Part 87

It is the correct thing here to affect awful clothes in the daytime. The Baron (der alte Herr), when not hunting, wears an Italian brigand costume (short breeches, tight leggings, stout boots) and some animal's front teeth sewed on his Tyrolean hat to hold the little feathers. But in the evening, oh, dear me! nothing is equal to his elegance.

The next day the gentlemen (twenty in number), all splendidly mounted on English hunters, rode off at eleven o'clock, masses of grooms and piqueurs, with lots of hunting-horns and the dogs. We ladies followed in the break. The masters of the hounds were already at the rendezvous on the hill. They soon started a fox, and then the dogs tore off yelping and barking, and the riders riding like mad; and we waited in the carriages, sorry not to be with them. The red coats looked well against the background; the dogs, all of the same pattern, were rushing about in groups with their tails in the air; but while our eyes were following them the fox ran right under our noses, within a hair's-breadth of our wheels. Of course the dogs lost the scent, and there was a general standstill until another fox was routed out, and off they flew again. Der alte Herr is very much thought of in these parts; he was the only one who dared oppose the House of Peers in Berlin in the question of war with Austria in 1866, and made such an astounding speech that he was obliged to retire from politics and take to fox-hunting. He gave the speech to me to read, and--I--well!--I didn't read it!

The Westphalians seem to go on the let-us-alone principle; they seem to be anti-everything--from Bismarck and Protestantism downward. I sang the last evening of our stay here. The piano belonging to this hunting-lodge is as old as the alte Herr, and must have been here for years, and even at that must be an heirloom. The keys were yellow with age and misuse, and if it had ever been in tune it had forgotten all about it now and was out of it altogether. I picked the notes out which were still good, and by singing Gounod's "Biondina" in a loud voice and playing its dashing accompaniment with gusto, I managed to keep myself awake. As for the tired hunters who had been in the saddle all day, they were so worn out that nothing short of a brass band could rouse them long enough for them to keep their eyes open.

The next day we bade our hosts good-by and, thanking them for our delightful visit, we departed. I wonder if the gentlemen liked being trespassed upon as much as we did who did the trespassing. However, they were polite enough to say that they had never enjoyed anything so much as our visit, and especially my singing. What humbugs! I was polite enough not to say that I had never enjoyed anything so little as singing for sleepy fox-hunters.

ROME, January, 1875.

DEAR MOTHER,--I am here in Rome, staying with my friends the Haseltines, who have a beautiful apartment that they have arranged in the most sumptuous and artistic manner in the Palazzo Altieri. Mr. Haseltine has two enormous rooms for his studio and has filled them with his faultless pictures, which are immensely admired and appreciated. His water-colors are perfection.

I have met many of your friends whom you will be glad to hear about; to begin with, the Richard Greenoughs, our cousins. We had much to talk about, as we had not seen each other since Paris, when he made that bust of me. They are the most delightful people, so talented in their different ways, and are full of interest in everything which concerns me. She has just published a book called Mary Magdalene, which I think is perfectly wonderful.

I have made the acquaintance of William Story (the sculptor). He spoke of you and Aunt Maria as his oldest and dearest friends, and therefore claimed the right to call me Lillie.

I have not only seen him, but I have been Mrs. Story, Miss Story, and the third story in the Palazzo Barberini, where they live, and I have already counted many times the tiresome one hundred and twenty-two steps which lead to their apartment, and have dined frequently with them in their chilly Roman dining-room. This room is only warmed by the little apparatus which in Rome passes for a stove. It has a thin leg that sticks out of a hole in the side of the house and could warm a flea at a pinch.

The hay on the stone floor made the thin carpet warmer to my cold toes, which, in their evening shoes, were away down below zero, but my cold and bare shoulders shivered in this Greenland icy-mountain temperature which belongs to Roman palaces. This was before I was an habituée; but after I had become one I wore, like the other jewel-bedecked dames, woolen stockings and fur-lined overshoes. The contrast must be funny, if one could see above board and under board at the same time.

The Storys generally have a lion for dinner and for their evening entertainments. My invitations to their dinners always read thus: "Dear Mrs. Moulton,--We are going to have (mentioning the lion) to dinner. Will you not join us, and if you would kindly bring a little music it would be such a," etc. No beating about the bush there! The other evening Miss Hosmer--female rival of Mr. Story in the sculpturing line--was the lion of the occasion, and was three-quarters of an hour late, her excuse being that she was studying the problem of perpetual motion. Mr. Story, who is a wit, said he wished the motion had been perpetuated in a botta (which is Italian for cab).

February 1st.

Last Thursday, at nine o'clock in the morning, a card was brought to my bedroom. Imagine my astonishment when I read the name of Baroness de C----, the wife of the French Ambassador to the Vatican. What could she want at that early hour? I had heard many stories of her absent- mindedness. I thought that nothing less than being very absent-minded, or else the wish to secure my help for some charity concert, could account for this matutinal visit, especially as I knew her so slightly.

To my great surprise she had only come to invite me to dinner, and never mentioned the word charity concert or music. I thought this very strange; but as she is so distraite she probably did not know what time of day it was, and imagined she was making an afternoon visit.

One of the stories about her is that once she went to pay a formal call on one of her colleagues, and stayed on and on until the poor hostess was in despair, as it was getting late. Suddenly the ambassadress got up and said, "Pardon, dear Madame, I am very much engaged, and if you have nothing further to say to me I should be very grateful if you would leave me." The Baroness had been under the impression that she was in her own salon. They say that, one day, when she was walking in the Vatican gardens with the Pope, and they were talking politics, she said to him, "Oh, all this will be arranged as soon as the Pope dies!"

Well, we went to the dinner, which was quite a large one, and among the guests was Signor Tosti, which would seem to denote that there was, after all, "music in the air"; and sure enough, shortly after dinner the ambassadress begged me to sing some petite chose, and asked Tosti to accompany me. Neither of us refused, and I sang some of his songs which I happened to know, and some of my own, which I could play for myself.

However, I felt myself recompensed, for when she thanked me she asked if I had ever been present at any of the Pope's receptions.

I told her that I had not had the opportunity since I had been here.

"The Pope has a reception to-morrow morning," said she. "Would you care to go? If so, I should be delighted to take you."

"Oh," I said, "that is the thing of all others I should like to do!"

"Then," said she, "I will call for you and take you in my carriage."

This function requires a black dress, black veil, and a general funereal appearance and gloveless hands. Happily she did not forget, but came in her coupé at the appointed time to fetch me, and we drove to the Vatican.

The ambassadress was received at the entrance with bows and smiles of recognition by the numerous camerieri and other splendidly dressed persons, and we were led through endless beautiful rooms before arriving at the gallery where we were to wait. It was not long before his Holiness (Pius IX.) appeared, followed by his suite of monsignors and prelates. I never was so impressed in my life as when I saw him. He wore a white-cloth soutane and white-embroidered calotte and red slippers, and looked so kind and full of benevolence that he seemed goodness personified. I knelt down almost with pleasure on the cold floor when he addressed me, and I kissed the emerald ring which he wore on his third finger as if I had been a born Catholic and had done such things all my life.

He asked me in English from which country I came, and when I answered, "America, your Holiness," he said, "What part of America?" I replied, "From Boston, Holy Father."

"It is a gallant town," the Pope remarked; "I have been there myself."

Having finished speaking with the men (all the ladies stood together on one side of the room and the men on the other), the Pope went to the end of the gallery. We all noticed that he seemed much agitated, and wondered why, and what could have happened to ruffle his benign face. It soon became known that there was an Englishman present who refused to kneel, although ordered to do so by the irate chamberlain, and who stood stolidly with arms folded, looking down with a sneer upon his better-behaved companions.

His Holiness made a rather lengthy discourse, and did not conceal his displeasure, alluding very pointedly to the unpardonable attitude of the stranger.

On leaving the gallery he turned around a last time, made the sign of the cross, giving us his blessing, and left us very much impressed. I looked about for my companion, but could not see her anywhere. Had she forgotten me and left me there to my fate? It would not be unlike her to do so.