice daily to give hypodermic injections; the stairs, too, are quite similar to those which I must mount there twice daily.

How do this flight of stairs and this woman get into my dream? Being ashamed because one is not fully dressed, is undoubtedly of a sexual character; the servant of whom I dream is older than I, sulky, and not in the least attractive. These questions call up exactly the following occurrences: When I make my morning visit at this house I am usually seized with a desire to clear my throat; the product of the expectoration falls upon the steps. For there is no spittoon on either of these floors, and I take the view that the stairs should not be kept clean at my expense, but by the provision of a spittoon. The housekeeper, likewise an elderly and sulky person, with instincts for cleanliness, takes another view of the matter. She lies in wait for me to see whether I take the liberty referred to, and when she has made sure of it, I hear her growl distinctly. For days thereafter she refuses to show me her customary regard when we meet. On the day before the dream the position of the housekeeper had been strengthened by the servant girl. I had just finished my usual hurried visit to the patient when the servant confronted me in the ante-room and observed: “You might as well have wiped your shoes to-day, doctor, before you came into the room. The red carpet is all dirty again from your feet.” This is the whole claim which the flight of stairs and the servant-girl can make for appearing in my dream.

An intimate connection exists between my flying over the stairs and my spitting on the stairs. Pharyngitis and diseases of the heart are both said to be punishments for the vice of smoking, on account of which vice, of course, I do not enjoy a reputation for great neatness with my housekeeper in the one house any more than in the other, both of which the dream fuses into a single image.

I must postpone the further interpretation of this dream until I can give an account of the origin of the typical dream of incomplete dress. I only note as a preliminary result from the dream which has just been cited that the dream sensation of inhibited action is always aroused at a point where a certain connection requires it. A peculiar condition of my motility during sleep cannot be the cause of this dream content, for a moment before I saw myself hurrying over the steps with ease, as though in confirmation of this fact.

(d) Typical Dreams

In general we are not in a position to interpret the dream of another person if he is unwilling to furnish us with the unconscious thoughts which lie behind the dream content, and for this reason the practical applicability of our method of dream interpretation is seriously curtailed. But there are a certain number of dreams—in contrast with the usual freedom displayed by the individual in fashioning his dream world with characteristic peculiarity, and thereby making it unintelligible—which almost every one has dreamed in the same manner, and of which we are accustomed to assume that they have the same significance in the case of every dreamer. A peculiar interest belongs to these typical dreams for the reason that they probably all come from the same sources with every person, that they are thus particularly suited to give us information upon the sources of dreams.

Typical dreams are worthy of the most exhaustive investigation. I shall, however, only give a somewhat detailed consideration to examples of this species, and for this purpose I shall first select the so-called embarrassment dream of nakedness, and the dream of the death of dear relatives.

The dream of being naked or scantily clad in the presence of strangers occurs with the further addition that one is not at all ashamed of it, &c. But the dream of nakedness is worthy of our interest only when shame and embarrassment are felt in it, when one wishes to flee or to hide, and when one feels the strange inhibition that it is impossible to move from the spot and that one is incapable of altering the disagreeable situation. It is only in this connection that the dream is typical; the nucleus of its content may otherwise be brought into all kinds of relations or may be replaced by individual amplifications. It is essentially a question of a disagreeable sensation of the nature of shame, the wish to be able to hide one’s nakedness, chiefly by means of locomotion, without being able to accomplish this. I believe that the great majority of my readers will at some time have found themselves in this situation in a dream.

Usually the nature and manner of the experience is indistinct. It is usually reported, “I was in my shirt,” but this is rarely a clear image; in most cases the lack of clothing is so indeterminate that it is designated in the report of the dream by a set of alternatives: “I was in my chemise or in my petticoat.” As a rule the deficiency in the toilet is not serious enough to justify the feeling of shame attached to it. For a person who has served in the army, nakedness is often replaced by a mode of adjustment that is contrary to regulations. “I am on the street without my sabre and I see officers coming,” or “I am without my necktie,” or “I am wearing checkered civilian’s trousers,” &c.

The persons before whom one is ashamed are almost always strangers with faces that have been left undetermined. It never occurs in the typical dream that one is reproved or even noticed on account of the dress which causes the embarrassment to one’s self. Quite on the contrary, the people have an air of indifference, or, as I had opportunity to observe in a particularly clear dream, they look stiffly solemn. This is worth thinking about.

The shamed embarrassment of the dreamer and the indifference of the spectators form a contradiction which often occurs in the dream. It would better accord with the feelings of the dreamer if the strangers looked at him in astonishment and laughed at him, or if they grew indignant. I think, however, that the latter unpleasant feature has been obviated by the tendency to wish-fulfilment, while the embarrassment, being retained on some account or other, has been left standing, and thus the two parts fail to agree. We have interesting evidence to show that the dream, whose appearance has been partially disfigured by the tendency to wish-fulfilment, has not been properly understood. For it has become the basis of a fairy tale familiar to us all in Andersen’s version, and it has recently received poetic treatment by L. Fulda in the Talisman. In Andersen’s fairy tale we are told of two impostors who weave a costly garment for the Emperor, which, however, shall be visible only to the good and true. The Emperor goes forth clad in this invisible garment, and, the fabric serving as a sort of touchstone, all the people are frightened into acting as though they did not notice the nakedness of the Emperor.

But such is the situation in our dream. It does not require great boldness to assume that the unintelligible dream content has suggested the invention of a state of undress in which the situation that is being remembered becomes significant. This situation has then been deprived of its original meaning, and placed at the service of other purposes. But we shall see that such misunderstanding of the dream content often occurs on account of the conscious activity of the second psychic system, and is to be recognised as a factor in the ultimate formation of the dream; furthermore, that in the development of the obsessions and phobias similar misunderstandings, likewise within the same psychic personality, play a leading part. The source from which in our dream the material for this transformation is taken can also be explained. The impostor is the dream, the Emperor is the dreamer himself, and the moralising tendency betrays a hazy knowledge of the fact that the latent dream content is occupied with forbidden wishes which have become the victims of repression. The connection in which such dreams appear during my analysis of neurotics leaves no room for doubting that the dream is based upon a recollection from earliest childhood. Only in our childhood was there a time when we were seen by our relatives as well as by strange nurses, servant girls, and visitors, in scanty clothing, and at that time we were not ashamed of our nakedness.

It may be observed in the case of children who are a little older that being undressed has a kind of intoxicating effect upon them, instead of making them ashamed. They laugh, jump about, and strike their bodies; the mother, or whoever is present, forbids them to do this, and says: “Fie, that is shameful—you mustn’t do that.” Children often show exhibitional cravings; it is hardly possible to go through a village in our part of the country without meeting a two or three-year-old tot who lifts up his or her shirt before the traveller, perhaps in his honour. One of my patients has reserved in his conscious memory a scene from the eighth year of his life in which he had just undressed previous to going to bed, and was about to dance into the room of his little sister in his undershirt when the servant prevented his doing it. In the childhood history of neurotics, denudation in the presence of children of the opposite sex plays a great part; in paranoia the desire to be observed while dressing and undressing may be directly traced to these experiences; among those remaining perverted there is a class which has accentuated the childish impulse to a compulsion—they are the exhibitionists.

This age of childhood in which the sense of shame is lacking seems to our later recollections a Paradise, and Paradise itself is nothing but a composite phantasy from the childhood of the individual. It is for this reason, too, that in Paradise human beings are naked and are not ashamed until the moment arrives when the sense of shame and of fear are aroused; expulsion follows, and sexual life and cultural development begin. Into this Paradise the dream can take us back every night; we have already ventured the conjecture that the impressions from earliest childhood (from the prehistoric period until about the end of the fourth year) in themselves, and independently of everything else, crave reproduction, perhaps without further reference to their content, and that the repetition of them is the fulfilment of a wish. Dreams of nakedness, then, are exhibition dreams.

One’s own person, which is seen not as that of a child, but as belonging to the present, and the idea of scanty clothing, which became buried beneath so many later négligée recollections or because of the censor, turns out to be obscure—these two things constitute the nucleus of the exhibition dream. Next come the persons before whom one is ashamed. I know of no example where the actual spectators at those infantile exhibitions reappear in the dream. For the dream is hardly ever a simple recollection. Strangely enough, those persons who are the objects of our sexual interest during childhood are omitted from all the reproductions of the dream, of hysteria, and of the compulsion neurosis; paranoia alone puts the spectators back into their places, and is fanatically convinced of their presence, although they remain invisible. What the dream substitutes for these, the “many strange people,” who take no notice of the spectacle which is presented, is exactly the wish-opposite of that single, intimate person for whom the exposure was intended. “Many strange people,” moreover, are often found in the dream in any other favourable connection; as a wish-opposite they always signify “a secret.” It may be seen how the restoration of the old condition of affairs, as it occurs in paranoia, is subject to this antithesis. One is no longer alone. One is certainly being watched, but the spectators are “many strange, curiously indeterminate people.”

Furthermore, repression has a place in the exhibition dream. For the disagreeable sensation of the dream is the reaction of the second psychic instance to the fact that the exhibition scene which has been rejected by it has in spite of this succeeded in securing representation. The only way to avoid this sensation would be not to revive the scene.

Later on we shall again deal with the sensation of being inhibited. It serves the dream excellently in representing the conflict of the will, the negation. According to our unconscious purpose exhibition is to be continued; according to the demands of the censor, it is to be stopped.

The relation of our typical dreams to fairy tales and to other poetic material is neither a sporadic nor an accidental one. Occasionally the keen insight of a poet has analytically recognised the transforming process—of which the poet is usually the tool—and has followed it backwards, that is to say, traced it to the dream. A friend has called my attention to the following passage in G. Keller’s Der Grüne Heinrich: “I do not wish, dear Lee, that you should ever come to realise from experience the peculiar piquant truth contained in the situation of Odysseus, when he appears before Nausikaa and her playmates, naked and covered with mud! Would you like to know what it means? Let us consider the incident closely. If you are ever separated from your home, and from everything that is dear to you, and wander about in a strange country, when you have seen and experienced much, when you have cares and sorrows, and are, perhaps, even miserable and forlorn, you will some night inevitably dream that you are approaching your home; you will see it shining and beaming in the most beautiful colours; charming, delicate and lovely figures will come to meet you; and you will suddenly discover that you are going about in rags, naked and covered with dust. A nameless feeling of shame and fear seizes you, you try to cover yourself and to hide, and you awaken bathed in sweat. As long as men exist, this will be the dream of the care-laden, fortune-battered man, and thus Homer has taken his situation from the profoundest depths of the eternal character of humanity.”

This profound and eternal character of humanity, upon the touching of which in his listeners the poet usually calculates, is made up of the stirrings of the spirit which are rooted in childhood, in the period which later becomes prehistoric. Suppressed and forbidden wishes of childhood break forth under cover of those wishes of the homeless man which are unobjectionable and capable of becoming conscious, and for that reason the dream which is made objective in the legend of Nausikaa regularly assumes the form of a dream of anxiety.

My own dream, mentioned on p. 201, of hurrying up the stairs, which is soon afterward changed into that of being glued to the steps, is likewise an exhibition dream, because it shows the essential components of such a dream. It must thus permit of being referred to childish experiences, and the possession of these ought to tell us how far the behaviour of the servant girl towards me—her reproach that I had soiled the carpet—helped her to secure the position which she occupies in the dream. I am now able to furnish the desired explanation. One learns in psychoanalysis to interpret temporal proximity by objective connection; two thoughts, apparently without connection, which immediately follow one another, belong to a unity which can be inferred; just as an a and a t, which I write down together, should be pronounced as one syllable, at. The same is true of the relation of dreams to one another. The dream just cited, of the stairs, has been taken from a series of dreams, whose other members I am familiar with on account of having interpreted them. The dream which is included in this series must belong to the same connection. Now the other dreams of the series are based upon the recollection of a nurse to whom I was entrusted from some time in the period when I was suckling to the age of two and a half years, and of whom a hazy recollection has remained in my consciousness. According to information which I have recently obtained from my mother, she was old and ugly, but very intelligent and thorough; according to inferences which I may draw from my dreams, she did not always give me the kindest treatment, and said hard words to me when I showed insufficient aptitude for education in cleanliness. Thus by attempting to continue this educational work the servant girl develops a claim to be treated by me, in the dream, as an incarnation of the prehistoric old woman. It is to be assumed that the child bestowed his love upon this governess in spite of her bad treatment of him.

Another series of dreams which might be called typical are those which have the content that a dear relative, parent, brother, or sister, child or the like, has died. Two classes of these dreams must immediately be distinguished—those in which the dreamer remains unaffected by sorrow while dreaming, and those in which he feels profound grief on account of the death, in which he even expresses this grief during sleep by fervid tears.

We may ignore the dreams of the first group; they have no claim to be reckoned as typical. If they are analysed, it is found that they signify something else than what they contain, that they are intended to cover up some other wish. Thus it is with the dream of the aunt who sees the only son of her sister lying on a bier before her (p 129). This does not signify that she wishes the death of her little nephew; it only conceals, as we have learned, a wish to see a beloved person once more after long separation—the same person whom she had seen again after a similar long intermission at the funeral of another nephew. This wish, which is the real content of the dream, gives no cause for sorrow, and for that reason no sorrow is felt in the dream. It may be seen in this case that the emotion which is contained in the dream does not belong to the manifest content of the dream, but to the latent one, and that the emotional content has remained free from the disfigurement which has befallen the presentation content.