For (sang he on) I am no foe of thine, There is no black snake, Kama! in my hair; Blue lotus-bloom, and not the poisoned brine, Shadows my neck; what stains my bosom bare, Thou God unfair! Is sandal-dust, not ashes; nought of mine.
Makes me like Shiva that thou, Lord of Love! Shouldst strain thy string at me and fit thy dart; This world is thine--let be one breast thereof Which bleeds already, wounded to the heart With lasting smart, Shot from those brows that did my sin reprove.
Thou gavest her those black brows for a bow Arched like thine own, whose pointed arrows seem Her glances, and the underlids that go-- So firm and fine--its string? Ah, fleeting gleam! Beautiful dream! Small need of Kama's help hast thou, I trow,
To smite me to the soul with love;--but set Those arrows to their silken cord! enchain My thoughts in that loose hair! let thy lips, wet With dew of heaven as bimba-buds with rain, Bloom precious pain Of longing in my heart; and, keener yet,
The heaving of thy lovely, angry bosom, Pant to my spirit things unseen, unsaid; But if thy touch, thy tones, if the dark blossom Of thy dear face, thy jasmine-odours shed From feet to head, If these be all with me, canst thou be far--be fled?
So sang he, and I pray that whoso hears The music of his burning hopes and fears, That whoso sees this vision by the River Of Krishna, Hari, (can we name him ever?) And marks his ear-ring rubies swinging slow, As he sits still, unheedful, bending low To play this tune upon his lute, while all Listen to catch the sadness musical; And Krishna wotteth nought, but, with set face Turned full toward Radha's, sings on in that place; May all such souls--prays Jayadev--be wise To lean the wisdom which hereunder lies.
(Here ends that Sarga of the Gîta Govinda entitled MUGDHAMADHUSUDANO.)
SARGA THE FOURTH.
SNIGDHAMADHUSUDANO.
KRISHNA CHEERED.
Then she whom Radha sent came to the canes-- The canes beside the river where he lay With listless limbs and spirit weak from love;-- And she sang this to Krishna wistfully:
(What follows is to the Music KARNÂTA and the Mode EKATÂLÎ.)
Art thou sick for Radha? she is sad in turn, Heaven foregoes its blessings, if it holds not thee, All the cooling fragrance of sandal she doth spurn, Moonlight makes her mournful with radiance silvery; Even the southern breeze blown fresh from pearly seas, Seems to her but tainted by a dolorous brine; And for thy sake discontented, with a great love overladen, Her soul comes here beside thee, and sitteth down with thine.
Her soul comes here beside thee, and tenderly and true It weaves a subtle mail of proof to ward off sin and pain; A breastplate soft as lotus-leaf, with holy tears for dew, To guard thee from the things that hurt; and then 'tis gone again To strew a blissful place with the richest buds that grace Kama's sweet world, a meeting-spot with rose and jasmine fair, For the hour when, well-contented, with a love no longer troubled, Thou shalt find the way to Radha, and finish sorrows there.
But now her lovely face is shadowed by her fears; Her glorious eyes are veiled and dim like moonlight in eclipse By breaking rain-clouds, Krishna! yet she paints you in her tears With tender thoughts--not Krishna, but brow and breast and lips And form and mien a King, a great and godlike thing; And then with bended head she asks grace from the Love Divine, To keep thee discontented with the phantoms thou forswearest, Till she may win her glory, and thou be raised to thine.
Softly now she sayeth, "Krishna, Krishna, come!" Lovingly she prayeth, "Fair moon, light him home." Yet if Hari helps not, Moonlight cannot aid; Ah! the woeful Radha! Ah! the forest shade!
Ah! if Hari guide not, Moonlight is as gloom; Ah! if moonlight help not, How shall Krishna come? Sad for Krishna grieving In the darkened grove; Sad for Radha weaving Dreams of fruitless love!
Strike soft strings to this soft measure, If thine ear would catch its treasure; Slowly dance to this deep song, Let its meaning float along With grave paces, since it tells Of a love that sweetly dwells In a tender distant glory, Past all faults of mortal story.
(What follows is to the Music DESHÂGA and the Mode EKATÂLÎ.)
Krishna, till thou come unto her, faint she lies with love and fear; Even the jewels of her necklet seem a load too great to bear.
Krishna, till thou come unto her, all the sandal and the flowers Vex her with their pure perfection though they grow in heavenly bowers.
Krishna, till thou come unto her, fair albeit those bowers may be, Passion burns her, and love's fire fevers her for lack of thee.
Krishna, till thou come unto her, those divine lids, dark and tender, Droop like lotus-leaves in rain-storms, dashed and heavy in their splendour.
Krishna, till thou come unto her, that rose-couch which she hath spread Saddens with its empty place, its double pillow for one head.
Krishna, till thou come unto her, from her palms she will not lift The dark face hidden deep within them like the moon in cloudy rift.
Krishna, till thou come unto her, angel though she be, thy Love Sighs and suffers, waits and watches--joyless 'mid those joys above.
Krishna, till them come unto her, with the comfort of thy kiss Deeper than thy loss, O Krishna! must be loss of Radha's bliss.
Krishna, while thou didst forget her--her, thy life, thy gentle fate-- Wonderful her waiting was, her pity sweet, her patience great.
Indian Poetry · The Wunder Library — complete classics, free to read, with narration.