Part 74

When I am not poetical, as above, I notice the oxcarts with their cruel drivers yelling at their poor beasts and goading them with iron-pointed sticks. When they were not striking them, they struck picturesque attitudes themselves, leaning on their carts and smoking endless cigarettes. The cabmen are also picturesque in their way. After their return from a "course," tired out from whipping their forlorn horses into the sideling trot which is all they are equal to, and after flicking their ears until they are too lazy to continue, they hang their hats and stockingless feet over the carriage lamps and chew sugar-cane, looking the picture of contentment.

Cabs are cheap; twenty-five cents will take you anywhere à la course. But if you go from one shop to another, or linger at a visit, fancy knows no bounds, for there is no tariff and the coachman's imagination is apt to be vivid; and as you can't trust anything else, you must trust to your conversational power to get you out of the scrape.

Volantes are capricious and too exotic a vehicle to trifle with; moreover, they turn corners with difficulty, and corners in Havana are the things you meet the most of.

The streets are narrow; so that if you wish to avoid adventures you must be careful to give your coachman the correct address before starting off. The porter of the hotel did this for us to-day, as our Spanish has not reached perfection yet.

All the streets are labeled subida, which means, "go up this street," or bajado, "down this street." If, by chance, you want to go to 27 subida and you amble on to 29, it takes you hours to go bajado and get back to subida again, going round in a cercle vicieux. We spent a whole broiling afternoon buying two spools of thread, my parasol being mightier than my tongue, as the poor coachman's back can vouch for. When everything else failed we shouted in unison, "Hotel San Carlos," and the black coachman grinned with delight. Seeing bajado so often at different points, Laura thought it was the sign of an assurance company; when I saw it on the same house as Maria Jesus Street I thought it was some kind of charitable institution.

A volante, as I have said, is a unique and delightful vehicle, which one requires to know to appreciate. There are two huge wheels behind and none in front; the animal, secured between the shafts, supports the weight of the carriage. The seat is very low, so that you recline, more than sit; your feet are unpleasantly near the horse's tail; a small seat can be pulled out between you and your companion if there is a child in the party. A dusky postilion decked out in high top-boots, with enormous spurs of real silver, sits astride the horse between the shafts, and a huge sombrero covers his woolly head.

The harness, spurs, buckles, and a good deal of the carriage trimmings are silver; the horse's tail is braided once a week and tied to the saddle. No frisky frightening off the flies from his perspiring and appetizing body! Sometimes (in fact, usually) there is an extra horse outside of the traces, so that labor is thus divided. The volante drags the people; the horse in the shafts drags the volante, and the extra horse drags everything; the coachman does the spurring, whipping, and shouting, and the inmates do the lolling.

I forgot to say that my friend, Lola Maddon, whom I used to know in Paris, is here, married to Marquis San Carlos, who was a fascinating widower with several children, whom Lola, like the dear creature she is, had taken under her youthful wing. She rushed to see me the moment she heard that I had come, and has already begun to "turn the stones" which are to be turned for me to make my "visit illustrious" here. She has invited us to the opera to-morrow, and gives a soirée for me on the following evening. I confess I am rather curious to see a soirée in Havana. I hope they have ice-chests to sit on and cool conversation. I shall not talk politics; in the first place I can't, and in the second place because it is heating to the blood.

Lola says her husband is a rabid Spaniard. "A rabid Spaniard!" Could anything be more alarming? No; I will not be the innocent means to bring about discussions, and precipitate a conflict between the Cubans and the Spaniards! I have pinned upon the bed-curtains, next to the precautions for preserving health and the washing-list, the words, "Never talk politics, nor be led into listening to them," I can always, if pushed into a corner, assume an air of profundity and say, "Is the crisis--" and then stop and look for a word. The politician, if he is anything of a politician, will finish the phrase for me, with the conviction that I know all about it but am diplomatic.

To see the cows in Havana is enough to break your heart. I weep over them in a sort of milky way. I have always seen cows in comfortable stables, with nice, clean straw under their feet and pails full of succulent food placed within easy reach, while at certain intervals a tidy, tender- hearted young milkmaid appears with a three-legged stool and a roomy pail, and extracts what the cow chooses to give her. But here the wiry creatures roam from door to door, and drop a pint or so at each call. It is pitiful to see the poor, degraded things, with their offspring following behind. The latter are graciously allowed to accompany them; but no calls on Nature are permitted, the poor little things are even muzzled!

Whenever I wish to go into the public parlor, where there is a piano, I meet the Countess C----, who has evidently just been singing to her son and her husband.

The first day I met her I approached her with the intention to talk music; but she swept by with a look which withered me up to an autumn leaf and left the room, followed by her music, son, and husband; but afterward, when she saw the Captain of the Port in full gala offering me "Cuba et ses dépendences," she changed her manner, and then it was my turn! When she asked me if I also knew Count Ceballos, the Governor General, I answered, with a sweet smile, "Of course I do." "And many other people here?" she asked, "All I think that are worth knowing," I replied, getting up and leaving the room as abruptly as she had done. It was great fun, though L---- thought I was rude.

We went to the theater with Marquise San Carlos. "All the world is here," said she. Certainly it looked as if all Havana filled the Tacon, which is a very large theater. Every box was full, and the parquet, as Lola told me, contained the haute volée of the town; the open balconies were sacred to the middle-class, while in the upper gallery were the nobodies, with their children, poor things! decked out with flowers and trying to keep awake through the very tiresome and démodé performance of "Macbeth." Tamberlik sang. What a glorious voice he has! And when he took the high C (which, if I dare make the joke, did not at all resemble the one Laura and I encountered coming out of New York Harbor) it was all I could do to sit quiet. I wanted to wave something. The prima-donna was assoluta, and must have been pickled in some academy in Italy years ago, for she was not preserved. She acted as stupidly as she sang.

Each box has six seats and are all open, with the eternal lattice-door at the back, and separated from its neighbor by a small partition. It was very cozy, I thought; one could talk right and left, and when the gentlemen circulated about in the entr'actes smoking the inevitable cigarette, which never leaves a Cuban's lips except to light a fresh one, all the lattice-doors are eagerly opened to them. Lola presented all the haute volée to us, the unpresented just stared. I never realized how much staring a man can do till I saw the Cuban. I mentioned this to Lola, to which she responded, "It is but natural, you are a stranger."

"Dear friend," said I, "I have been a stranger in other lands, but I have never seen the like of this. If I was an orang outang there might be some reason, but to a simple mortal, or two simple mortals, like my sister and myself, their stares seem either too flattering or the reverse."

"Why, my dear," she replied, "they mean it as the greatest compliment, you may believe me." And she appealed to her husband, who confirmed what she said. All the gentlemen carry fans and use them with vigor; the ladies are so covered with powder (cascarilla) that you can't tell a pretty one from an ugly one. If one of them happens to sneeze, there is an avalanche of powder.

Lola showed us her establishment and explained the architecture of a Cuban house. If chance has put a chimney somewhere, they place the kitchen near it. Light and size are of no account, neither is cooking of any importance.

CUBA, February, 1873.

We make such crowds of acquaintances it would be useless to tell you the names. The Marquise San Carlos sent her carriage for us the evening of her soirée. All the company was assembled when we arrived: the Marquis, the Dean of Havana, and two abbés were playing tresillo, a Spanish game of cards.

A group of men stood in the corner and seemed to be talking politics, as far as I could judge from then gesticulations. A few ladies in sweeping trains, and very décolletées, sat looking on listlessly. The daughter of the house was nearing the piano. The Dean said to me, with a sly smile, "Now is the coup de grâce!"--his little joke. She sang, "Robert, toi que j'aime. Grâce! Grâce!" etc. Also she sang the waltz of "Pardon de Ploërmel," a familiar cheval de bataille of my own, which I was glad to see cantering on the war-path again. In the mean time conversation was at low ebb for poor Laura. She told me some fragments which certainly were peculiar. For instance, she understood the gentle man who had last been talking to her to say that he had been married five times, had twenty- eight children, and had married his eldest son's daughter as his fifth wife. I afterward ascertained that what he had intended to convey was that he was twenty-eight when he married and had fifteen children. That was bad enough, I thought.

I sang two or three times. The gaiety was brought to rather an abrupt close, as the Marquis received a telegram of his brother's death. The Abbé went on playing his game, not at all disturbed (such is the force of habit); but we folded our tents and departed.

The hours are sung out in the streets at night, with a little flourish at the end of each verse. I fancy the watchman trusts a good deal to inspiration about this, as my clock--an excellent one--did not at all chime in with his hours. Perhaps he composes his little verse, in which case a margin ought to be allowed him....

The bells in the churches are old and cracked and decrepit.

All the fleet, and any other boat that wants to join in fire off salute, to wake you up in the morning.

I bought to-day the eighth part of a lottery-ticket.

The Captain of the Port thinks his English is better than his French, but sometimes it is very funny. He says: "Don't take care," instead of "Never mind"--"The volante is to the door"--"Look to me, I am all proudness"-- "You are all my anxiousness."

The houses are generally not more than one story high, built around an open court, on which all rooms open. In the middle of this is a fountain; no home is complete without a fountain, and no fountain is complete without its surroundings of palms, plants, and flowers. In one of the rooms you can see where the volante reposes for the night. You only see these glories at night. When the heavy bolts are drawn back you and everybody can look in from the street on the family gathering, basking in rocking-chairs around the fountain, and in oriental, somnolent conversation.

CUBA, February.