"Well," said the Empress, as she stopped in front of me after déjeuner, "are you alive?"
"I am, your Majesty, and, strange to say, my heart is intact."
"Wonderful!" she said, "you are an exception."
We had the choice between going to a chasse à tir (without the Emperor), and a drive to Pierrefonds.
I had enough of the chasse à tir last year, and I still see in my dreams those poor birds fluttering in their death-agony. Anything better than that!
I preferred Pierrefonds, with its gargoyles and its hard, carved chairs.
I was glad Monsieur de Niewekerke went with us, for he was more interesting and did not go into so many details as Viollet-le-Duc.
The restoration has progressed very much since the last time we were here, though far from being completed yet. In the huge hall Niewekerke told me the statues about the chimney were portraits of the wives of the preux chevaliers of that time.
I thought the frescos of this hall were very crude in color; but Monsieur de Niewekerke said they were excellent copies of the ancient style of decoration.
The castle is such a magnificent ruin one almost wishes that it was not restored.
I would like to see it in summer, not in this season, when one perishes with cold and longs, in spite of its beauty, to be out of it and in a warmer place.
There was a dense fog on the lake and a mist in the forest when we left, and it was dreadfully damp and cold. The postilions took a shorter cut and carried us through La Brévière and St. Jean aux Bois.
I should think both must be charming in summer; but now--ugh!
What was my delight at the Empress's tea this afternoon to see Auber, my dear old Auber! He had been invited for dinner, and had come with the artists who are to play to-night. He looked so well and young, in spite of his eighty-three years. Every one admires him and loves him. He is the essence of goodness, talent, and modesty. He is writing a new opera. Fancy writing an opera at eighty-three!
I asked what the name of it was. He answered: "'Le Rêve d'Amour.' The title is too youthful and the composer is too old. I am making a mistake, but what of that? It is my last!"
I said I hoped he would live many more years and write many more operas.
He shook his head, saying, "Non, non, c'est vraiment mon dernier!"
Monsieur de Lareinty said to the Empress at tea that there was an unusual amount of musical talent among her guests--a real galaxy of stars seldom to be found in amateurs.
The galaxy may have existed--but the stars! The Milky Way seen through the wrong end of an opera glass was nothing to the smallness of their magnitude.
The Empress caught at the idea directly, and the decree went out that there should be a concert tomorrow evening; not mere desultory singing, but singers and songs in regular order.
Auber said he was sorry he could not be there to applaud us. He accompanied us when we went to our rooms, and then he had no idea how to find his own. After having seen him handed over successively to three different valets, we left him to his fate, hoping he would arrive at his destination eventually. When we entered the salon for dinner Auber was already there. If he had not brought his own servant with him, he never would have been in time.
The troop of the Comédie Française played "La Joie fait Peur," by Musset. The theater was brilliantly lighted; the guests, from the environs and the fine fleur of Compiègne, filled all the boxes. The gentlemen and the officers were in the parquet. The Court and Imperial guests sat with their Majesties in the Imperial box. It was a magnificent sight!
Madame Favart was most touching in her part, and everybody, I think, wept. Coquelin was excellent; but I do not like him so much in his pathetic rôles; his squeaky voice and nasal tones do not belong to the sentimental style. After the play he gave a monologue, which was the funniest thing I ever heard, "Les Obsèques de Madame X----." The whole house was laughing, and most of all the Emperor. I could see his back shaking, and the diplomatic and apoplectic Baron condescended to explode twice.
The representation lasted till half-past ten. The artists did not change their toilettes, but came into the salon as they were dressed for the play. They were received with great cordiality by their Majesties. The Chamberlain gave them each a little package containing, I suppose, a valuable souvenir from the sovereigns. A special train took them back to Paris.
Auber bid me good-by, saying, "Au revoir until Paris, if you are not too absorbed in these grandeurs to receive a poor, insignificant bourgeois like me."
"You can always try," I answered with a laugh. "Bon soir et bon voyage!"
December 2d.
What a day this has been! A storm of rain and hail raged all night, and when I looked out of the window this morning I saw everything deluged in water. The park looked dismal; all the paths were full of puddles; the trees were dripping with rain, and, to judge from the dark skies and threatening clouds, it seemed as if worse was to follow and there might be thunder and lightning. On the programme for to-day there stood chasse à courre; but of course cela tombait dans l'eau, as would have been its natural end anyway in this weather. None of the ladies donned their green costumes, as even one was so sure that the day would be passed indoors.
In the Courts of Memory, 1858-1875 · The Wunder Library — complete classics, free to read, with narration.